The Boy Who Lost His Birthday is the uplifting story of one man's journey from boyhood in rural Hungary to triumph over oppression during the Holocaust and finally to a role as a spiritual leader in America. Rabbi Laszlo Berkowits' compelling memoir recounts his happy childhood memories in Derecske, Hungary where he was a member of a thriving Jewish community and aspired to become a cantor. Stricken with wartime poverty, Berkowits and his father left their home and family behind to seek work in Budapest. It was there that they were rounded up with other Budapest Jews and shipped by sealed train to Auschwitz in the summer of 1944. Berkowits vividly narrates his treacherous experience as a sixteen year-old boy surviving in the notorious Nazi concentration camp until its liberation by American troops. After recovery in Sweden, Berkowits immigrated to America were he completed his education, joined the United States Army, and became a chaplain's assistant. After leaving the Army, he undertook graduate study at Hebrew Union College, married, and became the founding rabbi of the largest Jewish congregation in Virginia, Temple Rodef Shalom. Berkowits' story shows that he emerged victorious over deprivation, cruelty, and tragedy to become an exemplar of American success.

Biography of the inventor of the birth control pill.

(Applause Books). Here is the original story of a true original, the celebrated and internationally renowned director, playwright and screenwriter Arthur Laurents, whose creative genius continues to energize American stage and screen today. Say his name, and images of West Side Story , Gypsy, Anastasia, The Turning Point , and The Way We Were appear. Laurents' highly praised memoir is a dazzling portrait of his life as he recounts the great moments, the trials and the joys of his incredible career. He takes us into his world, peopled with the creative artists, directors, actors and personalities who came of age in the theatre and in Hollywood after WWII. Later, back in New York, he writes about jump-starting Barbra Streisand's career by casting her in I Can Get It for You Wholesale . He writes about the creation of Gypsy with Jule Styne and Stephen Sondheim. And he writes about coming together in a complex, fraught collaboration with his three old pals, Jerome Robbins, Leonard Bernstein and Sondheim for West Side Story . Throughout, Laurents is funny, fierce, and frank a life recounted as richly as it was lived. "This is a historic work. A 'must' for show biz mavens." LIZ SMITH, Newsday & Syndicated

A narrative thriller about the battle royale surrounding Barack Obama's quest for a second term amid widespread joblessness and one of the most poisonous political climates in American history.

As Times Square turns 100, New York Times Magazine contributing writer James Traub tells the story of how this mercurial district became one of the most famous and exciting places in the world. The Devil’s Playground is classic and colorful American history, from the first years of the twentieth century through the Runyonesque heyday of nightclubs and theaters in the 1920s and ’30s, to the district’s decline in the 1960s and its glittering corporate revival in the 1990s. First, Traub gives us the great impresarios, wits, tunesmiths, newspaper columnists, and nocturnal creatures who shaped Times Square over the century since the place first got its name: Oscar Hammerstein, Florenz Ziegfeld, George S. Kaufman, Damon Runyon, Walter Winchell, and “the Queen of the Nightclubs,” Texas Guinan; bards like A. J. Liebling, Joe Mitchell, and the Beats, who celebrated the drug dealers and pimps of 42nd Street. He describes Times Square’s notorious collapse into pathology and the fierce debates over how best to restore it to life. Traub then goes on to scrutinize today’s Times Square as no author has yet done. He writes about the new 42nd Street, the giant Toys “R” Us store with its flashing Ferris wheel, the new world of corporate theater, and the sex shops trying to leave their history behind. More than sixty years ago, Liebling called Times Square “the heart of the world”—not just the center of the world, though this crossroads in Midtown Manhattan was indeed that, but its heart. From the dawn of the twentieth century through the 1950s, Times Square was the whirling dynamo of American popular culture and, increasingly, an urban sanctuary for the eccentric and the untamed. The name itself became emblematic of the tremendous life force of cities everywhere. Today, Times Square is once again an awe-inspiring place, but the dark and strange corners have been filled with blazing light. The most famous street character on Broadway, “the Naked Cowboy,” has his own website, and Toys “R” Us calls its flagship store in Times Square “the toy center of the universe.” For the giant entertainment corporations that have moved to this safe, clean, and self-consciously gaudy spot, Times Square is still very much the center of the world. But is it still the heart?

This book is both a powerful personal memoir and the definitive history of an organization that helped change American society. Jack Greenberg was a key figure at the NAACP Legal Defense and Educational Fund (LDF) for some thirty-five years. Most of the cases we associate from that period--school integration, equal employment, fair housing, voter registration--were LDF cases, either argued by Greenberg himself or litigated under his direction. Greenberg represented Martin Luther King, Jr., in Birmingham and won for him the right to march from Selma to Montgomery. Under Greenberg's leadership, the LDF forced the University of Mississippi to admit James Meredith and integrated the University of Alabama when George Wallace stood in the schoolhouse door. Greenberg won the cases in which the Supreme Court repudiated the "all deliberate speed" doctrine, which had made school desegregation intolerably slow. Through the 1970s and 1980s, LDF tackled most of the important cases that enforced the new civil rights legislation of the 1960s involving public accommodations, employment, education, and health care, and started the campaigns for prisoners' rights and against capital punishment. More than a history of the litigation that made the LDF so important, the book offers unique insights into its strategies, courtroom techniques, values, and personal relationships. Filled with stories only Greenberg could tell of his experiences with Thurgood Marshall, Martin Luther King, Jr., Marian Wright Edelman, Lani Guinier, Roy Wilkins, Vernon Jordan, Charlayne Hunter-Gault, Lyndon Johnson, and scores of others, Crusaders in the Courts is an epic saga of a critical period in American history as well as the poignant personal story of the evolution of a white Jewish lawyer into a major civil rights advocate.

A book for both the general reader of American history and the student of art, Flexner's study of Copley (1738-1815) brings into vivid detail the struggle the artist endured against an unfavorable environment in the New World, his rise to fame, the development of his unique style, and the personal growth of the man who became America's first great artist. Copley's life began in the humble surroundings of Boston's waterfront. As a poor boy growing up in a city where no formal art instruction was available, rigorous self-instruction was Copley's only means to his goal of becoming a painter. Through laborious work Copley mastered his craft; the portraits he produced between 1753 and 1774, at the height of his fame, were distinguished by the fully rounded modeling and realism which make the personalities of his subjects come alive. His paintings in these years were the best works a colonial American artist had ever produced. Yet his personal letters reveal that he found life in Boston limited; he cites the dearth of great art from which to learn and by which to be inspired, and complains of what he perceives to be the underappreciation of his patrons. The Boston Tea Party and other events led inexorably toward the Revolution. Copley was unwillingly drawn into the troubled political arena; his loyalist connections made his life in Boston increasingly turbulent and precarious. In 1774, at the suggestion of Joshua Reynolds and Benjamin West, Copley became convinced he was wasting his talents in the colonies and moved to London to study the European masters. This decision marked the second period of his life, lasting forty years, and instigated a no less dramatic shift in the style and subjectof his art. Copley's tour of European cities and galleries broadened the range and scope of his work. He produced large canvases of sweeping historical scenes of war, political subjects, and religious subjects considered taboo in the colonies. Copley's fame soared to world-wide recognition as a historical painter. But in his later work Copley seems to have lost his strong sense of composition; eventually, even his draftsmanship seemed to fail him. The rejection and scorn of critics stung Copley, and he spent the last years of his life struggling to regain his former acclaim.

"This account of Philip Roth traces the psychological and artistic origins of his creative life. It examines the major events of his career, while identifying a series of personal themes in his writing, from his relationship with Judaism to family, marriage, Eastern Europe and America. It addresses his private challenges from romance and health, to surviving as a writer burdened with success. The book also reflects how living outside the United States, initially in Italy and then England, plus his visits to Eastern Europe and exposure to their oppressed writers affected his writing. In particular, it primed him for a new engagement with American political and social history, resulting in a renewed determination to re-write America through his American trilogy and The Plot Against America. Although chronology is the framework, this is a thematic reading of Roth's life and career with attention to family, self-identity and success. A set of contrasting angles form this approach, beginning with his prolonged sense of discontent, yet public image of success, his search for sustained relationships but then decision to end them, his idealization of his parents but persistent undercurrent of criticism. Three overlapping issues provide the impetus for this reading: the aesthetic, the emotional and the historical. The lasting importance of such themes as anger, betrayal and failure has a vital role in understanding Roth's character and work. So, too, does his sense of performance on and off the page. Location is also significant and there are extensive discussions of Newark, London, Iowa, Prague and rural Connecticut. Particular attention to writers of the Holocaust, notably Primo Levi and Aharon Appelfeld, and contemporaries such as Saul Bellow and Bernard Malamud, also frame the narrative along with discussions of John Updike, Cynthia Ozick, Norman Mailer, Nadine Gordimer and Nicole Krauss. Works receiving special attention are Portnoy's Complaint, The Ghost Writer, Sabbath's Theater and the American trilogy. The shifting patterns of Roth's writing style, often related to changes in his physical and psychological health, are also considered. But more importantly is Roth's character and how early incidents formed later behavior, especially his inability to forget the past, particularly an insult or criticism. Analysis of his life with his two wives, Margaret (Maggie) Williams and Claire Bloom also occurs, as well as his relationships with other women. Further commentary focuses on Roth's illnesses and his life after he publically announced that he had stopped writing"--

"A down-to-earth, inspiring book about the American promise fulfilled." -President Bill Clinton "Fascinating . . . . Made me wish I had been born in the Bronx." -Barbara Walters A touching and provocative collection of memories that evoke the history of one of America's most influential boroughs-the Bronx-through some of its many success stories The vivid oral histories in Arlene Alda's Just Kids from the Bronx reveal what it was like to grow up in the place that bred the influencers in just about every field of endeavor. The Bronx is where Michael Kay, the New York Yankees' play-by-play broadcaster, first experienced baseball; where J. Crew's CEO Millard ("Mickey") Drexler found his ambition; where Neil deGrasse Tyson and Dava Sobel fell in love with science; and where local music making inspired singer-songwriter Dion DiMucci and hip-hop's Grandmaster Melle Mel. The parks, the pickup games, the tough and tender mothers, the politics, the gangs, the food-for people who grew up in the Bronx, childhood recollections are fresh. Arlene Alda's own Bronx memories were a jumping-off point from which to reminisce with a nun, a police officer, an urban planner, and with Al Pacino, Carl Reiner, Colin Powell, Maira Kalman, Bobby Bonilla, Mary Higgins Clark, and many other leading artists, athletes, scientists, and entrepreneurs-experiences spanning six decades of Bronx living. Alda then arranged these pieces of the past, from looking for violets along the banks of the Bronx River to the wake-up calls from teachers who recognized potential, into one great collective story, a filmlike portrait of the Bronx from the early twentieth century until today.

"It is [a] belief in diversity and pluralism and the uniqueness of each person that underlies all my writings . . . " -from the Preface. Regarded as the most influential and widely read thinker on modern organizations and their management, Peter Drucker has also established himself as an unorthodox and independent analyst of politics, the economy, and society. A man of impressive scope and expertise, he has paved significant inroads in a number of key areas, sharing his knowledge and keen insight on everything from the plight of the employee and the effects of technology to the vicissitudes of the markets and the future of the new world order. Adventures of a Bystander is Drucker's rich collection of autobiographical stories and vignettes, in which this legendary figure paints a portrait of his remarkable life, and of the larger historical realities of his time. In a style that is both unique and engaging, Drucker conveys his life story -from his early teen years in Vienna through the interwar years in Europe, the New Deal era, World War II, and the postwar period in America-through intimate profiles of a host of fascinating people he's known through the years. Their personal histories are, as Drucker tells us, the beads for which his own life serves as the string. A colorful group, these diverse, often unpredictable, always multidimensional individuals were chosen "because each of them, in his or her own highly personal way, reflects and refracts the thirty crucial years from the end of World War I to the first post-World War II decade-the thirty years that largely formed the world in which we now live." An amazing pageant of characters, both famous and otherwise, springs from these pages, illuminating and defining one of the most tumultuous periods in world history. Along with bankers and courtesans, artists, aristocrats, prophets, and empire-builders, we meet members of Drucker's own family and close circle of friends, among them such prominent figures as Sigmund Freud, Henry Luce, Alfred Sloan, John Lewis, and Buckminster Fuller. Playing to perfection their roles as those who "reflect and refract" the customs, beliefs, and attitudes of the times, these singular personalities lend Adventures of a Bystander a striking "you-are-there" feel. A brief encounter with Freud becomes the catalyst for an absorbing, multidimensional description of the economics, politics, and social psychology of pre-World War II Europe. Drucker introduces us to Fritz Kraemer, a brilliant, monocle-wearing eccentric who became an influential mentor to the young Henry Kissinger. His personal memoir of Henry Luce documents the development of modern journalism, while in "The Indian Summer of Innocence," he rescues and preserves the very heart of the American experience during the last New Deal years before World War II. Shedding light on a turbulent and important era, Adventures of a Bystander also reflects Peter Drucker himself as a man of imaginative sympathy and enormous interest in people, ideas, and history. These enthralling stories complement and complete the groundbreaking analytical writing for which he is so revered. Luminous autobiographical stories by one of the greatest thinkers of our time "The cast of characters among whom Drucker moves is superbly rich, and the informed glimpse he provides of a vanished social and political universe is an education in itself. Adventures of a Bystander is better than a novel, more lively than an essay, and as thoughtful as both at their best." -The Harvard Business Review. "Adventures of a Bystander is a virtuoso performance in which Drucker displays a dazzling diversity of personal interests and knowledge, an awesome power of recall, and a crisp, highly readable writing style." -BusinessWeek. "Adventures of a Bystander appears in a stroke to have restored the art of the memoir and of the essay. It will doubtless be a while before its like comes round again." -The Washington Post.

In this "stunning" new history, New York Times bestselling author Max Wallace draws on groundbreaking research to reframe Helen Keller's journey after the miracle at the water pump, vividly bringing to light her rarely discussed, lifelong fight for social justice across gender, class, race, and ability (Rosemary Sullivan, New York Times bestselling author). Kirkus Best Nonfiction Book of 2023 Raised in Alabama, she sent shockwaves through the South when she launched a public broadside against Jim Crow and donated to the NAACP. She used her fame to oppose American intervention in WWI. She spoke out against Hitler the month he took power in 1933 and embraced the anti-fascist cause during the Spanish Civil War. She was one of the first public figures to alert the world to the evils of Apartheid, raising money to defend Nelson Mandela when he faced the death penalty for High Treason, and she lambasted Joseph McCarthy at the height of the Cold War, even as her contemporaries shied away from his notorious witch hunt. But who was this revolutionary figure? She was Helen Keller. From books to movies to Barbie dolls, most mainstream portrayals of Keller focus heavily on her struggles as a deafblind child--portraying her Teacher, Annie Sullivan, as a miracle worker. This narrative--which has often made Keller a secondary character in her own story--has resulted in few people knowing that her greatest accomplishment was not learning to speak, but what she did with her voice when she found it. After the Miracle is a much-needed corrective to this antiquated narrative. In this first major biography of Keller in decades, Max Wallace reveals that the lionization of Sullivan at the expense of her famous pupil was no accident, and calls attention to Keller's efforts as a card-carrying socialist, fierce anti-racist, and progressive disability advocate. Despite being raised in an era when eugenics and discrimination were commonplace, Keller consistently challenged the media for its ableist coverage and was one of the first activists to highlight the links between disability and capitalism, even as she struggled against the expectations and prejudices of those closest to her. Peeling back the curtain that obscured Keller's political crusades in favor of her "inspirational" childhood, After the Miracle chronicles the complete legacy of one of the 20th century's most extraordinary figures.

Before the advent of cable and its hundreds of channels, before iPods and the Internet, three television networks ruled America's evenings. And for twenty-three years, Ed Sullivan, the Broadway gossip columnist turned awkward emcee, ruled Sunday nights. It was Sullivan's genius to take a worn-out stage genre-vaudeville-and transform it into the TV variety show, a format that was to dominate for decades. Right Here on Our Stage Tonight! tells the complete saga of The Ed Sullivan Show and, through the voices of some 60 stars interviewed for the book, brings to life the most beloved, diverse, multi-cultural, and influential variety hour ever to air. Gerald Nachman takes us through those years, from the earliest dog acts and jugglers to Elvis Presley, the Beatles, and beyond. Sullivan was the first TV impresario to feature black performers on a regular basis-including Nat King Cole, Pearl Bailey, James Brown, and Richard Pryor-challenging his conservative audience and his own traditional tastes, and changing the face of American popular culture along the way. No other TV show ever cut such a broad swath through our national life or cast such a long shadow, nor has there ever been another show like it. Nachman's compulsively readable history, illustrated with classic photographs and chocked with colorful anecdotes, reanimates The Ed Sullivan Show for a new generation.

How a little-known industrial neighborhood in New York unintentionally became a nexus of creative activity for a brief burst of time. During the 1960s and 1970s in New York City, young artists exploited an industrial wasteland to create spacious studios where they lived and worked, redefining the Manhattan area just south of Houston Street. Its use fueled not by city planning schemes but by word-of-mouth recommendations, the area soon grew to become a world-class center for artistic creation indeed, the largest urban artists' colony ever in America--let alone the world. Richard Kostelanetz's Artists' SoHo not only examines why the artists came and how they accomplished what they did but also delves into the lives and works of some of the most creative personalities who lived there during that period, including Nam June Paik, Robert Wilson, Meredith Monk, Richard Foreman, Hannah Wilke, George Macuinas, and Alan Suicide. Gallerists followed the artists in fashioning themselves, their homes, their buildings, and even their streets into transiently prominent exhibition and performance spaces. SoHo pioneer Richard Kostelanetz's extensively researched intimate history is framed within a personal memoir that unearths myriad perspectives: social and cultural history, the changing rules for residency and ownership, the ethos of the community, the physical layouts of the lofts, the types of art produced, venues that opened and closed, the daily rhythm, and the gradual invasion of "new people." Artists' SoHo also explores how and why this fertile bohemia couldn't last forever. As wealthier people paid higher prices, galleries left, younger artists settled elsewhere, and the neighborhood became a "SoHo Mall" of trendy stores and restaurants. Compelling and often humorous, Artists' SoHo provides an analysis of a remarkable neighborhood that transformed the art and culture of New York City over the past five decades.

In this first post-9/11 account of the career of the man who established himself as America's Mayor in the dark days after America was attacked, Fred Siegel shows how Rudy Giuliani's successes in New York--restoring law and order, cutting taxes and radically reducing the welfare rolls--demonstrated that Gotham was indeed governable (a matter of doubt until his election) and that our major cities might again become vibrant and dynamic places to live after thirty years of middle-class flight. Someone who has worked with Giuliani as well as studied him, Siegel describes this colorful figure as an immoderate centrist, who, like the city he came to embody, evokes contradictory emotions. For some, he was a ruthless autocrat during his years at city hall; for others, he was a heroic figure who took on the vested interests that had dragged the city down. Siegel regards Guiliani as a shrewd tactician and artist of the possible who could have stepped out of the pages of Machiavelli's THE PRINCE. A self-promoting, self-absorbed man, the mayor made his own enormous ego serve the city's well-being. He promoted the virtues of duty and sacrifice, but was sometimes unable to honor these values in his personal life. He was suspicious of those outside his immediate circle, but he also placed this tribal ethos in the service of ideals that transcended New York's ethnic politics and business as usual. THE PRINCE OF THE CITY is at once a fascinating character study, a history of New York over the last forty years, and a classic inquiry into the issue of how cities thrive or die. Siegel's story culminates with a dramatic account of September 11, 2001, revealing how Giuliani's s eight years in office had prepared him and the city to rise to this tragic occasion. Siegel concludes with a look at how Guiliani's successor, Mayor Michael Bloomberg, has handled his legacy and at what the future might hold for America's Mayor.

Revealing how an obscure young assistant coach, in less than a decade, progressed to become a head coach, general manager, league commissioner, and controlling partner of the Oakland Raiders franchise, this biography pays tribute to the late Al Davis. Contrary to Davis's notoriously quirky and reclusive reputation, this account is based on the inside scoop he personally gave the author, lending his full cooperation to relate the account of his life and career. With a treasure trove of previously untold anecdotes, personal reminiscences, and highlights of Davis's leadership of the Raiders as professional football became America's premier spectator sport, this chronicle details the major impact this maverick owner had--not only on professional football but also on America's sports scene as a whole. The subject's influence on the merger of the American and National Football Leagues into the greater NFL is also reviewed as is his election to the Pro Football Hall of Fame.

A fascinating portrait of life with the Black Panthers in Algiers: a story of liberation and radical politics Following the Algerian war for independence and the defeat of France in 1962, Algiers became the liberation capital of the Third World. Elaine Mokhtefi, a young American woman immersed in the struggle and working with leaders of the Algerian Revolution, found a home here. A journalist and translator, she lived among guerrillas, revolutionaries, exiles, and visionaries, witnessing historical political formations and present at the filming of The Battle of Algiers. Mokhtefi crossed paths with some of the era's brightest stars: Frantz Fanon, Stokely Carmichael, Timothy Leary, Ahmed Ben Bella, Jomo Kenyatta, and Eldridge Cleaver. She was instrumental in the establishment of the International Section of the Black Panther Party in Algiers and close at hand as the group became involved in intrigue, murder, and international hijackings. She traveled with the Panthers and organized Cleaver's clandestine departure for France. Algiers, Third World Capital is an unforgettable story of an era of passion and promise.

The well-known columnist and commentator offers a funny and poignant memoir of his youth as a Jew growing up in Boston and of the influences that molded him, from the Boston Latin school, to the candy store, to jazz

Mordecai M. Kaplan, the founder of the Reconstructionist movement, was the most influential and controversial radical Jewish thinker in the twentieth century. This book follows Kaplan from his earliest days as a member the New York Orthodox community, through his period of private estrangement, into his public divorce from Orthodoxy and ultimately through his many decades as reconstructionism's leader. The book is also a social history of American Orthodoxy and American Judaism over the last century.

Drawn to an image of her great-grandfather's ornately carved cane, scholar Elisa New embarked on a journey to discover the origins of her precious family heirloom. Treading back across the paths of her ancestors, she travels from Baltimore to the Baltic to London in order to find and understand an immigrant world profoundly affected by modern German culture, from the Enlightenment through the Holocaust. Deeply ambitious in its narrative sweep, Jacob's Cane captures the rich texture of life on several continents as New's family searches to establish itself in the tobacco trade. A fascinating history of one family's story of progress, innovation, and struggle, Jacob's Cane will change the way we think about the Jewish American experience.