"Bruce Vilanch, a storyteller without peer, has written a tell-all . . . on himself! And it's hilarious! He's finally coming clean and owning up to his part in creating some of the worst television of the twentieth century, and that's saying a lot. There's no one like him. As they've been saying since I discovered him as a cub reporter at the Chicago Tribune , when you're in a pinch . . . Get Bruce!" --BETTE MIDLER Bruce Vilanch is known as a go-to comedy writer for award shows, sitcoms, and over-the-top variety specials, but he has also been responsible for quite a few of the most legendary disasters ever made. Some of his work lives in infamy-- The Star Wars Holiday Special , The Paul Lynde Halloween Special , Rob Lowe dancing with Snow White at the Oscars, and The Brady Bunch Variety Hour . How did these ever seem like a good idea? Well, everyone has screwed up a few times, or had their work screwed up by others. It Seemed Like a Bad Idea at the Time is a lifetime reflection of what Vilanch has experienced, learned, and forgotten in decades of working in show business, specifically the south forty acres known as comedy. It involves very famous people and people who were not very famous but should have been. It explains to the people in the audience who say to themselves, once they have gotten their jaw off the floor, "'How did this ever get made?" Don't we all want to know?

One would expect the rulers of England and France to have a relationship of some kind, if only political. But the personal relationships that developed between Victoria and Albert of Great Britain, and their counterparts across the channel, were rather surprising. Ambitious and flamboyant, Napoleon III of France and his wife the Empress Eugenie could hardly have been more different to the British monarch and her consort. And while Victoria was enchanted by that very difference, over the years their relationship was frequently strained by political and military events. But when the world of Napoleon III and Eugenie began to crumble, it was to their British friends that they fled. And when Eugenie lost her husband and her only child in swift succession, the publicly ice-cool Queen Victoria revealed her true character as she welcomed a heartbroken Eugenie into her own family. In Queen Victoria and the Bonapartes , Theo Aronson reveals a little-known aspect of Queen Victoria's life and deploys his skill as a writer and researcher to great effect, showing us the complex and often surprising characters behind the great names of history. Praise for Queen Victoria and the Bonapartes : 'Relying primarily on correspondence between the Queen, Empress, Emperor and other family members and officials (much of it previously unpublished), Aronson delivers another superbly readable and engaging history' - Shawn Day, Randomosity 'I enjoyed reading this book very much indeed, & would most certainly recommend it to those seeking a more human experience of history' - Goodreads review Theo Aronson is the author of over twenty works of royal historical biography, published in eleven languages. Among the widely read are Grandmama of Europe, The King in Love, Napoleon and Josephine and a biography of Princess Margaret . In the course of researching and writing these books he has interviewed major and minor members of Britain's royal family and members of the royal households, as well as various officials, servants, friends and others whose lives are in some way connected with the monarchy.

This book undoes 50 years of mythmaking about Stravinsky's life in music. During his spectacular career, Igor Stravinsky underplayed his Russian past in favor of a European cosmopolitanism. Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music. Taruskin draws directly on newly accessible archives and on a wealth of Russian documents. In Volume One, he sets the historical scene: the St. Petersburg musical press, the arts journals, and the writings of anthropologists, folklorists, philosophers, and poets. Volume Two addresses the masterpieces of Stravinsky's early maturityÑ Petrushka, The Rite of Spring, and Les Noces . Taruskin investigates the composer's collaborations with Diaghilev to illuminate the relationship between folklore and modernity. He elucidates the Silver Age ideal of "neonationalism"Ñthe professional appropriation of motifs and style characteristics from folk artÑand how Stravinsky realized this ideal in his music. Taruskin demonstrates how Stravinsky achieved his modernist technique by combining what was most characteristically Russian in his musical training with stylistic elements abstracted from Russian folklore. The stylistic synthesis thus achieved formed Stravinsky as a composer for life, whatever the aesthetic allegiances he later professed. Written with Taruskin's characteristic mixture of in-depth research and stylistic verve, this book will be mandatory reading for all those seriously interested in the life and work of Stravinsky.

The iconoclastic writer and director of the revered classic Withnail & I—"The funniest British film of all time" (Esquire)—returns to London in a decade-long examination of the most provocative murder investigation in British history, and finally solves the identity of the killer known as "Jack the Ripper."In a literary high-wire act reminiscent of both Hunter S. Thompson and Errol Morris, Bruce Robinson offers a radical reinterpretation of Jack the Ripper, contending that he was not the madman of common legend, but the vile manifestation of the Victorian Age's moral bankruptcy.In exploring the case of Jack the Ripper, Robison goes beyond the who that has obsessed countless others and focuses on the why. He asserts that any "gentlemen" that walked above the fetid gutters of London, the nineteenth century's most depraved city, often harbored proclivities both violent and taboo—yearnings that went entirely unpunished, especially if he also bore royal connections. The story of Jack the Ripper hinges on accounts that were printed and distributed throughout history by the same murderous miscreants who frequented the East End of her Majesty's London, wiping the fetid muck from their boots when they once again reached the marble floors of society's finest homes.Supported by primary sources and illustrated with 75 to 100 black and white photographs, this breathtaking work of cultural history dismisses the theories of previous "Ripperologists." A Robinson persuasively makes clear with his unique brilliance, The Ripper was far from a poor resident of Whitechapel . . . he was a way of life.

Paperback. One or two minor marks on exterior; the lightest of wear to spine ends. A very good copy. TS

1978 Viking Press hardcover, Irving Howe (World of Our Fathers: The Journey of the East European Jews to America and the Life They Found and Made). A powerful biography detailing the life of the Russian revolutionary, political theorist, and politician.

"In April 1911, Prague artists, writers, and intellectuals often gathered nightly at the Café Louvre, an intellectual center where music was played and high-level discussions were held. Many of the attendees were German-speaking Jews, such as Franz Kafka and his faithful friend Max Brod, Hugo Bergmann, Oskar Kraus, Franz Werfel, the mathematician Georg Pick, and a new arrival to the city, thirty-two-year-old Albert Einstein. Is it possible that Kafka and Einstein met and exchanged ideas? Did they influence each other from a philosophical or deep-thinking perspective? In neither Kafka's nor Einstein's correspondence there is not even the slightest mention of each other. But Einstein and Kafka, two icons of our modern era, serve as the starting point for this book on the enormous contributions in the fields of the empirical sciences, humanities, letters, and arts by individuals of Jewish origin in modernity. In this book, the reader will encounter numerous names in the pages that all spring from the fountainhead of these two antecedents, the Einsteinian and the Kafkian"--

This book is an intellectual and personal history of Richard Lazarus, a psychologist whose pioneering research and theories in stress, coping, and emotion continue to have a worldwide influence. The author interweaves the account of his personal life and career with the developments of psychology as an academic discipline during the past five decades. His reminiscences offer glimpses of academic life, university politics, and also his growing contacts with the European and Japanese colleagues who invited him to lecture. The book concludes with his thoughts about aging, retirement, and issues of life and death.

The oboist looks back at her twenty-five year career, offering a glimpse into the world of classical music and providing details of substance abuse and the practice of trading sexual favors for jobs.

What is marriage? Can a relationship dedicated to equality, friendship, and mutual education flower in an atmosphere of romance? What are the paths between loving another and knowing another? Stanley Cavell identified a genre of classic American films that engaged these questions in his study of comedies of remarriage, Pursuits of Happiness . With Contesting Tears , Cavell demonstrates that a contrasting genre, which he calls "the melodrama of the unknown woman," shares a surprising number and weave of concerns with those comedies. Cavell provides close readings of four melodramas he finds definitive of the genre: Letter from an Unknown Woman , Gaslight , Now Voyager , and Stella Dallas . The women in these melodramas, like the women in the comedies, demand equality, shared education, and transfiguration, exemplifying for Cavell a moral perfectionism he identifies as Emersonian. But unlike the comedies, which portray a quest for a shared existence of expressiveness and joy, the melodramas trace instead the woman's recognition that in this quest she is isolated. Part of the melodrama concerns the various ways the men in the films (and the audiences of the films) interpret and desire to force the woman's consequent inaccessibility. "Film is an interest of mine," Stanley Cavell has written, "or say a love, not separate from my interest in, or love of, philosophy." In Contesting Tears Cavell once again brilliantly unites his two loves, using detailed and perceptive musings on melodrama to reflect on philosophical problems of skepticism, psychoanalysis, and perfectionism. As he shows, the fascination and intelligence of such great stars as Ingrid Bergman, Bette Davis, and Barbara Stanwyck illuminate, as they are illuminated by, the topics and events of these beloved and enduring films.

This fierce memoir is both elegiac and indicting. Marcel Liebman's account of his childhood in Brussels under the Nazi occupation explores the emergence of his class-consciousness against a background of resistance and collaboration. He documents the internal class war that has long been hidden from historyhow the Nazi persecution exploited class distinctions within the Jewish community, and how certain Jewish notables collaborated in a systematic program of denunciation and deportation against immigrant Jews who lacked the privileges of wealth and citizenship. An eminent anti-Zionist and Marxist, Liebman tells the story of his family's struggle to survive in the face of persecution, terror and constant evasion, an existence observed with acuity, humor and lyricism.

"Peter Godwin's mother is dying. Born in England, and having spent most of her adult life as a doctor in Zimbabwe, she now lies on a hospital bed in the partitioned living room of his sister's London home. Peter has spent his life missing his Zimbabwean childhood, a longing that does not diminish as he reflects on his time as a journalist on the frontlines of combat around the world, or life in New York with his English wife and transatlantic children. In his mother's final months, he must come to terms with everything his family was and wasn't: the secrets they kept from one another, the stoicism that sometimes threatened to destroy them, and the beauty of the wildly different places they called home. With generations of history behind him, Godwin lyrically brings us into the spaces which make us question and suffer, shows us how we can heal our own scars, and celebrate the lives we have among family and friends" -- Publisher's description.

Delve into the dazzling world of early 20th-century art and theatre with "Bakst: The story of Leon Bakst's life" by André Levinson. This meticulously prepared republication chronicles the life and career of Léon Bakst, the visionary artist who revolutionized stage and costume design for the Russian ballet. Explore Bakst's pivotal role in shaping the aesthetic of iconic productions. Levinson expertly details Bakst's contributions to art history, revealing the man behind the groundbreaking designs that captivated audiences worldwide. This book illuminates Bakst's innovative approach to visual storytelling. A captivating biography for enthusiasts of Russian ballet, stage design, and costume design. Discover the enduring legacy of Léon Bakst, whose artistic vision continues to inspire and influence the performing arts. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Based on the author's Ph.D. dissertation at Boston University. They were soldiers and killers, trapped in the mystiques of military service & evil--commanders of the Nazi concentration camps. This book tells their story: who these men were, what led them to join the Nazi movement, & how they could function in the everyday routine of torture & death. 8 pages of photos.

1833. Spain is gripped by a Civil War that will change everything. On one side the Carlists sought to return to an absolute monarchy under Carlos de Borbón, on the other the Liberals were fighting to defend constitutional monarchy under Isabella II. Both branches of the family abounded in colourful characters - the shrewd Maria Cristina, the masculine Infanta Carlota, the effete King Francisco, the suave Duke de Montpensier, the showy Carlos VII, and the licentious Alfonso XII. The drama unfolded across the world - in the court in the Palacio Real in Madrid, Don Juan dying incognito in a house in Brighton, Isabel living out her voluptuous days in Paris, Carlos VII scheming in his palazzo on the Grand Canal, the future Alfonso XII at Sandhurst, the Infanta Eulalia in Chicago, the son of Alfonso XIII dying in a car accident in the U.S.A. Royal Vendetta is a story of wars, revolutions, exiles and restorations; a parade of kings, queens, regents and pretenders. Theo Aronson is the author of over twenty works of royal historical biography, published in eleven languages. Among the widely read are Grandmama of Europe, The King in Love, Napoleon and Josephine and a biography of Princess Margaret.

Of all royal lost causes, none has a stronger fascination than that of the Stuart Pretenders to the British throne. For well over a century, four successive Stuart kings laid claim to the crown. The first was James II, deposed in 1688 by his daughter, Mary, and her husband, William of Orange; then came James III the Old Pretender and his son, Bonnie Prince Charlie; finally, there was Henry IX who died in 1807, the last descendant in direct and legitimate line from James II. This book tells the story of these four men, and of their families. It is an account of their public and private lives, their personalities, their relationships with others, and the extraordinary hold which they never ceased to exercise over their adherents. It is a book about people and the twilight of one of the world's most romantic, colourful and ill-fated dynasties. Theo Aronson is the author of over twenty works of royal historical biography, published in eleven languages. Among the widely read are Grandmama of Europe, The King in Love, Napoleon and Josephine and a biography of Princess Margaret.

Tilak and Gokhale, Gandhi's immediate predecessors in the Indian independence movement, could not be more contrasting figures. Tilak is often portrayed as an extremist; Gokhale a moderate. Yet their individual contributions, while so different from each other, were reliant upon a constant interaction--each responding to the other's pronouncements and policies. In the final analysis, it was Gandhi's ability to synthesize the nationalist tendencies of Tilak and the moral principles of Gokhale that gave the independence movement its ultimate form and success. Stanley Wolpert, a leading scholar of Indian history, makes plain for the first time the importance of the relationship of these two great men to the shaping of India's destiny.

This book was first published in 1909 and was written by a truly remarkable woman. It was a time in history where it was more of a "man's" world and she dared to be different. Cars were starting to come into common use (by men); women were driven around by chauffeurs or their husbands. One car manufacturing company sent her to France to learn how to drive. This was different from today because driving a car also meant working on the car! She learned how to drive alright but also taught other women to drive, including royalty!Being the woman she was, she also entered some auto races and won! This just wouldn't do, beating the male drivers, so they passed new rules banning women from entering some of the races! She kept racing in the ones that allowed her, and started racing boats!In this book you'll see where she suggests holding up a mirror to see what's behind you - it's the first mention anywhere of use of the rear view mirror. She was ahead of her time, I believe one of the first true feminists. She believed very strongly that women who wanted to should be able to drive. She wrote this book to help them learn - since she couldn't be everywhere.In her own words about this book:"A chatty little handbook for all women who motor or who want to motor"“I am writing this little book not so much for those women who have already taken up motoring, but for those who would like to, but either dare not because of nervousness, or who imagine it is too difficult to understand the many necessary details.”“Motoring is a pastime for women: young, middle-aged, and—if there are any—old. There may be pleasure in being whirled around the country by your friends and relatives, or in a car driven by your chauffeur; but the real, the intense pleasure, the actual realisation of the pastime comes only when you drive your own car.”“I will endeavour to explain everything in the simplest possible manner, without lapsing into confusing technicalities.”