A biographical excavation of one of the world’s great, troubled cities A remarkable view of one of the world’s most beloved and troubled cities, Adina Hoffman’s Till We Have Built Jerusalem is a gripping and intimate journey into the very different lives of three architects who helped shape modern Jerusalem. The book unfolds as an excavation. It opens with the 1934 arrival in Jerusalem of the celebrated Berlin architect Erich Mendelsohn, a refugee from Hitler’s Germany who must reckon with a complex new Middle Eastern reality. Next we meet Austen St. Barbe Harrison, Palestine’s chief government architect from 1922 to 1937. Steeped in the traditions of Byzantine and Islamic building, this “most private of public servants” finds himself working under the often stifling and violent conditions of British rule. And in the riveting final section, Hoffman herself sets out through the battered streets of today’s Jerusalem searching for traces of a possibly Greek, possibly Arab architect named Spyro Houris. Once a fixture on the local scene, Houris is now utterly forgotten, though his grand Armenian-tile-clad buildings still stand, a ghostly testimony to the cultural fluidity that has historically characterized Jerusalem at its best. A beautifully written rumination on memory and forgetting, place and displacement, Till We Have Built Jerusalem uncovers the ramifying layers of one great city’s buried history as it asks what it means, everywhere, to be foreign and to belong.

In 2010, with his dog Mitzpah by his side, Rabbi Wittenberg walked from his grandfather's Frankfurt synagogue to his own, in Finchley, carrying the Ner Tamid - its Eternal Light - to co-shine forever in the newly built synagogue in North London. A film crew covered most of the trip and even Mitzpah wrote a blog, describing his experiences on the epic journey. Colleagues and friends accompanied them for some of the route and their discussions also contributed insights into the spiritual, social and political concerns that occupied the Rabbi's thoughts as he continued to meet many people along the way. Readers of Jonathan Wittenberg's other books already know the humane, insightful and often profound observations and thoughts that preoccupy him. Walking with the Light: From Frankfurt to Finchley will both delight and stimulate a whole new audience. Few religious writers can combine the humour and incidence of walking across northern Europe with cogent arguments for moral justice, a process perhaps to accept Europe's horrific past and show why a belief that tolerance and true understanding of the past is the only way to improve the future.--Amazon.com.

Brownmiller, feminist author and a network television newswriter during the Vietnam era, recounts her journeys in Vietnam in the grand tradition of Evelyn Waugh and Graham Greene, combining reportage, memoir, and adventure in a portrait of a people and a country we have fought but never known. Her descriptions of her encounters with Buddhist monks, Hanoi nightlife, and Saigon markets are interspersed with political insights on the country's history and current situation. Annotation copyright Book News, Inc. Portland, Or.

Winner of the 2007 B.C. Award for Canadian Non-fiction A Globe and Mail Best 100 Book (2006) National Post Best Books (2006) A bold cultural portrait of contemporary Canada through the work of its most celebrated novelists, short story writers, and storytellers. Stories are the surest way to know a place, and at a time when the fabric of the country seems daily more uncertain, Noah Richler looks to our authors for evidence of the true nature of Canada. He argues why fiction matters and seeks to discover — in the extra-ordinary diversity of communities these writers represent — what stories, if any, bind us as a nation. Over two years, Richler has criss-crossed the country and interviewed close to one hundred authors — a who’s who of Canadian literature, including Wayne Johnston, Michael Crummey, Alistair MacLeod, Gil Courtemanche, Jane Urquhart, Joseph Boyden, Miriam Toews, Yann Martel, Fred Stenson, Douglas Coupland, and Rohinton Mistry — about the places and ideas that are most meaningful to their work. The result is a journey through the reality of Canada and its imagination at a critical point in the country’s evolution. Within thematic chapters he exposes our “Myths of Disappointment” and considers the stories of our native peoples, the rise of the city, and how our history as a colony shapes our society and politics even today. This Is My Country, What's Yours? is an impassioned literary travelogue and a vivid portrayal of our society, the work of Canadian authors, and the idea of writing itself. This Is My Country, What's Yours? is based on Noah Richler’s ten-part documentary of the same name originally broadcast on CBC Radio’s flagship Ideas program in spring 2005.

Kinky Friedman, the original Texas Jewboy, takes us on a rollicking, rock-and-rolling tour of his favourite city- Austin. Maybe you want to know where to find President Bush's favourite Austin burger joint. Or maybe you want a glimpse of Willie Nelson's home. Or maybe you're itching to learn the history of a city that birthed Janis Joplin, Stevie Ray Vaughan and countless other music legends. It's all here in The Great Psychedelic Armadillo Picnic , the slightly insane, amazingly practical, and totally kick-ass guide to the coolest city in Texas by none other than Kinky Friedman. This ain't no ordinary travel guide, neither. As might be expected from this politically incorrect country-singer-turned-bestselling-mystery-author, the Kinkster's tour includes a bunch of stuff you won't find in any other guide, from descriptions of Austin's notable trees and directions to skinny-dipping sites to lists of haunted places and quizzes and puzzles. So put on your cowboy hat and your brontosaurus-foreskin boots and head down south with the only book you need to get to the big heart of this great city.

Probes the social, cultural, artistic, and night life of the modern Amsterdam and reviews turbulent events in the city's recent history

In Destination Past you will embark on a remarkable voyage in time as John Lukacs shares forty years of travels, ranging from his adoptive city of Philadelphia to his native Hungary to darkest Transylvania. With an unerring eye for detail and a keen ability to recreate the mood of a moment or the essence of an era, Lukacs blends travel and history in a sequence of unforgettable essays that will charm and enlighten. History comes alive out of the rubble in East Germany as an evening at the Dresden Opera revives the beauty of an earlier time. Steeped in boyhood memories and infused with the sights and scents of the annual Fete du Porc, "A Winter Feast in Hungary" evokes a powerful sense of tradition and family from an irrecoverable era. Historical figures provide the occasion for several essays. Lukacs's evocative description of Churchill's funeral defines the passing of an era. The commemoration of Franz Jagerstatter - the solitary opponent to National Socialism in the village of St. Radegund - is a perfect counterpoint to Hitler's one-hundredth birthday, an event that passes nearly unobserved in his nearby native city just forty miles away. You will share Lukacs's delight at the inspirations furnished by Cook's Continental Timetable, and you will be entranced by a touching view of Poland under Solidarity. Collected from such publications as the New Yorker, the New Republic, National Review, and the New York Times Magazine, these artful essays meld history and place in remarkable ways. "I am seventy now", writes Lukacs in his preface, "but I hope that God may still allow me a little more traveling, and perhaps even a brush with history, now and then". Readers of Destination Past are sureto hope for just the same thing.

Embark on a thrilling journey through the heart of Tibet with "Trans-Himalaya, Vol. 2 (of 2): Discoveries and Adventurers in Tibet" by renowned explorer Sven Hedin. This meticulously prepared republication offers a rare glimpse into early 20th-century exploration of the Trans-Himalaya region and its surrounding landscapes. Delve into Hedin's detailed accounts of his travels in Tibet and China, encountering remote cultures and navigating challenging terrains. Experience the adventure firsthand as Hedin documents his discoveries, providing invaluable insights into the geography, history, and culture of this fascinating region. "Trans-Himalaya" is a testament to the enduring allure of exploration and the spirit of adventure. Perfect for readers interested in the history of travel, the geography of Asia, and the captivating life of Sven Hedin, this volume offers a unique and timeless perspective on a world that continues to inspire awe and wonder. A classic work of travel literature, this book offers an unparalleled window into a bygone era of discovery. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In this groundbreaking portrait of the uneasy state of the province, Terry Glavin's lyrical narratives reveal the fibre of a British Columbia rarely glimpsed. With journalistic acumen, he surveys a landscape of inexorable suburban sprawl, dismantled railway lines, scapegoating of Native fisheries, and strange goings-on at Gustafsen Lake. A new breed of travelogue, This Ragged Place will leave the taste of oolichan grease on your lips and the seeds of a transcendent new British Columbian mythology in your mind. This Ragged Place earned Glavin a Governor General's Award finalist distinction in 1997.

Beginning in the late nineteenth century, the pueblos of the Southwest frequently inspired Anglo-American visitors to express their sense of wonder and enchantment in biblical references. Frank Hamilton Cushing's first account of Zuni pueblo described a setting that looked like "The Pools of Palestine." Drawn to the Southwest, Mabel Dodge imagined "a garden of Eden, inhabited by an unfallen tribe of men and women." There she was attracted to Tony Luhan, a Taos Indian who looked "like a Biblical figure." When historian Jerold Auerbach first saw Edward S. Curtis's early twentieth-century photograph Taos Water Girls , he realized that "here, indeed, was the biblical Rebecca, relocated to New Mexico from ancient Haran, where Abraham's faithful servant had journeyed to find a suitable wife for Isaac. Rebecca with her water pitcher is as familiar a biblical icon as Noah and his ark or Moses with the stone tablets. Curtis had recast her as the archetypal Pueblo maiden." Explorers in Eden uncovers an intriguing array of diaries, letters, memoirs, photographs, paintings, postcards, advertisements, anthropological field studies, and scholarly monographs. They reveal how Anglo-Americans disenchanted with modern urban industrial society developed a deep and rich fascination with pueblo culture through their biblical associations.

Verslag van de zoektocht van de auteur naar sporen van zijn mysterieuze grootvader Heshel Melamed, rabbijn in een Litouws dorp.

In the years following World War II, the United States suffered its most severe military and diplomatic reverses in Asia while Mao Zedong laid the foundation for the emergence of China as a major economic and military world power. As a correspondent for the International News Service, the Associated Press, and later for the New York Times, Seymour Topping documented on the ground the tumultuous events during the Chinese Civil War, the French Indochina War, and the American retreat from Vietnam, Cambodia, and Laos. In this riveting narrative, Topping chronicles his extraordinary experiences covering the East-West struggle in Asia and Eastern Europe from 1946 into the 1980s, taking us beyond conventional historical accounts to provide a fresh, first-hand perspective on American triumphs and defeats during the Cold War era. At the close of World War II, Topping—who had served as an infantry officer in the Pacific—reported for the International News Service from Beijing and Mao’s Yenan stronghold before joining the Associated Press in Nanking, Chiang Kai-shek’s capital. He covered the Chinese Civil War for the next three years, often interviewing Nationalist and Communist commanders in combat zones. Crossing Nationalist lines, Topping was captured by Communist guerrillas and tramped for days over battlefields to reach the People’s Liberation Army as it advanced on Nanking. The sole correspondent on the battlefield during the decisive Battle of the Huai-Hai, which sealed Mao’s victory, Topping later scored a world-wide exclusive as the first journalist to report the fall of the capital. In 1950, Topping opened the Associated Press bureau in Saigon, becoming the first American correspondent in Vietnam. In 1951, John F. Kennedy, then a young congressman on a fact-finding visit to Saigon, sought out Topping for a briefing. Assignments in London and West Berlin followed, then Moscow and Hong Kong for the New York Times. During those years Topping reported on the Chinese intervention in the Korean conflict, Mao’s Cultural Revolution and its preceding internal power struggle, the Chinese leader’s monumental ideological split with Nikita Khrushchev, the French Indochina War, America’s Vietnam War, and the genocides in Cambodia and Indonesia. He stood in the Kremlin with a vodka-tilting Khrushchev on the night the Cuban missile crisis ended and interviewed Fidel Castro in Havana on its aftermath. Throughout this captivating chronicle, Topping also relates the story of his marriage to Audrey Ronning, a world-renowned photojournalist and writer and daughter of the Canadian ambassador to China. As the couple traveled from post to post reporting on some of the biggest stories of the century in Asia and Eastern Europe, they raised five daughters. In an epilogue, Topping cites lessons to be learned from the Asia wars which could serve as useful guides for American policymakers in dealing with present-day conflicts in Afghanistan and Iraq. From China to Indochina, Burma to Korea and beyond, Topping did more than report the news; he became involved in international diplomacy, enabling him to gain extraordinary insights. In On the Front Lines of the Cold War, Topping shares these insights, providing an invaluable eyewitness account of some of the pivotal moments in modern history.

"Borderline Citizen is part travelogue, part memoir, part reportage, and part exploration of the unique shards of international territory cut from their "motherlands," as well as people whose sense of patriotism or nationalism has been strengthened or cut adrift by circumstance and history"--

A wise, witty, and humane autobiography filled with a passionate curiosity about the people--and meaning--of America. "One Man's America is at once a stirring account of a young immigrant becoming an American, a personal history of the major milestones of the late twentieth century, a fascinating insider's view of the most widely read news magazine in the world, and a warm and loving family saga. Here also is the remarkable success story of a boy driven from his native Vienna by the Nazis and returning years later as an ambassador; of a copy boy who rose to become editor of "Time magazine. During his long and distinguished career in journalism, Grunwald knew, befriended, and feuded with some of the greatest figures on the world stage, from Whitaker Chambers and Marilyn Monroe to John F. Kennedy and Henry Kissinger to Ronald Reagan and Fidel Castro. But the immense power his position allowed him was tempered by a fierce desire to know everything he could about the mores and folkways of the whole United States, Main Street bankers and student radicals alike, through whom he sought to understand the heart of his adopted country. "One Man's America is, above all, a hymn to the ever-turbulent, ever-changing land of America.

Norman Levine's Canada Made Me , first published in England in 1958, is a bitter, critical reassessment of the moral and cultural values of Canada. His account of his three-month journey from Halifax to Ucluelet, a fishing village on the west coast, is an unconventional portrait of Canada's underbelly. The book ends with the words: `I wondered why I felt so bitter about Canada. After all, it was all part of a dream, an experiment that could not come off. It was foolish to believe that you can take the throwouts, the rejects, the human kickabouts from Europe and tell them: Here you have a second chance. Here you can start a new life. But no one ever mentioned the price one had to pay; how much of oneself you had to betray.' Canada Made Me was regarded as so controversial that it did not appear in a Canadian edition until 1979. Critical opinion, however, has slowly swung around to the point the book was recently described in the Globe and Mail as a `laconic classic'. For this new edition Norman Levine has written an introduction which traces the book's publishing history and reputation.

An illustrated travelogue that captures the beauty, culture, and history of Hungary. The book is packed with stunning photographs and vivid descriptions of Hungary's most iconic landmarks and landscapes, as well as its lesser-known treasures. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Imagine the River Tiber as an alimentary tract. Picture a hungry saint. Think of erotic Renaissance fruit paintings, transubstantiation and a tiramisu cafe where magic issurelyon the menu...This highly original interpretation of Rome's history, culture, art and religion takes the form of a book about food that's not really about food at all. In Al DenteWinner takes us on a stroll through the city as he muses on all things comestible and much else besides. We learn about Rome as metropolis and necropolis, about tasty vineyard snails and the food-and-sex scandal that sent Saint Jerome packing. The cinematic greats such as Argento, Fellini and Ferreri are discussed alongside historical political satire where grocery orgies were art and the penis was the subject of hagiographies. There are the bloodthirsty antics of an eighteenth-century executioner who worked for the pope, stories of immolation, architecture and artichokes, and a telephone interview with a nun who makes Eucharistic wafers. Winner is a master of wit with a seemingly insatiable appetite for peculiar detail, and Al Dente provides an intriguing new portrait of a remarkable city - a veritable trifle of Roman bedrock and apogee, cosmos and counterculture to be devoured with gusto. Buon appetito...

A brilliant writer’s account of a long, painful, ecstatic—and unreciprocated—affair with a country that has long fascinated the world. The Rainy Season, Amy Wilentz’s award-winning 1989 portrait of Haiti after the fall of Jean-Claude Duvalier, was praised in the New York Times Book Review as “a remarkable account of a journalist’s transformation by her subject.” In her relationship with the country since then, Wilentz has witnessed more than one magical transformation. Now, with Farewell, Fred Voodoo , she gives us a vivid portrayal of the extraordinary people living in this stark place. Wilentz traces the country’s history from its slave plantations through its turbulent revolutionary history, its kick-up-the-dirt guerrilla movements, its totalitarian dynasty that ruled for decades, and its long and always troubled relationship with the United States. Yet through a history of hardship shines Haiti’s creative culture—its African traditions, its French inheritance, and its uncanny resilience, a strength that is often confused with resignation. Haiti emerged from the dust of the 2010 earthquake like a powerful spirit, and this stunning book describes the country’s day-to-day struggle and its relationship to outsiders who come to help out. There are human-rights reporters gone awry, movie stars turned aid workers, priests and musicians running for president, doctors turned diplomats. A former U.S. president works as a house builder and voodoo priests try to control elections. A foreign correspondent on a simple story becomes, over time and in the pages of this book, a lover of Haiti, pursuing the essence of this beautiful and confounding land into its darkest and brightest corners. Farewell, Fred Voodoo is a spiritual journey into the heart of the human soul, and Haiti has found in Amy Wilentz an author of astonishing wit, sympathy, and eloquence.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.