"Completed in the last year of his life, From Bondage is perhaps Roth's most profound work, for like Tolstoy in The Death of Ivan Ilyich, Roth examines his own imminent passing in the most plaintive of ways, telling the story of the old man, Ira Stigman, who, in spite of his physical frailties, finds solace in re-creating the lost love affair of his youth. Capturing the bohemian downtown world of Manhattan in the 1920s, Roth has set the stage for one of the most memorable of literary romances." "At its heart, From Bondage is the mesmerizing love triangle involving young Ira, an impressionable neophyte from Jewish Harlem, and Edith Welles, a sophisticated professor of English, a muse to starving poets and lovelorn men, who sweeps Ira into her world of soigne parties and literary debaucheries. Edith, as the old man Ira relays the story, is still physically involved with her former student Larry Gordon when she finds herself attracted to Ira, who is Larry's best friend. To complicate the matter even more, Edith is also carrying on a simultaneous affair with Lewlyn, the separated husband of the aspiring anthropologist Marcia Meede." "Fictionalizing the lives of the celebrities of the 1920s, including such burgeoning literary figures as Hart Crane, Louise Bogan, Leonie Adams, and Margaret Mead, Roth creates an unforgettable portrait of New York where "the lights of Manhattan twisted toward him across the rippling water like a gimlet." Perhaps the last witness to this age, Roth paints a gentile and genteel world that contrasts so vividly with the seemingly coarse, abject slums of the Pushcart District from which he had sprung. Ira, then a young man, is the observant witness to the spectacle that unfolds, seeking desperately to ingratiate himself into this world of sophisticates, yet hopelessly tethered to the tenement roots he cannot escape."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The award-winning novelist recounts his miraculous survival of the Holocaust, from a forced march across the Ukraine to a labor camp at the age of seven, his escape from the camp, his life in hiding in the Ukranian forests, his negotiation of several displaced persons' camps, his 1946 arrival in Palestine and his struggle to build a new life on the fragments of his past.

Esther David perfectly portrays the individuals of the Bene Israel Jewish community in Ahmedabad, many of them torn between Israel's siren song and their own unique Indo-Jewish heritage. Hers is a window into an all too human world, presided over by a comic though attentive Prophet Elijah.

"Movie-Made Jews focuses on a rich, usable American Jewish cinematic tradition. This tradition includes fiction and documentary films that make Jews through antisemitism, Holocaust indirection, and discontent with assimilation, as well as through the unapologetic assertion of Jewishness, queerness, and alliances across race and religion. By selectively revisiting canonical pre-1990 films and amply representing films of the new millennium, Movie-Made Jews illuminates an American Jewish film tradition that includes jazz singers, pawnbrokers, and serious men. It also features those who tremble before G-d, who commit crimes and misdemeanors, who declare Hineini, Here I Am, who do whatever works, who leave and then return to Delancey Street and Liberty Heights. In these pages, those who might be identified as "just Jews" reside alongside those who are traditionally-and sometimes untraditionally-observant. Helene Meyers shows that as we go to our local theater, attend a Jewish film festival, play a DVD, watch streaming videos, Jewishness becomes part of the multicultural mosaic rather than collapsing into a generic whiteness or being represented as a life apart. This engagingly-written book demonstrates that a Jewish movie is neither just a movie nor for Jews only. With incisive analysis of what appears onscreen as well as what happens behind the scenes during production and how audiences respond to what they view, Movie-Made Jews challenges the assumption that American Jewish cinema is a cinema of impoverishment and assimilation. While it's a truism that Jews make movies, this book brings into focus the diverse ways movies make Jews"--

"...this definitive anthology of major nineteenth- and twentieth-century fiction, nonfiction and poetry by eighty Jewish-Russian writers explores both timeless themes and specific tribulations of a people's history"--Publisher's info.

The immense service that Langer's careful, thoughtful, immensely intelligent and restrained study renders is that the esthetics of atrocity cease to be an exclusive domain of the victims. Many of his writers are not Jewish and several were not imprisoned or interned, and yet all of them have been driven by the death-camp universe. The atrocity of that time and the atrocities that have succeeded Auschwitz represent a continuity that may almost be called a new tradition, one in which the phantasmagoric and horrific is real and the gentle and generous a prodigy to be remarked with amazement. " The Holocaust and the Literary Imagination is a pioneering work of criticism for it impels us, readers and writers alike, to inquire after the basic paradox: how can literature delight and transfix or warn and modify a humanity from whom nothing is hidden, nothing prohibited, for whom nothing is shocking or unreal." -Arthur A. Cohen, New York Times Book Review "A stimulating, perceptive study of the literature of the Holocaust.... Langer's examination of possible stylistic approaches to the subject, from the delicate whimsy of Aichinger to the graphic bestiality of Kosinski's The Painted Bird is in each case detailed and subtle." - The New Republic

"Ariel, lives with [her father] on Edgar Allan Poe Street in Manhattan, longing for the grandparents she never knew and the mother she never had. An amteur kabbalist and suddenly a klezmer violin virtuoso, Ariel sets out to rescue her father from his demons and denial by summoning the people who she thinks hold the key to Oliver's [her father] emotional black hole-his dead parents, Rose and Lothar."--Jacket.

Presented in a series of conversations between grandmother Minnie Bloch and her companions, Alan Cheuse, National Public Radio commentator on All Things Considered, unfolds a layered family portrait of three generations of the Bloch family, whose members are collapsing under everyday burdens and brutal betrayals. Her son Manny is a renowned, almost legendary rabbi. Respected by his congregants and surrounded by family, no one suspects that he yearns for a life of greater personal glory, but when an oracular bird delivers what Manny believes to be a message from his deceased father, he abandons his congregation in pursuit of a life in business and his entire life spirals out of control. As Manny's fortunes rise in the corporate realm, he falls deeper into an affair with a congregant, a Holocaust survivor, his wife sinks deeper into alcoholism and depression and his daughter, traumatized by a sexual scandal at college, makes Manny the target of a plot to shatter his newly found empire. The devoted family matriarch, Minnie, observes and recounts the tragic downfall of her family, unable to save them from themselves.

340 pages.

Alec is a Jewish tailor working in the sweatshops of 1930s Whitechapel. He is part of an immigrant community which fills the streets around Brick Lane with colour and vitality. Yet he is weary of the stifling poverty and his Jewish bosses exploiting his labour. Rejecting the pull of Zionism, Alec instead chooses a unity that crosses racial and religious boundaries, finding his salvation in socialist politics and the arms of a gentile. Jew Boy captures the magic of a multi-layered Cockney culture and the common goals that linked the masses before the war.

The dread shadow of Nazism falls upon the Carnovsky family, three generations of Jews who believe themselves totally assimilated into German society. David, who has prospered in "enlightened, civilized" Berlin and considers himself "more German than the Germans”, cannot rationalize the momentous events engulfing him. His son Georg, a famous doctor, taught by his father to be "Jewish at home, a German in the street", is stripped of his practice, his possessions, and ultimately his illusions. And his young son Jegor is pulled between his love for the fatherland and the Jewishness he scorns. A tragedy of torn loyalties, this powerful and panoramic novel has become one of the classics of our time.

Jewish stories set in Jerusalem, adapted from the Talmud and Midrash, Hasidic sources, and oral tradition, with origins in the Middle East, Eastern Europe, Spain, Italy, and Greece.

In 1939 Sweden, two Jewish sisters wait for their parents to join them in fleeing the Nazis in Austria, but while eight-year-old Nellie settles in quickly, twelve-year-old Stephie feels stranded at the end of the world, with a foster mother who is as cold and unforgiving as the island on which they live.

After a trip home to Moravia reveals that his father is not a businessman but actually a great composer, unsuccessful musician Leib Goldkorn returns to New York to launch a production of his father's opera "Rubezahl" to disastrous results.

"The Book of Blam ... is a modern-day retelling of the book of Job. The war is over. Miroslav Blam walks along the former Jew Street, and he remembers. He remembers Aaron Grün, the hunchbacked watchmaker; and Eduard Fiker, a lamp merchant; and Jakob Mentele, a stove fitter; and Arthur Spitzer, a grocer, who played amateur soccer and had non-Jewish friends; and Sándor Vértes, a lawyer who was a Communist. All dead. As are his younger sister and his best friend, a Serb, both of whom joined the resistance movement; and his mother and father in the infamous Novi Sad raid in January 1942--when the Hungarian Arrow Cross executed 1,400 Jews and Serbs on the banks of the Danube and tossed them into the river. Blam lives. The war he survived will never be over for him."--www.amazon.ca

Pages 327-339, reproduces a Jewish chronicle of the first crusade. Although the translation is made from a rather bold reconstruction of a German translation of the original Hebrew chronicle, it is still close enough to the original to give a good picture of some aspects of the crusade as it affected the Jews.

Isaiah Spiegel was an inmate of the Lodz Ghetto from its inception in 1940 until its liquidation in 1944. While there, he wrote short stories depicting Jewish life in the ghetto and managed to hide them before he was deported to Auschwitz. After being freed, he returned to Lodz to retrieve and publish his stories. The stories examine the relationship between inmates and their families, their friends, their Christian former neighbors, the German soldiers, and, ultimately, the world of hopelessness and desperation that surrounded them. In using his creative powers to transform the suffering and death of his people into stories that preserve their memory, Spiegel succeeds in affirming the humanity and dignity the Germans were so intent on destroying. Originally published as Malchut geto (Malkhes geto) in Yiddish.

"The Walled City is an extremely powerful novel, written in a deceptively simple, descriptive style. It is alive with the sights, sounds and smells of India... Beneath the exquisite details, David tells a brutally honest story of Indian Jews under siege in a society unlike any other where Jews have made a home."-- From back cover