"Schiffrin evokes the bittersweet tang of emigre life in New York." --The New York Times Book Review Andre Schiffrin was born the son of one of France's most esteemed publishers, in a world peopled by some of the day's leading writers and intellectuals, such as Andre Gide, Jean-Paul Sartre, and Antoine de Saint-Exupery. But this world was torn apart when the Nazis marched into Paris on young Andre's fifth birthday. Beginning with the family's dramatic escape to Casablanca--thanks to the help of the legendary Varian Fry--and eventually New York, A Political Education recounts the surprising twists and turns of a life that saw Schiffrin become, himself, one of the world's most respected publishers. Emerging from the emigre community of wartime New York (a community that included his father's friends Hannah Arendt and Helen and Kurt Wolff), he would go on to develop an insatiable appetite for literature and politics: heading a national student group he renamed the Students for a Democratic Society--the SDS. leading student groups at European conferences, once, as an unwitting front man for the CIA. and eventually being appointed by Random House chief Bennett Cerf to head the very imprint cofounded by his father--Pantheon. There, he would discover and publish some of the world's leading writers, including Noam Chomsky, Michel Foucault, Art Spiegelman, Studs Terkel, and Marguerite Duras. But in a move that would make headlines, Schiffrin would ultimately rebel at corporate ownership and form his own publishing house--The New Press--where he would go on to set a new standard for independent publishing. A Political Education is a fascinating intellectual memoir that tells not only the story of a unique and important figure, but of the tumultuous political times that shaped him. From the Hardcover edition"--

Whether talking about her own writing, interpreting the works of others, or giving us a window on the world that "we in South Africa are attempting to reconstruct," Nadine Gordimer has much to tell us about the art of fiction and the art of life. In this deeply resonant book Gordimer examines the tension for a writer between life's experiences and narrative creations. She asks first, where do characters come from--to what extent are they drawn from real life? We are touching on this question whenever we insist on the facts behind the fiction, Gordimer suggests, and here she tries to unravel the mysterious process that breathes "real" life into fiction. Exploring the writings of revolutionaries in South Africa, she shows how their struggle is contrastingly expressed in factual accounts and in lyrical poetry. Gordimer next turns to three writers linked by their search for a life that transcends their own time and place: in distinctive and telling ways, Naguib Mahfouz, Chinua Achebe, and Amos Oz defy accepted norms of loyalty to the mores and politics of their countries. Their search in Egypt, Nigeria, and Israel for a meaningful definition of home testifies to what it must be: the destination of the human spirit beyond national boundaries. Ending on a personal note, Gordimer reveals her own experience of "writing her way out of" the confines of a dying colonialism.

"In the summer of 1977, Allen Ginsberg decided it was time to teach a course on the literary history of the Beat Generation. This was twenty years after the publication of his landmark poem "Howl," and Jack Kerouac's seminal book On the Road. Through the creation of this course, which he ended up teaching five times, first at the Naropa Institute and later at Brooklyn College, Ginsberg saw an opportunity to make a record of the history of Beat Literature. Compiled and edited by renowned Beat scholar Bill Morgan, and with an introduction by Anne Waldman, The Best Minds of My Generation presents the lectures in edited form, complete with notes, and paints a portrait of the Beats as Ginsberg knew them: friends, confidantes, literary mentors, and fellow revolutionaries. Ginsberg was seminal to the creation of a public perception of Beat writers and knew all of the major figures personally, making him uniquely qualified to be the historian of the movement. In The Best Minds of My Generation, Ginsberg shares anecdotes of meeting Kerouac, Burroughs, and other writers for the first time, explains his own poetics, elucidates the importance of music to Beat writing, discusses visual influences and the cut-up method, and paints a portrait of a group who were leading a literary revolution. For academics and Beat neophytes alike, The Best Minds of My Generation is a personal and yet critical look at one of the most important literary movements of the twentieth century"--

Contains a collection of American and English humor from such outstanding contributors as Woody Allen, Damon Runyon, Trumon Capote, Groucho Marx, Art Buchwald, Roy Blount, Jr., Fran Liebowitz, Philip Roth, and Eudora Welty

Creative nonfiction, also known as narrative nonfiction, liberated journalism by inviting writers to dramatize, interpret, speculate, and even re-create their subjects. Lee Gutkind collects twenty-five essays that flourished on this new ground, all originally published in the journal he founded, Creative nonfiction, now celebrating its tenth anniversary. Lauren Slater is a therapist in the institution where she was once a patient. John Edgar Wideman reacts passionately to the unjust murder of Emmett Till. Charles Simic tells of wild nights with Uncle Boris. John McPhee creates a rare, personal, album quilt. Terry Tempest Williams speaks on the decline of the prairie dog. Madison Smartt Bell invades Haiti. Many of the writers are crossing genres--from poetry and fiction to nonfiction--symbolic of Creative nonfiction's scope and popularity. A cross section of the famous and those bound to become so, this collection is a riveting experience highlighting the expanding importance of this dramatic and exciting new genre. A tenth anniversary collection of twenty-five narrative essays originally published in the journal, Creative nonfiction, includes Lauren Slater's discussion of her work as a therapist at an institution where she was once a patient, John Edgar Wideman's passionate reaction to the murder of Emmett Till, and John McPhee's personal album quilt.

In much the same way that photography forced painting to move in new directions, the advent of the World Wide Web, with its proliferation of easily transferable and manipulated text, forces us to think about writing, creativity, and the materiality of language in new ways. In Against Expression, editors Craig Dworkin and Kenneth Goldsmith present the most innovative works responding to the challenges posed by these developments. Charles Bernstein has described conceptual poetry as "poetry pregnant with thought." Against Expression, the premier anthology of conceptual writing, presents work that is by turns thoughtful, funny, provocative, and disturbing. Dworkin and Goldsmith, two of the leading spokespersons and practitioners of conceptual writing, chart the trajectory of the conceptual aesthetic from early precursors including Samuel Beckett and Marcel Duchamp to the most prominent of today’s writers. Nearly all of the major avant-garde groups of the past century are represented here, including Dada, OuLiPo, L=A=N=G=U=A=G=E, and Flarf to name just a few, but all the writers are united in their imaginative appropriation of found and generated texts and their exploration of nonexpressive language. Against Expression is a timely collection and an invaluable resource for readers and writers alike.

With enervating experimentation but touching directness, postmodern novelist Acker (Portrait of an Eve, 1992; My Mother: Demonology, 1993; etc.) explores art, politics, and being in her first essay collection. Subjects are various, ranging from William Burroughs to Goya to San Francisco; many of the pieces have been published previously (prefaces to books, articles in Marxism Today, the Critical Quarterly, etc.). Despite the variety of subjects and sources, the collection is neatly structured: Essays are grouped agreeably by subject-'On Art and Artists,' 'The City,' 'Bodies of Work.' Though Acker says she aims to 'destroy' the essay form, she does more of what the form openly invites--to tinker and confess. For example, she interweaves stories into a piece on artist Nayland Blake and applies Wittgenstein's 'language games' to bodybuilding: 'In a gym, verbal language or language whose purpose is meaning occurs, if at all, only at the edge of becoming lost.' But she also reveals her current weightlifting goals and describes a childhood desire to be a pirate. Not surprisingly, her most accessible works are those written for a wide audience, particularly an illuminating essay for the Village Voice on film director Peter Greenaway and a moving piece for the MMLA on copyright in the age of the Internet. In all, these essays are serious and reflective of a discontented mind bent on deconstruction. Some may find dreary her tale of patriarchy, dualism, and linearity of time; her elliptical tales and stark sentences may lack immediate clarity. For sure, her essays aren't casually authoritative like Updike's or reassuringly religious like Dillard's. Read Acker when you're patient and don't want to be comforted--or even satisfied. An unthreatening introduction to a vexing writer.-Kirkus

This is a collection of portraits of a shepherd, a farmer, a painter and blind man, a sylph of Byzantine arrogance and a vagabond cyclist with primroses growing in her basket. The backgrounds range from Prague, Paris, Athens, Lahore and countrysides and mountainscapes.

This book is a history, an indictment, a lament, and an appeal, focusing on the messianic trend in Lubavitch hasidism. It demonstrates how hasidim who affirm the dead Rebbe's messiahship have abandoned one of Judaism's core beliefs in favour of adherence to the doctrine of a second coming. At the same time, it decries the remarkable equanimity with which the standard-bearers of Orthodoxy have granted legitimacy to this development by continuing to recognize such believers as Orthodox Jews in good standing. This dramatic abandonment of the age-old Jewish resistance to a quintessentially Christian belief is a development of striking importance for the history of religions, and it is an earthquake in the history of Judaism. David Berger chronicles the unfolding of this development from a personal viewpoint. He describes the growing concern that impelled him to undertake an anti-messianist campaign-publications, correspondence, and the sponsorship of a Rabbinical Council of America resolution excluding this belief from authentic Judaism. He argues that a large number, almost certainly a substantial majority, of Lubavitch hasidim believe in the Rebbe's messiahship; a significant segment, including educators in the central institutions of the movement, maintain a theology that goes beyond posthumous messianism to the affirmation that the Rebbe is pure divinity. While many Jews see Lubavitch as a marginal phenomenon, its influence is in fact growing at a remarkable rate-to the point where its representatives are poised to dominate Orthodox religious institutions not merely in isolated outposts but in several major countries throughout the world. This book analyses the boundaries of Judaism's messianic faith and its conception of God. It assesses the threat posed by the messianists of Lubavitch and points to the consequences, ranging from undermining a fundamental argument against the Christian mission to calling into question the kosher status of many foods and ritual objects prepared under Lubavitch supervision. Finally, it proposes a strategy to protect authentic Judaism from this assault.

"The House of Twenty Thousand Books is journalist Sasha Abramsky's elegy to the vanished intellectual world of his grandparents, Chimen and Miriam, and their vast library of socialist literature and Jewish history. A rare book dealer and self-educated polymath who would go on to teach at Oxford and consult for Sotheby's, Chimen Abramsky drew great writers and thinkers like Isaiah Berlin and Eric Hobsbawm to his north London home; his library grew from his abiding passion for books and his search for an enduring ideology. The books, documents, and manuscripts that covered every shelf at 5 Hillway were testaments to Chimen's quest -- from the Jewish orthodoxy of his boyhood, to the Communism of his youth, to the liberalism of his mature years. The House of Twenty Thousand Books is at once the story of a fascinating family and chronicle of the embattled twentieth century. The House of Twenty Thousand Books includes 43 photos. "--

In 1934, American writer Rebecca Hourwich Reyher recorded the remarkable life story of Christina Sibiya, the first of sixty-five wives of the uncrowned king of the Zulus. What Reyher faithfully recorded — and then crafted into a moving narrative — is the riveting story of a South African woman who entered life among the Zulu royal family and then, after enduring psychic and physical abuse, found the courage to leave. In 1915, fifteen-year-old Christina Sibiya leaves teaching at a mission school to become the first wife of Solomon ka Dinuzulu. While at the royal household, Sibiya successfully adjusts to the expectations of her new position: finding her place among the other wives, and negotiating Zulu and Christian tradition. The royal headquarters, however, becomes increasingly plagued by diviseness, dissolution, and ill health. After a series of hardships, climaxing in a beating by Solomon, Sibiya, at the age of twenty-eight, escapes to Durban. Although pursued by Solomon's representative, Sibiya successfully resists Solomon's authority by testifying first in a European magistrate's court and then at the royal headquarters that her marriage was invalid. First published in 1948, Zulu Woman is placed in new context by an introduction and afterword which consider the book's relationship to other African literature and oral history, attend to questions of power and authorship, and draw upon newly available archival materials.

HONORABLE MENTION, Foreword INDIES Book of the Year Award, Autobiography & Memoir! Lifelong activist Judy Gumbo, an original member of The Yippies, a 1960s anti-war satirical protest group, offers an insider feminist memoir of her involvement with the Yippies, Black Panthers, women's rights, environmental actions, and a life of activism. In 1968, a 24-year-old woman moved to Berkeley, California and immediately became enmeshed in the Youth International Party, aka The Yippies, an anti-war satirical protest group. In the next few years, Judy Gumbo (a nickname given her by Eldridge Cleaver), was soon at the center of counter-cultural activity-from protests in People's Park, to meetings at Black Panther headquarters, to running a pig for President at the raucous Democratic National Convention in Chicago, a protest that devolved into violent attacks by the police and arrests that led to the notorious Chicago Conspiracy Trial. In this historical account, Gumbo reveals intimate details of--and struggles with--her fellow radicals Jerry Rubin, Anita & Abbie Hoffman, Eldridge Cleaver, Paul Krassner, Stew Albert, and more, detailing their experiences in radical protests. This deep dive into her activism includes details of her organization of a national women's rights group, her visit to North Vietnam during the war, her travels around the globe to promote women's liberation and anti-war protest, and her environmental activism. It also includes extensive excerpts from illegal wiretaps and surveillance by the FBI. "A welcome addition to the literature of radical activism." --Kirkus Reviews "A fun read and a valuable political document, long overdue." --Counterpunch Yippie Girl explores Gumbo's life as a protester to show that, while circumstances always change, protesters can stay loyal to the causes they believe in and remain true to themselves. She also reveals how dogmatism, authoritarianism, and interpersonal conflict can damage those same just causes, offering a timeless and strategic guide for activists today protesting against injustice in all its forms.

Neoconservatism is the movement that has provided the intellectual foundation for the resurgence of American conservatism in our time. And if neoconservatism can be said to have a father or an architect, that person is Irving Kristol. Neoconservatism is the most comprehensive selection of Kristol's influential writings on politics and economics, as well as the best of his now-famous essays on society, religion, culture, literature, education, and - above all - the "values" issues that have come to define the neo-conservative critique of contemporary life. These essays provide an unparalleled insight into the 50-year development of Kristol's social and political ideas, from an uneasy socialism tempered with religious orthodoxy, to a vigilant optimism about the future of the American experiment. Those already familiar with Kristol's work will especially enjoy the new autobiographical essay that introduces this volume; it is sprinkled with personal recollections about such luminaries as Lionel Trilling, Leo Strauss, Saul Bellow, Sidney Hook, Daniel Patrick Moynihan, and historian Gertrude Himmelfarb (who is also Mrs. Kristol). Those relatively new to Kristol's writings will be treated to some of the most lucid, insightful, entertaining, and intellectually challenging essays of our time.

In the immediate aftermath of World War II, more than a quarter million Jewish survivors of the Holocaust lived among their defeated persecutors in the chaotic society of Allied-occupied Germany. Jews, Germans, and Allies draws upon the wealth of diary and memoir literature by the people who lived through postwar reconstruction to trace the conflicting ways Jews and Germans defined their own victimization and survival, comprehended the trauma of war and genocide, and struggled to rebuild their lives. In gripping and unforgettable detail, Atina Grossmann describes Berlin in the days following Germany's surrender--the mass rape of German women by the Red Army, the liberated slave laborers and homecoming soldiers, returning political exiles, Jews emerging from hiding, and ethnic German refugees fleeing the East. She chronicles the hunger, disease, and homelessness, the fraternization with Allied occupiers, and the complexities of navigating a world where the commonplace mingled with the horrific. Grossmann untangles the stories of Jewish survivors inside and outside the displaced-persons camps of the American zone as they built families and reconstructed identities while awaiting emigration to Palestine or the United States. She examines how Germans and Jews interacted and competed for Allied favor, benefits, and victim status, and how they sought to restore normality--in work, in their relationships, and in their everyday encounters. Jews, Germans, and Allies shows how Jews were integral participants in postwar Germany and bridges the divide that still exists today between German history and Jewish studies.

The distinguished poet and critic argues for the abiding relevance of a great literary mind of the twentieth century Lionel Trilling, regarded at the time of his death in 1975 as America's preeminent literary critic, is today often seen as a relic of a vanished era. His was an age when literary criticism and ideas seemed to matter profoundly in the intellectual life of the country. In this eloquent book, Adam Kirsch shows that Trilling, far from being obsolete, is essential to understanding our current crisis of literary confidence--and to overcoming it. By reading Trilling primarily as a writer and thinker, Kirsch demonstrates how Trilling's original and moving work continues to provide an inspiring example of a mind creating itself through its encounters with texts. Why Trilling Matters introduces all of Trilling's major writings and situates him in the intellectual landscape of his century, from Communism in the 1930s to neoconservatism in the 1970s. But Kirsch goes deeper, addressing today's concerns about the decline of literature, reading, and even the book itself, and finds that Trilling has more to teach us now than ever before. As Kirsch writes, "Trilling's essays are not exactly literary criticism" but, like all literature, "ends in themselves."

James Salter's exalted place in American letters is based largely on the intense admiration of other writers, but his work resonates far beyond the realm of fellow craftsmen, addressing themes--youth, war, erotic love, marriage, life abroad, friendship--that speak to us all. Following the publication of his first novel, Salter left behind a military career of great promise to write full-time and--through decades of searching, exacting work--became one of American literature's master stylists. Only months before he died, at the age of eighty-nine, he agreed to serve as the first Kapnick Writer-in-Residence at the University of Virginia, where he composed and delivered the three lectures presented in this book and introduced by his friend and fellow novelist, National Book Award-winning author John Casey. Salter speaks to us here with an easy intimacy, sharing his unceasing enchantment with the books that made up his reading life, including works by Balzac, Flaubert, Babel (whose prose is "like a handful of radium"), Dreiser, Celine, Faulkner. These talks provide an invaluable opportunity to see the way in which a great writer reads. They also offer a candid look at the writing life--the rejection letters, not one but two negative reviews in the New York Times for the same book, writing in the morning or at night and worrying about money during the long afternoons. Salter raises the question, Why does one write? For wealth? For admiration, or a sense of "importance"? Confronting a blank sheet that always offers too many choices, practicing a vocation that often demands one write instead of live, the answer for Salter was creating a style that captured experience, in a world where anything not written down fades away. -- Amazon.com.

"Throughout a unparalleled literary career that includes two National Book Awards (Goodbye, Columbus, 1959 and Sabbath's Theater, 1995), the Pulitzer Prize in fiction (American Pastoral, 1997), the National Book Critics Circle Award (The Counterlife, 1986), and the National Humanities Medal (awarded by President Obama in 2011), among many other honors, Philip Roth has produced an extraordinary body of nonfiction writing on a wide range of topics: his own work and that of the writers he admires, the creative process, and the state of American culture. This work is collected for the first time in Why Write?, the tenth and final volume in the Library of America's definitive Philip Roth edition. Here is Roth's selection of the indispensable core of Reading Myself and Others, the entirety of the 2001 book Shop Talk, and "Explanations," a collection of fourteen later pieces brought together here for the first time, six never before published. Among the essays gathered are "My Uchronia," an account of the genesis of The Plot Against America, a novel grounded in the insight that "all the assurances are provisional, even here in a two-hundred-year-old democracy"; "Errata," the unabridged version of the "Open Letter to Wikipedia" published on The New Yorker's website in 2012 to counter the online encyclopedia's egregious errors about his life and work; and "The Ruthless Intimacy of Fiction," a speech delivered on the occasion of his eightieth birthday that celebrates the "refractory way of living" of Sabbath's Theater's Mickey Sabbath. Also included are two lengthy interviews given after Roth's retirement, which take stock of a lifetime of work."--Amazon.