The great comedian celebrates his one hundredth birthday with a selection of his favorite and funniest stories that include reminiscences about his own past and anecdotes about friends, family, and colleagues. 300,000 first printing. $250,000 ad/promo.

Bernard Cooper recalls his 1960s adolescence in Los Angeles and the emotional rollercoaster of puberty in this painfully honest memoir. He recounts the schoolboy crushes, the family strife, and the ebb and flow of youthful desire, all with a "humor that animates just about every sentence" (New York Times Book Review).

The filmmaker noted for Sebastiane and Edward II , among other works, discusses his life and art, detailing his sexual awakening, the libidinous excesses of the sixties, his experiences in gay culture, and more.

With these interwoven autobiographical essays, Geoffrey Wolff, author of the acclaimed The Duke of Deception, recounts the moral (and immoral) education of a writer, friend, husband, and father, as he offers his spirited, elegant, and deeply felt observations on an extraordinary life: from wildly dysfunctional childhood Christmases to a concupiscent career teaching literature in Istanbul; from a victory over the chaos of drink to a life-affirming surrender to the majesty of the Matterhorn; and from a foundering friendship to the transcending love of family. He shares with us, then, the wisdom of an alert man learning through the unsettling collisions of time, place, and local custom, and through the force of hardship and hazard, to bring his many disparate selves together -- with astonishing high-stakes candor and dazzling literary agility. From the Trade Paperback edition.

"A heartrending and beautiful memoir of sudden loss and a journey to peace"--

Instrumentation : SST Soli - SATB Chorus - 2.2.2.2 - 4.2.3.0 - Timp - Org - Str(Ger.) Lobgesang was written for the 400th anniversary of the invention of moveable type by Johannes Gutenberg, an event celebrated in Leizig in the Summer of 1840. The work unites dome of Mendlessohn's most pressing compositional concerns: to bring the Church and the concert hall one step closer together as he felt had already been accomplished in England, and, at the same time, to give expression to his dydactic and educational impetus while creating a novel genre transcending conventional boundaries. Editor :Cornelis

The Nebula Award-winning author chronicles her relationship with her father during the last seventeen years of his life, tracing the changing dynamics of a parent-child relationship transformed by the aging process. 17,500 first printing.

Offers coverage of Weill's life that is informed by a knowledge of the shifting cultural and political climates in which he worked.

American architect Morris Lapidus is best known as the designer of glamorous postwar resort hotels in Florida, such as the Fontainebleau (1954) and the Eden Roc (1955) in Miami Beach, and the Americana in Bal Harbour (1956). Yet in a remarkable sixty-year career that began in 1926, he designed more than 500 retail stores, hotels, apartment complexes, and stage sets that captured the popular spirit and changing face of Main Street America in the twentieth century. Lapidus created fantasy environments in which America's middle class, flush with expanding postwar incomes and optimism, could fulfill its desire for glamor, relaxed luxury, and leisure. His signature forms - chevrons, "beanpoles," "woggles," or amoeba shapes, and curving walls and ceilings punctuated by "cheese holes," or cutouts - have become treasured icons of American postwar vernacular architecture. Born in Russia in 1902, Lapidus was brought to New York by his parents a year later, and the family first settled on the Lower East Side. He completed his architecture degree at Columbia University and first earned a reputation by designing stage sets and retail stores in which he developed new theories in store design and essentially created the modern storefront as we now know it. For his famed resort hotels of the 1950s Lapidus designed not only the vast structures but a melange of quasi-French provincial and Italian Renaissance decorative elements that critics would dub "Miami Beach French," including everything from the tableware to his famous "stairways to nowhere." He was one of the first architects to acknowledge the cinema as an overriding influence on American taste.

Like all classical composers, the young Rozsa faced the problem of how to make a living writing serious music. At the suggestion of famed French composer Arthur Honegger, he turned to film music, and thus began a "double life." Well-known for his movie scores, including Spellbound , The Lost Weekend , The Thief of Baghdad and Ben-Hur , Rozsa has also written numerous classical works that have been performed by major orchestras the world over. In this serviceable, straightforward autobiography he chronicles his rise to success, from his childhood in a small Hungarian town to the film studios of Hollywood. He tells an uncomplicated tale of a life of accomplishment, filled with reminiscences of his friendships with the rich and famous. Now in his 80s, Rozsa looks back with justifiable satisfaction on a career in which he has composed in two styles without compromising either

Detailed accounts of George Eliot's life have hitherto been singularly scanty. In the dearth of published materials a considerable portion of the information contained in this biographical study has, necessarily, been derived from private sources. In visiting the places connected with George Eliot's early life, I enjoyed the privilege of meeting her brother, Mr. Isaac Evans, and was also fortunate in gleaning many a characteristic fact and trait from old people in the neighbourhood, contemporaries of her father, Mr. Robert Evans. For valuable help in forming an idea of the growth of George Eliot's mind, my warm thanks are especially due to her oldest friends, Mr. and Mrs. Charles Bray, and Miss Hennell of Coventry. Miss Jenkins, the novelist's schoolfellow, and Mrs. John Cash, also generously afforded me every assistance in their power.

The author of over 23 books from 1933-1997, including his superb five-volume "Scenes from the Life of an American Jew," John Sanford is particularly well known for his autobiographical works and memoirs, many of them published by Black Sparrow and Capra presses. This short memoir is a celebration of his life with his wife Maggie, to whom he was married for over 50 years, and who died in 1989. Addressed to her, Sanford's work is a beautiful and loving testimony to his wife's life, including time of her being blacklisted by Metro-Goldwyn-Mayer during the McCarthy era.

Underwood-Miller, 1980. Limited edition of 660 copies, 220 of which were signed and numbered. Story by Ellison, with essays about the story by Robert Silverberg, Norman Spinrad, Vonda N. McIntyre, Robert Sheckley, Philip José Farmer, Thomas M. Disch, Edward Bryant.

How To Play Ukulele by Larry McCabe published by Santorella Publications, is a beginner’s guide to the soprano ukulele, C tuning. This best selling acoustic string method features easy-to-read tablature with helpful diagrams and a “quick source” chord dictionary. This simple step-by-step approach from Santorella Publications will not only teach you numerous ukulele solos, but how to accompany songs with many different accompaniment patterns with standard, “most commonly used”, chord progressions. Songs for Strumming & Singing; Juanita • Aloha Oe • Gentle Annie • All the Pretty Little Horses • Careless Love • The Sidewalks of New York • Five Foot Two • In the Good Old Summertime • I’ll Be with You in Apple Blossom Time • Indiana Solos; Green Grow the Lilacs • Steal Away • La Cucaracha • Corrine, Corrina • Michael, Row the Boat Ashore • Cripple Creek • The Minstrel Boy

A startling number of masterpieces now in American museums are there because of the shrewdness of one man, Joseph Duveen, art dealer to John D. Rockefeller, Andrew Mellon, Henry Clay Frick, and William Randolph Hearst. In a series of articles originally published in The New Yorker, playwright S.N. Behrman evokes the larger-than-life Duveen and reveals the wheeling and dealing, subterfuge, and spirited drama behind the sale of nearly—but not quite—priceless Rembrandts, Vermeers, Turners, and Bellinis.