Experience the wit and charm of 18th-century Italian comedy with "The Comedies of Carlo Goldoni," a collection of plays from one of Europe's most celebrated playwrights. This carefully prepared edition, edited with an insightful introduction by Helen Zimmern, showcases Goldoni's enduring contribution to theater. Carlo Goldoni revitalized Italian drama, moving away from the improvisational style of commedia dell'arte to create fully realized characters and engaging plots. This anthology offers a glimpse into his mastery, demonstrating why his works continue to be studied and enjoyed today. Explore universal themes of love, family, and social class through Goldoni's distinctly Italian lens. Whether you're a student of literature, a theater enthusiast, or simply appreciate classic comedies, this collection provides a rich and rewarding reading experience. "The Comedies of Carlo Goldoni" is a testament to the power of theater to entertain, enlighten, and endure. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Originally published in 1959, the basis of this book was a course of lectures given at Cambridge University entitled Three Traditions of Moral Thought: Platonic-Christian; Utilitarian; Humanist. Designed chiefly for students of literature, and maintaining the accessible structure of the original lectures, it was intended to provide an introduction to English moral thought and the problems of moral philosophy. Whilst this approach necessarily involved an avoidance of a 'pure' philosophical method, it was enriched by fresh perspectives derived from literary criticism and a direct, non-technical style. This is an informative volume that will be of value to anyone with an interest in moral philosophy, literary criticism, and the relationship between the two.

Stefan Zweig's The Invisible Collection still manages to strike the reader with its ability to masterfully sketch the contours of collecting obsession. Illustrated by paintings Daumier dedicated to collectors, this second book in the Dédale series is opened by Pedro Corrêa do Lago's preface, which is followed by Guillaume Glorieux's introduction. First published in 1925, Austrian writer Stefan Zweig's short story The Invisible Collection still manages to strike the reader with its ability to masterfully sketch the contours of collecting obsession. Deeply fascinated by the innovations that enriched European thought in the 1920s, first and foremost psychoanalysis, which also echoes among these pages, Zweig constructs a story that, despite being deeply anchored in time and space, is still relevant and full of humanity. In addition to the engravings by Dürer and Rembrandt mentioned in the story, this second book in the Dédale series is illustrated by the paintings that the French painter Honoré Daumier. It is opened by a preface by Brazilian writer Pedro Corrêa do Lago, who shares with Zweig a collecting passion for letters and autograph manuscripts by well-known authors, which is followed by an introduction by Guillaume Glorieux, who focuses on the relationship between collection and wealth, as well as the importance of collecting and the joy of sharing.

"Paul Celan is one of the essential poets--not just of the twentieth century, but of all time. Pierre Joris's selections from the remarkable, heart-shattering work provide what is surely the best one-volume introduction to Celan ever published in English."--Paul Auster "No twentieth-century poet pierces the heart of language with such an exquisite blade as Paul Celan. With Pierre Joris & company's translations of key poems, poetics, letters, and exemplary commentary, it is as if we are reading Celan for the last time, once again."--Charles Bernstein, author of With Strings "Joris has dwelled during the better part of his life in Celan's words and silences and, as his brilliant introduction demonstrates, he has journeyed through the work's intricacies like very few others."--Michael Palmer, author of The Promises of Glass "A beautiful--and necessary--book. Celan's charred radiance shines through every page."--Richard Sieburth, translator of Hymns and Fragments

What can reading for the gender of signature tell us about the act of reading as a poetics and politics? In Subject to Change Miller demonstrates the textual effects of female authorship in the production, reception, and circulation of women's writing. In the wake of Roland Barthes's famously Dead Author, Miller argues for the cultural vitality of feminist writing subjects.

American architect Morris Lapidus is best known as the designer of glamorous postwar resort hotels in Florida, such as the Fontainebleau (1954) and the Eden Roc (1955) in Miami Beach, and the Americana in Bal Harbour (1956). Yet in a remarkable sixty-year career that began in 1926, he designed more than 500 retail stores, hotels, apartment complexes, and stage sets that captured the popular spirit and changing face of Main Street America in the twentieth century. Lapidus created fantasy environments in which America's middle class, flush with expanding postwar incomes and optimism, could fulfill its desire for glamor, relaxed luxury, and leisure. His signature forms - chevrons, "beanpoles," "woggles," or amoeba shapes, and curving walls and ceilings punctuated by "cheese holes," or cutouts - have become treasured icons of American postwar vernacular architecture. Born in Russia in 1902, Lapidus was brought to New York by his parents a year later, and the family first settled on the Lower East Side. He completed his architecture degree at Columbia University and first earned a reputation by designing stage sets and retail stores in which he developed new theories in store design and essentially created the modern storefront as we now know it. For his famed resort hotels of the 1950s Lapidus designed not only the vast structures but a melange of quasi-French provincial and Italian Renaissance decorative elements that critics would dub "Miami Beach French," including everything from the tableware to his famous "stairways to nowhere." He was one of the first architects to acknowledge the cinema as an overriding influence on American taste.

Written between 1947 and 1960 and first published in 1963, the prose work in the first of these two volumes reflects Louis Zukofsky's ongoing obsession with Shakespeare-whose plays he had first seen performed in Yiddish-and is central to understanding Zukofsky's work. Tracing the themes of knowledge, love and physical vision ("the eyes have it") through both Shakespeare's plays and the poetry, Bottom: On Shakespeare is more than a compendious act of homage by one poet to another. In effect, it lays out Zukofsky's poetics and theory of knowledge on a grand scale, tracing his themes through the whole of Western culture, from the Classical Greeks through William Carlos Williams. The second volume of Bottom: On Shakespeare consists of Celia Thaew Zukofsky's spare operatic setting of Shakespeare's Pericles, Prince of Tyre, a play in which Zukofsky saw Shakespeare rewriting the classic plots and tropes of the Odyssey. The Wesleyan edition features a new foreword by Bob Perelman.

The author discusses his life and career as a poet, examines the work of Whitman, Wordsworth, William Carlos Williams, Conrad, and V.S. Naipaul, and explores aspects of writing

Lyrical works by the New England writer probe aspects of the scholarly life, contemporary America, and nature

Hermann Broch (1886-1951) is remembered among English-speaking readers for his novels The Sleepwalkers and The Death of Virgil , and among German-speaking readers for his novels as well as his works on moral and political philosophy, his aesthetic theory, and his varied criticism. This study reveals Broch as a major historian as well, one who believes that true historical understanding requires the faculties of both poet and philosopher. Through an analysis of the changing thought and career of the Austrian poet, librettist, and essaist Hugo von Hofmannsthal (1874-1929), Broch attempts to define and analyze the major intellectual issues of the European fin de siècle, a period that he characterizes according to the Nietzschean concepts of the breakdown of rationality and the loss of a central value system. The result is a major examination of European thought as well as a comparative study of political systems and artistic styles.

Leather Binding on Spine and Corners with Golden Leaf Printing on round Spine (extra customization on request like complete leather, Golden Screen printing in Front, Color Leather, Colored book etc.) Reprinted in 2019 with the help of original edition published long back [1923]. This book is printed in black & white, sewing binding for longer life, Printed on high quality Paper, re-sized as per Current standards, professionally processed without changing its contents. As these are old books, we processed each page manually and make them readable but in some cases some pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume, if you wish to order a specific or all the volumes you may contact us. We expect that you will understand our compulsion in these books. We found this book important for the readers who want to know more about our old treasure so we brought it back to the shelves. Hope you will like it and give your comments and suggestions. - English, Pages 790. EXTRA 10 DAYS APART FROM THE NORMAL SHIPPING PERIOD WILL BE REQUIRED FOR LEATHER BOUND BOOKS. COMPLETE LEATHER WILL COST YOU EXTRA US$ 25 APART FROM THE LEATHER BOUND BOOKS. {FOLIO EDITION IS ALSO AVAILABLE.}

In this lively and intellectually engaging book, Galit Hasan-Rokem shows that religion is shaped not only in the halls of theological disputation and institutions of divine study, but also in ordinary events of everyday life. Common aspects of human relations offer a major source for the symbols of religious texts and rituals of late antique Judaism as well as its partner in narrative dialogues, early Christianity, Hasan-Rokem argues. Focusing on the "neighborhood" of the Galilee that is the birthplace of many major religious and cultural developments, this book brings to life the riddles, parables, and folktales passed down in Rabbinic stories from the first half of the first millennium of the Common Era.

Elana Sztokman arrived in Israel in 1993 as a young religious mother wearing a long skirt and a hat covering her hair. Today, nearly 30 years later, after spending years fighting for women's rights in Orthodoxy, writing books about gender in religion, and eventually leaving that world behind, she confronts the personal struggles behind the public persona, revealing the traumas from her past that affected her entire relationship with her body. From two-time winner of the National Jewish Book Council Award comes a refreshing and very personal exploration of cultures of the female body in Jewish life. This collection of essays - marking the 25-year anniversary of her feminist awakening and spanning a diverse career of research, writing, and advocacy around Jewish women's experiences - offers political and personal insights and retrospectives on some of the most burning issues today. Topics include: sexuality, relationships, body-image, body-cover, ritual immersion, fat-shaming, slut-shaming, domestic violence, and sexual abuse. Elana brings her characteristic honesty, courage, wit, and profound insight into her writing, and shares some of her own traumas that set her on a sometimes tortuous life path.

An exhaustive index in Yiddish and English to Yiddish-language periodicals and collective volumes of linguistic interest which were published in Europe and the US between 1913 and 1958. Annotation copyright Book News, Inc. Portland, Or.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Content's Essays, 1975-1984 is the celebrated introduction to language poetry by one of its leading practitioners, Charles Bernstein. First published in 1986, and now a classic study of the poetry and poetics of late-twentieth-century America, this collection of essays conducts us with wit, intelligence, and consummate style through the elaborate relations between language and culture. Bernstein considers verbal, pictorial, and filmic language to understand why writing is never the unmediated expression of personal feeling but always charged with latent meaning.Addressing a wide range of arts, Bernstein's essays move gracefully from discussions of Mad Max, Stan Brakhage, and Arakawa, to William Carlos Williams, Louis Zukovsky and Jackson Mac Low. Rather than propose grand theories, Bernstein synthesizes the many sets of ideas that are necessary for a practical understanding of contemporary culture. Reading a variety of texts and expanding on his own thinking and method, Bernstein provides a brilliant introduction not only to language writing but to all avant-garde literary ambitions of the last two decades of the century.At once irreverent and deeply serious, as indebted to Groucho Marx as it is to Stanley Cavell, Content's Dream stakes out a clear cultural and aesthetic position for one extraordinary poet, for language poetry, and for our time.

It is for his poetry that A.M. Klein is best known and most warmly remembered. This collection includes all Klein's poetry, both original works and translations from Hebrew, Yiddish, Aramaic, and Latin. Many of them, coming from all periods of his careers, have never been published. The poems are arranged chronologically according to date of composition. This makes possible, for the first time, an appreciation of Klein's poetic development. The editor's introduction places this development in the perspective of Klein's life and time, and in particular explores Klein's lifelong struggle to reconcile his dual vocations as both a Jewish and a modernist writer. The textual apparatus identifies all authoritative versions for each poem and lists all emendations and all substative variants in both published and mauscript versions. The explanatory notes gloss obscure terms and references. They also provide a rich context for appreciation and interpretation by drawing connections with Klein's life, his wide reading, and his work as a whole. Wherever possible, Klein's own numerous, but scattered, comments on his poems have been cited.

The description for this book, The Gothic: Literary Sources and Interpretation Through Eight Centuries, will be forthcoming.

fiction