Rainbow Jews looks at the intersection of gay and Jewish identity in American and Israeli film and theater from the 1960s to the present. Through a close reading of the texts of numerous American and Israeli plays and films, Friedman evaluates some of the key conventions that have been employed to construct, critique, and reflect the connection between Jewishness and gay identity in the United States and Israel. Friedman also explores ways in which gay-Jewish playwrights and filmmakers have progressed the reevaluation of sexual norms within Judaism over the past three decades, inspiring and integrating Jewish members of the GLBT community into the overall Jewish historical narrative.

"'If we have the habit of freedom and the courage to write exactly as we think, ' as Woolf puts it in A Room of One's Own , writing like a woman simply means writing like what one actually is, in sickness and health, richer and poorer, belly and bowels, the consonants and the vowels too. We may have a general sense that women poets are more likely than men, at the present time, to write in detail about their bodies; to take power relationships as a theme; to want to speak with a strong rather than a subdued voice; are less likely to seek distance, more likely to seek intimacy, in poetic tone. But generalization would be foolish here. 'Woman poet, ' like 'American poet' or 'French poet' or 'Russian poet, ' allows--even insists on--diversity, while implying something valuable in common, some shared language and life, of tremendous importance to the poet and the poet's readers." --Alicia Ostriker

A superb introduction to modern Japanese fiction as well as a memoir of his own love affair with Japanese literature and culture, this volume consists of chapters on five modern Japanese novelists whom Donald Keene knew personally: Yasunari Kawabata, Yukio Mishima, Jun'ichiro Tanizaki, Ryotaro Shiba, and Kobo Abe. Each chapter opens with a vignette describing Keene's personal encounters with these famous men, blending his autobiographical observations with literary and cultural analysis.

Is American vision implicitly possessive, as a generation of critics contends? By viewing the American poetic tradition through the prism of pragmatism, Elisa New contests this claim. A new reading of how poetry "sees," her work is a passionate defense of the power of the poem, the ethics of perception, and the broader possibilities of American sight. American poems see more fully, and less invasively, than accounts of American literature as an inscription of imperial national ideology would allow. Moreover, New argues, their ways of seeing draw on, and develop, a vigorous mode of national representation alternative to the appropriative sort found in the quintessential American genre of encounter, the romance. Grounding her readings of Dickinson, Frost, Moore, and Williams in foundational texts by Edwards, Jefferson, Audubon, and Thoreau, New shows how varieties of attentiveness and solicitude cultivated in the early literature are realized in later poetry. She then discloses how these ideas infuse the philosophical notions about pragmatic experience codified by Emerson, James, and Dewey. As these philosophers insisted, and as New's readings prove, art is where the experience of experience can be had: to read, as to write, a poem is to let the line guide one's way.

Presents essays addressing a range of literary, historical, and moral issues, covering the joys of literature in the works of such writers as Leo Tolstoy, Saul Bellow, and Sylvia Plath, as well as the author's early literary endeavors.

"Thirty-one, in part or in full, of the forty-six Constant Reader pieces are gathered here for the first time in book form. They not only belong with the body of her work, but also express the essence of the period in a telling way" -- Front jacket flap.

The first female Conservative rabbi in the U.S. reflects on ancient Jewish traditions as a guide to reconciliation and peacebuilding in our lives, our communities, and our world.

A collection of essays in which Cynthia Ozick examines the works of some of the world's most illustrious writers.

Examines the lives and careers of four distinguished Irish authors and analyzes the connections among them.

What Is Jewish Literature? is a richly thoughtful analysis and comprehensive overview of what defines Jewish literature. It is an international collection, featuring authors and scholars who write in different languages from different literary, spiritual, and personal perspectives.The book explores long-standing What are the criteria for identifying Jewish literature? Are they language, religious affiliation of the author, religious sensibility, a distinctive Jewish imagination, or literary tradition?If the writer is the criterion, do Sholem Aleichem and Nathanael West really inhabit a shared universe? Is a text by S.Y. Agnon part of the same literary tradition as a play by Arthur Miller?Is Yiddish or Hebrew or Ladino the defining element? If so, where do we place Franz Kafka, Primo Levi, Elie Weisel, Saul Bellow, Nellie Sachs?Is tradition the yardstick? Do we then classify Saul Bellow's Mr. Sammler's Planet as a Jewish novel... as Holocaust literature... as American fiction?What Is Jewish Literature? debates all these possibilities. It is a landmark collection that encourages the reader to participate in the quest for answers that defy simple responses.The contributors reflect the multilingual and multicultural nature of any discussion of Jewish literature. Their voices range from polemical to speculative, from scientific to lyrical.What Is Jewish Literature? is an enduring contribution to the literary resource for the scholar, the teacher, and the student and for any individual who strives to appreciate, evaluate, and understand the varied riches of Jewish writing.

"Timely and beautifully written, New England Beyond Criticism provides a passionate defense of the importance of the literature of New England to the American literary canon, and its impact on the development of spirituality, community, and culture in America. An exploration and defense of the prominence of New England's literary tradition within the canon of American literature. Traces the impact of the literature of New England on the development of spirituality, community, and culture in America. Includes in-depth studies of work from authors and poets such as William Bradford, Emily Dickinson, Robert Frost, Henry David Thoreau, Susan Howe, and Marilynne Robinson. Examines the place and impression of New England literature in the nation's intellectual history and the lives of its readers"--

"This book, consisting in the main of interpretations of a large part of Horace's writings, attempts to outline the history of the poet's work from his earliest epodes and satires to his maturest epistles and odes. Its purpose is not to replace existing commentaries but rather to enable the reader to understand a poem of Horace as a whole and to appreciate the character and arrangement of his books in their entirety. The interpretation aims at being as comprehensive as the subject requires; it deals both with Horace's forerunners and models and with his views on poetry, politics and society -- including his relations with Maecenas and Augustus -- philosophy and religion. Problems of language and style, of Greek and Latin literature and of Roman history are discussed wherever appropriate. An introductory chapter provides a commentary on Suetoniuus' Life of Horace." [Back cover].

Product Description Journeys beyond the Pale is the first book to examine how Yiddish writers, from Mendele Moycher Sforim to Der Nister to the famed Sholem Aleichem, used motifs of travel to express their complicated relationship with modernization. The story of the Jews of the Pale of settlement encompasses current-day Russia, the Ukraine, Belarus, and Poland. Review "This book is deliciously subversive. Garrett demonstrates that the major writers in Yiddish, a language without its own territory, wrote as if their Jewish subjects lived and traveled freely at the center of the world; not on its margins, not in a ghetto, not in a valorized state of exile."—David G. Roskies, Jewish Theological Seminary "Garrett’s work goes a long way towards conceptualizing and analyzing a phenomenon omnipresent in Yiddish short stories, novels, poetry, and drama, combining theoretical considerations of the journey in general and specific, nuanced readings of Jewish journeys in particular."—Jeremy Dauber, Columbia University "This kind of scholarship is vital for the further progress in Yiddish studies and its integration into the mainstream humanities."—Mikhail Krutikov, Oxford Centre for Hebrew and Jewish Studies and author of Yiddish Fiction and the Crisis of Modernity, 1905–1914 From the Back Cover "This book is deliciously subversive. Garrett demonstrates that the major writers in Yiddish, a language without its own territory, wrote as if their Jewish subjects lived and traveled freely at the center of the world; not on its margins, not in a ghetto, not in a valorized state of exile."-David G. Roskies, Jewish Theological Seminary "Garrett's work goes a long way towards conceptualizing and analyzing a phenomenon omnipresent in Yiddish short stories, novels, poetry, and drama, combining theoretical considerations of the journey in general and specific, nuanced readings of Jewish journeys in particular."-Jeremy Dauber, Columbia University "This kind of scholarship is vital for the further progress in Yiddish studies and its integration into the mainstream humanities."-Mikhail Krutikov, Oxford Centre for Hebrew and Jewish Studies and author of Yiddish Fiction and the Crisis of Modernity, 1905-1914 About the Author Leah V. Garrett is assistant professor of Judaic studies and English literature at the University of Denver, Colorado.

An original and highly unusual psycholinguistic study of American literature and culture from 1584 to 1860, this volume focuses on the metaphor of 'land-as-woman.' It is the first systematic documentation of the recurrent responses to the American contine

"In the summer of 1977, Allen Ginsberg decided it was time to teach a course on the literary history of the Beat Generation. This was twenty years after the publication of his landmark poem "Howl," and Jack Kerouac's seminal book On the Road. Through the creation of this course, which he ended up teaching five times, first at the Naropa Institute and later at Brooklyn College, Ginsberg saw an opportunity to make a record of the history of Beat Literature. Compiled and edited by renowned Beat scholar Bill Morgan, and with an introduction by Anne Waldman, The Best Minds of My Generation presents the lectures in edited form, complete with notes, and paints a portrait of the Beats as Ginsberg knew them: friends, confidantes, literary mentors, and fellow revolutionaries. Ginsberg was seminal to the creation of a public perception of Beat writers and knew all of the major figures personally, making him uniquely qualified to be the historian of the movement. In The Best Minds of My Generation, Ginsberg shares anecdotes of meeting Kerouac, Burroughs, and other writers for the first time, explains his own poetics, elucidates the importance of music to Beat writing, discusses visual influences and the cut-up method, and paints a portrait of a group who were leading a literary revolution. For academics and Beat neophytes alike, The Best Minds of My Generation is a personal and yet critical look at one of the most important literary movements of the twentieth century"--

Simone Weil (1909-1943) is one of the most brilliant and unorthodox religious and philosophical minds of the twentieth century. She was also a political activist, worked in the Renault car factory in France in the 1930s and fought briefly as an anarchist in the Spanish Civil War, before her tragic early death in England at the age of thirty-four. Her work spans an astonishing variety of subjects, from ancient Greek philosophy and Christianity to oppression, political freedom and French national identity. Intimations of Christianity Among the Ancient Greeks sees Weil apply her unique and piercing intellect to early Greek thought, where she finds fundamental precursors to Christian religious ideas. She argues, provocatively, that concepts fundamental to Christianity such as incarnation, redemption, suffering and resurrection are Greek as well as Christian and that there is much we can learn, spiritually and philosophically, from their entwinement. This Routledge Classics edition includes a new Foreword by Christopher Hamilton.

The Rites of Assent examines the cultural strategies through which "America" served as a vehicle simultaneously for diversity and cohesion, fusion and fragmentation. Taking an ethnographic, cross-cultural approach, The Rites of Assent traces the meanings and purposes of "America" back to the colonial typology of mission, and specifically (in chapters on Puritan rhetoric, Cotton Mather, Jonathan Edwards, and the movement from Revival to Revolution) to the legacy of early New England.

A study of the 12th-century evolution of innovative anti-Jewish stereotypes and their impact on subsequent Western thought. The 12th century was a period of significant change and dislocation in the West; it witnessed the interaction of new societal circumstances and a prior ideational legacy, similar to events in the 19th-20th centuries. This interaction produced an innovative view of Jews which was fated to influence anti-Jewish perceptions up to the present. In the period of societal change, persecutory patterns emerged, directed at diverse societal outgroups, among them the Jews. The 12th-century stereotypes were permanently absorbed into the historic legacy of Christian anti-Jewish thinking. These stereotypes were based on a perception of Jewish hatred of Christianity and Christians, and that Jews commit acts of anti-Christian violence generated by this purported hatred (e.g. ritual murder, abuse of Christian symbols, moneylending abuses). The most pernicious anti-Jewish imagery involves stereotypes alleging mortal threats posed by Jews. States that every new stage in the evolution of anti-Jewish thinking is marked by dialectical interplay between a prior legacy of negative stereotypes and the realities of a new social context.

Beginning in Paris in the year 1290, Jews were accused of abusing Christ by desecrating the eucharist—the manifestation of Christ's body in the communion service. Over the next two centuries this tale of desecration spread throughout Europe and led to violent anti-Jewish activity in areas from Catalonia to Bohemia, particularly in some German-speaking regions, where at times it produced regionwide massacres and "cleansings." Drawing on sources ranging from religious tales and poems to Jews' confessions made under torture, Miri Rubin explores the frightening power of one of the most persistent anti-Jewish stories of the Middle Ages and the violence that it bred. She looks not just at the occasions on which massacres occurred but also at those times when the story failed to set off violence. She investigates as well the ways these tales were commemorated in rituals, altarpieces, and legends and were enshrined in local traditions. In exploring the character, nature, development, and eventual decay of this fantasy of host desecration, Rubin presents a vivid picture of the mental world of late medieval Europe and of the culture of anti-Judaism.