The awarding of the 1958 Nobel Prize for Literature to Boris Pasternak and the subsequent calumny of his fellow citizens in Soviet Russia focused unusual attention on Pasternak's great novel, Dr. Zhivago, and the small body of his other work. At the time, the latter was only available (in any language, as far as is known) in New Directions' Selected Writings of Pasternak, first published in 1949. The 1958 edition was issued with a new introduction by Babette Deutsch under the title of the book's main component, Pasternak's autobiography. Written when he was forty, Safe Conduct puzzled many readers in Russia and when it appeared in English, because its isolated sharp impressions and juxtapositions seem to deny chronology, but at least one critic recognized it as "the most original of autobiographies, employing a new technique of great important." Also included is a group of remarkable short stories, translated by Robert Payne, dealing with the mysteries of life and art, and a selection of the poems that have made Pasternak known, to the few at last, as the "outstanding Russian poet of the century." these are translated by the British Critic and poet C. M. Bowra, and by Miss Deutsch.

An eye-opening account of time served in the great battles of our century - for workers' rights, against Fascism, Communism, and racism - Jumping the Line is the life story of an American original. William Herrick relates his adventures and misadventures on the front lines of the Spanish Civil War, in (and very much out of) the Communist Party, driving a tractor on a communal farm in Michigan, jumping the line as a hobo, organizing African American sharecroppers in Georgia, at work with Orson Welles, and immersed in his own writing. When Paul Berman interviewed Herrick in the Village Voice in 1986, for the fiftieth anniversary of the Spanish Civil War, Herrick's remarks so incensed other veterans of the Abraham Lincoln battalion that they picketed the paper. What William Herrick has to say doesn't always go down easily. But for those who like the truth, with a dash of wit and a healthy dose of history, it can be exhilarating.

Mixing observations about friends and family with short sketches and literary gossip, this third installment of the author's notebooks updates an intriguing personal and cultural record. Starting where Rough Copy: Personal Terms II left off, the story of one contemporary writer's life is resumed in anecdotes, aphorisms, journal entries, reviews, and vignettes of people and places.

Life Out of Context begins as a powerful, brooding and humorously honest examination of Mosley's own sense of cultural dislocation as an African American writer. But due to a series of serendipitous events -- the screening of a documentary about Africa, an encounter with Harry Belafonte and Hugh Masakela -- Mosley, rather like the protagonist in one of his mystery novels, has a series of epiphanies on the role of a black intellectual in America. He asks: What can we do to fight injustice, poverty, exploitation, and racism? What is globalization doing to us? Through these late night meditations, Mosley attempts to transcend his earlier feelings of living a "life out of context" and seeks instead to find a political context. He ends with a call to arms, proposing that African Americans have to break their historic ties with the Democrat Party, and form a party of their own.

So, just how was Tarzan created? Eager to know the inside story about the legendary John Carter and the amazing cities and peoples of Barsoom? Perhaps your taste is more suited to David Innes and the fantastic lost world at the Earth?s core? Or maybe wrong-way Napier and the bizarre civilizations of cloud-enshrouded Venus are more to your liking? These pages contain all that you will ever want to know about the wondrous worlds and unforgettable characters penned by the master storyteller Edgar Rice Burroughs. ø Richard A. Lupoff, the respected critic and writer who helped spark a Burroughs revival in the 1960s, reveals fascinating details about the stories written by the creator of Tarzan. Featured here are outlines of all of Burroughs?s major novels, with descriptions of how they were each written and their respective sources of inspiration. This Bison Books edition includes a new foreword by fantasy writer Michael Moorcock, a new introduction by the author, a final chapter by Phillip R. Burger, as well as corrected text and an updated bibliography.

What are the conditions that foster true novelty and allow visionaries to set their eyes on unknown horizons? What have been the challenges that have spawned new innovations, and how have they shaped modern biology? In Dreamers, Visionaries, and Revolutionaries in the Life Sciences , editors Oren Harman and Michael R. Dietrich explore these questions through the lives of eighteen exemplary biologists who had grand and often radical ideas that went far beyond the run-of-the-mill science of their peers. From the Frenchman Jean-Baptiste Lamarck, who coined the word “biology” in the early nineteenth century, to the American James Lovelock, for whom the Earth is a living, breathing organism, these dreamers innovated in ways that forced their contemporaries to reexamine comfortable truths. With this collection readers will follow Jane Goodall into the hidden world of apes in African jungles and Francis Crick as he attacks the problem of consciousness. Join Mary Lasker on her campaign to conquer cancer and follow geneticist George Church as he dreams of bringing back woolly mammoths and Neanderthals. In these lives and the many others featured in these pages, we discover visions that were sometimes fantastical, quixotic, and even threatening and destabilizing, but always a challenge to the status quo.

What are the conditions that foster true novelty and allow visionaries to set their eyes on unknown horizons? What have been the challenges that have spawned new innovations, and how have they shaped modern biology? In Dreamers, Visionaries, and Revolutionaries in the Life Sciences , editors Oren Harman and Michael R. Dietrich explore these questions through the lives of eighteen exemplary biologists who had grand and often radical ideas that went far beyond the run-of-the-mill science of their peers. From the Frenchman Jean-Baptiste Lamarck, who coined the word “biology” in the early nineteenth century, to the American James Lovelock, for whom the Earth is a living, breathing organism, these dreamers innovated in ways that forced their contemporaries to reexamine comfortable truths. With this collection readers will follow Jane Goodall into the hidden world of apes in African jungles and Francis Crick as he attacks the problem of consciousness. Join Mary Lasker on her campaign to conquer cancer and follow geneticist George Church as he dreams of bringing back woolly mammoths and Neanderthals. In these lives and the many others featured in these pages, we discover visions that were sometimes fantastical, quixotic, and even threatening and destabilizing, but always a challenge to the status quo.

"This new critical biography provides a complete picture of German novelist, playwright and poet Johann Wolfgang von Goethe. It offers fresh, thought-provoking interpretations of all the major works, including novels such as The Sorrows of Young Werther and The Elective Affinities, plays such as Egmont and Iphigenia in Tauris, and Goethe's greatest work, Faust. Alongside these works the incidents of his life are analysed, including his love affairs and his meetings with the great people of the age, such as Napoleon Bonaparte. Jeremy Adler shows how Goethe's encyclopedic interest in numerous fields influenced later thinkers such as Charles Darwin and Sigmund Freud, Émile Durkheim and Susan Sontag. Goethe has often been called the last Renaissance man. He was in fact the first of the moderns - a maker of modernity."--Page 4 of cover.

"Once upon a time there were three men who exemplified, without knowing it, my ideal in life. All of them became famous as writers, influential thinkers, and public figures. Their names are Clifton Fadiman, Lionel Trilling, and Jacques Barzun. They met in college, they remained aware of one another as friends or, if less than friends, companions and fellow crusaders on behalf of similar ideals. Although one of them never knew of my existence, the second ignored it, and the third treated me with formal kindness, without them I would have had no concrete model in my youth of what I wanted to become. Theirs was the universe in which I wished to have my being." With these words, Carolyn Heilbrun begins a personal, pointed, and surprisingly moving account of how a woman, destined to become one of the leading feminist critics of her day as well as one of our most popular mystery novelists, found the models for the life she aspired to in men who neither imagined nor countenanced women as their equals or colleagues. Remembering these three figures as they were when she hung upon their printed words and professorial presences, reappraising them now half a century later, Heilbrun vividly evokes what these remarkable individuals had to offer to an admiring young woman who could not acknowledge—and later would not accept—the impossibility of following in their paths. In the admired anthologies, magazine articles, and introductions through which Fadiman transmitted the world of high culture to an educated general public, he indicated no devotion to questions of female destiny; yet long before Heilbrun could imagine the life in the academy that was denied to Fadiman but would eventually be hers, his was the career to which she privately aspired. Later, in her days as a graduate student at Columbia, it was Trilling who would have the most powerful intellectual effect upon her, formulating as he did the tensions inherent in the desire to salvage what was of worth from a sad, almost moribund culture, even if he frankly admitted to no interest in teaching women or in considering their destinies beyond the domestic sphere. Only the courtly Barzun, also a mentor at Columbia, seemed capable of respecting female accomplishment and eschewing stereotyped views of women. Yet together, all three men unconsciously made Heilbrun's life as a feminist possible, by representing both what she wished to join and what she needed to struggle against. When Men Were the Only Models We Had is a loving, admiring, but stringent account of youthful enthusiasms, of the romance of ideas, of the intellectual brilliance of three unwitting mentors, and of the hopelessness of female ambition in the years before the feminist movement of the last three decades of the last century. And it is, in the end, a book that offers splendid proof that the models we once had are no longer the only ones before us.

Yehoshua Hankin had two loves: love for his wife Olga, many years his senior, and a love for the land. The two competed with each other, but he never preferred one over the other. Displayed for the reader, against the backdrop of the atmosphere in the Land of Israel toward the close of the Ottoman period and into that of the British Mandate, is a broad slice of life spread over fifty years of the man dubbed by constituents as the “Redeemer of the Land,” and of the figures who accompanied him.The characters, events, times, and places described in this historical novel are to a great extent a faithful representation of reality, and they are interwoven into a multi-faceted biography illuminating the period and forgotten actors in a new light. Joining forces in writing this book were Irit Amit Cohen and Ruth Kark, who combined Irit Amit Cohen’s literary work in the genre of the historical novel with Ruth Kark’s long-term research endeavor on Yehoshua Hankin, which even encompassed oral documentation from his close associates.

In the course of the same old race I find myself writing about knowing some people--how fame seems to set some people apart from us, once known: I was astonished by Ernest Hemingway's small, weak handshake when we were introduced at Scribners by John Hall Wheelock and by the jolt of force with which Elie Wiesel squeezed my hand. How long ago seems knowing, too: when I first meet Isaac Singer he asks me, "Who is Mr. Saul Bellow?" We're on the Upper West Side in his apartment next to the funeral parlor. A yellow parakeet hops around on Singer's bald forehead. Singer's great comic story of faith, "Gimpel the Fool," has only recently been published from Yiddish into English in a translation by Saul Bellow. They're both still a long way from Stockholm. "Do you know him? Can you tell me who this Mr. Bellow is?" he asks. It was not always possible to guess Singer's motives in acting as though he was not impressed with worldly reputations. His features of a medieval Polish saint, even to a faint white-haired tonsure effect around the crown of his skull, were backlit by the glowing monitor from his mischievous incubus.--from the Preface These are Richard Elman's candid snapshots in prose of the various, mostly literary celebrities he encountered during his four decades as a working writer and journalist--among them Isaac Bashevis Singer, Tillie Olsen, Bernard Malamud, Faye Dunaway, Hunter S. Thompson, and other important artists and writers who were Elman's teachers and, occasionally, adversaries. Engagingly written and never superficial, these portraits and anecdotes in many cases strike to the center of each subject's art. To many readers, these persons are just "names"; Elman brings them to life while never simplifying or overdramatizing their work.

Who was the man being The Lord of the Rings ?

In a rare foray outside that natural home, Booker Prize-winner Bernice Rubens penned these memoirs 'while I still have a memory'. Poignantly, the highly-acclaimed author, literary bon-vivante and celebrated film-maker died shortly after completing them. She wasn't quite expecting that but nor, as she reveals in these pages, did she expect to become a writer. It wasn't the sort of thing that happened to girls born in Glossop Terrace in Splott, the 'unmentionable and indisputable armpit of Cardiff'. In this delightful evocation of her own life, Rubens escorts us, with a flotilla of anecdotes, away from that armpit through her wartime childhood, her first 'major folly' (studying English at University) to stints as a teacher, lady's maid and actress before stumbling upon a career that bemused her until the end of her days. 'What shall I do,' was her constant internal refrain, 'when I grow up?' Bernice Rubens died in the autumn of 2004.

Vera Caspary, the celebrated author of Laura , tells her own story in this captivating autobiography. With a career that spanned from the 1920s through 1970s, one that produced over twenty novels, in addition to her many credits for film and theater, Caspary centered her life around a passion for writing. From her early experiences at an advertisement agency--where she developed a correspondence school and invented its "famed" instructor--to the struggles of being gray-listed in the McCarthy Era, Caspary constantly found a way to turn her creative needs into viable work. Caspary recalls the rest of a full life, too, including her flirtation with communism, travels across Europe, and a marriage. Caspary's skillful writing makes her incredible depictions of people, and the times in which they lived, jump off the page.

David Leavitt brings the wonders and mysteries of Florence alive, illuminating why it is, and always has been, one of the most popular tourist destinations in the world. The third in the critically-acclaimed Writer and the City Series-in which some of the world's finest novelists reveal the secrets of the cities they know best- Florence is a lively account of expatriate life in the 'city of the lily'. Why has Florence always drawn so many English and American visitors? (At the turn of the century, the Anglo-American population numbered more than thirty thousand.) Why have men and women fleeing sex scandals traditionally settled here? What is it about Florence that has made it so fascinating-and so repellent-to artists and writers over the years? Moving fleetly between present and past and exploring characters both real and fictional, Leavitt's narrative limns the history of the foreign colony from its origins in the middle of the nineteenth century until its demise under Mussolini, and considers the appeal of Florence to figures as diverse as Tchaikovsky, E.M. Forster, Ronald Firbank, and Mary McCarthy. Lesser-known episodes in Florentine history-the moving of Michelangelo's David , and the construction of temporary bridges by black American soldiers in the wake of the Second World War-are contrasted with images of Florence today (its vast pizza parlors and tourist culture). Leavitt also examines the city's portrayal in such novels and films as A Room with a View , The Portrait of a Lady and Tea with Mussolini .

Publisher's description: At the heart of this... Mexican novel lies the search for a family history. Using ancestral recollections, flashbacks through history, and personal memory, the author traces her family roots from pre-Revolutionary Russia to contemporary Mexico. Margo Glantz's Mexico is a mysterious world-- a cultural carnival where Flash Gordon crosses paths with Columbus: a Mexico of Diego Rivera, Leon Trotsky and Frida Kahlo, hijacked by Dracula and King Kong, filled with the aromas of a kosher bakery and the echoes of jokes, some corny, some not.