When the Nazis came to power and created a racial state in the 1930s, an urgent priority was to identify Jews who had converted to Christianity over the preceding centuries. With the help of church officials, a vast system of conversion and intermarriage records was created in Berlin, the country’s premier Jewish city. Deborah Hertz’s discovery of these records, the Judenkartei, was the first step on a long research journey that has led to this compelling book. Hertz begins the book in 1645, when the records begin, and traces generations of German Jewish families for the next two centuries. The book analyzes the statistics and explores letters, diaries, and other materials to understand in a far more nuanced way than ever before why Jews did or did not convert to Protestantism. Focusing on the stories of individual Jews in Berlin, particularly the charismatic salon woman Rahel Levin Varnhagen and her husband, Karl, a writer and diplomat, Hertz humanizes the stories, sets them in the context of Berlin’s evolving society, and connects them to the broad sweep of European history.

A study based on ca. 700 personal stories of Jewish survivors of Ravensbrück, including ca. 200 testimonies held in the Yad Vashem archives; information from memoirs; and interviews conducted with survivors after the war or during 1997-2005 by Agassi and the team of scholars from Israel and Germany who worked with her, as well as with relatives of survivors who are no longer alive. The percentage of Jews among Ravensbrück prisoners was small, thus this camp was sometimes neglected by scholars of the Holocaust. Divides the history of the Ravensbrück camp (1939-45) into five periods, and presents a sociological portrait of the Jewish population in each period. Gives the distribution of the Jewish prisoners by countries of origin, reasons for arrest and incarceration, age, marital status, etc. Dwells on the prisoners in the satellite camps, the evacuation marches in the last stage of the war, and the rescue of some of the prisoners by Count Bernadotte in February-March 1945. Notes manifestations of antisemitism on the part of some non-Jewish prisoners. There was little group-wide social organization among non-political Jewish prisoners in Ravensbrück, only small group relationships. Resistance was limited to small-scale sabotage at in work places. Nonetheless, the very survival in Ravensbrück constituted a type of heroism.

After World War II, German scientist Nikolaus Riehl and his family were held captive in the Soviet Union from 1945 to 1955. His story is uniquely interesting in part because of its historical content, in part because he was bilingual in German and Russian, having grown up in St. Petersburg as the son of a German father and a Russian mother, and as a result of his warm human interest in the Russian people. He tells his story in Ten Years in a Golden Cage. Frederick Seitz has written a detailed introduction that provides a historical context for his translation (from German) of Riehl's book.

Berlin! Berlin! is a satirical selection from the "man with the acid pen and the perfect pitch for hypocrisy," as New York author and Tucholsky-expert Peter Wortsman writes. This book os a complete collection of Tucholsky's news stories, features, satirical pieces, and poems about his hometown Berlin. It depicts Weimar Berlin, its cabarets, its policies, its follies, its ticks, and its celebrities, such as Pola Negri, Gussy Holl, Bert Brecht, Max Reinhardt, or Heinrich Zille. The book contains some of Tucholsky's most famous pieces, among them Berlin! Berlin!, a feature of the stereotypical Berliner on the phone, on vacation or doing "bizness", more than one satirical biography of the author himself, and some of his most famed stories such as where the holes in the cheese come from, or about the lion who escaped the Berlin zoo. Herr Wendriner, the chatty Berlin businessman makes an appearance, as well as Lottchen, the flapper, modelled after one of Tucholsky's real-life gilrfriends. Also Tucholsky's long-term friends Karlchen and Jakopp are part of this book. In Weimar Germany, Tucholsky was big, the most brilliant, prolific and witty cultural journalist of his time. He poured scorn on the reactionary institutions of the old regime, the follies of the Weimar Republic, and the peculiarities of the German character. - William Grimes, The New York Times Imagine a writer with the acid voice of Christopher Hitchens and the satirical whimsy of Jon Stewart. That's Tucholsky in a nutshell. - Anne Nelson, author of "The Red Orchestra" and "The Guys" Kurt Tucholsky was one of the most brilliant German-Jewish writers of his time. Today's Berliners adore him as one of their greatest sons. The world has yet to discover his genius. -Peter Schneider, author of "The Wall Jumper" and "Eduard's Homecoming" A selection from the man with the acid pen and the perfect pitch for hypocrisy, who was as much the voice of 1920s Berlin as Georg Grosz was its face. - Peter Wortsman, author of "Ghost Dance in Berlin" . . . a small, fat Berliner, who wanted to stop a catastrophe with his typewriter. -Erich Kästner, author of "Emil and the Detectives"

Klemens von Klemperer's scholarly and detailed study uncovers the beliefs and activities of numerous individuals who fought against Nazism within Germany, and traces their many efforts to forge alliances with Hitler's opponents outside the Third Reich. Measured by conventional standards of diplomacy, the foreign ventures of the German Resistance ended in failure. The Allied agencies, notably the British Foreign Office and the US State Department, were ill prepared to deal with the unorthodox approaches of the Widerstand. Ultimately, the Allies' policy of 'absolute silence', the Grand Alliance with the Soviet Union, and the demand for 'unconditional surrender' pushed the war to its final denouement, disregarding the German Resistance. However, Professor von Klemperer shows that many of the principles and strategies of the Widerstand had distinct moral and historical consequences when considered in their context. This context includes changes in the nature of international diplomacy which became evident in the resisters' contacts with the churches, the international intelligence community, and the Resistance movements outside Germany. All of these turned out to be attuned to the ultimate concerns of the German Resistance: overcoming the nation-state, the movement towards a more united Europe, and human rights. The foreign policy of the German Resistance thus helped prepare the agenda for international relations in the post-war world.

""The Curtain Falls: Last Days Of The Third Reich"" is a historical account of the final days of Nazi Germany, written by Swedish diplomat and humanitarian, Folke Bernadotte. The book provides a detailed and personal perspective of the events leading up to the fall of Hitler's regime, including the military campaigns, political negotiations, and the atrocities committed by the Nazi regime. Bernadotte's firsthand experiences as a mediator between the Allies and Nazi officials, as well as his interactions with key figures such as Himmler and Goebbels, offer unique insight into the inner workings of the Nazi government during its final days. The book also delves into the aftermath of the war and the Nuremberg Trials, providing a comprehensive look at the end of one of the darkest periods in human history. Overall, ""The Curtain Falls"" is a compelling and informative read for anyone interested in the history of World War II and the downfall of the Third Reich.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Felix Gilbert begins this book of memoirs by describing his peaceful and protected childhood in Germany before the First World War. That war, and the revolutionary events that followed it, strongly influenced his choice of profession; he studied history at Heidelberg, Munich, and the University of Berlin. He gives a firsthand account of the intellectually stimulating and politically restless atmosphere in 1920s Berlin. During the first six months of 1933, when the Nazi takeover occurred in Germany, Mr. Gilbert was at work in the archives in Italy. There he received letters from relations and friends in Germany; published here, these letters convey the impact of Nazism on the daily lives of these people. In other chapters of the book Mr. Gilbert, who served as a member of the OSS, vividly describes wartime London, liberated Paris, and occupied Germany. These memoirs end with an account of a mission to Berlin which, for Mr. Gilbert, was also a search for what remained of a world that once had been.

Whether Europe will ever have anything resembling the “common foreign and security policy” described in the Maastricht Treaty will depend most of all on whether France and Germany are able to align their foreign policy goals and means. This thoughtful and original study examines the Franco-German security partnership in its post–Cold War context and analyzes the implications of that partnership for both Europe and the United States. Utilizing French and German sources and extensive interviews in Paris, Bonn, and Washington, Philip Gordon traces the evolution of Franco-German security cooperation since World War II, focusing especially on post-1989 developments. The book's historical and conceptual approach provides a framework for assessing the foundations of the Euro-optimism and -pessimism at odds with each other today.Gordon argues that Franco-German cooperation in the post–Cold War era will be more challenging than it was during a time when the Soviet threat united the two countries in a U.S.-led alliance. The book demonstrates how the end of the Cold War, German unification, a declining U.S. role in Europe, and emerging instabilities to Europe's east and south will test the strength of the Franco-German partnership, and it examines how French and German leaders have stood up to the new challenges so far. Detailed case studies of the Persian Gulf War, the debates over the “Eurocorps,” policies toward Eastern Europe, and the war in Yugoslavia make an invaluable contribution to our understanding of French, German, and Alliance policies in the post–Cold War world. Gordon also identifies new trends in French and German security policies since 1989 and analyzes their effects on the potential for Western and European cohesion.The book concludes that the general commitment in Paris and Berlin to continued cooperation is not in doubt but that a truly common and effective Franco-German or European security policy is unlikely; the national interests of the two countries and their Western partners not only remain different, but they are probably more divergent today than during the Cold War. Consequently, Gordon also argues that U.S. and European fears of Franco-German bilateralism are exaggerated and indeed that the allies have more to gain than to lose from Franco-German cooperation. The problem for the West is not so much that France and Germany have formed a cohesive political-military force within Europe but that they have failed to do so.

“A moving act of absolution . . . . This strong novel about a girl who is debased but never destroyed pushes the reader to a new level of understanding of the things people do—and the things that are done to them.”— Washington Post Book World She has hair of ginger and lovely green eyes, and she has just been transported with her family from Terezín to Auschwitz. In short order, her father commits suicide, and her mother and younger brother are dispatched to the gas chambers, but fifteen-year-old Hanka Kauderzová is still alive. Faced with the choice of certain death in the camp or working in a German military brothel, she chooses a chance at life. Passing for an Aryan, Hanka spends her days in the brothel cold, hungry, fearful, and ashamed. She is sustained only by her loathing of the men who visit her and by a fierce, indomitable will to live. This devastatingly beautiful novel explores and delineates the impossible choices one sometimes has to make in life, when the fabric of the world is rent asunder. Soaring beyond the nightmare, it leaves the reader with a transcendent sense of hope. Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

""What Hitler Wants"" is a political analysis written by Leon Trotsky in 1933, shortly after Adolf Hitler and the Nazi Party came to power in Germany. The book explores the motivations, goals, and strategies of the Nazi regime, particularly in regards to its expansionist ambitions and its hostility towards the Soviet Union. Trotsky argues that Hitler's regime is driven by a desire for territorial conquest and domination, fueled by a toxic blend of racism, nationalism, and anti-communism. He also critiques the policies of the Western powers, particularly their appeasement of Hitler and their failure to recognize the threat posed by fascism. The book is a powerful warning against the dangers of fascism and the need for international solidarity in the face of authoritarianism.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Book by Pryce-Jones, David

Total Espionage was first published shortly before Pearl Harbor and is fresh in its style, retaining immediacy unpolluted by the knowledge of subsequent events. It tells how the whole apparatus of the Nazi state was geared towards war by its systematic gathering of information and dissemination of disinformation. The author, a Berlin journalist, went into exile in 1933 and eventually settled in Manhattan in where he wrote for the 'Saturday Evening Post'. He maintained a network of contacts throughout Europe and from inside the regime to garner his facts. The Nazis made use of many people and organizations: officers' associations who were in touch with many who left to help organize the armies of South American countries, and in the USA there were the Friends of the New Germany. German consulates sprang up and aircraft would make unusual detours to observe interesting parts of foreign countries. News agencies and various associations dedicated to maintaining contacts with particular countries were encouraged to supply information. Film studios would send large crews abroad to shoot documentaries as well as perform acts of espionage. Foreign nationals were bribed or blackmailed; and pro-fascist groups in foreign countries were supported via the Auslandsorganization. All Germans living abroad were encouraged to report their observations to the authorities, particular attention was being focused on engineers, technicians, scientists and people in other professions who were particularly likely to obtain valuable information; however, other Germans abroad were also used, even cabaret singers, waiters, language teachers, as well as Germans traveling abroad as tourists. Germans living abroad were exempt from mobilization because of their value as spies. Foreigners were given opportunity to study in Germany, and connections with them were kept in the hope that they would one day provide useful information. All of this was Goebbels' 'Total Espionage'.

A biography of the leading halakhic authority Jehiel Jacob Weinberg, born in Ciechanowiecz, Poland. He was the last rector of the Berlin Rabbinical Seminary. Ch. 5 (pp. 110-134), "Response to the New Nazi Government (1933-1934), " characterizes the early reaction of Weinberg to the Nazis as naive and apologetic. Weinberg helped the Orthodox Jews deal with problems of daily life under the Nazis (e.g. the ban on ritual slaughter). Ch. 6 (pp. 135-171), "The Nazi Era (1933-1945), " notes that Orthodox German Jews first adopted a policy of appeasement with the regime. With Jews excluded from general education and other aspects of German life, the role of the Seminary became more important. Weinberg had opposed Jewish emigration, and the "Kristallnacht" pogrom came as a tremendous shock to him; the Seminary was closed and most of the students and faculty emigrated. At the outbreak of the war he was in Warsaw, where he helped with communal affairs. As a Soviet citizen, Weinberg suffered less than others; in October 1941 he was transferred from the Warsaw ghetto to a detention camp in Wuelzburg, Germany, possibly in order to trade him for German citizens held captive in the USSR. He remained there until April 1945. Most of his family was murdered in the Holocaust. After the war he became head of a yeshiva in Montreux, Switzerland.

Kurt Tucholsky was a brilliant satirist, poet, storyteller, lyricist, pacifist, and Democrat; a fighter, lady's man, reporter, and early warner against the Nazis who hated and loathed him and drove him out of Germany after his books were burned in 1933. His contemporary Erich Kaestner called him a "small, fat Berliner," who "wanted to stop a catastrophe with his typewriter." The New York Times hailed him as "one of the most brilliant writers of republican Germany. He was a poet as well as a critic and was so versatile that he used five or six pen names. As Peter Panter he was an outstanding essayist who at one time wrote topical sketches in the Vossische Zeitung, which ceased to appear under the Nazi regime; as Theobald Tiger he wrote satirical poems that were frequently interpreted by popular actors in vaudeville and cabartes, and as Ignatz Wrobel he contributed regularly to the Weltbühne, an independent weekly that was one of the first publications prohibited by the Hitler government." Tucholsky, who occupied the center stage in the tumultuous political and cultural world of 1920s Berlin, still emerges as an astonishingly contemporary figure. As an angry truth-teller, he pierced the hypocrisy and corruption around him with acute honesty. Imagine a writer with the acid voice of Christopher Hitchens and the satirical whimsy of Jon Stewart, combined with the iconoclasm of Bill Maher. That's Tucholsky in a nutshell. Like Hitchens, Tucholsky wrote a mixture of literary essays, social observations, and political commentary. His irony made the line between his "serious writing" and his "entertainments" almost invisible. The fashionable outsider watched the political "center" disappear, and, in the end, he found himself catapulted out of society altogether. His career was sandwiched between the two most deadly events of his century: the bloodbath of World War I and the scourge of Nazism. Just as the first war launched Hemingway's lifelong career as a wounded tough guy with a soft spot for guns and broads, Tucholsky discovered the reflexes of an escape artist. He was equally elusive as a writer. In today's world, a journalist isn't supposed to write plays, and a playwright isn't welcomed as a novelist. But in 1920s Berlin, Tucholsky was dealing with postwar realities that required shouting from the rooftops, and any rooftop would do. Kurt Tucholsky is one of Weimar Germany's most celebrated literary figures, loved by his many readers and hated by the Nazis. The poet, journalist, and satirist who was at the center of the tumultuous political and cultural world of 1920s Berlin still emerges as an astonishingly contemporary figure. But he was more than just an angry truth-teller; he was also one of the funniest satirical writers of his era, depicting everyday lives during the rise of modernity.The iconic translation of Harry Zohn, a literary figure from Vienna himself, presented Tucholsky to an American audience for the first time. Long out of print, Zohn's book is now being republished in a new edition.

Although A.B. Marx is not often acknowledged as such, he remains Western music's single most influential theorist, as the person who gave Sonata Form its name and codified its elements. Above a certain level of proficiency, there is not a single musician in the Western Classical tradition who does not know Sonata Form: they know Marx's legacy, if not his name. Further awareness of Marx as a man is especially important. The naming of Sonata form, and the discussion of its elements, was invested with convictions about music that Marx was among the very first to hold, and which we continue to value: for instance, that a composer's formal choices are not made just by convention, but with intention, and that the way in which a work unfolds is itself meaningful; or that music of any era reflects the aesthetic priorities of its age. Those convictions, in turn, spring from Marx's vigorous intellectual engagement with the world around him, its thinkers, its writers, and its politics. This translation provides a unique opportunity to read Marx in his own words. His Recollections from My Life were published in 1865, Marx's last book to appear during his lifetime, and have not been republished either in the German original, nor in any translation. Our translation with annotation and commentary will make available to English-readers this important view of music in Germany during the time of Beethoven, Mendelssohn and other familiar names from the concert hall.

In the English-speaking world, it is generally believed that there are very few Jews living and thriving in Germany. Yet, there has been an unlikely postwar history 1945-2001 that has been somewhat repressed in North America and the United Kingdom. While most people are well-informed about the Holocaust and the consequences that this tragic event has had for the world, very few people know that there has been a steady increase in the population of Jews in Germany since 1945 and that there is a flourishing 'Jewish' culture, certainly a relatively strong Jewish presence, in Germany today. Does this development mean that Jews are playing a significant role in German social life? Does this mean that the great German-Jewish relationship, often referred to as a kind of symbiosis, has re-emerged despite the odds against it? The sixteen essays in this book written by the leading critics in the field cover the fascinating changes that have been made in German society since 1945 in the Jewish communities, literature, theater, film, architecture, and other areas of interest including an examination of the resurgence of anti-Semitism in Austria. For anyone interested in reading about the unpredictable transformations in German-Jewish relations since 1945, Unlikely History will provide information and insights into a history that needs to be told to bring about greater understanding of Jews and Germans in contemporary Germany.

Afeatured article in Die Zeit, the leading German weekly, begins with "Melvin, du hast gewonnen"--Mel, you have won! In his extraordinary account of the final days of the German Democratic Republic (DDR) we see the reckoning of a regime, and also the vindication of a life-long devotee of European democracy. It is unlikely that any comparable memoir will be written, since Lasky's career spanned the entire history of wartime and postwar Germany, especially in divided and Wall-torn Berlin.Voices in a Revolution, now in paperback, offers an in-depth portrayal of the Communist police state before the breakdown, followed by a blow-by-blow account of the drama of breakdown and regime transformation. Characters in the everyday cultural world of Germany come alive as harbingers and heralds of the end of the old and the necessity of the new.Lasky understands the role of accident as well as of necessity. The West Germans had all but abandoned the slogan of One People, One Nation when they were faced with the immense task of supervising just such a reintegration. The work ends with the awakening conscience at the very point that the Berlin Wall came tumbling down. This is a memorable work--one likely to sear the conscience of lovers of freedom and analysts of tyranny alike.