In 1967 the world of Milton studies was divided into two armed camps: one proclaiming (in the tradition of Blake and Shelley) that Milton was of the devil's party with or without knowing it, the other proclaiming (in the tradition of Addison and C. S. Lewis) that the poet's sympathies are obviously with God and the angels loyal to him. The achievement of Stanley Fish's Surprised by Sin was to reconcile the two camps by subsuming their claims in a single overarching thesis: Paradise Lost is a poem about how its readers came to be the way they are--that is, fallen--and the poem's lesson is proven on a reader's impulse every time he or she finds a devilish action attractive or a godly action dismaying. Fish's argument reshaped the face of Milton studies; thirty years later the issues raised in Surprised by Sin continue to set the agenda and drive debate.

How much did Aunt Addie know? How much did she feel? Aunt Addie better known to the world at large as Adelaide Granby, the fabulously successful author of 49 volumes of gushing, melodramatic Victorian romance. Upon her death in 1912, flowers and cards pour in, including one particularly lavish set "From Stanislaw", whom her independent-minded, suffragette niece Pamela decides was "darling Aunt Addie's Grande Passion." Pamela also inherits a stack of Aunt Addie's secret papers, including youthful diaries and her unintentionally hilarious unpublished first novel, written when she was only 16, entitled The Bastard of Pinsk (a "bastard", 16-year-old Adelaide was sure, being "A very noble Hero of Royal Blood.") As Pamela explores these documents and talks with those who knew her aunt when, seeking the real-life source of her romantic sensibility, the reader is drawn irresistibly into the intrigue. In a novel both sentimental and brutally honest, nostalgic for and horrified by the sentiments of the past, hilarious and poignant, all at once, the brilliant Eleanor Farjeon poses surprisingly powerful questions about what makes a love "real" and how much one really needs to know to experience it... This new edition features a superb introduction by twentieth-century women's historian Elizabeth Crawford. "Naughtiness of a definitely mauve tint." Beatrice Sherman, New York Times

"An autobiographical narrative of the career of British author, bookseller, and book collector Colin Franklin, discussing his life and experiences in the book world. Includes essays on figures in the book trade who have influenced and fascinated Franklin. Illustrated in color and black and white"--

Ely Devons (1913-67) was a British economist and statistician who made notable contributions to a variety of areas. Originally published in 1950, this book contains a study of the way in which the Ministry of Aircraft Production planned production during the Second World War. Based upon Devons' firsthand experience within the planning division of the Ministry, the text forms a highly personal record of the ways in which production was planned, incorporating criticisms and judgements where necessary. A linear historical perspective is avoided, in favour of a systematic approach focusing on various aspects of the production process in turn. This book will be of value to anyone with an interest in British aircraft production and military history.

Clare's memoirs of Berlin and its inhabitants in the aftermath of World War II aims to be a kaleidoscopic portrait of the defeated Germans and the British, American and French occupiers.

With the abolition of the slave trade in 1807 and the Emancipation Act of 1833, Britain seemed to wash its hands of slavery. Not so, according to Marika Sherwood, who sets the record straight in this provocative new book. In fact, Sherwood demonstrates that Britain continued to contribute to the slave trade well after 1807, even into the twentieth century. Drawing on government documents and contemporary reports as well as published sources, she describes how slavery remained very much a part of British investment, commerce and empire, especially in funding and supplying goods for the trade in slaves and in the use of slave-grown produce. The nancial world of the City in London also depended on slavery, which - directly and indirectly - provided employment for millions of people. "After Abolition" also examines some of the causes and repercussions of continued British involvement in slavery and describes many of the apparently respectable villains, as well as the heroes, connected with the trade - at all levels of society. It contains important revelations about a darker side of British history, previously unexplored, which will provoke real questions about Britain's perceptions of its past

In July 1961, just before David Aaronovitch's seventh birthday, Yuri Gagarin came to London. The Russian spaceman was everything the Aaronovitch family wished for - a popular and handsome embodiment of modern communism, of the forward march of history. When Gagarin went to Highgate to visit the tomb of Karl Marx, the local communists came out to cheer, David's father, a full-time worker for the Communist Party, and his mother among them. But who were they, these ever hopeful, defiant and (had they but known it) historically doomed people? In a sense they were like a non-magical version of the wizards of J K Rowling's world, living part secretly with and parallel to the non-communist majority, sometimes persecuted, sometimes ignored, but carrying on their own ways and traditions. Where others went to church they went to Socialist Sunday School, where others watched the Black and White Minstrels they went to see the Red Army Choir (always providing that visas had been issued). Society's up was their down, its heroes were their villains and vice versa. Trade unions were never more noble than when militant, the blacks were right and the whites were wrong. Who wanted American TV when you could have Russian movies? A memoir of early life among communists and an exploration of the world that created that life, Party Animals first took David Aaronovitch back through his own memories of belief and action. But there was much more to it. He found himself studying the old secret service files, his mother's diaries and letters, uncovering the unspoken shame and fears that provided the unconscious background to his own existence as a party animal. Only then did he begin to understand what had come before - both the obstinate heroism and the monstrous cowardice. And the elements that shape our fondest beliefs

Elkie Brooks is a genuine national treasure. Blessed with one of the richest and most distinctive voices in showbusiness, she has been entertaining people around the world for the last five decades. Her professional debut at age 15 began a career that has spanned most musical genres and collaborations with some of the finest musicians of their generation, making her a household name. Along the way she has recorded some of the most iconic songs in rock history, including Lilac Wine, Sunshine After the Rain, Fool (If You Think It's Over) and her signature tune Pearl's A Singer. But the road to stardom was never an easy journey. Along the way she has experienced hardships that would have daunted most, and dealt with them with the same spirit, grit and determination that colours the extraordinary emotional power of her singing.

Book by Halevy, Elie

A remarkable insight into Jewish history in Britain, 'My Mother's House' is a poignant story of belonging, nationhood and identity set in Wales, England and Palestine. The first novel from the acclaimed author of Eunice Fleet - a poignant story of belonging, nationhood and identity set in Wales, England and Palestine. First novel from the acclaimed author of EUNICE FLEET a poignant story of belonging, nationhood and identity set in Wales, England and Palestine Simon is a troubled young manborn in Wales, of Jewish heritage, and in love with Englishness and an English heiress. He determines to reject his Jewish and Welsh identity and the industrial valleys he grew up in and seeks to fulfil his ambition to rise in the Civil Service. His experiences in love and his professional life see him reject Edith on discovering that she is not what he believed her to be, and taking up arms in the fight against Englands enemies in the Great War. Ultimately, he must embrace his family and his heritage before he can experience a sense of wholeness. Simons experience raises questions of belonging, language, nationhood and identity that are as relevant now as they were in 1931 when the novel was first published. Lily Tobiass sensitive individual and communal portraits illuminate some of the most topical personal, social and political issues of the twenty-first century.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Larkswood House. The very name suggests birdsong, peace and elegance. It is home to the Hamilton children - Edward, Cynthia and Harriet - who enjoy the freedom and excitement of privilege. But in the glorious summer of 1896, with absent parents and a departed governess, disaster strikes the family, leaving it cruelly divided. More than 40 years later, on the eve of the Second World War, Louisa Hamilton, newly presented at court but struck down with glandular fever, is sent to Larkswood to recuperate. There, for the first time, she meets her grandfather, Edward, home after decades in India. But as Louisa begins to fall under the spell of Larkswood, she realises it holds the key to the mystery that shattered her family two generations before. Will she find the courage to unravel the dark secrets of the past?

This book explores the commonly-perceived paradigmatic conflict between the 'Ricardo School' and the contemporary French economics of Jean-Baptiste Say. It will interest all serious historians of economic thought and will find a place on the bookshelves of many economists across the world

"This is an autobiography of one of the pioneers of hearing implants, Dr. Ellis Douek, who was the first to monitor the hearing of a baby at birth, and who participated in the development of a middle ear device for the restoration of hearing that now bears his name: Douek-MED. The book sheds light on the life of a surgeon from the early days of the UK National Health Service, and covers the highlights of Douek's medical career"--

This book explores how recollections and traces of the reign of Richard III survived a century and more to influence the world and work of William Shakespeare. In Richard III, Shakespeare depicts an era that had only recently passed beyond the horizon of living memory. The years between Shakespeare's birth in 1564 and the composition of the play in the early 1590s would have seen the deaths of the last witnesses to Richard's reign. Yet even after the extinction of memory, traces of the Yorkist era abounded in Elizabethan England - traces in the forms of material artefacts and buildings, popular traditions, textual records, and administrative and religious institutions and practices. Other traces had notoriously disappeared, not least the bodies of the princes reputedly murdered in the Tower, and the King's own body, which remained lost until its apparent rediscovery in the summer of 2012. Shakespeare and the Remains of Richard III charts the often complex careers of these pieces of the past over the course of a century framed on one side by the historical reign of Richard III (1483-85) and on the other by Shakespeare's play. Drawing on recent work in fields including archaeology, memory studies, and material biography, this book offers a fresh approach to the cultural history of the Tudor era, as well as a fundamentally new interpretation of the wellsprings and preoccupations of Richard III. The final emphasis is not only on what Shakespeare does with the traces of Richard's reign but also on what those traces do through Shakespeare - the play, in spite of its own pessimistic assumptions about history, has become the medium whereby certain fragments and remains of a long-lost world live on into the present day.

Eminent Anglo-Saxonist Nicholas Howe explores how the English, in the centuries before the Norman Conquest, located themselves both literally and imaginatively in the world. His elegantly written study focuses on Anglo-Saxon representations of place as revealed in a wide variety of texts in Latin and Old English, as well as in diagrams of holy sites and a single map of the known world found in British Library, Cotton Tiberius B v. The scholar's investigations are supplemented and aided by insights gleaned from his many trips to physical sites. The Anglo-Saxons possessed a remarkable body of geographical knowledge in written rather than cartographic form, Howe demonstrates. To understand fully their cultural geography, he considers Anglo-Saxon writings about the places they actually inhabited and those they imagined. He finds in Anglo-Saxon geographic images a persistent sense of being far from the center of the world, and he discusses how these migratory peoples narrowed that distance and developed ways to define themselves.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This candidly written autobiography of Sir Michael Kerr chronicles the life of one of Britains most prominent judges of the 70s and 80s from his Continental childhood up to his career in the Court of Appeal and beyond. In the first part of his memoir,the author traces his family history and Germanic roots. His father, Alfred Kerr, was a well-known dramatic critic and essayist, whose writings were widely known throughout Germany from the turn of the century and have recently seen a resurrection, 50 years after his death, as related in the last chapter of the book. But because of the fame of his anti-Nazi writings and broadcasts, the Kerrs were forced to flee from Berlin as early as 3 March 1933, when Hitler came to power. The author and his sister Judith, later to become a famous author of childrens books, had a relatively happy cosmopolitan childhood in Zurich, Paris, Nice and ultimately England. But their parents lives remained on the edge of poverty and sometimes despair and there was never again a family home. The memoirs then tell of his years at Aldenham School and the beginnings of Cambridge, and of his assimilation into the English way of life. They relate the story of his internment as an enemy alien in 1940 and of his subsequent release and service as a pilot in the Royal Air Force until the end of World War II. The author then returned to Cambridge to finish his law degree and was urged to go the Bar. The later chapters of this autobiography are mainly devoted to the law. They recount the authors career as a leading commercial Junior and then a Silk, his initial hesitations about the Bench, but ultimately culminating in his appointment as a Lord Justice of Appeal. He describes the Bar of the post-war decades and is frank about the frustrations and disappointments of his career. He also provides insights into the oddities of the English legal system, but maintaining throughout his firm belief in the importance of an independent Bar.

This book was written in 1940, but never published. The authors had held, until May 1940, responsible positions in the Czech Refugee Trust Fund, which brought political refugees (including large numbers of communists) to Britain. In May 1940 they were dismissed from their posts by the Home Office due to their political affiliations. The introduction (pp. ix-xxvi) relates the history of the authors and their book, which is a critique of British prewar and wartime immigration policy. 65,000 refugees from Germany, Austria, and Czechoslovakia immigrated to Britain in 1933-39; 90% of them were "racial refugees" - i.e. Jews or part-Jews. Describes the events that impelled these people to leave the Reich. Dwells on the hardships and social discrimination which confronted the refugees in Britain both before and during the war. In April 1940 an internment campaign was launched; many refugees were interned in camps in the country or in the dominions. Discusses the legal aspects of the reception of refugees in Britain. Compares the ordeals of refugees in Britain with those in France, where the situation was much worse.