He proudly calls himself "the most frequently picketed producer in movie history"--A distinction he richly earned by taking on some of the most controversial subjects of our time. In the process, he directed or produced such classics of the American cinema as Guess Who's Coming to Dinner, High Noon, On the Beach, Judgment at Nuremberg, The Defiant Ones, Champion, Inherit the Wind, Ship of Fools, Death of a Salesman, and The Caine Mutiny.

The inspirational story of one man's dream to improve education in America follows the author's incredible journey from the basement tutoring center he started to the international educational test prep company it later became.

Product Description Despite a historical record that shows sustained involvement of American Jewish women with early Zionism and Palestine, this topic has received scant scholarly attention. A major contribution to Zionist history, women’s history, and American history, American Jewish Women and Zionism offers a much needed clarification to the historical record. Divided thematically, American Jewish Women deals with representative figures, events, and themes of the pre-state era. The essays in the book have three different foci: Several are concerned with significant personalities, such as Golda Meir, Marie Syrkin, Emma Lazarus, and Henrietta Szold, while others are concerned with the pivotal role played by American Zionist women’s organizations including Hadassah, the Pioneer Women’s Organization (later Naamat), the Mizrachi Women’s Organization (later Amit Women), and others. The remaining essays address broad themes and reveal the multidimensionality of the relationship of American Jewish women and Zionism, which includes agricultural and vocational training, religion, ideology, geography, and feminism and femininity. American Jewish Women and Zionism also includes several eyewitness documents and personal testimonies. No less significant than the corpus of memoirs and literature produced by male Zionist leaders, such data throws light on hitherto neglected facets of American Jewish and Zionist history, including the variety of roles played by Zionist women and their self-awareness as participants in one of the most dramatic and consequential episodes in the history of Jewish civilization. The volume includes a glossary of terms, a map of the principal locations referred to in the text, illustrations, and a timeline of American Jewish women and their relationship to Zionism. Each section opens with a prefactory note that places the essays in historical context. It concludes with a bibliographic note and suggestions for further readings. Review "Anyone interested in the significant role of women and Zionism should definitely find this book a must read."--The National Jewish Post & Opinion "Shulamit Reinharz and Mark Raider's magnificent study... challenges us to understand how faith in Zionism and in the American dream nourished and changed both projects. This is a story not of ideologies or, for the most part, of ideologues, but rather of the creators of a new tradition. The essays in this collection bring some of the leaders of Hadassah, Pioneer Women, and of Mizrahi beautifully to life and show how a dedication to the Zionist cause deepened a commitment to American values, and enlarged the Zionist perspective, to preserve a set of liberal principles reaching across the ethnic and national divide in Palestine...In this book Reinharz and Raider assemble essays that chart the rich profusion of movements, institutions, and activities - including aliyah - that Zionism inspired in Jewish women living in the United States."--Israel Studies "The organizations that women created as an expression of their goal are deftly analyzed. There is valuable and intriguing material here which calls for the attention of scholars in the fields of American history, women's history, feminism, and Zionism."--Jewish Book World From the Publisher 6 x 9 trim. 12 illus, 1 map, 3 tables About the Author Mark A. Raider is professor of modern Jewish history in the Department of History and director of the Center for Studies in Jewish Education and Culture at the University of Cincinnati. He is the author, most recently, of The Essential Hayim Greenberg: Essays and Addresses on Jewish Culture, Socialism, and Zionism.

(Limelight). From Booklist: Actor-director-producer Leonard has a real gift for storytelling that he displays to the fullest in a breezy, readable memoir of his life in show business. Starting out as an actor in 1930s New York in such forgotten hit plays as Hotel Alimony, Fly Away Home , and Kiss the Boys Goodbye , Leonard had the foresight and financial need to leap first to radio and movies, then to television, in which he created or produced such rerun perennials as Make Room for Daddy, The Andy Griffith Show , and the controversial (for its time) I Spy . Along the way, Leonard met lots and lots of fascinating people--John Garfield, Jack Benny, Danny Thomas, Carl Reiner, and Bill Cosby, to mention a few of the dozens about whom Leonard has a funny story or three to tell. Some of these stories are well known, such as those of the closeness of the writers, actors, and staff of The Dick Van Dyke Show ; others are not, such as those of Leonard's various, sometimes dangerous, adventures around the world while filming I Spy . Jack Helbig

Rabbi Joseph B. Soloveitchik, born in 1903 and scion of a preeminent Lithuanian Orthodox family, was one of the most towering intellectual figures of American Orthodoxy in the twentieth century. After receiving rabbinic ordination and completing his studies toward a Ph.D., he immigrated to America where he served as the Rosh Yeshiva at the Rabbi Isaac Elchanan Theological Seminary of Yeshiva University. As the leader of centrist Orthodoxy in America for more than fifty years, his many accomplishments included his founding of the Maimonides School in Boston in 1937. Rabbi Soloveitchik served as the intellectual and spiritual force behind the Maimonides School from its founding and was responsible for its innovative curriculum. Synthesizing American educational methodologies and European Orthodox approaches to education, the Maimonides School became a prototype for an American Orthodox educational institution. Unique among contemporary Orthodox day schools, the coeducational nature of the classes at Maimonides, and to some extent the curriculum, was groundbreaking. Characterized by academic excellence in both Judaic studies and other subjects, the school offered boys and girls exactly the same education. Rabbi Soloveitchik’s school was particularly innovative by offering Talmud classes to girls on the same level as boys. The Maimonides School became a paradigm for the fledgling Orthodox Jewish day school movement nationwide. The character of the education there influenced later developments in the Orthodox community, such as the emphasis on higher level Torah study for women. By articulating a philosophy that advocated both traditional Orthodoxy as well as modernism and Americanism, the school gradually affected Boston’s Orthodox community, which came to be guided by its principles. As Seth Farber points out, the school, once rejected by the Jewish establishment in Boston, was eventually embraced by it. A community that saw no contradiction between democratic values and traditional Orthodox lifestyle emerged in Boston. This modern Orthodox community ultimately represented a significant voice in Boston’s Jewish and America's Orthodox cultures.

"A memoir about showbiz in the early 20th century that travels from the theaters of Vienna, Prague, and Berlin, to Hollywood during the golden age, complete with encounters with Franz Kafka, Albert Einstein, and Greta Garbo along the way. Salka Viertel's autobiography tells of a brilliant, creative, and well-connected woman's pilgrimage through the darkest years of the twentieth century, a journey that would take her from a remote province of the Austro-Hungarian Empire to Hollywood. The Kindness of Strangers is, to quote the New Yorker writer S. N. Behrman, "a very rich book. It provides a panorama of the dissolving civilizations of the twentieth century. In all of them the author lived at the apex of their culture and artistic aristocracies. Her childhood. is an entrancing idyll. In Berlin, in Prague, in Vienna, there appears Karl Kraus, Kafka, Rilke, Robert Musil, Schoenberg, Einstein, Alban Berg. There is the suffering and disruption of the First World War and the suffering and agony after it, which is described with such intimacy and vividness that you endure these terrible years with the author. Then comes the migration to Hollywood, where Salka's house on Maybery Road becomes a kind of Pantheon for the gathered artists, musicians, and writers. It seems to me that no one has ever described Hollywood and the life of writers there with such verve.""--

Rosalyn Tureck was the first twentieth-century artist to make the Goldberg Variations and all-Bach recitals popular, earning recognition and praise for bringing Bach to the world. Now we have an autobiography by Ms. Tureck (1913-2003), the renowned keyboard artist and scholar who dedicated her life to the works of Johann Sebastian Bach.

This volume offers a fascinating, impressively detailed, account of the professional and personal life of a prominent historian of Latin America. It covers his youth, contacts with a young Leonard Bernstein, and his education at Boston Latin School and Harvard. He served in WWII, rising from private to master sergeant, ending up in a three-man military intelligence unit on Okinawa. There he held in his hands the first aerial photos of atomic-bombed Hiroshima, and was an eye witness to the surrender of Japanese holdouts. In rising from college instructor to department chair Potash recounts the conflicts and tensions that make up academic life. His two-year leave with the State Department was a career transforming experience, turning him eventually into a best selling author on the the military's role in Argentine politics. Potash describes his experiences working with Nazi files as part of an investigating commission created by the Argentine government. Known for his expertise, Potash is frequently consulted in times of crisis by the Argentine media and his name has become a household word in that country. Potash also recalls his courtship and marriage and relationships with his two daughters. Readers have dubbed the manuscript "hard to put down."

This retrospective on the career of Academy Award-winning production designer Richard Sylbert takes readers behind the scenes of some of the most influential films of the past fifty years. The Manchurian Candidate, Who's Afraid of Virginia Woolf, The Graduate, Rosemary's Baby, Chinatown, Dick Tracy . The common factor behind these diverse, visually ground-breaking cinematic masterpieces is the work of legendary production designer Richard Sylbert. Basing the book in part on the late designer's Hollywood memoirs, writer Sylvia Townsend, with the participation of Sylbert's widow, screenwriter Sharmagne Sylbert, has enhanced the production designer's original manuscript with candid interviews from some of his most famous collaborators, including Warren Beatty, Roman Polanski, and Francis Ford Coppola. The result is a book that takes readers behind the scenes of some of the most influential and highly acclaimed films of the past fifty years. This is a portrait of a highly driven, sometimes tempestuous visionary who wasn't afraid to fight for the artistic integrity of the worlds he created on screen. Movie lovers will find in-depth discussions of the making of such modern classics as Reds, Carnal Knowledge, Shampoo , and The Cotton Club . More than thirty illustrations capture Sylbert's creative process from early sketches to completed sets and locations.

A distinguished historian, Harvard professor, and White House adviser looks back on his own life and on the tumultuous twentieth century. Sixteen-year-old Richard Pipes escaped from Nazi-occupied Warsaw with his family in October 1939. Their flight took them to the United States by way of Italy, and Pipes went on to earn a college degree, join the U.S. Air Corps, serve as professor of Russian history at Harvard for nearly forty years, and become adviser to President Reagan on Soviet and Eastern European affairs. In this engrossing book, the eminent historian remembers the events of his own remarkable life as well as the unfolding of some of the twentieth century’s most extraordinary political events.From his youthful memories of bombs falling on Warsaw to his recollections of the conflicts inside the Reagan administration over American policies toward the USSR, Pipes offers penetrating observations as well as fascinating portraits of such cultural and political figures as Isaiah Berlin, Ronald Reagan, and Alexander Haig. Perhaps most interesting of all, Pipes depicts his evolution as a historian and his understanding of how history is witnessed and how it is recorded.

"Al Jolson, born Asa Yoelson, immigrated from his shtetl in Lithuania to the United States in 1894 after his father secured a job as a rabbi in Washington, D.C. A poor, Yiddish-speaking newcomer navigating a racially segregated and antisemitic America, young Jolson dreamed of becoming a star, and he did. Thanks to his immense talent and his knack for assimilating into new environments, by the time he reached his twenties he was the most famous and highly paid entertainer in America, making almost $5,000 a week at a time when the average American made $800 a year. Jolson's public adoration and widespread acceptance as a star marked the beginning of an enriching cultural transformation, a moment when the American mind opened up to ethnic and racial differences, widening the gap of acceptability. And yet Jolson himself, despite being ferociously ambitious and gigantically talented, was crippled by insecurity, often nervous to the point of collapse, prisoner to his many vices. Through Jolson, Bernstein simultaneously breaks open the history and legacy of the cultural sensation The Jazz Singer. Not only was The Jazz Singer the first feature length film with synchronized music and dialogue, but it was also taboo smashing in its content: The Jazz Singer is all about Jews, Orthodox and otherwise. Bernstein expounds on the making of The Jazz Singer, what the film meant then and now, introducing the many individuals involved in its production, including Samson Raphaelson, a young Jewish writer whose short story was the basis for the movie; the four Warner brothers who made a fortune off it; and George Jessel, Jolson's rival and the star of Raphaelson's stage adaptation of his short story. In the background emerges a picture of old Hollywood in the Roaring Twenties: cutthroat and greedy yet visionary and progressive. And while The Jazz Singer represented the future in many ways, it also dredged up the worst of the past, including Jolson's use of blackface, common at the time. At once a tale of the Judaizing of American culture and an acknowledgment of the challenges to come, Only in America is a glistening examination of a man at the center of a watershed moment in the arts"--

A world-class pianist, composer, television and film personality, Levant seemed to know everyone who was anyone. His career took him from the concert hall to Broadway and Hollywood, to radio and television, to drug addiction and the psychiatric ward of Mt. Sinai hospital. Through a collection of anecdotal vignettes, Levant offers the reader a roller-coaster ride through the ups and downs of an often troubled, often brilliant artist and critic of the human condition, let loose on the uneasy ground where art and commerce overlap.

Tells the story of how wealthy businessman Julius Rosenwald came to financially support the building of 5,300 schools in rural African-American communities that desperately needed them over the course of twenty years.

This is an eloquent and deeply felt memoir exploring the author's complex relationship with his Jewish identity. "If I Am Not Myself" is a passionate, thought-provoking exploration of what it means to be Jewish in the twenty-first century. It traces the author's upbringing in 1960s Jewish-American suburbia, his anti-war and pro-Palestinian activism on the British Left, and life as a Jew among Muslims in Pakistan, Morocco, and Britain. Interwoven with this are the experiences of his grandfather's life in Jewish New York of the 1930s and '40s, his struggles with anti-Semitism and the twists and turns that led him from anti-Fascism to Militant Zionism. In the course of this deeply personal story, Marqusee refutes the claims of Israel and Zionism on Jewish loyalty and laments their impact on the Jewish Diaspora. Rather, he argues for a richer, more multi-dimensional understanding of Jewish history and identity, and reclaims vital political and personal space for those castigated as self-haters by the Jewish establishment.

A memoir written from the viewpoint of veteran film, television and stage actor, Melvyn Douglas. This actor's performance career spanned 60 years in Hollywood and New York and brought him two academy awards, a Tony and an Emmy) the film, Broadway and television 'Grand Slam' of the acting world.