In July 1947, fresh out of college and long before he would win the Pulitzer Prize and become known as one of America's finest historians, Stanley Karnow boarded a freighter bound for France, planning to stay for the summer. He stayed for ten years, first as a student and later as a correspondent for Time magazine. By the time he left, Karnow knew Paris so intimately that his French colleagues dubbed him "le plus parisien des Américains" --the most Parisian American. Now, Karnow returns to the France of his youth, perceptively and wittily illuminating a time and place like none other. Karnow came to France at a time when the French were striving to return to the life they had enjoyed before the devastation of World War II. Yet even during food shortages, political upheavals, and the struggle to come to terms with a world in which France was no longer the mighty power it had been, Paris remained a city of style, passion, and romance. Paris in the Fifties transports us to Latin Quarter cafés and basement jazz clubs, to unheated apartments and glorious ballrooms. We meet such prominent political figures as Charles de Gaulle and Pierre Mendès-France, as well as Communist hacks and the demagogic tax rebel Pierre Poujade. We get to know illustrious intellectuals, among them Jean-Paul Sartre, Simone de Beauvoir, Albert Camus, and André Malraux, and visit the glittering salons where aristocrats with exquisite manners mingled with trendy novelists, poets, critics, artists, composers, playwrights, and actors. We meet Christian Dior, who taught Karnow the secrets of haute couture, and Prince Curnonsky, France's leading gourmet, who taught the young reporter to appreciate the complexities of haute cuisine. Karnow takes us to marathon murder trials in musty courtrooms, accompanies a group of tipsy wine connoisseurs on a tour of the Beaujolais vineyards, and recalls the famous automobile race at Le Mans when a catastrophic accident killed more than eighty spectators. Back in Paris, Karnow hung out with visiting celebrities like Ernest Hemingway, Orson Welles, and Audrey Hepburn, and in Paris in the Fifties we meet them too. A veteran reporter and historian, Karnow has written a vivid and delightful history of a charmed decade in the greatest city in the world.

What remains of moral judgment when truth itself is mistrusted, when the validity of every belief system depends on its context, when power and knowledge are inextricably entangled? Is a viable moral theory still possible in the wake of the postmodern criticism of modern philosophy? The Order of Evils responds directly to these questions and dilemmas with one simple and brilliant change of focus.Rather than concentrating on the age-old themes of justice and freedom, Adi Ophir offers a moral theory that foregrounds the existential and political nature of Evil. Ophir’s main contention is that evil is neither a diabolical element residing in the hearts of men nor a meaningless absence of the good. Rather, it is the socially structured order of “superfluous evils.”Evils, like pain, suffering, loss, and humiliation, are superfluous when they could have — but have not — been prevented. Through close analysis of seminal works by modern and postmodern philosophers — from Rousseau, Kant, Marx, Sartre, and Arendt to Foucault, Lévinas, Derrida, and Lyotard — Ophir forges a new perspective for thinking about what it means to be a moral being; to be moral, he argues, is to care for others and to be committed to preventing, at all costs, their suffering and distress.A theoretically sophisticated work, The Order of Evils also bears the traces of Ophir’s own political and personal experiences as an Israeli philosopher and activist. Two major events in recent Jewish history have profoundly influenced his thinking: the Holocaust and the prolonged Israeli domination of Palestinians in the occupied territories, both of which are interpreted within the author’s moral framework as systematic productions of evils.Ophir does not compare the two events. Instead, he introduces a typology of disasters that allows them to be located within the wide spectrum of human-generated calamities whose specificity and general patterns emerge clearly and distinctly as what they are and are not.

At the end of the millennium, the leading British industry magazine, The Bookseller, selected the ten people who had most influenced its century. Tom Maschler—described as "the most important publisher in Britain; the most innovative, adventurous, and newsworthy"—was one of them. It went on to say that for nearly 20 years, "he made publishing glamorous." Over the course of his career, Maschler launched the careers of Thomas Pynchon, Joseph Heller, Gabriel García Márquez, Julian Barnes, Ian McEwan, Martin Amis, and Bruce Chatwin, among others. From the party where Norman Mailer stabbed his wife to the porch where Ernest Hemingway shot himself, this frank and fascinating memoir affords a rare glimpse into the golden days of British publishing. An extraordinary literary memoir by one great publishers of the 20th century.

The agendas of three European men with dubious political histories converge in the aftermath of an 1989 death linked to the fates of myriad Hungarians, Jews, Germans and Gypsies across the treacherous years of the mid-twentieth century.

First published in Switzerland in 1935 and now available for the first time in English translation, Heritage of Our Times is a bold work of cultural criticism by a major twentieth-century German philosopher. Recalling work by Walter Benjamin and the Frankfurt School, Ernst Bloch's study of everyday life and politics during the Weimar Republic and Nazi Germany is a brilliant historical analysis of the cultural conditions leading to German fascism.A half-century later, Bloch's prescient meditations on culture and politics still retain their explosive power and are certain to provoke controversy and discussion among cultural critics, philosophers, social theorists, and historians. In their Introduction, the translators contextualize the book within the political and intellectual tendencies of the period and Bloch's other work.

Mandel's essays are a spirited affirmation of internationalism, macropolitics, political economy, and class analysis. Unashamedly committed to progress, he rightly refused to ignore capitalism's myriad victims or to scrap what Marxism and Leninism offer to the struggle for emancipation; such spirited engagement is a remarkable and welcome achievement.

These strikingly lucid and accessible essays, ranging over nearly a century of Jewish communal life, examine the ways in which immigrant Jews grappled with issues of group survival in an open and accepting American society. Ten case studies focus on Jewish strategies for maintaining a collective identity while participating fully in American society and public life. Readers will find that these essays provide a fresh, provocative, and compelling look at the fundamental question facing American Jewry at the end of the 20th century, as at its start: how to assure Jewish survival in the benign conditions of American freedom.

Must poetic form be, as Yeats demanded, "full, sphere-like, single", or can it accommodate the "impurities" Yeats and his Modernist generation found so problematic? Sixty years later, these are still open questions, questions to which Marjorie Perloff addresses herself in the essays collected here. The first group of essays deals with Pound's own poetics as that poetics related to two of his great contemporaries, Stevens and Joyce, as well as to the visual arts of his day. The second group deals with the more technical aspects of verse and prose. In the last four essays, Perloff takes up broader issues, including the current pessimism about the state of poetry, and the work of experimental poets and conceptual poets.

Publisher's description: At the heart of this... Mexican novel lies the search for a family history. Using ancestral recollections, flashbacks through history, and personal memory, the author traces her family roots from pre-Revolutionary Russia to contemporary Mexico. Margo Glantz's Mexico is a mysterious world-- a cultural carnival where Flash Gordon crosses paths with Columbus: a Mexico of Diego Rivera, Leon Trotsky and Frida Kahlo, hijacked by Dracula and King Kong, filled with the aromas of a kosher bakery and the echoes of jokes, some corny, some not.

Czech writer Ivan Klima masterfully recounts, first, what it was like for him as a Jewish child confronting with his family the inhumanities of the Theresienstadt concentration camp situated at the edge of their hometown, Prague. Then, more fully, he painstakingly recalls what it was like for him and his countrymen after the Nazi thugs were driven out by the Soviet Army and replaced for four decades by the Communist thugs. Includes an appendix of essays on topics ranging from social history and political thinking to love and liberty.

A collection of new California Indian poems. The flavor is provided in "We Exist," by Janice Gould: "Our writers try to counteract the history/ that says we are a conquered People."

"This book develops a method that emphasizes the entwinements of "technology," "ideology," and the medium-specific particularities of photography in five twentieth-century cases in which photography and Jewish history intersect"--

Thomas Kuhn and Karl Popper are believed by many who study science to be the two key thinkers of the twentieth century. Each addressed the question of how scientific theories change, but they came to different conclusions. By turning our attention to ambiguity and indecision in science, Menachem Fisch, in Creatively Undecided , offers a new way to look at how scientific understandings change. Following Kuhn, Fisch argues that scientific practice depends on the framework in which it is conducted, but he also shows that those frameworks can be understood as the possible outcomes of the rational deliberation that Popper viewed as central to theory change. How can a scientist subject her standards to rational appraisal if that very act requires the use of those standards? The way out, Fisch argues, is by looking at the incentives scientists have to create alternative frameworks in the first place. Fisch argues that while science can only be transformed from within, by people who have standing in the field, criticism from the outside is essential. We may not be able to be sufficiently self-critical on our own, but trusted criticism from outside, even if resisted, can begin to change our perspective—at which point transformative self-criticism becomes a real option.

This is Volume I. Oral History Testimonies of American Liberators from the Archives of the Center for Holocaust Studies.

Jacob Lipschitz was only fourteen when he had to endure the harsh realities of World War II and the horror of the Holocaust. He lost his parents to Treblinka extermination camp, and wandered the streets of the starving Warsaw Ghetto with some friends, sneaking in and out of the guarded walls, searching for any food to support his life, eventually joining Jewish fighters underground. During this desperate time, he must elude a revengeful Nazi solidier who had a personal vendetta against him and unceasingly hunts him. Jacob told his harrowing experience to Nobel nominee Shlomo Kalo when they were university students. His intelligence and resourcefulness would help him survive, showing the astonishing strength, perseverance, and spirit that many in Jewish history have exhibited. However, Jacob's choice as a young man is unexpected and this is one of the highlights of the book. Forevermore skillfully brings to life three masterful tales of loyalty, subjugation, and strength in human history, which also include the fateful encounters between Jewish nobleman Zabir Ben Bata and Muhammad, and of Rabbi Aaron and his Polish allies who betrayed him and his community during the Cossack rebellion. Forevermore was praised by the media, recommended by Israeli Ministry of Education and also by Shimon Peres: "An original style of writing and a look at events from an interesting perspective!." Scroll up and order your copy of Forevermore today!