The author analyzes the ongoing debate between exclusivists such as Richard Meier, Charles Gwathmey, and Peter Eisenman and inclusivists whom he sees as representatives of the first generation of post-moderist architects in America.

Was he New York City’s last pirate . . . or its first gangster? This is the true story of the bloodthirsty underworld legend who conquered Manhattan, dock by dock—for fans of Gangs of New York and Boardwalk Empire . “History at its best . . . I highly recommend this remarkable book.”—Douglas Preston, #1 New York Times bestselling author of The Lost City of the Monkey God Handsome and charismatic, Albert Hicks had long been known in the dive bars and gin joints of the Five Points, the most dangerous neighborhood in maritime Manhattan. For years, he operated out of the public eye, rambling from crime to crime, working on the water in ships, sleeping in the nickel-a-night flops, drinking in barrooms where rat-baiting and bear-baiting were great entertainments. His criminal career reached its peak in 1860, when he was hired, under an alias, as a hand on an oyster sloop. His plan was to rob the ship and flee, disappearing into the teeming streets of lower Manhattan, as he’d done numerous times before, eventually finding his way back to his nearsighted Irish immigrant wife (who, like him, had been disowned by her family) and their infant son. But the plan went awry—the ship was found listing and unmanned in the foggy straits of Coney Island—and the voyage that was to enrich him instead led to his last desperate flight. Long fascinated by gangster legends, Rich Cohen tells the story of this notorious underworld figure, from his humble origins to the wild, globe-crossing, bacchanalian crime spree that forged his ruthlessness and his reputation, to his ultimate incarnation as a demon who terrorized lower Manhattan, at a time when pirates anchored off 14th Street.

"An innovative account of Abraham Lincoln, constitutional thinker and doer"--

The all-encompassing embrace of world capitalism at the beginning of the twenty-first century was generally attributed to the superiority of competitive markets. Globalization had appeared to be the natural outcome of this unstoppable process. But today, with global markets roiling and increasingly reliant on state intervention to stay afloat, it has become clear that markets and states aren’t straightforwardly opposing forces. In this groundbreaking work, Leo Panitch and Sam Gindin demonstrate the intimate relationship between modern capitalism and the American state, including its role as an “informal empire” promoting free trade and capital movements. Through a powerful historical survey, they show how the US has superintended the restructuring of other states in favor of competitive markets and coordinated the management of increasingly frequent financial crises. The Making of Global Capitalism , through its highly original analysis of the first great economic crisis of the twenty-first century, identifies the centrality of the social conflicts that occur within states rather than between them. These emerging fault lines hold out the possibility of new political movements transforming nation states and transcending global markets.

The author provides remarkable insight into the early development of organised Jewish life in the United States. this is a comprehensive, authoritative work about a Long-Neglected but Central figure of 19th century American Jewish

The first known Jewish resident of the Mexican Pueblo de Los ngeles arrived in 1841. When California entered the Union in 1850, the census listed just eight Jews living in Los Angeles. By 1855, the fledgling city had a Hebrew Benevolent Society and a Jew

Who was the inventor of the steamboat? James Thomas Flexner is frankly more interested in personalities than in mechanics. Exploring the fascinating byways of early America, he has packed his book with personal histories: John Fitch, the driven genius; Fulton, the brilliant schemer; Ramsey, the charming backwoods tavern-keeper, playing for Washington's political favor--and many others, no less alive and interesting. He tells their stories as a race for success, and he does not award the verdict until the last page. He completely satisfies those who want to know the mechanical facts; but his emphasis is on the nature of inventive genius, and its effect on the world of men.

Fiorello LaGuardia is known best as the tempestuous mayor of New York City in the days when Franklin Delano Roosevelt sat in the White House. There had been, however, an earlier time, which matched his mayoralty years in sheer drama and perhaps surpassed them in lasting achievement-LaGuardia's years in Congress. He served in the House of Representative almost continuously from 1917 to 1933, representing two ethnically diverse congressional districts: the Fourteenth (Greenwich Village), from 1917 to 1919, and the Twentieth (East Harlem), from 1923 to 1933. Although barred from important committee posts because of his political independence and thus denied from playing a direct role in lawmaking, he was a tireless and vocal champion of Progressive causes, from allowing more immigration and removing U.S. troops from Nicaragua to speaking up for the rights and livelihoods of striking miners, impoverished farmers, oppressed minorities, and struggling families. A goad to the era's plutocrats and their enablers in government, LaGuardia fought for progressive income taxes, greater government oversight of Wall Street, and national employment insurance for workers idled by the Great Depression. In this book, first published by Cornell University Press in 1959, Howard Zinn establishes LaGuardia's tenure in Congress as a vital link between the Progressive and New Deal eras, offering a lively and informative account of his many legislative battles, his political philosophy, and the distinctly urban (specifically, New York City) sensibilities he brought to the Progressive movement.

"Georges Perec, employing prose meditations, lists, and inventories (of countries of origin, of what the immigrants carried), conjures up in Ellis Island the sixteen million people who, between 1890 and 1954, arrived as foreigners and stayed on to become Americans. Perec (who by the age of nine was an orphan: his father was killed by a German bullet; his mother perished in Auschwitz) is wide-awake to the elements of chance in immigration and survival: "To me Ellis Island is the ultimate place of exile. That is, the place where place is absent, the non-place, the nowhere... Ellis Island belongs to all those whom intolerance and poverty have driven and still drive from the land where they grew up." Ellis Island is a slender Perec masterwork, unique among his many singular works. The acclaimed poet and scholar Mónica de la Torre contributes an afterword that keeps Perec's writing front and center while situating Ellis Island in the context of current fierce battles over immigration"--

Leaders in War present unique first-person perspectives across the spectrum of American combat operations during the 1991 Persian Gulf War. From division commanders to platoon leaders, the authors deliver an insider's view of tough leadership challenges, tragic failures, and triumphant victories. Leaders in War captures the essence of the post-Cold War US Army: how an all-volunteer army, equipped with new weapons systems and adjusting to new battle doctrine, mounted one of history's most successful military campaigns. Described here are the details of the tremendous logistical challenges, innovations in intelligence, ground combat operations from platoon to division, and a wide range of combat support operations. Leaders in War focuses not just on the successes, but on the failures as well, in operations ranging from violent tank battles against the vaunted Iraqi Republican Guard to train-and-fill operations thousands of miles away. Leaders in War illustrates how US Army leaders adapted to the psychological strains of combat, the fog of war, unforeseeable challenges, and the fury of tank warfare during the Persian Gulf War.

Examines the efforts of creationists to require the teaching of the biblical account of creation in American schools and analyzes the reactions of the scientific community to the controversy

This is a fascinating portrait of Miami's Cuban population, the most successful group of immigrants to settle in the United States since the Jews of the nineteenth century. David Rieff has provided an engrossing look at a group exiled from its homeland, showing how America has affected these immigrants, and what it means to become an American in the late twentieth century.

A real-life thriller about a CIA contractor who vanished in Iran and the international manhunt to find him In late 2013, Americans were shocked to learn that a former FBI agent turned private investigator who disappeared in Iran in 2007 was there on a mission for the CIA. The missing man, Robert Levinson, appeared in pictures dressed like a Guantánamo prisoner and pleaded in a video for help from the United States. Barry Meier, an award-winning investigative reporter for The New York Times , draws on years of interviews and never-before-disclosed CIA files to weave together a riveting narrative of the ex-agent’s journey to Iran and the hunt to rescue him. The result is an extraordinary tale about the shadowlands between crime, business, espionage, and the law, where secrets are currency and betrayal is commonplace. Its colorful cast includes CIA operatives, Russian oligarchs, arms dealers, White House officials, gangsters, private eyes, FBI agents, journalists, and a fugitive American terrorist and assassin. Missing Man is a fast-paced story that moves through exotic locales and is set against the backdrop of the twilight war between the United States and Iran, one in which hostages are used as political pawns. Filled with stunning revelations, it chronicles a family’s ongoing search for answers and one man’s desperate struggle to keep his hand in the game.

Drawing upon previously secret KGB records released exclusively to Allen Weinstein and Alexander Vassiliev, The Haunted Wood reveals for the first time the riveting story of Soviet espionage's "golden age" in the United States, from the 1930s through the early cold war.

In an extensive examination of this impassioned debate, Richard Breitman and Allan J. Lichtman find that the president was neither savior nor bystander. In "FDR and the Jews," they draw upon many new primary sources to offer an intriguing portrait of a consummate politician--compassionate but also pragmatic--struggling with opposing priorities under perilous conditions

"Examines first years of the Obama presidency and effects on American foreign policy, including the U.S. relationships with China and Pakistan, war in Afghanistan and withdrawal from Iraq, movement toward Middle East peace, response to the Arab Spring, agendas involving energy, climate, and weak states, and approaches to rogue states"--Provided by publisher.

From a brilliant and witty comic book aficionado, this “scholarly but lively narrative” ( Kirkus Reviews ) reveals the links between Jews and the iconic superheroes of Jerry Siegel, Joe Shuster, Stan Lee, and Jack Kirby. Many of us know that the superheroes at the heart of the American comic book industry were created by Jews. But you’d be surprised to learn how much these beloved characters were shaped by the cultural and religious traditions of their makers. Superman Is Jewish? follows the “people of the book” as they become the people of the comic book. With great wit and compelling arguments, Harry Brod situates superheroes within the course of Jewish-American history: they are aliens in a foreign land, like Superman; figures plagued by guilt for abandoning their families, like Spider-Man; and outsiders persecuted for being different, like the X-Men. Brod blends humor and sharp observation as he considers the overt and discreet Jewish characteristics of these well-known figures and explores how their creators integrated their Jewish identities and their creativity. Captivating, poignant, and packed with historical insights, this guided tour travels from the Passover Haggadah’s exciting action scenes of Moses’s superpowers through the Yiddish humor of Mad magazine to two Pulitzer Prizes awarded in one decade to Jewish comic book guys Art Spiegelman and Michael Chabon. “A witty, insightful exposé” ( Publisher’s Weekly ), Superman Is Jewish? is an endlessly fascinating American saga about an immigrant group that used comic books to see itself in new, empowering—and laughable—ways. You don’t even have to be Jewish to get a kick out of it.

Comic book collectors relive the Golden Days, as they recall their favorite childhood comic heroes in this sequel to All in Color for a Dime. This reprint from the 1973 Arlington House original sports a new introduction from Lupoff and Comics Buyer's Guide editor Maggie Thompson. The Comic-Book Book is an entertaining and evocative excursion into memory land and an important contribution to the study of pop culture.

Is American vision implicitly possessive, as a generation of critics contends? By viewing the American poetic tradition through the prism of pragmatism, Elisa New contests this claim. A new reading of how poetry "sees," her work is a passionate defense of the power of the poem, the ethics of perception, and the broader possibilities of American sight. American poems see more fully, and less invasively, than accounts of American literature as an inscription of imperial national ideology would allow. Moreover, New argues, their ways of seeing draw on, and develop, a vigorous mode of national representation alternative to the appropriative sort found in the quintessential American genre of encounter, the romance. Grounding her readings of Dickinson, Frost, Moore, and Williams in foundational texts by Edwards, Jefferson, Audubon, and Thoreau, New shows how varieties of attentiveness and solicitude cultivated in the early literature are realized in later poetry. She then discloses how these ideas infuse the philosophical notions about pragmatic experience codified by Emerson, James, and Dewey. As these philosophers insisted, and as New's readings prove, art is where the experience of experience can be had: to read, as to write, a poem is to let the line guide one's way.