Rainbow Jews looks at the intersection of gay and Jewish identity in American and Israeli film and theater from the 1960s to the present. Through a close reading of the texts of numerous American and Israeli plays and films, Friedman evaluates some of the key conventions that have been employed to construct, critique, and reflect the connection between Jewishness and gay identity in the United States and Israel. Friedman also explores ways in which gay-Jewish playwrights and filmmakers have progressed the reevaluation of sexual norms within Judaism over the past three decades, inspiring and integrating Jewish members of the GLBT community into the overall Jewish historical narrative.

THE MANUAL OF ARMS was the first step in the training of each individual soldier who enlisted either in the Union or Confederate army during the American Civil War, & gives detailed instructions for the new recruit in the use of his rifle or rifle musket. Each major position such as Shoulder Arms is closely described as well as the means of loading the piece in nine times & firing on command. Most importantly, the transitions between each position is also detailed, enabling soldiers standing elbow to elbow to use their weapons efficiently in a fire fight. This new illustrated reprint presents an exhaustive, painstakingly researched combination of the original step-by-step text & detailed drawings. Every illustration is meticulously cross referenced with the manuscript to provide both historical accuracy & ease of use. This is an excellent resource for the military historian or Civil War buff.

Back in the early 1940s, late at night in the clubs of Harlem, a handful of jazz musicians began to experiment with a style that no one had ever heard before. The music was fast, complicated, impossible to play for many of the older musicians -- but it soon became the lingua franca of jazz music. They called it bebop, and as the years went by, it became even more popular. Today it reigns as perhaps the best-loved style of jazz ever created. Ira Gitler conveys the excitement of this musical birth as only someone who was there can. In The Masters of Bebop, Gitler traces the advent of what was a revolution in sound. He profiles the leading players -- Charlie Parker, Dizzy Gillepie, Max Roach -- but also studies the style and music of the first disciples, such as Dexter Gordon and J. J. Johnson, to reveal bebop's pervasive influence throughout American culture. Revised with an updated discography -- and with a new chapter covering bebop right up through the end of the twentieth century -- The Masters of Bebop is the essential listener's handbook.

Critical Companion to Philip Roth is a comprehensive reference to this talented writer's life and works. Coverage includes: A concise but thorough biography of Roth Entries on all of Roth's works, including American Pastoral, The Ghost Writer, Sabbath's Theater, The Human Stain, Zuckerman Unbound, the stories collected in Goodbye, Columbus, The Plot Against America, his nonfiction works, and more. Each entry on a fictional work contains subentries on the work's main characters (including Nathan Zuckerman, Alexander Portnoy, "Swede" Levov, and more) Entries on related people, places, and topics, such as anti-Semitism, Claire Bloom, Newark, satire, and many more Appendixes, including a chronology, a bibliography of Roth's works, and a secondary-source bibliography.

" Here, in his own words, is the story of one of the twentieth century's most creative medical innovators, Dr. Henry Heimlich. The thoracic surgeon is best known for having developed the Heimlich Maneuver, the world's easiest-to-learn and most universally known method to save people from choking to death on food or foreign objects. But many don't know about Dr. Heimlich's other life-saving inventions. He is the inventor of the Heimlich Chest Drain Valve, which saved thousands of lives during the Vietnam War, and the Heimlich MicroTrach, which provides a remarkably efficient way for people to take oxygen. In the present decade, Dr. Heimlich has turned his attention to two devastating illnesses for which medicine has not yet found a cure--cancer and HIV. He describes his research and its promise, as well as the controversy and resistance his new ideas have generated from the medical establishment. Interweaving the author's personal life with riveting stories of his numerous medical breakthroughs, this rich memoir provides insights into the workings of a creative mind and the machinations of the American medical system."

"The journey into high adventure soars on! Let the secret history of the world be told--of the alien virus that struck Earth after World War II, and of the handful of survivors who found they now possessed superhuman powers. Some were called Aces, endowed with powerful mental and physical prowess. The others were Jokers, tormented by bizarre mind or body disfigurements. Some served humanity. Others wreaked terror. Now, forty years later, under the streets of Manhattan an evil genius unleashes the powers of darkness--and Aces and Jokers alike must fight for their lives. Here, in the third volume of the Wild Cards series, seven of science fiction's most gifted writers take you on a journey of wonder and excitement.Includes stories by:Edward Bryant, Leanne C. Harper, George R. R. Martin, John J. Miller, Lewis Shiner ,Walter Simons, Melinda M. Snodgrass"--

Distinguished critic and scholar Geoffrey Hartman explores the usefulness of Derrida's style of close reading for English and American scholarship and establishes its relevance to the division that has arisen between European and Anglo-American critical approaches. In addition, he discusses Derrida's exegesis in relation to theological commentary.

Examines the work of leading revisionist educational historians and contends that their arguments and allegations against the American public school system have strayed far from historical reality

It has now been more than forty years since President John F. Kennedy was assassinated on the streets of Dallas on November 22, 1963. No event in the post-war era, not even the terrorist attacks of September 11, 2001, has cast such a long shadow over our national life. The murder of the handsome and vigorous president shocked the nation to its core, and shook the faith of many Americans in their institutions and way of life. The repercussions from that event continue to be felt down to the present day. Looking back, it is now clear that Kennedy's death marked a historical crossroads after which point events began to move in surprising and destructive directions. In Camelot and the Cultural Revolution: How the Assassination of John F. Kennedy Shattered American Liberalism, James Piereson examines this seminal event from an entirely new and provocative point of view. Most books on the assassination take up the question as to who was really responsible for killing the President. Mr. Piereson takes it as established fact that Kennedy was killed by Lee Harvey Oswald. What needs to be explained, he argues, is the bizarre aftermath of the assassination: Why in the years after the assassination did the American Left become preoccupied with conspiratorial thinking? How and why was John F. Kennedy transformed in death into a liberal icon and a martyr for civil rights? In what way was the assassination linked to the collapse of mid-century liberalism, a doctrine which until 1963 was the reigning philosophy of the nation? In answering these questions, Piereson places great weight on the influence of Jacqueline Kennedy in shaping public memory of her husband and the meaning of his death. The Kennedy assassination, he argues, is a case study in public myth-making and the ways in which images and symbols can override fact and substance in political life.

"In this first biography of Woody Allen in over a decade, David Evanier discusses key movies, plays and prose as well as Allen's personal life. Evanier tackles the themes that Allen has spent a lifetime sorting through in art: morality, sexuality, Judaism, the eternal struggle of head and heart. Woody will be the definitive word on a major American talent as he begins his ninth decade, and his sixth decade of making movies"--

"What's Good is a work of passionate lyrical analysis, a set of freewheeling liner notes, and a love letter to the most vital American art form of the last half century. Over a series of short chapters, each centered on a different lyric, Daniel Levin Becker considers how rap's use of language operates and evolves at levels ranging from the local (slang, rhyme) to the analytical (quotation, transcription) to the philosophical (morality, criticism, irony), celebrating the pleasures and perils of any attempt to decipher its meaning-making technologies. Ranging from Sugarhill Gang to UGK to Young M.A, Rakim to Rick Ross to Rae Sremmurd, Jay-Z to Drake to Snoop Dogg, What's Good reads with the momentum of a deftly curated mixtape, drawing you into the conversation and teaching you to read it as it goes. A book for committed hip-hop heads, curious neophytes, armchair linguists, and everyone in between"--

A study of the rise to power of the "theoconservatives" describes efforts to roll back the division between church and state in American life and to inject their religious ideas, deeply rooted in Roman Catholicism, into the nation's politics.

"In a collection that includes new essays written explicitly for this volume, one of our sharpest and most influential critics confronts the past, present, and future of literary culture. If every outlet for book criticism suddenly disappeared -- if all we had were reviews that treated books like any other commodity -- could the novel survive? In a gauntlet-throwing essay at the start of this brilliant assemblage, Cynthia Ozick stakes the claim that, just as surely as critics require a steady supply of new fiction, novelists need great critics to build a vibrant community on the foundation of literary history. For decades, Ozick herself has been one of our great critics, as these essays so clearly display. She offers models of critical analysis of writers from the mid-twentieth century to today, from Saul Bellow, Bernard Malamud, and Kafka, to William Gass and Martin Amis, all assembled in provocatively named groups: Fanatics, Monsters, Figures, and others. Uncompromising and brimming with insight, these essays are essential reading for anyone facing the future of literature in the digital age"--

Over the course of a monumental career, Claude Lévi-Strauss has interwoven artistic materials and themes into his seminal analyses of the “savage mind.” Now the world's most famous anthropologist turns his attention entirely to the domain of aesthetics. In a series of brilliant but meticulous studies, he ranges widely across the domains of painting, music, literature and the plastic arts, his fertile mind opening more general, philosophical perspectives. Look, Listen, Read begins with an analysis of Nicolas Poussin's method of visual composition, and after drawing a surprising parallel with Marcel Proust, moves into a fascinating discussion, joined by Ingres and Delacroix among others, on the art of painting. Next the author turns to music, taking his inspiration from an inquiry into certain chord modulations in Rameau's opera Castor et Pollux, which at the time of its composition were considered a musical breakthrough. The book then considers the nature of the “beautiful.” The reference point here remains the French Enlightenment, and in particular Diderot's reflections on painting. Focusing on the aesthetic controversies of this same period, but with regard to music, a fascinating series of chapters revives the work of the largely forgotten eighteenth-century musicologist Michel-Paul-Guy de Chabanon and his surprisingly contemporary discussion of music's partial resemblance to language. This leads to a consideration of the relations of words to music in opera, where Lévi-Strauss reveals something of his own tastes in music while engaging in a critical review of a work by his recently deceased friend and colleague, Michel Leires. The relation between sounds and colors is considered next, largely through a breathtaking examination of a famous but difficult poem by Arthur Rimbaud. There follows an exchange of notes with André Breton, written some fifty years ago, on the nature of the work of art. In the book's concluding chapters the author dons the more familiar mantle of the anthropologist, and by looking at the myths of the American Indians, offering an analysis of their understanding of the place of art and of the artist in their own societies. Look, Listen, Read is a truly original work, far removed from the intellectual fads that mark contemporary discussions on aesthetics, as Lévi-Strauss advances into new territory even as he remains faithful to his structuralist inspiration. The book weaves a dense tissue of connections, correspondences, and principles, while at the same time remaining sensitive to the specificities of each of the beaux-arts. In a valedictory statement capping a lifetime's work, Lévi-Strauss has made a major new contribution to our understanding of the place of art in human life, the nature of its appeal, the source of its creativity, and its universality.

Please Please Me and With The Beatles, along with their associated singles, introduced the Beatles first to England and then to several countries across the world, including Canada and the United States. Although often overlooked due to the excellence of the group' s later albums, these early albums contain the exciting songs that fueled Beatlemania. These albums showcased the songwriting talents of John Lennon and Paul McCartney, as well as incredible cover versions of songs from the group' s stage show. Had the Beatles not evolved and matured, the group would still be well respected for the quality of the recordings on these two albums.In addition to the usual chapters on the British, American and Canadian perspectives, the book contains chapters on the Decca audition and the EMI artists test session. There are also chapters on the recording sessions and album covers, as well as on the news, music and films of the era to place these albums in their proper context.It is a 9" x 9" hardcover book to match the other books in Bruce Spizer' s Beatles Album Series. It is 272 pages long and contains over 290 color and original black and white images.

For some 30 years, Adam Hochschild's voice has been one of the most distinctive in American journalism. With grace and wit, he has brought to a startling variety of subjects a combination of adventurous reporting and personal honesty. Hochschild's readers can count on an unobtrusive erudition, a sense of justice, and an irrepressible curiosity about life. Admirers of Hochschild's Half the Way Home: A Memoir of Father and Son will find in these articles the same warm autobiographical voice that made that book so memorable: He revisits his time as a civil rights worker in Mississippi, as a New England prep school student, and as a teenager seeing apartheid firsthand in South Africa. But readers will find much more as well: profiles of an adoptive Gypsy and of a governor general's son turned revolutionary, essays about Ernest Hemingway and John F. Kennedy, a journey to one of the most remote corners of the Amazon rain forest, and a remarkable evocation of two of Hochschild's personal heroes—who, in hillside trenches at the height of the Russian Civil War, faced each other across a battlefield.

Brings provocative, rigorous and controversial readings of literary and cultural texts to gay critical analysis. Lee Edelman rearticulates the politics of sexuality, addressing some of the most hotly debated issues of our time.

In the three decades since her revolutionary and seminal article "The Character of Hamlet's Mother," Carolyn Heilbrun has been a prophet in the field of women and literature, gender and culture. This collection of graceful and uncompromising essays charts her development as a feminist writer and critic, which has culminated in such groundbreaking works as REINVENTING WOMANHOOD and WRITING A WOMAN'S LIFE. Shakespeare's Gertrude was first among many literary figures illuminated by Heilbrun's feminist sensibility. Others include Homer's Penelope -- an archetypal single parent, weaving herself a new life for which she was given no script; Jo in LITTLE WOMEN, a model of autonomy for generations of female readers; Elizabeth Bennet, remarkable for the promise of friendship in her marriage with Darcy; and Harrriet Vane, outrageously unique on many counts. The consistency and clarity of Heilbrun's vision in matched only by its heterogeneity, as she discusses Margaret Mead and Freud's daughters, Virginia Woolf and James Joyce, resistance to feminist studies in academia, mothers and daughters, fiction and myth, tomboys and surrogate sons, and the detective story, of which Heibrun herself (as Amanda Cross) is one of the ablest practitioners. HAMLET'S MOTHER AND OTHER WOMEN will spark recognition, again and again, in readers on their own quest for female redefinition. "[A] witty, learned collection of essays . . . filled with delicate, sometimes startling gems of perception . . . . Provocative." -- New York Newsday

Using thousands of hours of previously concealed tapes, a stunning revelation into the infamous Nixon White House and how far the administration went to cover up the abuse of power. Richard Nixon said he wanted his administration to be "the best chronicled in history." But when Alexander Butterfield disclosed the existence of a voice-activated taping system to a Senate committee in July 1973, Nixon's White House and its recordings quickly became the most infamous in American history. But only sixty hours were actually made public in the 1970s. Thousands of hours remained secret and in Nixon's hands, and he fought fiercely to keep them that way right up to his death. Finally, thanks to a lawsuit brought by historian Stanley I. Kutler, the Nixon estate and the National Archives have brought over three thousand hours of tapes to light. The tapes reveal an extensive cover-up beyond what was previously understood. The recordings, ranging from campaign tactics to controversial discussions, redefine the meaning of power abuse within Nixon's administration and his ultimate demise. A spy planted in Ted Kennedy's Secret Service detail, Nixon's continual insistence on paying the burglars, and talks about a substantial campaign fund showcase the true depth of the cover-up efforts. Packed with revelations on almost every page, Abuse of Power offers a spellbinding portrait of raw power and a Shakespearean depiction of a king and his court. Never have the personalities of Haldeman, Ehrlichman, Colson, Haig, Kissinger, Dean, and Mitchell been so vividly captured. And never has an American President offered such a revealing record of his darkest self.

"This is a collection of Norman Podhoretz's essays of the past fifty years. Organized by decade, these essays also add up to a running history of American literature and intellectual life in the second half of the twentieth century. From Vladimir Nabokov to Saul Bellow, from Ralph Ellison to Norman Mailer, from Hannah Arendt to Henry Kissinger, Podhoretz has dealt with the most important novelists and thinkers of the period. He has also turned his attention to such major European figures as Aleksandr Solzhenitsyn, George Orwell, and Isaiah Berlin, and his trenchant appraisals of both Americans and Europeans are as fresh and lively today as when they first appeared. Many of them have been unavailable for years, and will prove revelatory for first-time readers and longtime admirers alike." "Intertwined with the literary essays, The Norman Podhoretz Reader offers some of the best and most influential political essays written by anyone in our time. Through such classics as "My Negro Problem - and Ours," his famous reassessments in Why We Were in Vietnam, and his retrospective look at neoconservatism (of which he was one of the founding fathers), Podhoretz has led and changed opinion throughout his career."--Jacket.