My parents always told me I was Mexican. I was Mexican because they were Mexican. This was sometimes modified to ÒMexican American,Ó since I was born in California, and thus automatically a U.S. citizen. But, my parents said, this, too, was once part of Mexico. My father would say this with a sweeping gesture, taking in the smog, the beautiful mountains, the cars and houses and fast-food franchises. When he made that gesture, all was cleared away in my mindÕs eye to leave the hazy impression of a better place. We were here when the white people came, the Spaniards, then the Americans. And we will be here when they go away, he would say, and it will be part of Mexico again. Thus begins a lyrical and entirely absorbing collection of personal essays by esteemed Chicana writer and gifted storyteller Kathleen Alcal‡. Loosely linked by an exploration of the many meanings of Òfamily,Ó these essays move in a broad arc from the stories and experiences of those close to her to those whom she wonders about, like Andrea Yates, a mother who drowned her children. In the process of digging and sifting, she is frequently surprised by what she unearths. Her family, she discovers, were Jewish refugees from the Spanish Inquisition who took on the trappings of Catholicism in order to survive. Although the essays are in many ways personal, they are also universal. When she examines her family history, she is encouraging us to inspect our own families, too. When she investigates a family secret, she is supporting our own search for meaning. And when she writes that being separated from our indigenous culture is Òa form of illiteracy,Ó we know exactly what she means. After reading these essays, we find that we have discovered not only why Kathleen Alcal‡ is a writer but also why we appreciate her so much. She helps us to find ourselves.

"The sociologist Daniel Bell was an uncommonly acute observer of the structural forces transforming the United States and other advanced societies in the twentieth century. The titles of Bell's major books-The End of Ideology (1960), The Coming of Post-Industrial Society (1973), and The Cultural Contradictions of Capitalism (1976)-became hotly debated frameworks for understanding the era when they were published. In Defining the Age, Paul Starr and Julian Zelizer bring together a group of distinguished contributors to consider how well Bell's ideas captured their historical moment and continue to provide profound insights into today's world. Wide-ranging essays demonstrate how Bell's writing has informed thinking about subjects such as the history of socialism, the roots of the radical right, the emerging postindustrial society, and the role of the university. The book also examines Bell's intellectual trajectory and distinctive political stance. Calling himself "a socialist in economics, a liberal in politics, and a conservative in culture," he resisted being pigeon-holed, especially as a neoconservative. Defining the Age features essays from historians Jenny Andersson, David A. Bell, Michael Kazin, and Margaret O'Mara; sociologist Steven Brint; media scholar Fred Turner; and political theorists Jan-Werner Müller and Stefan Eich. While differing in their judgments, they agree on one premise: Bell's ideas deserve the kind of nuanced and serious attention that they finally receive in this book"--

A memoir by Judy Rebick, one of Canada's best-known feminists, including her time as a high-profile spokesperson for the pro-choice movement and as president of the National Action Committee on the Status of Women, as well as her struggle with depression and multiple personality disorder.

"For more than a decade, Judy Chicago has been formulating a critique of studio art education, in colleges or art schools, based upon observation, study, and, most importantly, her own teaching experiences, which have taken her from prestigious universities to regional colleges, and across the country from Cal Poly Pomona to Duke University and the University of North Carolina, Chapel Hill. ...Creator of the celebrated The Dinner Party, a monumental art installation, Chicago reviews her own art education, in the 1960s, when she overcame sexist obstacles to beginning a career as an artist and became recognized as one of the key figures in the dynamic California art scene of that decade. She reviews the present-day situation of young people aspiring to become artists and uncovers the persistence of a bias against women and other minorities in studio art education. Far from a dry educational treatise, Institutional Time is heartfelt, and highly personal: a book that has the earmarks of a classic in arts education."-- Publisher's website.

'Theater legend Malina has written one of the most interesting studies of the avant-garde theatrical movement published in the last several years.' âe" CHOICE Judith Malina and The Living Theatre have been icons of political theatre for over six decades. What few realise is that she originally studied under one of the giants of twentieth century culture, Erwin Piscator, in his Dramatic Workshop at The New School in New York. Piscator founded the Workshop after emigrating to New York, having collaborated with Brecht to create "epic theatre" in Germany. The Piscator Notebook documents Malinaâe(tm)s intensive and idiosyncratic training at Piscatorâe(tm)s school. Part diary, part theatrical treatise, this unique and inspiring volume combines: complete transcriptions of Malinaâe(tm)s diaries from her time as a student at the Dramatic Workshop, as well as reproductions of various of Piscatorâe(tm)s syllabi and teaching materials; notes on Malinaâe(tm)s teachers, fellow students âe" including Marlon Brando and Tennessee Williams âe" and New School productions; studies of Piscatorâe(tm)s process and influence, along with a new essay on the relationship between his teaching, Malinaâe(tm)s work with the Living Theatre and "The Ongoing Epic"; an introduction by performance pioneer, Richard Schechner. The Piscator Notebook is a compelling record of the genealogy of political theatre practice in the early 20th Century, from Europe to the US. But it is also a stunningly personal reflection on the pleasures and challenges of learning about theatre, charged with essential insights for the student and teacher, actor and director. 'Piscator is the greatest theatre man of our time.' âe" Bertolt Brecht

As cofounder of the internationally-known, highly-controversial radical political troupe, The Living Theater, author Judith Malina is one of the leading female countercultural figures of the 50s, 60s, 70s and beyond. In Full moon stages: personal notes from 50 years of The Living Theatre, she creates an intimate memoir in a unique format with a collection of personal notes written on every full moon for 50 years from 1964 to 2014. These never-before-published entries reveal Malina's most private thoughts and inform the reader on what The Living Theatre was performing as they wound their way from New York City to Italy, France, Belgium, Germany and Brazil in a nomadic series of notable performances of such underground classics as The Brig, The Connection, and Paradise Now. Malina is relentless in her commitment to the full moon schedule, writing regardless of her current life circumstance. Notes issue forth from hotels, trains--even prison, offering a light on the consequences of holding true to her code of the theatrical expression of her pacifist-anarchist principles.

The profoundly moving family history of one of America's greatest newspapermen. As his father lies dying, Joseph Lelyveld finds himself in the basement of the Cleveland synagogue where Arthur Lelyveld was the celebrated rabbi. Nicknamed "the memory boy" by his parents, the fifty-nine-year-old son begins to revisit the portion of his father's life recorded in letters, newspaper clippings, and mementos stored in a dusty camp trunk. In an excursion into an unsettled and shakily recalled period of his boyhood, Lelyveld uses these artifacts, and the journalistic reporting techniques of his career as an author and editor, to investigate memories that have haunted him in adult life.. With equal measures of candor and tenderness, Lelyveld unravels the tangled story of his father and his mother, a Shakespeare scholar whose passion for independence led her to recoil from her roles as a clergyman's wife and, for a time, as a mother. This reacquired history of his sometimes troubled family becomes the framework for the author's story; in particular, his discovery in early adolescence of the way personal emotions cue political choices, when he is forced to choose sides between his father and his own closest adult friend, a colleague of his father's who is suddenly dismissed for concealing Communist ties. Lelyveld's offort to recapture his family history takes him on an unforeseen journey past disparate landmarks of the last century, including the Scottsboro trials, the Zionist movement, the Hollywood blacklist, McCarthyism, and Mississippi's "freedom summer" of 1964. His excursion becomes both a meditation on the selectivity and unreliability of memory and a testimony to thepossibilities, even late in life, for understanding and healing. As Lelyveld seeks out the truth of his life story, he evokes a remarkable moment in our national story with unforgettable poignancy.

"Captured in a beautiful package, including more than fifty color photographs, The Last Waltz tells the intriguing story of of the Viennese Strauss family known for producing some of the best known, best loved music of the nineteenth century. Johann and Josef Strauss, the Waltz Kings, composed hundreds of instantly recognizable and enduring melodies, including The Blue Danube Waltz, Tales from the Vienna Woods, Voices of Spring and The Radetzky March. Their iconic music has been featured on the scores of nearly a thousand films. Yet despite their success, this was a family riven with tension, feuds and jealousy, living in a country that was undergoing seismic upheaval. Through the personal and political chaos, the Strauss family continued to compose music to which the Viennese -- anxious to forget their troubles -- could dance and drank champagne, even as their country hurtled towards oblivion at the hands of the First World War. Classical music expert and radio host John Suchet skillfully portrays this gripping story, capturing the family dramas, the tensions, triumphs and disasters against the turbulent backdrop of Austria in the nineteenth century, from revolution to regicide." --

A documentary maker evaluates the significant changes that have occurred throughout Japanese society in the past four decades, describes his relationships with some of the nation's important figures, and recounts how his close ties shaped his career

Pp. 98-179, "The Nazi Years", present an account by Rabbi Prinz (1902-1988) of his spiritual leadership in the Jewish community of Berlin under Nazi rule. His outspoken Zionism and advocacy of Jewish emigration expressed a minority opinion among German Jews. The popular sermons of Prinz, who was under Nazi surveillance, offered spiritual resistance, and his educational activities with youth and adults helped assimilated German Jews discover their Jewish identity. A farewell meeting for him held by the community was attended by Eichmann, whose report of the event apparently advanced his career. Prinz was expelled from Germany in 1937 and emigrated to the U.S. The editor occasionally corrects errors, such as dating, in Prinz's account, especially in regard to events affecting German Jews after Prinz emigrated.

The President of the Federation of American Scientists describes his work in the areas of disarmament and human rights, and recounts interactions with international leaders

First with his magisterial fantasy Bone to his mind-bending, time-warping sci-fi noir RASL, Paleolithic-set fantasy Tüki: Save the Humans, arthouse-styled superheroic miniseries Shazam!, and his latest children's book Smiley's Dream Book, Jeff Smith (b. 1960) has made an indelible mark on the comics industry. As a child, Smith was drawn to Charles Schulz's Peanuts, Carl Barks's Donald Duck, and Walt Kelly's Pogo, and he began the daily practice of drawing his own stories. After writing his regular strip Thorn for The Ohio State University's student paper, Smith worked in animation before creating, writing, and illustrating his runaway success, Bone. A comedic fantasy epic, Bone focuses on the Bone cousins, white, bald cartoon characters run out of their hometown, lost in a distant, mysterious valley. The self-published series ran from 1991 to 2004 and won numerous awards, including ten Eisner Awards. This career-spanning collection of interviews, ranging from 1999 to 2017, enables readers to follow along with Smith's development as an independent creator, writer, and illustrator.

"Her parents moved her from Austria to Tokyo, Japan before she started school. They were all rendered stateless when Nazi Germany and Austria stripped Jews of their citizenship. She graduated high school fluent in Japanese plus four other languages and went to college in America at age 15. Cut off from her parents by the Japanese attack on Pearl Harbor, and America's entry into World War II, she went years not knowing if they were alive. She returned to post-war Japan as an interpreter, found her parents, and wrote the fateful words that make her a storied feminist hero in that nation even today. As Justice Sonia Sotomayor said about Beate Sirota Gordon, 'It is a rare life treat for a Supreme Court Justice to get to meet a framer of a Constitution. It is rarer indeed for that framer to have been a woman'"--

A memoir by the financier who led the World Bank for a decade recalls Wolfensohn's diverse career as an Olympic fencer, leading banker, amateur cellist, and philanthropist and reflects on his successes and failures in the battle against poverty.

Navigating between the two worlds of wartime experiences in Europe and new life in Australia, this moving memoir of & a Holocaust & survivor is & imbued with an element of fiction. This deeply personal narrative travels from darkness to hope as the author loses his family at Auschwitz, spends the war in concentration camps, and ultimately emigrates to Australia with his wife, leading to an eventual restoration that remains colored by a tragic past.

Newfield reminds us that in April 1999 Giuliani had only a 40 percent approval rating. A year later his divorce lawyer was savagely attacking his wife, Donna Hanover, while the mayor was flaunting his mistress in public. As a result, Giuliani's popularity plummeted again in the spring of 2000. He was almost a laughingstock when he withdrew from his Senate campaign against Hillary Clinton. He looked like a control freak who had lost control of himself. Then came 9/11, and Giuliani re-emerged as an international celebrity. He took charge when the towers fell, and he displayed leadership when others were dumbstruck. He was named Time magazine's "Person of the Year," the avatar of the stricken city. He did a victory lap around the country, raising money for Republican candidates and giving speeches for 100,000 a pop; he may rake in 10 million over the next year. Yet even as he became a part of pop iconography, celebrated as "America's Mayor," Giuliani was still loathed in some black neighborhoods in the city. People in Brownsville, Texas, might have thought of him as their mayor, but blacks in Brownsville, Brooklyn, did not. In The Full Rudy Newfield gives the devil his due, conceding that New York City did become a better place to live during Giuliani's two terms. He was skilled at solving problems that lent themselves to the application of a military-style strategy but he was a mayor of excess, a mayor of missed opportunities, political opportunism, and stunning harshness. Photographs and cartoons add to this Emmy award-winning journalist's myth-busting portrait. "In a time when American journalism is getting its share of slings and arrows ... Newfield stands out as a national treasure."—Peter Maas "He writes with the sharp eye of the trained observer and the engaged heart of a humanist."—Budd Schulberg " He is the loudest liberal voice in a time of timid whispers. Newfield's hands ... pull out the truth."—Jimmy Breslin "Newfield has made it his life's mission to uncover and share significant truths about important people and events."—Mario Cuomo