the lion and the lamb By E. Phillips Oppenheim The Lion and the Lamb By e.philips oppenheim published in 1930 We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

She was an expensive call girl and spending a night with her came high. But he never figured on a price as high as murder. The photograph did justice to her generous statistics. Any private eye would enjoy tracking her down, and Hal Darling was no exception. Her name was Marion Lodge. She'd put her impressive body to good use as a call girl before she'd dropped out of sight almost a year before. Hal was being paid a fortune to find her. But someone else was also looking for Marion-with a knife. Hal had to get her fast, or the killer would strike first.

It was a few minutes before eleven when I unlocked our door. The dumb lamp we had in the two-by-four "foyer" was on. The lamp looked like a drippy flower and cost fifty-seven bucks strictly because it was imported from Denmark. If all their lamps are like this job they must be blind over there. I could just about make out the couch opened as a bed, was surprised Mary was in the hay so early. I called out softly, "Babes?" She didn't answer.

This book is a collection of short biblio-mystery stories written by ASW Rosenbach. The central character of these stories is a book collector named Robert Hooker. Every story is related to books, book collecting, and bibliography.

This is a story of discovery. Like many kids in immigrant families, I avoided dealing with "old country" family history--and like many of us, I was later moved to go on a quest to discover my roots. This book, Searching for Butsnevits: A Shtetl Tale, is part autobiography, part social history, and part detective story--where the search is for a missing community rather than a missing person. The book is an encounter with the past, with the history of my family in Ukraine in the early 1900s, and includes information about Jewish life in the area and what's happened since to the place and the people, as well as a rare firsthand account of the flight of my family from Ukraine in 1920 in the wake of the pogroms that swept the country following the Russian Revolution.

With A*HOLE, Hilton Obenzinger has created an experimental fiction readers will experience as much as read. He draws from sources as varied as Mark Twain, the Patty Hearst story, the Biblical story of Abraham & Isaac, Melville's Ishmael, detective fiction, his own experiences as a father and a teacher on Yuork Indian reservations, Hollywood, the porn industry and more, which he swirls together around the vortex created by the pull of his central hole. A young boy wakes one morning to discover he is sinking into the earth despite the new sneakers his parents promised would save him. A young woman begins reviewing films before they are made. A postal worker named Gary fulfills his occupational cliché and attacks Danny DeVito. A father writes letters to his wayward and far-flung sons. An archeologist finds evidence, perhaps, of the permeance of time as well as earth. A detective accepts a case requiring him to connect Patty Hearst to her other self. Though the story in A*HOLE is in continual flux, Obenzinger skillfully braids the multiple narrative threads into a novel which is much larger than its physical size, lyrically beautiful, and absorbing through and through.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Great Secret Edward Phillips Oppenheim Little, Brown, and Company, 1908 Fiction; Mystery & Detective; General; Fiction / Action & Adventure; Fiction / Mystery & Detective / General; Literary Collections / American / General

Dead End: Be Careful How You Live is a suspenseful crime thriller novel written by Ed Lacy. The story revolves around a young man named Johnny Dolan, who is wrongly accused of murdering his girlfriend. Despite his innocence, the police and the media are convinced of his guilt, and Johnny is forced to go on the run to clear his name.As Johnny tries to evade the law and find the real killer, he becomes embroiled in a dangerous world of organized crime and corruption. Along the way, he meets a cast of colorful characters, including a tough-talking private detective, a seductive nightclub singer, and a ruthless gangster who will stop at nothing to protect his interests.As the plot thickens, Johnny must use all his wits and resources to stay one step ahead of his pursuers and uncover the truth behind his girlfriend's murder. With plenty of twists and turns, Dead End: Be Careful How You Live is a gripping page-turner that will keep readers on the edge of their seats until the very end.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

In a groundbreaking piece of scholarly detective work, Professor Honigmann - editor of the forthcoming Arden 3 edition of Othello - uncovers in more detail than any previous study the hidden history of the two early texts of Othello, the Quarto and the Folio. He traces the crucial role played by two men in transforming Shakespeare's almost illegible manuscript to print: Thomas Walkley, the publisher of the Quarto, and Ralph Crane, the scribe who prepared the printer's copy for the Folio. Through careful analysis of particular passages Honigmann exposes the extent to which versions of Othello adopted by editors and widely regarded as fundamentally 'Shakespearean' were profoundly influenced by others than Shakespeare himself. Questioning time-honoured editorial procedures the findings of Texts of Othello have implications for many other of the plays of the Shakespeare canon, and more widely for questions of authorship and the doctrine of the 'better text'.

A love story wrapped in a modern noir that takes our hero down the conspiracy rabbit hole where he starts to question his own sanity. FishKill is a love story wrapped in a modern noir that takes our hero, Detective Bart Fishkill, so far down the conspiracy rabbit hole that he starts to question his own sanity even to the point of wondering whether if he isn’t the villain in the first place.

"An astonishing, soaring and seizing novel that means no less than to explain human culture. A detective story with a real detective and a real thief—and yet all the while it is the mind that is being plundered of its own frights."—Cynthia Ozick"[Acts of Theft] ranges from the lost world of the Austrian aristocracy . . . to a thick-walled hacienda in the jungles of Mexico in the 1950s. . . . Cohen has resurrected the special man, the one for whom experience is a search an an intellectual problem, the man who deceives himself grandly and discovers the fact when it may be too late. . . . Cohen's writing is as beautiful and complicated as it is possible for writing to be. Rarely, these days, do novelists risk so much so successfully."—K. Deborah Taub, Baltimore Sun"One of the rare novels that one can begin to reread as soon as the last page is finished. By unfolding the drama of an artist obsessed by the authenticity and perfection of his work, Arthur A. Cohen recalls to us, in fact, the destiny of all human existence. Acts of Theft ranks with the best novels of the post-war period."—Mircea Eliade"Acts of Theft is a very elaborate story of cops and robbers—but it aspires to much more and its aspirations are largely fulfilled. The parallels that spring to mind are Crime and Punishment and Les Mesérables."—Joseph McLellan, Washington Post

If you like period pieces and murder-mysteries with a twist of romance, you will enjoy this book. The protagonist becomes the chief suspect in the murder of Sir Geoffrey Kynaston and must clear his name. Set in Victorian England, there are flashbacks to Italy. Filled with aristocrats, there are colorful characters, too, lending an air of the Dickensian comic relief, ― like the money-obsessed private sleuth. E. Phillips Oppenheim (1866-1946) was an enormously popular and prolific writer of suspense fiction and romance. Notably easy to read, Mr. Oppenheim has few equals among modern English novelists. He is untiring in the invention of mysterious plots, he is a clever weaver of the plausible with the sensational, and he has the necessary gift of facile narrative. (Boston Transcript.) He is a master of the art of telling a story. He has humor, a keen sense of the dramatic, and a knack of turning out a happy ending just when the complications of the plot threaten worse disasters. (New York Times.)

Art Does (Not!) Exist is lively, inventive, and artfully wicked. In the world according to video artist Julia Maraini , life is in need of tracking control. Personas warp and twist in a perverse parody of modern life that is, nonetheless, exactly the thing itself. As the protagonist prepares a video for an important grant application, she discovers that the video has been tampered with, and a snuff film of her controversial star (a wealthy Brazilian) added. Does she turn it in? Does she receive an NEA grant? How much hipper can hip be than Art Does (Not!) Exist? Art Does (Not!) Exist is about Julia Maraini, an artist in her early twenties involved in video and other new genres, who is down on her luck: her mad scientist husband is gone but threatens to return; and her apartment on the lower east side close to Soho, burns down under suspicious circumstances. Through it all she works at completing her art projects hoping to receive an NEA grant for one of them, or at least an invitation to be included in the prestigious Whitney Biennial. One of her projects is an interview with two skeletons purported to be Nag and Nell, the parents of Hamm, a character in Samuel Beckett's Endgame. Her competitors are: a Brazilian steel magnate who writes her sexy letters and appears by two mysterious characters; a famous British feminist who is in the States to promote her first novel; and a pair of near-sighted detectives disguised in Hawiian shirts. At one point her estranged husband, his mother and step-father appear on the Geraldo Show where all hell breaks loose. This is a book about the way an artist thinks, it examines what's at stake in today's art world - and dares to ask the question, what is art anyway? A question that has been pondered ever since someone handed a loaded paintbrush to a chimp and aimed her at a canvas. Written with tongue in one cheek and tofu in the other, Art Does (Not!) Exist is both funny and nourishing.

I sat there, waiting in this dull Bronx back yard, the gun in my right pocket, safety off. It was simple... wait till he was on top of me, one shot in the heart... then run across the lot to the car. Sid had an ordinary looking heap; nobody would notice it, or the license number. The license number-that was one of the chances I had to take-one of the too-many chances. But this would work, if my luck held out. IF... IF... Damn, I hoped to hell he didn't have a wife and kids, looked too young for that, but even if he did-I had a wife and kid, too. God knows I didn't want to kill this detective, but I was caught in this web, had to do it. Had to... No point in thinking about that-more important to think of some way of disposing of the gun. Couldn't pull the same gag about losing it on Tony again. Well, have to work that out, somehow. Sloppy thinking on my part not to plan.... Hell with plans, no time for it. Not like the other one. Marshal Jameson, the promising young sculptor, sitting on his butt in a strange Bronx back yard on a sunny afternoon... carefully planning his second murder. I grinned, a sour, nervous grin-I was damn near bawling. Me, who'd never hurt a fly, waiting with a gun for a... I heard a car stop in front of the house. It was five to three. The dick was on time. I stood up and peered around the corner of the alley. He was alone. I waited: no running from this, no backing out. Or was killing the easy way out for me?

This book examines the staggering popularity of early-twentieth-century Russian detective serials. Traditionally maligned as Pinkertonovshchina, these appropriations of American and British detective stories featuring Nat Pinkerton, Nick Carter, Sherlock Holmes, Ethel King, and scores of other sleuths swept the Russian reading market in successive waves between 1907 and 1917, and famously experienced a red resurgence in the 1920s under the aegis of Nikolai Bukharin. The book presents the first holistic view of Pinkertonovshchina as a phenomenon, and produces a working model of cross-cultural appropriation and reception. The red Pinkerton emerges as a vital missing link between pre- and post-Revolutionary popular literature, and marks the fitful start of a decades-long negotiation between the regime, the author, and the reading masses.

"Humorous and highly amusing." - The Scotsman "A really entertaining collection of stories. The lover of fiction could not desire a more entertaining volume." - Yorkshire Post One of Richard Marsh's rarest works, Between the Dark and the Daylight (1902) contains twelve of Marsh's cleverest stories, ranging in theme from slapstick humour to Gothic horror. In "My Aunt's Excursion," the opening story of the volume, an urbanite Londoner leads his provincial aunt and her party of mostly deranged followers on a hilarious and madcap romp across London. In "Exchange is Robbery," Marsh's recurring charcters and jewellers to the aristocracy, Messrs. Golden and Ruby, discover they have been the victims of a massive jewel fraud. "The Haunted Chair," one of Marsh's strangest and most unnerving stories of horror, features an old chair at a gentlemen's club, whose owner seems capable of returning from the grave. In "A Relic of the Borgias," an ancient cameo ring appears to possess the power to kill. Other stories, like "Em" and "Nelly," reveal Marsh's softer side as a romantic novelist. This new edition, the first in over a century, features the unabridged text of the original work, along with an introduction by Prof. Paul Fox and a reproduction of the impossibly rare jacket cover of the original six shilling edition.

Italy, the setting an enchanted lake southeast of Rome, and American heiress Maggie - famed for her beauty, wealth and steely will - is thetarget for an assortment of con men, jewel thieves, counterfeiters, adulterers and spongers. A dazzling, pacy thriller.This is one of the 22 novels written by Muriel Spark in her lifetime. All are being published by Polygon in hardback Centenary Editions betweenNovember 2017 and September 2018.