The Agony of Greek Jews tells the story of modern Greek Jewry as it came under the control of the Kingdom of Greece during the nineteenth and twentieth centuries. In particular, it deals with the vicissitudes of those Jews who held Greek citizenship during the interwar and wartime periods. Individual chapters address the participation of Greek and Palestinian Jews in the 1941 fighting with Italy and Germany, the roles of Jews in the Greek Resistance, aid, and rescue attempts, and the problems faced by Jews who returned from the camps and the mountains in the aftermath of the German retreat. Bowman focuses on the fate of one minority group of Greek citizens during the war and explores various aspects of its relations with the conquerors, the conquered, and concerned bystanders. His book contains new archival material and interviews with survivors. It supersedes much of the general literature on the subject of Greek Jewry.

"Rachel is a Jew living in Kishinev, Russia. At fourteen, Rachel knows that she wants more from life than the traditional role of wife and mother. She has dreams of being a writer. But everything is put on hold when a young Christian man is murdered and Rachel is forced to keep the murderer's identity a secret. Tensions mount as the Christians' distrust of the Jews is fueled by prejudice and rumour. While Rachel keeps the truth to herself, she watches as lies and anti-Jewish propaganda leap off the pages of the local newspaper, inciting Christians to riot against the Jews. Violence breaks out on Easter Sunday, 1903, and when it finally ends, Rachel finds that the person she loves most is dead and that her home has been destroyed. As she struggles to survive the aftermath of the riots-or pogroms-support comes from someone totally unexpected, when a young Christian named Sergei turns against his father, a police officer complicit in the riots, to help Rachel. With everything against them, the two young people find comfort in the bond that is growing between them, one of the few signs of goodness and hope in a time of chaos and violence."--Publisher's website.

It is late 1903, and Rachel and her family are leaving Russia to escape the murderous riots against Jews. They travel cross country on the Trans-Siberian Railway to the coast and board a ship for Shanghai. China offers refuge, but life for them there is difficult and strange. The opportunity to write for a Jewish newspaper may help Rachel ensure her family's survival while not giving up her dreams for her future. Still in Russia, Rachel's friend Sergei leaves home for a factory job in St. Petersburg, soon joining the rebelling workers, but realizing he has traded one source of danger for another. Separated by so much, the two teenagers try to make their way in the turbulent political times of the early twentieth century--their only connection the letters they write, and their fierce hope for the future.

. . . Mr. Itzkoff places most of the blame for America's alleged intellectual decline on what he sees as an economically and intellectually elite cast of misguided liberals. They have isolated themselves from American society, he says, by their paternalistic treatment of the underclass, by discounting the importance of traditional family values and by failing to raise enough bright children to sustain national competence. The New York Times Book Review Few doubt that the United States has slipped from its longstanding eminence as the world's wealthiest and most productive nation. The problem for the past 30 years has been the diagnosis of both the decline and then the cure. Literally trillions of dollars have been expended in futile programs to stanch the hemorrhaging of our economic wealth, jobs, educational achievement, and cultural elan. Itzkoff argues that we will never stop the fall until we understand our real national dilemma. This is the decline in our national intelligence profile: fewer citizens of high intelligence, educational potential, and economic productivity. These ideas are taboo. Itzkoff, however, insists that these are the facts, and they must be examined. In this book, he lays out the available evidence for our social disintegration and suggests a rational program of policy initiatives that would begin to restore us to what we were as recently as 1955--the great hope of the world.

This book brings together an inter-disciplinary group of Palestinian, Israeli, American, British and Irish scholars who theorise 'the question of Palestine'. Critically committed to supporting the Palestinian quest for self determination, they present new theoretical ways of thinking about Palestine. These include the 'Palestinization' of ethnic and racial conflicts, the theorization of Palestine as camp, ghetto and prison, the tourist/activist gaze, the role of gendered resistance, the centrality of the memory of the 1948 Nakba (catastrophe) to the contemporary understanding of the conflict, and the historic roots of the contemporary discourse on Palestine. The book offers a novel examination of how the Palestinian experience of being governed under what Giorgio Agamben names a 'state of exception' may be theorised as paradigmatic for new forms of global governance. An indispensable read for any serious scholar.

"I have been a Jew during Fascism, a bourgeois under Communism, a rebel defeated in an uprising, a refugee among the free, and a have-not amid plenty. This book contains over 60 stories that range from my youth in Hungary, the ordeal of a death march and concentration camps, the oppression of the Communist dictatorship, the promise and defeat of the Hungarian Revolution and, finally, my American years"--Preminary pages

First published in 1985, this book examines how workers theatre movements intended their performances to be activist -- perceiving art as a weapon of struggle and enlightenment -- and an emancipatory act. An introductory study relates left-wing theatre groupings to the cultural narratives of contemporary British socialism. The progress of the Workers' Theatre Movement (1928-1935) is traced from simple realism to the most brilliant phase of its Russian and German development alongside which the parallel movements in the United States are also examined. A number of crucial texts are reprints as well as stage notes and glimpses of the dramaturgical controversies which accompanied them.

Green Crescent over Nazareth is the story of the cultural and political struggle between Christians and Muslims, and of the rapid Islamization of Nazareth - the birthplace of Christianity - ironically, under the rule of the Jewish State of Israel. Until the creation of Israel in 1948, Christians formed the majority in the township of Nazareth. However, as Muslim refugees fled adjoining villages for the safety of the city during Israel's War of Independence, the demographic balance began to shift. The higher birthrate among the less educated and poorer Muslim population and the rapid exodus of outnumbered and frustrated Christians quickened the pace of change.By the year 2000, Christians had been reduced to a mere 30 per cent of the city's population of 60,000.

"Blowing the Whistle on Genocide tells the story of a young Treasury Department lawyer who helped alert the world about the Holocaust and force U.S. government action to rescue Jews from the Nazis." "Risking his career and ignoring threats that were made against him, Josiah E. DuBois, Jr., relentlessly investigated and then exposed the State Department's suppression of news about the Holocaust and obstruction of rescue attempts." "His report, "The Acquiescence of This Government in the Murder of the Jews," helped force President Roosevelt to belatedly establish the War Refugee Board. With DuBois as one of its leaders, the board played a key role in the rescue of more than 200,000 refugees during the final months of the war." "At every turn, DuBois was confronted by officials who tried to stop him - from the powerful Assistant Secretary of State who sabotaged rescue attempts, to the War Department official who blocked DuBois's proposal to bomb Auschwitz and worked to pardon Nazi war criminals after the war." "But DuBois persevered. He overcame the obstacles and saved lives. He was America's Schindler."--BOOK JACKET.

Peter Fraenkel here gives a vivid account of a childhood in a middle-class, non-observant Jewish family in Nazi Germany, forced to emigrate to Zambia (then Northern Rhodesia) in 1939. Here the contrast could hardly be greater, from persecuted Jew, to 'enemy alien' in colonial Northern Rhodesia, to re-assimilation into the privileged colonial elite. Following education in Northern and Southern Rhodesia he worked for the Northern Rhodesian and later, Central Broadcasting Service. Here his pioneering work and support for racial equality in a deeply racist society connected with his earlier life - 'no fixed abode' but in tune with humane liberalism.

"In Gilligan Unbound, a distinguished Shakespeare scholar and literary critic proves once and for all that popular culture can be every bit as complex, meaningful, and provocative as the most celebrated works of literature - and a lot more fun. Paul Cantor analyzes and interprets a wide variety of classic television programs with the same seriousness, care, and creativity he would Hamlet or Macbeth to reveal how dramatically America's image of itself has evolved from the 1960s to the present." "Cantor demonstrates how, during the 1960s, Gilligan's Island and Star Trek reflected America's faith in liberal democracy and our willingness to project it universally. Gilligan's Island, Cantor argues, is based on the premise that a representative group of Americans could literally be dumped in the middle of nowhere and still prevail under the worst of circumstances. Star Trek took American optimism even further by trying to make the entire galaxy safe for democracy. Despite the famous Prime Directive, Captain Kirk and his crew remade planet after planet in the image of an idealized 1960s America." -- From publisher's website.

From February 1942 to July 1944, Oskar Rosenfeld served in the statistics department of the Lodz ghetto. A playwright and journalist, he kept his own notes on life and conditions in the ghetto for a fictionalized account he hoped to write one day. Though Rosenfeld eventually perished at Auschwitz, In the Beginning Was the Ghetto projects his voice at last to the wider world.

In this stimulating study, the author explores how Conrad, T.S.Eliot, Woolf, Joyce, Faulkner, Hemingway, Huxley and others responded to the immediate challenges of their time, to the implications of Freudian psychology, molecular theory, relativist theory, and the general weakening of religious faith. Assuming that artists and writers, in coping with those problems, would develop techniques in many ways comparable, even where there was no direct contact, he positions Modernist literature within the context of contemporary painting, architecture and sculpture, thereby providing some fascinating insights into the nature of the literary works themselves.

The Last Half-Century represents the culmination of a lifetime of scholarship by Morris Janowitz. In this comprehensive and systematic analysis of the major trends in American society during the past fifty years, he probes the weakening of popular party affiliations and the increased inability of elected representatives to rule. Centering his work on the crucial concept of social control, Janowitz orders and assesses a vast amount of empirical research to clarify the failure of basic social institutions to resolve our chronic conflicts. For Janowitz, social control denotes a society's capacity to regulate itself within a moral framework that transcends simple self-interest. He poses urgent questions: Why has social control been so drastically weakened in our advanced industrial society? And what strategies can we use to strengthen it again? The expanation rests in part on the changes in social structure which make it more and more complicated for citizens to calculate their political self-interest. At the same time, complex economic and defense problems also strain an already overburdened legislative system, making effective, responsive political rule increasingly difficult. Janowitz concludes by assessing the response of the social sciences to the pressing problem of social control and asserts that new forms of citizen participation in the government must be found.

In this extensively revised and updated edition of her classic work, Look Back in Gender, Michelene Wandor confirms the symbiotic relationship between drama and gender in a provocative look at key, representative British plays from the last fifty years. Repositioning the text at the heart of hteatre studies, Wandor surveys plays by Ayckbourn, Beckett, Churchill, Daniels, Friel, Hare, Kane, Osborne, Pinter, Ravenhill, Wertenbaker, Wesker and others. Her nuanced argument, central to any analysis of contemporary drama, discusses: *the imperative of gender in the playwright's imagination *the function of gender as a major determinant of the text's structural and narrative drives *the impact of socialism and feminism on post-war British drama, and the relevance of feminist dynamics in drama *differences in the representation of the fmaily, sexuality and the mother, before and after 1968 *the impact of the slogan that the 'personal is political' on contemporary form and content.

The Pulitzer Prize-winning poet writes about her life, the creative process, and the work of other poets.

Historians have often assumed that the lives of the poor and illiterate can never be known because they have left little written record of their existence. The voices of the uneducated are there, however, and their written traces can be deciphered, if we take the trouble to look for them. This book will establish some of the main themes and frontiers of a new field of historical study: that of 'ordinary writings', (or écritures ordinaries ) - the improvised and often ephemeral writings of the poor, the young and the hitherto silent people of history. This collection of new studies from France, Belgium, Finland, Spain, Iceland, Greece, Italy and Britain has a coherent focus on the transition to writing literacy in 19th and 20th century Europe. The overall theme is the access of ordinary people to writing, examined in the concrete forms which writing took and the specific functions which it performed. The uses of writing, and the cultural practices in which they were embedded, are explained in their context of social and political relations, gender relations and relations between the literate and the illiterate.