New Page 1 "Its official title is Town House, but in Hollywood they're already calling Tish Cohen's novel About a Girl." --The Globe and Mail. Jack Madigan should be leading an enviable life. He's the sole heir of a '70s rock icon. He lives with his retro-obsessed teenage son, Harlan, in a once-magnificent Boston town house. But now 36, Jack's painting career is buckling under a raging case of agoraphobia. And when the foreclosure notice arrives, Jack must face losing the only home he's ever known--and his only safe zone. When Jack's ex-wife announces that Harlan would be better off living with her and her vitamin-enriched fiancé, Jack has to figure out how to deter the perky, inexperienced real-estate agent, hold on to his house, keep his son at home, and--through the tenacity of the little girl next door--finally step out onto the sidewalk. Fox 2000 swooped in to pre-empt the film rights while Town House was still on submission to publishers. Ridley Scott's Scott Free Productions is set to produce the movie and Pulitzer Prize- winning screenwriter Doug Wright (Memoirs of a Geisha) is adapting the screenplay. A book with the ability to both entertain and move us, Town House is a smart, acerbic novel bursting with heart and quirky charm.

Birdie Chang doesn't know much about Whidbey Island, only that it is far. On the ferry, she has an unnerving encounter with a stranger, where she finds herself telling him everything: how she was sexually abused as a child, how the perpetrator now walks free, how the calls and emails from him haven't stopped and she is on the run; how she wants to kill him. The stranger poses a shocking question - if she agrees, he will murder the man who hurt her, with no strings attached. She gives him a name. On the other side of the country, Mary-Beth receives a phone call from the police: her only son has been murdered. What follows is a complex story of three women connected through one man: Birdie, a woman on the run from her past and her abuser; Mary-Beth, the abuser's loving mother; and Linzie, a former reality star turned bestselling memoirist, and another victim of the same man. Whidbey is a gripping whodunnit and a searingly perceptive and astonishingly original novel that asks the crucial question of who has real power over a story: the one who lives it, or the one who tells it?

A century after Appomattox, the civil rights movement won full citizenship for black Americans in the South. It should not have been necessary: by 1870 those rights were set in the Constitution. This is the story of the terrorist campaign that took them away. Nicholas Lemann opens his extraordinary new book with a riveting account of the horrific events of Easter 1873 in Colfax, Louisiana, where a white militia of Confederate veterans-turned-vigilantes attacked the black community there and massacred hundreds of people in a gruesome killing spree. This was the start of an insurgency that changed the course of American history: for the next few years white Southern Democrats waged a campaign of political terrorism aiming to overturn the Fourteenth and Fifteenth Amendments and challenge President Grant'ssupport for the emergent structures of black political power. The remorseless strategy of well-financed "White Line" organizations was to create chaos and keep blacks from voting out of fear for their lives and livelihoods. "Redemption" is the first book to describe in uncompromising detail this organized racial violence, which reached its apogee in Mississippi in 1875. Lemann bases his devastating account on a wealth of military records, congressional investigations, memoirs, press reports, and the invaluable papers of Adelbert Ames, the war hero from Maine who was Mississippi's governor at the time. When Ames pleaded with Grant for federal troops who could thwart the white terrorists violently disrupting Republican political activities, Grant wavered, and the result was a bloody, corrupt election in which Mississippi was "redeemed"--that is, returned to white control. """Redemption "makes clear that this is what led to the death of Reconstruction--and of the rights encoded in the Fourteenth and Fifteenth Amendments. We are still living with the consequences.

Neil Simon continues the semiautobiographical trilogy begun with Brighton Beach Memoirs and Biloxi Blues. Broadway Bound begins with the efforts of Eugene Jerome and his older brother to launch a career as a comedy writing team.

A documentary history of the United States, featuring 159 selections from authors writing between 1858 and 1865 about matters of immediate concern, including laws, speeches, memoirs, and other documents. Presented chronologically, with headnotes, and a biographical index.

A history of the Holocaust in Greece and of Jewish participation in Greek partisan warfare during World War II, based largely on personal accounts of survivors. Describes the development of events that ended with the deportations of Jews to death camps, from the German zone of occupation (which included Salonika), the Bulgarian zone, and the Italian zone (which included Athens). Although the Allies already knew about the death camps, nobody warned the Greek Jews. Many Greeks, Italians, Bulgarians, and others sympathized with Jews and attempted to help them, but very few survivors owe their lives to Christian rescuers. The best way to survive was to join the resistance. Pp. 127-326 contain excerpts from memoirs of Jewish survivors, including some who survived Auschwitz and other camps, and resistance fighters. Pp. 329-402 contain Matsas' memoirs. He was born in 1930 in Ioannina and survived the war hiding in a mountain village with his parents and sister.

"One hundred and forty years after his assassination on April 14, 1865, Abraham Lincoln towers more than ever above the landscape of American politics. In myth and memory, he is always the Great Emancipator and savior of the Union, second in stature only to George Washington. But was Lincoln always so exalted? Was he, as some historians argue, in reality a poor chief executive who was deeply disliked? Was Lincoln's legacy ennobled only by John Wilkes Booth's bullet?" "In this book, a leading historian finally takes the full measure of Lincoln's reputation. Drawing on a range of primary documents - speeches, newspaper accounts and editorials, private letters, memoirs, and other sources - Hans L. Trefousse gives us the voices of Lincoln's own time. From citizens North and South, at home and abroad, here are politicians and ordinary people, soldiers and statesmen, abolitionists and slaveholders alike, in a rich chorus of American opinion. Trefousse carefully crafts a clear picture of how his contemporaries measured Lincoln's great strengths - and shortcomings."--BOOK JACKET

This volume contains some of Professor Wigner's more popular papers, which, in their diversity of subject and clarity of style, reflect the author's deep analytical powers and the remarkable scope of his interests. Included are articles on the nature of physical symmetry, invariance and conservation principles, the structure of solid bodies and of the compound nucleus, the theory of nuclear fission, the effects of radiation on solids, and epistemological problems of quantum mechanics. Other articles deal with the story of the first man-made nuclear chain reaction, the long-term prospects of nuclear energy, the problems of Big Science, and the role of mathematics in the natural sciences. In addition, the book contains statements of Wigner's convictions and beliefs, as well as memoirs of his friends, Enrico Fermi and John von Neumann.

This pioneering book reevaluates the place of converts from Judaism in the narrative of Jewish history. Long considered beyond the pale of Jewish historiography, converts played a central role in shaping both noxious and positive images of Jews and Judaism for Christian readers. Focusing on German Jews who converted to Christianity in the sixteenth through mid-eighteenth centuries, Elisheva Carlebach explores an extensive and previously unexamined trove of their memoirs and other writings. These fascinating original sources illuminate the Jewish communities that the converts left, the Christian society they entered, and the unabating tensions between the two worlds in early modern German history. The book begins with the medieval images of converts from Judaism and traces the hurdles to social acceptance that they encountered in Germany through early modern times. Carlebach examines the converts’ complicated search for community, a quest that was to characterize much of Jewish modernity, and she concludes with a consideration of the converts’ painful legacies to the Jewish experience in German lands.

The Book Smugglers is the nearly unbelievable story of ghetto residents who rescued thousands of rare books and manuscripts--first from the Nazis and then from the Soviets--by hiding them on their bodies, burying them in bunkers, and smuggling them across borders. It is a tale of heroism and resistance, of friendship and romance, and of unwavering devotion--including the readiness to risk one's life--to literature and art. And it is entirely true. Based on Jewish, German, and Soviet documents, including diaries, letters, memoirs, and the author's interviews with several of the story's participants, The Book Smugglers chronicles the daring activities of a group of poets turned partisans and scholars turned smugglers in Vilna, "The Jerusalem of Lithuania." The rescuers were pitted against Johannes Pohl, a Nazi "expert" on the Jews, who had been dispatched to Vilna by the Nazi looting agency, Einsatzstab Reichsleiter Rosenberg, to organize the seizure of the city's great collections of Jewish books. Pohl and his Einsatzstab staff planned to ship the most valuable materials to Germany and incinerate the rest. The Germans used forty ghetto inmates as slave-laborers to sort, select, pack, and transport the materials, either to Germany or to nearby paper mills. Based on Jewish, German, and Soviet documents, including diaries, letters, memoirs, and the author's interviews with several of the story's participants, The Book Smugglers chronicles the daring activities of a group of poets turned partisans and scholars turned smugglers in Vilna, "The Jerusalem of Lithuania." The rescuers were pitted against Johannes Pohl, a Nazi "expert" on the Jews, who had been dispatched to Vilna by the Nazi looting agency, Einsatzstab Reichsleiter Rosenberg, to organize the seizure of the city's great collections of Jewish books. Pohl and his Einsatzstab staff planned to ship the most valuable materials to Germany and incinerate the rest...

The women of The Feminist Memoir Project give voice to the spirit, the drive, and the claims of the Women's Liberation Movement they helped shape, beginning in the late 1960s. These 32 writers were among the thousands to jump-start feminism in our time. Here, in pieces that are passionate, personal, critical, and witty, they describe what it felt like to make history, to live through and contribute to the massive social movement that transformed the nation.

An autobiography in the form of a philosophical diary, Little Did I Know 's underlying motive is to describe the events of a life that produced the kind of writing associated with Stanley Cavell's name. Cavell recounts his journey from early childhood in Atlanta, Georgia, through musical studies at UC Berkeley and Julliard, his subsequent veering off into philosophy at UCLA, his Ph.D. studies at Harvard, and his half century of teaching. Influential people from various fields figure prominently or in passing over the course of this memoir. J.L. Austin, Ernest Bloch, Roger Sessions, Thomas Kuhn, Robert Lowell, Rogers Albritton, Seymour Shifrin, John Rawls, Bernard Williams, W. V. O. Quine, and Jacques Derrida are no longer with us; but Cavell also pays homage to the living: Michael Fried, John Harbison, Rose Mary Harbison, Kurt Fischer, Milton Babbitt, Thompson Clarke, John Hollander, Hilary Putnam, Sandra Laugier, Belle Randall, and Terrence Malick. The drift of his narrative also registers the decisiveness of the relatively unknown and the purely accidental. Cavell's life has produced a trail of some eighteen published books that range from treatments of individual writers like Wittgenstein, Austin, Emerson, Thoreau, Heidegger, Shakespeare, and Beckett to studies in aesthetics, epistemology, moral and political philosophy, cinema, opera, and religion.

New York is a walker's city. You can walk for hours. The streets slip by. There is so much to look at, so much to take in. I walk a lot. Especially when I am not writing . . . Lily Brett's love affair with New York began as an outsider in her late teens when she was posted on assignment there as a young Australian rock journalist. In her early forties she returned, together with her soul mate and three children, to start a new life, and for the best part of three decades she has called New York home. This witty, candid and moving collection of short pieces celebrates the city that's now part of her heartbeat. A compulsive walker, Brett takes us to her favourite places and introduces us to the characters of the city that has nurtured, perplexed and inspired her. She brings to life the delights of Chinatown, the majesty of Grand Central Station, the lure of spandex and sequins in the Garment District, and the peculiarity of canine couture. And she muses on the miracle of love in the Lodz ghetto, the possibility of loneliness amidst skyscrapers, and the joy and redemption in a child's curiosity. Full of wisdom, humour and grace, Only in New York is a human portrait of a city much loved - and of a woman in step with herself. 'Pithy, entertaining and personal . . . the natural, light quality of Brett's writing is a pleasure akin to a conversation with a friend . . . Brett leavens her observations with dry humour.' Weekend Australian 'New York is a city of character and characters and anyone thinking of visiting should use this as a guide to its flavour - and also as an insight into where to eat.' Herald Sun 'Charm ing . . . Her snippets are short and sharp as they portray the essence of New York.' West Australian 'A charming and unique narrative on the city. Brett achieves a perfect combination of wit and naivety, creating a memoir that acknowledges the existence of good and bad experiences, awkward quirks and love affairs with buildings . . . Brett's words have the ability to transport you to the city from the comfort of your own back yard- you may even find it unnecessary to fly to New York after reading it . Readings

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The rise and fall of Dr. Morton Shulman as chief Coroner of Toronto was the most sensational period that that office has ever known. From the moment he was appointed in 1963 Dr. Shulman brought his extraordinary energy to bear on an enormous variety of hazards to public safety and security, which in previous years had been overlooked, or ignored, or covered up. As Chief Coroner he acted as public watchdog and soon became an international figure. Dr. Shulman believed that the coroner’s job was not merely to determine the cause of unnatural deaths, but to take steps to prevent similar deaths in the future. The elimination of cancer quacks, the scandal of construction site safety, the exposure of medical incompetence and carelessness, a determined and far-sighted campaign to lower traffic deaths — these were only a few of the many battles Morton Shulman fought with an uninhibited vigour which shocked and enraged many public officials and professional bodies. Apparently quite fearless in pursuing his objectives, he clashed with civic and provincial leaders, the College of Physicians and Surgeons, the Supreme Court of Ontario and even the United States Navy. So spectacular was his performance in office that he became the model for the successful T.V. series Wojeck. Meanwhile, having previously made a million on the stock market he proceeded to write a book on the subject which netted another substantial fortune. Ultimately the provincial government, smarting from yet another attack on its integrity, dismissed him and, for good measure, eliminated the position he held as well. So great was the public outcry that a Royal Commission was set up to look into the matter. Subsequently Dr. Shulman, running on the N.D.P. ticket, won an overwhelming victory at the polls and took his seat in the legislature in opposition to the Conservative Government which had hired and fired him. Morton Shulman’s own account of these extraordinary events is lively, self-critical, excoriating of hide-bound officialdom, good-humoured and often hilarious. He tells these stories of political pay-offs, scandals, disasters, human tragedies, triumphs and pratfalls with startling candour and gusto.

"Phoning Home is a collection of entertaining and thought-provoking essays featuring the author's quirky family, his Jewish heritage, and his New York City upbringing. Jacob M. Appel's recollections and insights, informed and filtered by his advanced degrees in medicine, law, and ethics, not only inspire nostalgic feelings but also offer insight into contemporary medical and ethical issues. At times sardonic and at others self-deprecating, Appel lays bare the most private aspects of his emotional life. "We'd just visited my grandaunt in Miami Beach, the last time we would ever see her. I had my two travel companions, Fat and Thin, securely buckled into the backseat of my mother's foul-tempered Dodge Dart," writes Appel of his family vacation with his two favorite rubber cat toys. Shortly thereafter Fat and Thin were lost forever--beginning, when Appel was just six years old, what he calls his "private apocalypse." Both erudite and full-hearted, Appel recounts storylines ranging from a bout of unrequited love gone awry to the poignant romance of his grandparents. We learn of the crank phone calls he made to his own family, the conspicuous absence of Jell-O at his grandaunt's house, and family secrets long believed buried. The stories capture the author's distinctive voice--a blend of a physician's compassion and an ethicist's constant questioning. "--

"Bruce Vilanch, a storyteller without peer, has written a tell-all . . . on himself! And it's hilarious! He's finally coming clean and owning up to his part in creating some of the worst television of the twentieth century, and that's saying a lot. There's no one like him. As they've been saying since I discovered him as a cub reporter at the Chicago Tribune , when you're in a pinch . . . Get Bruce!" --BETTE MIDLER Bruce Vilanch is known as a go-to comedy writer for award shows, sitcoms, and over-the-top variety specials, but he has also been responsible for quite a few of the most legendary disasters ever made. Some of his work lives in infamy-- The Star Wars Holiday Special , The Paul Lynde Halloween Special , Rob Lowe dancing with Snow White at the Oscars, and The Brady Bunch Variety Hour . How did these ever seem like a good idea? Well, everyone has screwed up a few times, or had their work screwed up by others. It Seemed Like a Bad Idea at the Time is a lifetime reflection of what Vilanch has experienced, learned, and forgotten in decades of working in show business, specifically the south forty acres known as comedy. It involves very famous people and people who were not very famous but should have been. It explains to the people in the audience who say to themselves, once they have gotten their jaw off the floor, "'How did this ever get made?" Don't we all want to know?

In a clear conversation with the reader, Berkman discusses society as it now exists, the need for Anarchism and the methods for bringing it about. Often mentioned in conjunction with his lover Emma Goldman, Berkman was a leading writer and participant in the 20th-Century Anarchist movement. The young, idealistic Berkman practiced "propaganda by the deed," attempting to assassinate Henry Clay Frick during the Homestead Steel Strike of 1892. While imprisoned, he wrote the classic tale of prison life, Prison Memoirs of an Anarchist . After his release, Berkman edited The Blast! and Goldman's Mother Earth . Deported to Russia in 1919, he saw firsthand the failure of the Bolshevik revolution and dedicated himself to writing this classic primer on Anarchism.

With letters from Mordecai Richler, Mavis Gallant, and Brian Moore Getting Started is a wonderful memoir, a collection of extraordinary letters, and a brilliant recreation of a time when Canadian writers were set to make their mark in the world for the first time. Writer Brian Moore emigrated from Ireland to Canada in the late 1940s and found work at the Montreal Gazette, where he also found William Weintraub embarking upon a career as a freelance journalist. When he travelled to Paris, Weintraub saw an old friend and former Gazette writer, Mavis Gallant, who filled him in on the tribulations of the expatriate writer’s life ( “My room is enormous and the radiator very small indeed” ). Gallant introduced Weintraub to another Montreal writer, Mordecai Richler, also pursuing a career as a novelist while living a gloriously Bohemian life. Weintraub joined Richler for a while in Ibiza (he later introduced him to Brian Moore), and later they kept in touch. ( “Dear Bill: I got your highly unintellectual letter yesterday and it confirmed my suspicions that you slipped a chair under your arse in the Deux Magots as soon as you arrived in Paris and probably haven’t moved since.” ) In these years, Gallant had her short stories published for the first time in the New Yorker, Moore methodically churned out money-making thrillers while working on The Lonely Passion of Judith Hearne , and Richler wrote his first acclaimed book, The Acrobats . Weintraub, meanwhile, returned to Montreal, where he saw published his brilliant comic novel, Why Rock the Boat? William Weintraub weaves together his own memories of the 1950s with letters both to and from his literary colleagues. The letters and his recollections are always fascinating, often hilarious, and provide intimate insight into the lives and work of some of Canada’s finest contemporary writers. From the Hardcover edition.