Praised in recent years as a “calculating, improvisatory, essential poet” by Daisy Fried in the New York Times , and as “the foremost poet-critic of our time” by Craig Dworkin, Charles Bernstein is a leading voice in American poetry. Near/Miss , Bernstein’s first poetry collection in five years, is the apotheosis of his late style, thick with off-center rhythms, hilarious riffs, and verbal extravagance. This collection’s title highlights poetry’s ability to graze reality without killing it, and at the same time implies that the poems themselves are wounded by the grief of loss. The book opens with a rollicking satire of difficult poetry—proudly declaring itself “a totally inaccessible poem”—and moves on to the stuff of contrarian pop culture and political cynicism—full of malaprops, mondegreens, nonsequiturs, translations of translations, sardonically vandalized signs, and a hilarious yet sinister feed of blog comments. At the same time, political protest also rubs up against epic collage, through poems exploring the unexpected intimacies and continuities of “our united fates.” These poems engage with works by contemporary painters—including Amy Sillman, Rackstraw Downes, and Etel Adnan—and echo translations of poets ranging from Catullus and Virgil to Goethe, Cruz e Souza, and Kandinsky. Grounded in a politics of multiplicity and dissent, and replete with both sharp edges and subtle intimacies, Near/Miss is full of close encounters of every kind.

"Aptheker 'weaves together the voices of women survivors of the Holocaust and of the U.S. concentration camps for Japanese Americans, Chicana cannery workers and southern cotton-mill girls, older lesbians and elderly Jews, Afro-American women in slavery and contemporary Afro-American writers, and others, in order to explore women's ways of seeing. Her analyses of oral histories, novels, legends, poetry, and art show how we can use these records of women's and men's lives" -- Sandra Harding, Women's Review of Books.

English poet and critic Alvarez begins this autobiography with his recollections of his childhood as the sickly son of deeply unhappy parents. Alvarez courted danger as a way of overcoming his infirmities and found in the deadly ballet of the Battle of Britain - Messerschmitts and Spifires dancing and dueling across the London sky - an image of beauty and risk that would never leave him. And, yet, poetry and the literary life were his first loves as an adult, and he describes the excitement of his early successes at Oxford and as poetry critic at the Observer.

With keen insight and lucid analysis, Adele Berlin brings the dramatic words of the great prophet Zaphaniah to life. Living under the tumultuous reign of King Josiah of Judah (640-609 BCE), Zephaniah predicted the final day of judgment when God would come to the fate of Israel and other nations. The book of Zephaniah is composed as a charged dialogue between God and the prophet. As their conversation unfolds, we learn of the doomed destiny which are indifferent to the Lord's power and of humans who have become too enthralled worldly riches. As piercing as any modern day social critic, Zephaniah proclaims salvation only for those who lead a life of simplicity, faith, and humility. The new translation by Adele Berlin, a literary as well as biblical scholar, celebrates the vivid and powerful language of this ancient poet. In staccato exclamations, elevated rhetoric, and a rich tapestry of metaphors and similes, Zephaniah paints a world beset by corruption, idolatry, and war. Berlin's contemporary commentary illuminates not only the beauty of Zephaniah's poetry, but also the political meaning behind his anguished verse For the biblical scholar, Berlin draws vital between Zephaniah's references and the rest of the Hebrew Bible. For general readers, Berlin's accessible Zephaniah is an invitation to explore the political and socially turbulent times of this ancient prophet's world.

Paradise Collectors is a 75 page compilation of Jewish themed poetry, featuring poems inspired by Judaism, Jewish holidays, and Jewish practice from D.L. Lang's previous books and a few new additions. Includes "Turning" previously published on ReformJudaism.org, "Prayer for the Shomrim" previously published in the Jewish Journal of Los Angeles, and "Is" previously published in the Marin Poetry Center anthology Vol 21, and winner of 3rd place at the 2019 Solano County Fair. This collection grew out of my building a set for a synagogue reading in Napa. The title comes from a quote I read in May 2018: "Paradise is scattered over the whole earth and that is why it has become so unrecognizable." - Novalis It struck me and others as a very Kabbalistic quote. I wrote the title poem Paradise Collectors after reading that quote in a horoscope. We are paradise collectors and one day, we shall find it. Together.

Fifty-five feminist poets with an introductory essay, biographical notes and author photos.

Table of contents, list of illustrations, foreword by Siegfried Sassoon, sketch of Rosenberg's life, introduction, acknowledgments, editor's note. Color and monochrome plates. The works of a poet killed in World War I. xxxii, 320 pages. cloth, dust jacket. 8vo..

Bernstein, a leading voice in American literary theory, writes an irreverent guide to modernist and contemporary poetics

“Audacious, courageous, poignant, wry—Robin Morgan's collection of poems is all this and more. A large audience will welcome them. So will historians in the future who need to know what the poetry of this time and place was like.”—Catharine R. Stimpson

Finding Words explores the subtle beauty and stark challenges of family, the complexities of adult friendships, the struggle to center a life on what is meaningful and nourishing, and the holiness to be found in ordinary moments. Moving and accessible, Finding Words is a great gift for friends and family. In addition to being one of those cherished "night table books," it is ideal as a book club selection and also provides thoughtful content for a unique and powerful adult education program. Acclaimed poet and award-winning playwright, Feld is author of the beloved memoir, A Spiritual Life (SUNY Press, revised 2007); her poetry has been featured in numerous anthologies and in several new groundbreaking prayer books. As educator and scholar-in-residence, she has helped clergy and communities across North America use poetry as a powerful means of spiritual expression and has pioneered the field of writing as a spiritual practice.

Heaven is Portable: New and Collected Poems is D.L. Lang's 14th poetry book featuring poems on social justice, the global pandemic, Judaism, nature, and more. This volume contains dozens of poems previously published in anthologies worldwide and other brand new poems.

"Amelia Rosselli is one of the great poets of postwar Italy, and recognized as such throughout Europe. She was also a musician and musicologist, close to John Cage and Karlheinz Stockhausen, and she waged a lifelong battle against depression. The child of Carlo Rosselli, a major figure in the resistance to Mussolini who was assassinated with his brother Nello in 1937, Rosselli grew up in exile and went to high school in Scarsdale, making her fluent in English. English poetry, especially the lyrics and sonnets of Shakespeare and the Elizabethans, became a prime reference for her own poetry, which mingles formal experimentation with memories of traditional forms to evoke the struggles of an embattled conscience. Rosselli's English poems, some of which were published by John Ashbery in the 1960s, are a major part of her body of work and are invariably included in Italian editions of her collected works.Sleep, the title under which Rosselli herself gathered these poems, is the first publication of her haunting and utterly original English oeuvre by an English publisher"--

Faber Faber So What ABISBOOK Faber Faber.

Elaine Feinstein is a poet of lyrical directness who writes with tenderness about an ageing father, a child on a swing, old films, a flowering cactus, and with insight about love, loss, jealousy, and the fear of abandonment. The poems in this expansive collection are drawn from 11 volumes published over 30 years.

Elaine Feinstein's voice is clear, passionate and subtle. She writes about love, loss, jealousy and the pressures of living as mother and wife, drawing coherent shapes out of her own inner uncertainties. This collection is drawn from 14 volumes of poems and translations published over 30 years.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Oracle of the electronic age, Marshall McLuhan believed artists could wake us and offer new windows into the world. This diverse collection brings together twenty-nine poets, writers, and artists who channel McLuhan as both medium and muse. Like McLuhan's work, this volume will delight, divert, provoke, incite and inspire readers to channel McLuhan in their own imagination and creative endeavors. Featuring work from: Lillian Allen, Michelle Rae Anderson, Mary Ann Allison, Marleen Barr, David Bateman, Arthur Asa Berger, bill bissett, Tony Burgess, Jerry Harp, Adeena Karasick, William Marshe, John G. McDaid, Jill McGinn, Elizabeth McLuhan, Peter C. Montgomery, Dean Motter, Alexandra Oliver, John Oughton, Si Philbrook, B.W. Powe, Robert Priest, Stephen Roxborough, Lance Strate, Steve Szewczok, Andrea Thompson, Toshio Ushiroguchi-Pigott, John Watts, Dale Winslow, Tom Wolfe