A history of American liberalism since the Great Depression traces the pivotal roles of leading contributors, describing how their ambitions, flaws, and successes have shaped the nation's government, media, and culture.

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With Freedom's Lawmakers, Eric Foner has assembled the first comprehensive directory of the over 1,500 African Americans who held political office in the South during the Reconstruction era. He has compiled an impressive amount of information about the antebellum status, occupations, property ownership, and military service of these officials -- who range from U.S. congressmen to local justices of the peace and constables. This revised paperback edition also contains new material on forty-five officials who were not included in the first edition.In his Introduction, Foner ably analyzes and interprets the roles of the black American officeholders. Concise biographies, in alphabetical order, trace the life histories of individuals -- many previously unknown -- who played important parts in the politics of the period. This useful and informative volume also includes an index by state, by occupation, by office during Reconstruction, by birth status, and by topic.

In the tumultuous and vivid history of New Kingdom Egypt, Ramesses III's reign was prosperous and culturally rich. He fended off attacks by the "Sea Peoples" and others who threatened the state, he built the great temple of Medinet Habu, and he left wonderfully complete documents describing contemporary social structure and the economy. Amazingly, we even have an account from a contemporary judicial document that describes events leading to Ramesses III's assassination. This edited collection presents a detailed and informative look at the life, career, and world of one of Egypt's most important pharaohs, providing insight both on his reign and its aftermath and on the study of the political and cultural history of ancient Egypt.

CARRIER STRIKEThe Battle of the Santa Cruz IslandsOctober 1942Eric HammelThe Battle of the Santa Cruz Islands, a strategic naval action in the bitter Guadalcanal Campaign, was history's fourth carrier-versus-carrier naval battle. Though technically a Japanese victory, the battle proved to be the Empire of Japan's last serious attempt to win the Pacific War by means of an all-out carrier confrontation. Only one other carrier battle occurred in the Pacific War, in June 1944, in the Philippine Sea. By then, however, the U.S. Navy's Fast Carrier Task Force was operational, and Japan's dwindling fleet of carriers was outnumbered and completely outclassed. Though hundreds of Japanese naval aviators perished in the great Marianas Turkey Shoot of June 19-20, 1944, it was during the first four carrier battles-in the six-month period from early May through late October 1942-that the fate of Japan's small, elite naval air arm was sealed. It was at Coral Sea, in May, that Japan's juggernaut across the Pacific was blunted. It was at Midway, in June, that Japan's great carrier fleet was cut down to manageable size. And it was at Eastern Solomons, in August, and Santa Cruz, in October, that Japan's last best carrier air groups were ground to dust. After their technical victory at Santa Cruz, the Japanese withdrew their carriers from the South Pacific-and were never able to use them again as a strategically decisive weapon. Of the four Japanese aircraft carriers that participated in the Santa Cruz battle, only one survived the war. Following Santa Cruz and the subsequent series of air and surface engagements known as the Naval Battle of Guadalcanal, the Imperial Navy's Combined Fleet never again attempted a meaningful strategic showdown with the U.S. Pacific Fleet. Though several subsequent surface actions in the Solomons were clearly Japanese victories, their results were short-lived. After November 1942, Japan could not again muster the staying power-or the willpower-to wage a strategic war with her navy. Once the veteran carrier air groups had been shredded at Eastern Solomons and Santa Cruz, Japanese carriers ceased to be a strategic weapon. The Santa Cruz clash was deemed a Japanese victory because U.S. naval forces withdrew from the battlefield. That is how victory and defeat are strictly determined. But on the broader, strategic, level, the U.S. Navy won at Santa Cruz-because it was able to achieve its strategic goal of holding the line and buying time. Japan was unable to achieve her strategic goal of defeating the U.S. Pacific Fleet in a final, decisive, all-or-nothing battle. The technical victory cost Japan any serious hope she had of winning the Pacific naval war. The "victory" at Santa Cruz cost Japan her last best hope to win the war in the Pacific. Once again, author-historian Eric Hammel brings to the reading public an exciting narrative filled with the latest information and written in the edge-of-the-seat style that his readers have enjoyed for nearly two decades, in nearly thirty acclaimed military history books. As was the case with its companion volume, Carrier Clash, this new book is based upon American and Japanese battle reports and the recollections of many airmen and seamen who took part. Eric Hammel is the author of forty combat history books.

These 26 essays range over the history of working men and women between the late 18th century and the present day. They include Hobsbawm's pioneering studies in labour history and social protest - the formation of the British working class, labour custom and traditions, the political radicalism of 19th century shoemakers, male and female images in revolutionary movements, the machine-breakers, revolution and sex, peasants and politics, the rules of violence, the common-sense of Tom Paine. There are more recent reflections: on the May Day holiday; the Vietnam War; socialism and the avantgarde; Mario Puzo, the Mafia and the Sicilian bandit Salvatore Guiliano; and the cultural consequences of Christopher Columbus. There are tributes to some of jazz's legendary figures - Count Basie, SidneyBechet and Dike Ellington - anf the tragic blues-singer Billie Holiday.

"The problem of Ego Identity" is dealt with successively from the biographic and the developmental, the clinical and the social points of view. "Growth and Crises of the Healthy Personality" is an elaboration of the original attempt to go beyond childhood and adolescence and to spell out the critical stages of the whole life cycle.

An Introduction to Logic and Scientific Method is a college level primer on logic. This book was widely used by scholars especially those studying economics as an introduction to logical thought in preparation for intellectual discourse. Ludwig von Mises was known to say that all students of economics should read this book as a first step in their training as economists.

The Constitution has become a threat to American democracy. Due to its inherent flaws--its treatment of race, dependence on a tainted Electoral College, a glaringly unrepresentative Senate, and the outsized influence of the Supreme Court--Erwin Chemerinsky, the dean of Berkeley Law School and one of our foremost legal scholars, has come to the sobering conclusion that our nearly 250-year-old founding document can no longer hold. Much might be fixed by Congress or the Supreme Court, but they seem unlikely to do so. One might logically conclude that amending the Constitution would solve the problem, yet logic seldom takes precedent, given that only fifteen of the 11,848 amendments proposed since 1789 have passed. Chemerinsky contends that without major changes, the Constitution is beyond redemption in that it has created a government that can no longer deal with the urgent issues, such as climate change and wealth inequalities, that threaten our nation and the world. Yet political Armageddon can still be avoided, Chemerinsky writes, if a new constitutional convention is empowered to replace the Constitution of 1787. Just as the Founding Fathers replaced the faulty Articles of Confederation that same year, we must, No Democracy Lasts Forever argues, rewrite the entire Constitution from start to finish. Still, Chemerinsky goes further than that, suggesting that without serious changes Americans may be on the path to various forms of secession based on a recognition that what divides us as a country is, in fact, greater than what unites us. No Democracy Lasts Forever asserts with exceptional clarity that if the problems with the Constitution are not fixed, we are ineluctably heading toward a crisis where secession is, indeed, possible and where it will be necessary to think carefully about how to preserve the United States as a world power in a very different form of government. Despite these troubles, Chemerinsky remains hopeful, revealing how the past offers hope that change can happen. The United States has been through enormously challenging and divisive times before, with a civil war and the Great Depression, and Chemerinsky ultimately shows that it may still be possible to cure the defects and save American democracy at the same time.

These stories introduce a man who finds equal pleasure in his beautiful girlfriend and the fat, soccer-loving lout she turns into after dark; shrinking parents; a case of impotence cured by a pet terrier; and a pessimistic Middle Eastern talking fish.

Three satiric plays by Oscar-winning screenwriter Ethan Coen "Raising Arizona, Fargo, No Country for Old Men, Burn After Reading"-the Coen brothers' films are some of the most critically acclaimed and iconic of our time. Now, one half of the duo, Ethan Coen, adds playwriting to his eclectic bio. In these three short plays that ran to sold-out audiences Off-Broadway in 2008, the theme is hell-both on earth and in the hereafter. In "Waiting," a man faces an uncertain future in an uncertain location that seems to be some kind of waiting room. The anxiety and despair hark back to dramas of the fifties-Sartre, Beckett, Pinter. "Four Benches" depicts an unlikely meeting in a steam room between a straight-talking Texan and an uptight Brit. Both men learn from the encounter, though only one survives it. In "Debate," the cantankerous god of the Old Testament roundly abuses the mealymouthed god of the New. His profanity and ill humor receive a startling comeuppance, and further reversals and changes of point of view lead to a denouement that is no more preposterous than anything else in the play. Clever, provocative, and as engaging as the best fiction, these plays showcase yet another talent of one of our most celebrated contemporary writers.

Verslag van het begin van de Tweede Wereldoorlog, zoals de schrijfster dat onderging en verwerkte.

When twelve-year-old Arcady is sent to a children's home after his parents are declared enemies of the state in Soviet Russia, soccer becomes a way to secure extra rations, respect, and protection but it may also be his way out if he can believe in and love another person--and himself.

I want you to change the next wicked person you see into a tiger,' demanded Lionel. 'A very large tiger.' Heckie is not just a witch - she's an animal witch, who wants to make the world a better place by transforming evil people into harmless animals, using her incredible Toe of Transformation and her awesome Knuckle of Power. But when slimy Lionel Knapsack charms Heckie, her magic begins to take a darker direction. Her friends, including a cheese wizard and a boy called Daniel, must come to the rescue...A new cover edition of this wonderfully spooky young-fiction title from the award-winning author of Journey to the River Sea , Eva Ibbotson. 'Eva Ibbotson has assumed the mantle of Roald Dahl' School Librarian

The bestselling author of Which Witch? returns with a nefarious, hilarious story of ghosts in peril--especially Humphrey the Horrible, a small, mostly unsuccessful ghost in a family of ghastly ghouls. Illustrations.

To what extent are our most romantic moments determined by the portrayal of love in film and on TV? Is a walk on a moonlit beach a moment of perfect romance or simply a simulation of the familiar ideal seen again and again on billboards and movie screens? In her unique study of American love in the twentieth century, Eva Illouz unravels the mass of images that define our ideas of love and romance, revealing that the experience of "true" love is deeply embedded in the experience of consumer capitalism. Illouz studies how individual conceptions of love overlap with the world of clichés and images she calls the "Romantic Utopia." This utopia lives in the collective imagination of the nation and is built on images that unite amorous and economic activities in the rituals of dating, lovemaking, and marriage. Since the early 1900s, advertisers have tied the purchase of beauty products, sports cars, diet drinks, and snack foods to success in love and happiness. Illouz reveals that, ultimately, every cliché of romance―from an intimate dinner to a dozen red roses―is constructed by advertising and media images that preach a democratic ethos of consumption: material goods and happiness are available to all. Engaging and witty, Illouz's study begins with readings of ads, songs, films, and other public representations of romance and concludes with individual interviews in order to analyze the ways in which mass messages are internalized. Combining extensive historical research, interviews, and postmodern social theory, Illouz brings an impressive scholarship to her fascinating portrait of love in America.

Sophie, a twenty-something Jim Morrison groupie gliding through a golden existence in L.A., and Lola, a German immigrant who has settled in Hollywood, know that while Los Angeles is constantly changing, it is essentially eternal. The two women dazzle, one with the promises of youth, the other with the fulfilment of nostalgia as they wend their way through the pink sunsets and the palm trees of Los Angeles. Living out their addictively decadent lives, Sophie and Lola are cult writer Babitz's literary embodiment of the iconic L.A. Woman more than in part inspired by her own wild and hedonistic youth.

Tendencies brings together for the first time the essays that have made Eve Kosofsky Sedgwick "the soft-spoken queen of gay studies" ( Rolling Stone ). Combining poetry, wit, polemic, and dazzling scholarship with memorial and autobiography, these essays have set new standards of passion and truthfulness for current theoretical writing. The essays range from Diderot, Oscar Wilde, and Henry James to queer kids and twelve-step programs; from "Jane Austen and the Masturbating Girl" to a performance piece on Divine written with Michael Moon; from political correctness and the poetics of spanking to the experience of breast cancer in a world ravaged and reshaped by AIDS. What unites Tendencies is a vision of a new queer politics and thought that, however demanding and dangerous, can also be intent, inclusive, writerly, physical, and sometimes giddily fun.