Hannah Arendt began her scholarly career with an exploration of Saint Augustine's concept of caritas , or neighborly love, written under the direction of Karl Jaspers and the influence of Martin Heidegger. After her German academic life came to a halt in 1933, Arendt carried her dissertation into exile in France, and years later took the same battered and stained copy to New York. During the late 1950s and early 1960s, as she was completing or reworking her most influential studies of political life, Arendt was simultaneously annotating and revising her dissertation on Augustine, amplifying its argument with terms and concepts she was using in her political works of the same period. The disseration became a bridge over which Arendt traveled back and forth between 1929 Heidelberg and 1960s New York, carrying with her Augustine's question about the possibility of social life in an age of rapid political and moral change. In Love and Saint Augustine , Joanna Vecchiarelli Scott and Judith Chelius Stark make this important early work accessible for the first time. Here is a completely corrected and revised English translation that incorporates Arendt's own substantial revisions and provides additional notes based on letters, contracts, and other documents as well as the recollections of Arendt's friends and colleagues during her later years.

A collection of lectures and essays, some of them published previously. Three of them deal with antisemitism:

The introduction by Feldman (pp. 15-52), "The Jew as Pariah: The Case of Hannah Arendt (1906-1975)", discusses her life and writings, including her views regarding antisemitism in the 19th-20th centuries. Pp. 240-279 contain material on the controversy over Arendt's book "Eichmann in Jerusalem" - exchanges between her and the scholars Gershom Scholem and Walter Laqueur stating their objections to her views, along with her responses.

"A well-researched history of virginity...In an era marked by a �chaotic maelstrom of virginities,' Blank's book is a useful...antidote to our confusion."� New York Times Book Review Hanne Blank's revolutionary, rich, and entertaining survey of an astonishing untouched history reveals why humans have been fixated on an indefinable state of being since the dawn of time. As the butt of innumerable jokes, center of spiritual mysteries, locus of teenage angst, popular genre for pornography, and nucleus around which the world's most powerful government has created an unprecedented abstinence policy, Virgin also shows how utterly important to contemporary times the topic is.

This sophisticated and playful nonfiction picture book looks at US presidents! See America’s presidents as never before—made of objects! Using everything from blue jeans to boxing gloves, Hanoch Piven “builds” the characters of eighteen of our nation’s leaders. Revealing anecdotes accompany the creative collages and lend insight to the charismatic personalities of prominent presidents from George Washington to Barack Obama, resulting in an irresistible resource.

A penetrating study of ordinary people resisting the Nazi occupation - and, true to its title, a dark comedy of wartime manners - Comedy in a Minor Key tells the story of Wim and Marie, a Dutch couple who first hide a Jew they know as Nico, then must dispose of his body when he dies of pneumonia. This novella, first published in 1947 and now translated into English for the first time, shows Hans Keilson at his best- deeply ironic, penetrating, sympathetic, and brilliantly modern, an heir to Joseph Roth and Franz Kafka. In 2008, when Keilson received Germany's prestigious Welt Literature Prize, the citation praised his work for exploring 'the destructive impulse at work in the twentieth century, down to its deepest psychological and spiritual ramifications.' Published to celebrate Keilson's hundredth birthday, Comedy in a Minor Key - and The Death of the Adversary , reissued in paperback - will introduce American readers to a forgotten classic author, a witness to World War II and a sophisticated storyteller whose books remain as fresh as when they first came to light.

Arguably his most important work, Principles of International Law was published after Kelsen's retirement from the University of California at Berkeley in 1952. It is an important synthesis of Kelsen's earlier work on international law and jurisprudence. Any contribution by Professor Kelsen to international law is always welcome. This certainly applies to the book under review. It represents an attempt-which must be regarded as wholly successful-to apply to international law, in an introductory text-book not necessarily limited to specialists, many of Professor Kelsen's basic doctrines in the field of jurisprudence. In preparing this book the author has drawn on many of his previous writings on international law, but he has avoided the danger of putting before the reader a mere compilation of fragments. The very arrangement of the book is stimulating in its boldness and unorthodoxy. ( . . . ) [It is] a model of precision and clarity and . . . a stimulus to thought. If for no other reason, this Introduction to International Law is an outstanding and fully successful attempt-of which there are but few-to present the entirety of the international law of peace within the framework of a jurisprudential system. --Hersch Lauterpacht, British Yearbook of International Law 29 (1952) 509, 513 Possibly the most influential jurisprudent of the twentieth century, HANS KELSEN [1881-1973] was legal adviser to Austria's last emperor and its first republican government, the founder and permanent advisor of the Supreme Constitutional Court of Austria, and the author of Austria's Constitution, which was enacted in 1920, abolished during the Anschluss, and restored in 1945. He was the author of more than forty books on law and legal philosophy. Active as a teacher in Europe and the United States, he was Dean of the Law Faculty of the University of Vienna and taught at the universities of Cologne and Prague, the Institute of International Studies in Geneva, Harvard, Wellesley, the University of California at Berkeley, and the Naval War College.

Originally published: Berkeley: University of California Press, 1957. [vi], 397 pp. Through the lens of science, Hans Kelsen proposes a dynamic theory of natural law, examines Platonic and Aristotelian doctrines of justice and the idea of justice as found in the holy scriptures. "You simply cannot get around this book if you want a real understanding of the fundamental ideas on which the great work of Kelsen is built. Reading this volume you may once more admire the transparent clarity of style and the merciless consistency of reasoning which are well known qualities of this author." -- Alf Ross, 45 California Law Review 564 1957. Possibly the most influential jurisprudent of the twentieth century, Hans Kelsen [1881-1973] was legal adviser to Austria's last emperor and its first republican government, the founder and permanent advisor of the Supreme Constitutional Court of Austria, and the author of Austria's Constitution, which was enacted in 1920, abolished during the Anschluss, and restored in 1945. He was the author of more than forty books on law and legal philosophy. Active as a teacher in Europe and the United States, he was Dean of the Law Faculty of the University of Vienna and taught at the universities of Cologne and Prague, the Institute of International Studies in Geneva, Harvard, Wellesley, the University of California at Berkeley, and the Naval War College.

The classic collection of criticism about television and American culture from the late, multi-award-winning legend. From 1968 through 1972, Harlan Ellison penned a series of weekly columns, sharing his uncompromising thoughts about contemporary television programming for the Los Angeles Free Press , a.k.a. "The Freep," a countercultural, underground newspaper. Sitcoms and variety shows, westerns and cop dramas, newscasts and commercials, Ellison left no pixilated stone unturned, expounding on the insipidness, hypocrisy, and malaise found in the glowing images projected into the faces of American audiences. The Glass Teat: Essays of Opinion on the Subject of Television collects fifty-two of Ellison's columns--including his 2011 introduction "Welcome to the Gulag," his unapologetic commentary about how cellphones and the internet have extended television's reach, eroding intelligence and freedom and creating a legion of bloodshot eyed zombies unable to communicate beyond their screens or think for themselves. Provocative and prescient, irreverent and insightful, Ellison's critical analyses of the glowing box that became the center of American life are even more relevant in the twenty-first century. Also available: The Other Glass Teat: Further Essays of Opinion on the Subject of Television

"Riding a gush of critical acclaim for his work on the films Kids (screenwriter) and Gummo (director), Korine, at the ripe age of 23, attempts to make a novel by using a little bit of everything, but botches the job. What we get, in fact, is more an MTV-style collage of lists, story fragments, indecipherable handwritten notes, crude drawings, photos, dialogue, bad jokes, wordplay and pop culture references to music, movies, drugs and deathall resolutely defying cohesion. Still, there a few identifiable thematic concerns. Suicide tops the list, as frequent references culminate in a group of 11 suicide notes, the last of which begins, ``Mother, I am in love with you.'' Not far behind is a focus on the celebrity life, and in this vein Korine demonstrates a certain breadth of knowledge and interest. A scandal involving silent movie star Fatty Arbuckle is given almost as much attention as the final thoughts of Tupac Shakur, and in between are snippets about Kris Kristofferson, Billie Jean King, Howard Hughes, Matt Dillon, and a cavalcade of others. Jessica Tandy earns especially randy attention (although the motivation behind this is never revealed), and sexual detail pops up in other ways as well, ranging from the incest angle to homophobes planning action. The racial component noted in the title features in a suicide note, and separate photos of the KKK and an unsmiling black boy round out the picture. A final observation notes that ``To feel nothing was peace'' perfectly describing the impact of everything in the preceding pages. Neither the voice of a generation nor the ravings of a lunatic, but creative overreaching, clearlythe writing of a talent thrust too soon into the limelight"--Kirkus Reviews 1998 (Author tour)

Harold Brodkey's masterful first volume of short fiction, with two never-before anthologized stories. When originally published in 1958, First Love and Other Sorrows won Harold Brodkey widespread acclaim and announced a brilliant new arrival on the literary scene. Brodkey was hailed as an "unusually gifted writer" (The Atlantic) and a "rich talent" (San Francisco Chronicle), whose stories read like "murmured confidences, highly personal yet carefully contrived" (Chicago Tribune). In First Love and Other Sorrows, the young Brodkey chronicles the world of the educated and affluent middle class of the 1950s, at leisure and in love. He establishes the themes that would appear throughout his career--the painful uncertainties of childhood, the halting intimacies of social life--with rare terness, humor, and haunting insight. Two new stories, never before collected, from Brodkey's early writings join the original volume to complete a much-loved classic.

In The Birthday Party, a musician escapes to a dilapidated boarding house, where he falls victim to the shadowy, ritualized violence of two men who have followed him from his sinister past. In The Room, a derelict boarding house again becomes the scene of a visitation from the past when a blind man suddenly arrives to deliver a mysterious message

Angelo Perino lives life on the bleeding edge of speed and success--a race car driver of humble origins who dominates on and off the track. Loren Hardeman is the ruthless patriarch of an auto empire, fighting to keep his family from self-destructing under the weight of its own greed and decadence. The two men, bound by their passionate vision as well as their charismatic power over women, come together to create the world's fastest, most advanced automobile, "The Betsy"--named after Hardeman's great-granddaughter, who has captured Perino's heart. Their creation threatens to disrupt the industry, whose power brokers are determined to prevent it no matter the cost. This pits Hardeman's own grandson, the company's current CEO, against him, revealing the depths to which Hardeman went to build his empire--including murder, incestuous adultery, and organized crime. As the family feud escalates, Perino makes his move to conquer Hardeman's empire... as well as his great-granddaughter. From master storyteller Harold Robbins, The Betsy pulls back the curtain on the glittering world of fame, fortune, and passion of the auto industry, giving a look into a world riddled with scandal, graft, family drama, and product recalls.

The author calls for a return to religious commitment in people's lives in order to fulfill a need for connection, joy, and community, and explains what religion can offer

Two childhood friends form an uneasy partnership in crime which leads to death and corruption.

Kerrick, a young Tanu hunter captured and raised by the Yilane, cold-blooded, intelligent reptiles, escapes and struggles to unite all human clans against the Yilane threat.