In these mordant, elegant, and often disquieting essays, the internationally acclaimed dramatist creates a sort of autobiography by strobe light, one that is both mysterious and starkly revealing. The pieces in The Cabin are about places and things: the suburbs of Chicago, where as a boy David Mamet helplessly watched his stepfather terrorize his sister; New York City, where as a young man he had to eat his way through a mountain of fried matzoh to earn a night of sexual bliss. They are about guns, campaign buttons, and a cabin in the Vermont woods that stinks of wood smoke and kerosene -- and about their associations of pleasure, menace, and regret. The resulting volume may be compared to the plays that have made Mamet famous: it is finely crafted and deftly timed, and its precise language carries an enormous weight of feeling. "From the Trade Paperback edition.

The third volume of Arthur Koestler's autobiography covering the years 1940-1956.

"Extremely readable recollections of the author... A rare testimony of a period of the history of 20th century mathematics. Includes very interesting recollections on the author's participation in the formation of the Bourbaki Group, tells of his meetings and conversations with leading mathematicians, reflects his views on mathematics. The book describes an extraordinary career of an exceptional man and mathematicians. Strongly recommended to specialists as well as to the general public." EMS Newsletter (1992) "This excellent book is the English edition of the author's autobiography. ... This very enjoyable reading is recommended to all mathematicians." Acta Scientiarum Mathematicarum (1992)

Abraham A. Fraenkel was a world-renowned mathematician in pre–Second World War Germany, whose work on set theory was fundamental to the development of modern mathematics. A friend of Albert Einstein, he knew many of the era’s acclaimed mathematicians personally. He moved to Israel (then Palestine under the British Mandate) in the early 1930s. In his autobiography Fraenkel describes his early years growing up as an Orthodox Jew in Germany and his development as a mathematician at the beginning of the twentieth century. ​This memoir, originally written in German in the 1960s, has now been translated into English, with an additional chapter covering the period from 1933 until his death in 1965 written by the editor, Jiska Cohen-Mansfield. Fraenkel describes the world of mathematics in Germany in the first half of the twentieth century, its origins and development, the systems influencing it, and its demise. He also paints a unique picture of the complex struggles within the world of Orthodox Jewry in Germany. In his personal life, Fraenkel merged these two worlds during periods of turmoil including the two world wars and the establishment of the state of Israel. Including a new foreword by Menachem Magidor Foreword to the 1967 German edition by Yehoshua Bar-Hillel

With extraordinary concision and clarity, A. J. Ayer gives an account of the major incidents of Bertrand Russell's life and an exposition of the whole range of his philosophy. "Ayer considers Russell to be, except possibly for Wittgenstein, the most influential philosopher of our time. In this book [he] gives a lucid account of Russell's philosophical achievements."—James Rachels, New York Times Book Review "I am sure [this] is the best introduction of any length to Russell, and I suspect that it might serve as one of the best introductions to modern philosophy. . . . Ayer begins with a brief, austere, and balanced account of Russell's life: as in Russell's autobiography this means his thought, books, women, and politics. Tacitus (and Russell) would have found the account exemplary. Ayer ends with a sympathetic and surprisingly detailed survey of Russell's social philosophy. But the bulk of this book consists of a chapter on Russell's work in logic and the foundations of mathematics, followed by a chapter on his epistemological views and one on metaphysics. . . . I find it impossible to imagine that this book will not remain indefinitely the very best book of its sort."— Review of Metaphysics "The confrontation or conjunction of Ayer and Russell is a notable event and has produced a remarkable book—brilliantly argued and written."—Martin Lebowitz, The Nation

The ultimate Eighties heart-throb Jason Donovan came close to destroying his body, mind, soul and career with drugs. Never one to shy away from the truth, Jason writes candidly about Kylie and winning the battle with his demons in the paperback of his bestselling bombshell autobiography. Jason Donovan burst onto our TVs in the 80s as Scott Robinson from Neighbours, one half of TV couple Scott and Charlene with Kylie Minogue. Kylie and Jason became the celebrity couple of the eighties and released the number one Stock, Aitken and Waterman hit Especially For You in 1988. But behind the squeaky-clean popstar image was a man increasingly addicted to recreational drugs and on a spiralling downwards path until the love of a good woman pulled him through. His pop career launched, Jason went on to sell over 30 million records worldwide and appeared in West End musicals such as Joseph and His Technicolour Dreamcoat and, more recently, The Rocky Horror Show. But just as Jason reached the pinnacle of his career, everything collapsed around him. When Jason sued style magazine The Face for calling him gay, the press tore him apart. Years of binge drug taking and partying to excess followed. In his frank and honest account of his life, Jason talks candidly about the drugs that nearly saw the end of his career, about his relationship with the princess of pop, Kylie Minogue, and how he finally got his own very happy ending with the woman who saved him, his partner Angela and their two children.

Sex goddess, Hollywood star, transgressive playwright, author, blues singer, and vaudeville brat---Mae West remains the twentieth century's greatest comedienne. She made an everlasting mark in trailblazing Broadway plays such as Sex and The Constant Sinner and in films such as She Done Him Wrong, Klondike Annie, and I'm No Angel. Simon Louvish, biographer of W. C. Fields, the Marx Brothers, Laurel and Hardy, and Keystone's Mack Sennett, brings Mae to vibrant life in this unparalleled new biography. He charts her amazing seven decades in show business, from early years in teenage summer stock to her last reincarnation as 1960s gay icon and grande dame of Hollywood survivors. Mae West: It Ain't No Sin is the first biography to make use of Mae's recently uncovered personal papers, offering an unprecedented view into the endless creative drive and daring wit of this legendary star.

New York is a walker's city. You can walk for hours. The streets slip by. There is so much to look at, so much to take in. I walk a lot. Especially when I am not writing . . . Lily Brett's love affair with New York began as an outsider in her late teens when she was posted on assignment there as a young Australian rock journalist. In her early forties she returned, together with her soul mate and three children, to start a new life, and for the best part of three decades she has called New York home. This witty, candid and moving collection of short pieces celebrates the city that's now part of her heartbeat. A compulsive walker, Brett takes us to her favourite places and introduces us to the characters of the city that has nurtured, perplexed and inspired her. She brings to life the delights of Chinatown, the majesty of Grand Central Station, the lure of spandex and sequins in the Garment District, and the peculiarity of canine couture. And she muses on the miracle of love in the Lodz ghetto, the possibility of loneliness amidst skyscrapers, and the joy and redemption in a child's curiosity. Full of wisdom, humour and grace, Only in New York is a human portrait of a city much loved - and of a woman in step with herself. 'Pithy, entertaining and personal . . . the natural, light quality of Brett's writing is a pleasure akin to a conversation with a friend . . . Brett leavens her observations with dry humour.' Weekend Australian 'New York is a city of character and characters and anyone thinking of visiting should use this as a guide to its flavour - and also as an insight into where to eat.' Herald Sun 'Charm ing . . . Her snippets are short and sharp as they portray the essence of New York.' West Australian 'A charming and unique narrative on the city. Brett achieves a perfect combination of wit and naivety, creating a memoir that acknowledges the existence of good and bad experiences, awkward quirks and love affairs with buildings . . . Brett's words have the ability to transport you to the city from the comfort of your own back yard- you may even find it unnecessary to fly to New York after reading it . Readings

In the tradition of Carl Wilson's Let's Talk About Love , an unforgettable account of fame, fandom, and the problem of making art in the twenty-first century In his multi-hyphenate ambitions, the musician who calls himself Juiceboxxx couldn't be more modern--you might call him a punk rock-rapper-DJ-record executive-energy drink-magnate. Journalist Leon Neyfakh has been something more than a fan of Juiceboxxx's since he was a teenager, when he booked a show for the artist in a church basement in his hometown of Oak Park, Illinois. Juiceboxxx went on to the tireless, lonely, possibly hopeless pursuit of success on his own terms--no club was too dank, no futon too grubby, if it helped him get to the next, next level. And, for years, Neyfakh remained haunted from afar: was art really worth all the sacrifices? If it was, how did you know you'd made it? And what was the difference, anyway, between a person like Juiceboxxx--who devoted his life to being an artist--and a person like Neyfakh, who elected instead to pursue a stable career and a comfortable, middle-class existence? Much more than a brilliant portrait of a charismatic musician always on the verge of something big, The Next Next Level is a wholly contemporary story of art, obsession, fame, ambition, and friendship--as well as viral videos, rap-rock, and the particulars of life on the margins of culture.

"Phoning Home is a collection of entertaining and thought-provoking essays featuring the author's quirky family, his Jewish heritage, and his New York City upbringing. Jacob M. Appel's recollections and insights, informed and filtered by his advanced degrees in medicine, law, and ethics, not only inspire nostalgic feelings but also offer insight into contemporary medical and ethical issues. At times sardonic and at others self-deprecating, Appel lays bare the most private aspects of his emotional life. "We'd just visited my grandaunt in Miami Beach, the last time we would ever see her. I had my two travel companions, Fat and Thin, securely buckled into the backseat of my mother's foul-tempered Dodge Dart," writes Appel of his family vacation with his two favorite rubber cat toys. Shortly thereafter Fat and Thin were lost forever--beginning, when Appel was just six years old, what he calls his "private apocalypse." Both erudite and full-hearted, Appel recounts storylines ranging from a bout of unrequited love gone awry to the poignant romance of his grandparents. We learn of the crank phone calls he made to his own family, the conspicuous absence of Jell-O at his grandaunt's house, and family secrets long believed buried. The stories capture the author's distinctive voice--a blend of a physician's compassion and an ethicist's constant questioning. "--

These interviews with Henry Rollins conducted by RE/Search (and Search & Destroy) founder V. Vale focus on Henry's travels -- often to countries considered dangerous and off-limits. There are references to Punk Rock history, the Occupy movement, and numerous personal adventures and experiences over the past 30-plus years of combing the planet giving musical and Spoken Word performances, and generally being as creative and humorous as possible no matter what the situation may be . Whatever Henry wants to do, he does it while giving his full attention, like a kind of Zen master. RE/Search tries to reveal the full scope of his creativity, achievements and darkly sardonic perceptiveness and contempt for cliche. This book is full of both humor and inspiration.

An autobiography in the form of a philosophical diary, Little Did I Know 's underlying motive is to describe the events of a life that produced the kind of writing associated with Stanley Cavell's name. Cavell recounts his journey from early childhood in Atlanta, Georgia, through musical studies at UC Berkeley and Julliard, his subsequent veering off into philosophy at UCLA, his Ph.D. studies at Harvard, and his half century of teaching. Influential people from various fields figure prominently or in passing over the course of this memoir. J.L. Austin, Ernest Bloch, Roger Sessions, Thomas Kuhn, Robert Lowell, Rogers Albritton, Seymour Shifrin, John Rawls, Bernard Williams, W. V. O. Quine, and Jacques Derrida are no longer with us; but Cavell also pays homage to the living: Michael Fried, John Harbison, Rose Mary Harbison, Kurt Fischer, Milton Babbitt, Thompson Clarke, John Hollander, Hilary Putnam, Sandra Laugier, Belle Randall, and Terrence Malick. The drift of his narrative also registers the decisiveness of the relatively unknown and the purely accidental. Cavell's life has produced a trail of some eighteen published books that range from treatments of individual writers like Wittgenstein, Austin, Emerson, Thoreau, Heidegger, Shakespeare, and Beckett to studies in aesthetics, epistemology, moral and political philosophy, cinema, opera, and religion.

"Richard Hell may best be known as a punk icon, a founding member of seminal bands Television, the Heartbreakers, and The Voidoids, but for decades he's been a prominent voice in American letters. Through his novels Go Now and Godlike, and his critically acclaimed autobiography, I Dreamed I Was a Very Clean Tramp, Hell has proven himself as a talented and insightful writer across many genres, in many forms. But one might argue that Richard's true genius lies in shorter form as a writer on culture. "Love comes in spurts," Hell once sang, and that could well describe the intensity of his penetrating and wickedly droll criticism. Massive Pissed Love is a collection of Hell's ruminations on art, literature, and music, among other things, that's like a candy box of reading treats, a bag of shiny marbles, a cabinet of mementos and uncanny fetishes. However one thinks of it, it's a joy to read from start to finish and a deeply necessary addition to the oeuvre of one of the sharpest minds and sensibilities at work today"--

Marlon Brando was the brightest, boldest, and most iconoclastic acting talent of our time. But while his courage and imagination as an artist brought applause and attention from around the world, Brando shunned nearly everything that goes with celebrity status. He was one of the most reclusive personalities in modern times and a legend beyond compare. He was also an equal opportunity provocateur -- a dazzling baffler -- be it on stage, on screen, or in his private life. Always true to his nature, he never failed to surprise. He did things his way -- The Way It's Never Been Done Before. No one shared as much of Brando's private fields as his lifelong friend and business confidant, George Englund. For more than five decades, Brando and Englund were each other's most trusted ally and closest compadre. Even at their first meeting, at a Hollywood party in 1956 -- the kind of occasion where Brando was most on guard against any who would attempt to get close to him -- he and Englund forged close ties. From that initial meeting right up to the eve of the superstar's death in the summer of 2004, Brando and Englund were in nearly constant contact. They traveled together, worked together, and played together. They consoled and cajoled each other through their marriages and divorces, the births and tragic deaths of their children, good and bad business deals, and the onset of aging, concluding with Brando's death at the age of eighty. "I remembered what Mark Twain wrote," Englund says, "'that everybody is a moon with a dark side he doesn't show anyone else.' I felt this was an appropriate hour for a book that looked at the other side of Marlon, that told of the man and friend and father he was. There has not been such a book in Marlon's lifetime, even including his autobiography, and I felt that after our long years of friendship, perhaps I should attempt to write it. I knew the difficulty I would encounter; to write about Marlon is to work with delicate glass, for he was, without question, the most complicated personality I ever met or knew about. "I once thought what a grand time he and I would have writing the book about our friendship together. That possibility has passed away, for Marlon is gone now -- I must make the attempt to write of us alone. I summon to the task the sacredness, which, when we were at our best, Marlon and I laid upon our friendship."

Newly Revised for 2012 By beholding we become changed. Doug Batchelor examines Isaiah’s life-altering vision and shares intriguing stories from his own life to reveal the seven essential steps to salvation. If you aren’t sure of your salvation, you need this book! The prophet Isaiah knew this simple but profound truth. He had seen the Lord -- and then saw himself in contrast. It radically and permanently changed his life. What he saw can change your life too! In nine short verses that begin the sixth chapter of Isaiah, we find a clear and certain pathway to knowing and loving God. Author and evangelist Doug Batchelor uses Isaiah's life-altering vision and intriguing stories from his own extraordinary life to reveal the seven essential steps to salvation and true conversion. In this delightful and unique little book, a companion to his autobiography, The Richest Caveman , Pastor Doug winsomely leads you along each step in the process of knowing and loving God, helping you discover your deep need of Jesus and His unrelenting power to save. This is not dry theology, it is living vignettes of faith that make salvation precious, accessible, and intensely real. The encounter that awaits you will swell your heart with gratitude and cause your lips to cry out, "My eyes have seen the King!"

"We either think our lives are so special that everyone should be interested in what's happened to us, or so ordinary that we can't imagine anyone would care. The truth lies somewhere in between: yes, we are all special, and no, people will not care--unless we write with them in mind. Joanne Fedler, a beloved writing teacher and mentor, has written Your Story to help all people, even those who don't necessarily identify as "writers," value their life stories and write them in such a way that they transcend the personal and speak into a universal story. This book shows how to write from your life, but for the benefit of others. Each human life is unique, and the meaning we each make from our joys and suffering can, if written with a reader in mind, be an act of generosity and sharing. Filled with practical wisdom and tools, the book tackles: mind-set issues that prevent us from writing ways to develop trust (in yourself, the process, the mystery) triggers or prompts to elicit our own stories Joanne's original techniques for "lifewriting," developed over a decade of teaching and mentoring and much more"Joanne understands the writer's loneliness," says one such writer whose life she's touched, the award-winning Israeli author Nava Semel. "In this book she has created a menu of encouraging possibilities on how to overcome our fears and dig deep into our souls, so that our true voice can emerge.""--

Autobiography.

Star of TV's longest-running World War II series, "Combat!", Rick Jason has conquered television, stage, and film in a career that spans five decades. In his autobiography, "Scrapbooks of My Mind," Rick provides an intimate look at Hollywood's star machine, sharing his unique perspective and memories of MGM, 20th Century Fox, and the other big studios in their heydey. Rick Jason recounts with wit and humor his youth in Depression-era New York and his WWII army life, where he narrowly escaped imprisonment at Fort Leavenworth. From Broadway in the '40s to Hollywood in the '50s, Rick worked beside the stars of the day: Orson Welles, Jayne Mansfield, Hume Cronyn, Linda Darnell, Ricardo Montalban, Charles Bronson, and more! He shares behind-the-scenes stories of his film and TV work, especially on "Combat!" with co-star Vic Morrow. A feast for fans, this autobiography captures Rick Jason's taste for life, as he even shares his favorite recipes.

Samuel Noah Kramer is the leading authority on the interpretation and reading of civilization's oldest literature. His life and life's work are so thoroughly intertwined that his autobiography is also the story of the recovery of the language and literature of the Sumerians. From young Talmudist to the patriarch of Sumerology, Kramer recountshis long and distinguished career. Writing for the non-specialist, he paints a panoramic view of Sumerian literature and provides thumbnail sketches of the individuals with whom he collaborated.