During the last 20 years, Israel has reached unprecedented prosperity, yet it is haunted by existential fears for its future, identity, and survival. Israel's legitimacy is under assault from within and without by a coalition of left-wing radicals, Palestinians and their sympathizers, and Muslim fundamentalists. All these groups deny the existence of a Jewish nation and argue that Jews do not need a nation state. Hence, Israel should either disappear completely or become 'a state of all its citizens' devoid of any Jewish symbol or identity. The origins of this campaign are twofold. One derives from the traditional opposition that has accompanied Zionism from its inception. The second is contemporary, articulating the post-ist fads that swamped the West since the 1980s. The past occupies a prominent place in this crusade that aims at the present and future. Traditional historiography, scientific and pseudo-scientific, and the new vogue of memory and narrative, that claims to be the true history of human experience, are equally abused to delegitimize Israel. This book follows these two paths, while avoiding disputes over current political issues. First, it portrays the disciplinary background - the evolution of the modern history discipline. Subsequently, it focuses on the conflicting approaches to the cardinal issue of Zionism's essence: Is it a national liberation movement of European origin that offered a solution to the modern Jewish Question in a world of nationalities? Or is it a colonial movement that oppressed equally Arabs and oriental Jews?

In 1818, with a single essay of vast scope and stunning detail, Leopold Zunz launched the turn to history in modern Judaism. Despite unending setbacks, he persevered for more than five decades to produce a body of enduring scholarship that would inspire young Jews streaming into German universities and alter forever the understanding of Judaism. By the time of his death in 1886, his vision and labor had given rise to a historical discourse and intellectual movement that devolved into vibrant sub-fields as it expanded to other geographic centers of Jewish life. Yet Zunz was a part-time scholar, at best, in search of employment that would leave him time to study. In addition to his pioneering scholarship, he was as deeply engaged in ending the political tutelage of German Christians as the civil disabilities of German Jews. And to his credit, these commitments did not come at the expense of his loyalty to the Jewish community, which he was ever ready to serve. Zunz once quipped that "those who have read my books are far from knowing me." To complement his books, Zunz left behind a treasure trove of notes, letters and papers, documents that the distinguished scholar of German Jewish culture, Ismar Schorsch, has zealously utilized to write this, the first full-fledged biography of a remarkable man

The Jordan Rift Valley, stretching from the Red Sea to Lebanon, was ripped open millions of years ago by vast forces within the earth. This geological object has also been a part of human history ever since early humans used it as a path in their journey out of Africa. And for a quarter of a century it has been part of the biography of Israeli writer Haim Watzman. In the autumn of 2004, as his country was riven by a fierce debate over its borders, Watzman took a two-week journey up the valley. Along the way he met scientists who try to understand the rift through the evidence lying on its surface--an archaeologist who reconstructs the fallen altars of a long-forgotten people, a zoologist whose study of bird societies has produced a theory of why organisms cooperate, and a geologist who thinks that the valley will some day be an ocean. He encountered people whose life and work on the shores of the Dead Sea and Jordan River have led them to dream of paradise and to seem to build Gardens of Eden on earth--a booster for a chemical factory, the director of a tourist site, and an aging socialist farmer who curates a museum of idols. And he discovered that the geography’s instability is mirrored in the volatility of the tales that people tell about the Sea of Galilee. As an observant Jew who has written extensively about science and scholarship, Watzman tries to understand the valley in all its complexity--its physical facts, its role in human history and his own life, and the myths it has engendered. He realizes that human beings can never see the rift in isolation. "It is the stories that men and women have told to explain what they see and what they do as a result that create the rift as we see it,” he writes. "As hard as we try to comprehend the landscape itself, it is humanity that we find. Watzman’s poetic evocation of the scientific and the human is a unique chronicle of a quest for knowledge. Finalist, Sami Rohr Prize for Jewish Literature, 2008.

Approximately 200 years of Spanish history (1300-1500) are the focus of this book. Paris sketches the medieval history of the Iberian peninsula, stressing the tolerance of most of the Islamic dynasties, the relative amity between the three major religions of the area, and the flourishing culture that this relatively peaceful era nourished. The 14th century brought division within the Catholic Church itself; a plague that killed 25-30% of the population of Europe; and, in Valencia in 1391, a pogrom that gave its Jewish residents the choice of conversion or death. The "end of days" refers to the second coming of Christ, which would happen only if all the Jews were converted. Over half of the Jewish residents of Spain converted in the 14th and 15th centuries. These "conversos" were the primary target of the early Inquisition. Paris describes the early period of the Inquisition, the motives and actions of the inquisitors, and the fate of those accused. The actual expulsion of the Jews (not the conversos) in 1492 and the Moors (who were also given the opportunity to convert) in 1502 mark the climax of the events of this book.

"The United States and the Nazi Holocaust is an invaluable synthesis of United States policies and attitudes towards the Nazi persecution of European Jewry from 1933 right up to the modern day. The book, which includes 20 illustrations, weaves together a vast body of scholarly literature to bring students of the Holocaust a balanced, readable overview of this complex and often controversial topic. It demonstrates that the United States' response to the rise of Nazism, the refugee crisis it provoked, the Holocaust itself, and its aftermath were--and remain to this day--intricately linked to the ever-shifting racial, economic, and social status of American Jewry. Using a broad chronological framework, Barry Trachtenberg navigates us through the major themes and events of this period. He discusses the complicated history of the Roosevelt administration's response to the worsening situation of European Jewry in the context of the ambiguous racial status of Jews in Depression and World War II-era America. He examines the post-war decades in America, and discusses, over a series of chapters, how the Holocaust, like American Jewry itself, came to move from the margins to the very center of American awareness. The United States and the Nazi Holocaust considers the reception of Holocaust survivors, post-war trials, film, memoirs, memorials, and the growing field of Holocaust Studies. The reactions of the United States government, the general public, and the Jewish communities of America are all accounted for in this integrated, detailed survey"--

Here, at last, are the long-awaited Sather Classical Lectures of the great historian Arnaldo Momigliano, In a masterly survey of the origins of ancient historiography, Momigliano captures those features of an ancient historian's work that not only gave it importance in its own day but also encouraged imitation and exploitation in later centuries. He reveals the extent to which Greek, Persian, and Jewish historians influenced the Western historiographic tradition, and then goes on to examine the first Roman historians and the emergence of national history. In the course of his exposition, he traces the development of antiquarian studies as distinctive branch of historical research from antiquity to the modern period, discusses the place of Tacitus in historical thought, and explores the way in which ecclesiastical historiography has developed a tradition of its own. All these lectures illustrate Momigliano's unrivaled ability to combine the study of classical texts and the history of classical scholarship. First delivered in 1962, the lectures were revised during the next fifteen years and then held for annotation that was never completed. They are now published from the author's manuscripts, collated and checked by Momigliano's literary executor, Anne Marie Meyer, of the Warburg Institute, with a foreword by Riccardo Di Donato, of the University of Pisa. The text is printed as the author left it. Sather Classical Lectures, 54

Zionism, more than any other social and political movement in the modern era, has completely and fundamentally altered the self-image of the Jewish people and its relations with the non- Jewish world. As the dominant expression of Jewish nationalism, Zionism revolutionized the very concept of Jewish peoplehood, taking upon itself the transformation of the Jewish people from a minority into a majority, and from a diaspora community into a territorial one. Bringing together for the first time the work of the most distinguished historians of Zionism and the Yishuv (pre-state Israeli society), many never before translated into English, this volume offers a comprehensive treatment of the history of Zionism. The contributions are diverse, examining such topics as the ideological development of the Jewish nationalist movement, Zionist trends in the Land of Israel, and relations between Jews, Arabs, and the British in Palestine. Contributors include: Jacob Katz, Shmuel Almog, Yosef Salmon, David Vital, Steven J. Zipperstein, Michael Heymann, Jonathan Frankel, George L. Berlin, Israel Oppenheim, Gershon Shaked, Joseph Heller, Hagit Lavsky, and Bernard Wasserstein.

It is the story of Jozsef Sondor, a tough, irreverently witty Jewish boy growing up in World War II Hungary. Jozsef carries the reader into the whirl of everyday life in war-torn Budapest, from the eve of the Holocaust in Hungary to the Russian liberation in 1945. Through his eyes, we witness history, or, as he sees it, the adult world gone mad. What is this "Jewish problem", he asks. And what can God be thinking of? Jozsef soon finds that his questions have no simple answers, but they do lead him on a journey to understanding the war, politics, religion, and, in the end, the complexity of human nature.

Winner of seven Molières, the Pulitzer Prize of France, Jean-Claude Grumberg is one of France's leading dramatists and a distinguished voice of modern European Jewry after the Shoah. His success in portraying contemporary Parisian Jews on the stage represents a new development in European theater and a new aesthetic expression of European Jewish experience and sensibility of the Holocaust and its aftermath, a perspective quite different from either the American or the Israeli one. Grumberg's Jews are French to their fingertips, yet they have been made more consciously Jewish by the war and the difficulties of reintegrating into a society in which too many neighbors denounced them or ignored their pleas to save their children. Affirming the new status of Jewish culture, Grumberg's plays insist on the recognition of Jewish identity and uniqueness within the majority societies of Europe. This volume offers the first English translation of three of Grumberg's prize-winning plays: The Workplace ( L'Atelier , 1979), On the Way to the Promised Land ( Vers toi Terre promise , 2006) and Mama's Coming Back, Poor Orphan ( Maman revient, pauvre orphelin , 1994). Presented in the order of the history they record and steeped in Grumberg's personal experience and insights into contemporary Parisian life, these plays serve as documentary witnesses that begin with the immediate postwar reality and continue up to the end of the twentieth century. Seth Wolitz provides notes on the plays' themes, structures, characters, and settings, along with an introduction that discusses Grumberg's place within the emergence of French-Jewish drama and a translation of an interview with the playwright himself.

Literary Nonfiction. Poetry. Film. Jewish Studies. Edited by Julian Kabza. Translated by Ian Thompson, Anna O'Meara, Julian Kabza, Nadege LeJeune, and Charles Penwarden. Introduction by Adrian Martin. Forward by Frédérique Devaux. Interview with Isou by Roland Sabatier. Afterword by Erik Bullot. "Who is Isou? Some may know that he was the founder and leader of a movement in art and thought named Lettrism. Some may know the remarkable film he made a year before he wrote his manifesto, the Treatise on Slime and Eternity, a breakthrough work of feature-length experimentation that was to win fans including Stan Brakhage--Isou himself would coldly remark, many years later, that Jean-Luc Godard and Guy Debord (to name only two luminaries whom he considered his mortal enemies) stole everything from it. Some might have come to the legend of Isou through the fond passage devoted to him in Greil Marcus' book on the distant origins of punk, Lipstick Traces--a book whose subtitle evokes 'a secret history of the 20th century.' In that book, Marcus tells the fine story of his teenage niece stumbling upon the photos on his desk of a young Isou in the late 1940s, and mistaking the artist for a contemporary pop star. And Isou did indeed look the part--especially in a self-portrait which was an example of what the Lettrists called hypergraphics, a work mixing the media of photography, painting, drawing, and Lettrist poetry."--Adrian Martin, from the introduction "Isou chipped language down to the bone that it might build its flesh up again, fresh and new. It is one of the grand aesthetic visions of the late twentieth century. His cinema, in particular, is a marvelous document of the secret history of our times. Here at last is the book that, for Anglophone readers and beyond, cements his fleeting presence for all time."--McKenzie Wark "Long-overdue, this translation of Isou's masterpiece--together with its contextual essays and interviews by Martin, Devaux, Sabatier, and Bullot--will be a monumental resource for international research into the origins of the Lettrist movement along with postwar Experimental Film and Media Art."--Andrew V. Uroskie

Jewish Girls Coming of Age in America, 1860—1920 draws on a wealth of archival material, much of which has never been published—or even read—to illuminate the ways in which Jewish girls’ adolescent experiences reflected larger issues relating to gender, ethnicity, religion, and education. Klapper explores the dual roles girls played as agents of acculturation and guardians of tradition. Their search for an identity as American girls that would not require the abandonment of Jewish tradition and culture mirrored the struggle of their families and communities for integration into American society. While focusing on their lives as girls, not the adults they would later become, Klapper draws on the papers of such figures as Henrietta Szold, founder of Hadassah; Edna Ferber, Pulitzer Prize-winning author of Showboat ; and Marie Syrkin, literary critic and Zionist. Klapper also analyzes the diaries, memoirs, and letters of hundreds of other girls whose later lives and experiences have been lost to history. Told in an engaging style and filled with colorful quotes, the book brings to life a neglected group of fascinating historical figures during a pivotal moment in the development of gender roles, adolescence, and the modern American Jewish community.

How did ancient Jewish authors claim authority for their interpretations? How, after the a oeend of prophecya, could they claim the authority of revelation? Whom did one have to be, or aspire to be, in order to merit authority? Hindy Najman addresses these questions through close readings of ancient Jewish texts, e.g., Ezra-Nehemiah, Philo of Alexandria, 4Ezra, Dead Sea Scrolls, and Jubilees. In Seconding Sinai (Brill, 2003), Najman reconceived pseudepigraphy, developing the idea of a Mosaic discourse that comprised a series of ancient texts attributed to Moses. Here she develops the broader notion of a discourse tied to a founder, situating practices of pseudepigraphy and authoritative interpretation within a variety of ways of seeking perfection in ancient Judaism.

During the quarter century between 1780 and 1806, Berlin's courtly and intellectual elites gathered in the homes of a few wealthy, cultivated Jewish women to discuss the events of the day. Princes, nobles, upwardly mobile writers, actors, and beautiful Jewish women flocked to the salons of Rahel Varnhagen, Henriette Herz, and Dorothea von Courland, creating both a new cultural institution and an example of social mixing unprecedented in the German past.

Hengel's classic work refers not only to all of Josephus' works, but also to every relevant Rabbinic tractate, Qumran text, contemporary Latin or Greek author and biblical, apocryphal or pseudepigraphical and early Christian text.

This volume deals with conversions to Judaism from the 16th to the 18th century. It provides six case studies by leading international scholars on phenomena as crypto-Judaism, "judaizing," reversion of Jewish-Christian converts and secret conversion of non-Jewish Christians for intellectual reasons. The first contributions examine George Buchanan and John Dury, followed by three studies of the milieu of late seventeenth-century Amsterdam. The last essay is concerned with Lord George Gordon and Cabbalistic Freemasonry. The contributions will be of interest for intellectual historians, but also historians of political thought or Jewish studies. Contributors include: Elisheva Carlebach, Allison P. Coudert, Martin Mulsow, Richard H. Popkin, Marsha Keith Schuchard, and Arthur Williamson.

This book explores the phenomenon of Saturnism, namely the belief that the planet Saturn, the seventh known planet in ancient astrology, was appointed upon the Jews, who celebrated the Sabbath, the seventh day of the Jewish week. Moshe Idel details how the anonymous, late 14th century Sefer Ha-Peliyah was to have disturbing consequences in the Jewish world three centuries later, interweaving luminaries with the cultural, historical, religious, and philosophical concepts of their day, and demonstrating how cultural agents were inadvertently instrumental in the mid-17th-century mass-movement Sabbateanism that led to the conviction that Sabbatai Tzevi was the Messiah.exploring how the tragic misperception of the Jewish Sabbath by the non-Jewish world led to a linkage of Jews with sorcery in 14th and 15th-century Europe, associating their holy day with the witches' 'Sabbat' gathering, Idel brings this wide-ranging study into the present day with an analysis of 20th-century scholarship and thought influenced by Saturnism, particularly lingering themes related to melancholy in the works of Gershom Scholem and Walter Benjamin.

Join renowned historian Max I. Dimont in his exploration of the history and roots of Judaism. Among many provocative subjects he investigates are:; The Transformation of the British Anglicans into Hebraic Puritans; The Rise and Fall of German Scientific Judaism; The Tidal Waves of Russian Immigration (1880--1940); The Romantic Revolution; The Great Awakening; The Shaping of Modern Judaism; Jews, God, and Destiny

"Jiří Weil’s documentary prose poem, Lamentation for 77,297 Victims is a literary monument to the Czech Jews killed during the Holocaust. A remarkable Czech-Jewish writer who worked at Prague’s Jewish Museum during the Nazi Occupation and after – he survived the Holocaust by faking his own death – Weil wrote his Lamentation while he served as the museum’s senior librarian in the 1950s. Remarkable literary experiment opening new ways how to write about the undescribable combines a narrative of the Shoa, newspaper style accounts of individual lives destroyed by the Holocaust, and quotes from the Tanakh, each having a specific and powerful effect." -- From publisher's website.