In his critically acclaimed Rewrites, Neil Simon talked about his beginnings - his early years of working in television, his first real love, his first play, his first brush with failure, and, most moving of all, his first great loss. Simon's same willingness to open his heart of the reader permeates The Play Goes On. This second act takes the reader from the mid-1970s to the present, a period in which Simon wrote some of his most popular and critically acclaimed plays, including the Brighton Beach trilogy and Lost in Yonkers, for which he won the Pulitzer Prize. Simon experienced enormous professional success during this time, but in his personal life he struggled to find that same sense of happiness and satisfaction. After the death of his first wife, he and his two young daughters left New York for Hollywood. There he remarried, and when that foundered he remarried again. Told with his characteristic humor and unflinching sense of irony, The Play Goes On is rich with stories of how Simon's art came to imitate his life. Simon's forty-plus plays make up a body of work that is a long-running memoir in its own right, yet here, in a deeper and more personal book than his first volume, Simon offers a revealing look at an artist in crisis but still able and willing to laugh at himself. -- from back cover.-- Provided by publisher.

How does a Jewish boy who spent the bulk of his childhood on the basketball courts of Brooklyn wind up teaching in one of the city's pioneering black studies departments? Naison's odyssey begins as Brooklyn public schools respond to a new wave of Black migrants and Caribbean immigrants, and established residents flee to virtually all-white parts of the city or suburbs. Already alienated by his parents' stance on race issues and their ambitions for him, he has started on a separate ideological path by the time he enters Columbia College. Once he embarks on a long-term interracial relationship, becomes a member of SDS, focuses his historical work on black activists, and organizes community groups in the Bronx, his immersion in the radical politics of the 1960s has emerged as the center of his life. Determined to keep his ties to the Black community, even when the New Left splits along racial lines, Naison joined the fledgling African American studies program at Fordham, remarkable then as now for its commitment to interracial education.This memoir offers more than a participant's account of the New Left's racial dynamics; it eloquently speaks to the ways in which political commitments emerge from and are infused with the personal choices we all make.

ABC-TV's Lynn Sherr writes a savvy, witty, and moving memoir about events that have shaped her life and her career as one of the first women to break through in broadcast television As a reporter for 40 years, most of them on television, Lynn Sherr has brought clarity and insight to many of the most compelling news events of our day—from politics to murder trials to the space program. Now this widely respected award-winning journalist lets us in on what she's seen "inside the box" as she steps outside for a reality check. She tells how television journalism has changed over the years, for better and for worse, and explores the critical state of TV news today. Her accounts of the political and cultural upheavals she covered also make this a social history of our time. When she first began in the industry, newspaper editors bluntly told her, "We don't hire girls," but Lynn persevered, both covering and experiencing the emergence of modern feminism. All that despite being fired from her first TV job! She also addresses the heartbreak of her husband's death followed by her own battle with colon cancer. Lynn Sherr opens up about those painful times with an honesty that will touch and inspire readers. Her personal accounts—growing up in Philadelphia, where her father was a pioneering professional basketball player; suddenly becoming a stepmom; slipping off to commune with giraffes—all underscore her insistence on always keeping one foot outside the box.

A memoir by a man born with disabled legs traces the history of his body from birth, through the many reconstructive surgeries he underwent, to his sexual awakening, all the while touching on the life of his working-class, Jewish family

Jack Newfield has covered it all: he has documented he unfolding drama of the 1960s; followed the boxing careers of Ali and Tyson; taken on city hall; and kept his integrity intact in the rough world of tabloid politics. Somebody's Gotta Tell It is the clear-eyed memoir of a journalist whose love for his country, and passion for his profession, has never wavered.

A funny, daring, bawdy and incredibly honest memoir from the anti-ageist, anti-body shaming, pro-sex advocate and erotic provocateur. Over the course of his 35-year career in show business, David Pevsner has done it all. He’s acted on Broadway, off-Broadway, in independent films and on numerous TV network shows including Grey’s Anatomy , Modern Family and Criminal Minds . As he continues his career in entertainment, Pevsner has also dedicated himself to exploring his deepest sexual fantasies. In his late 30s he became a mature male escort and over the last several years has attracted a large international fan base through his blog of erotic photographs celebrating nudity and sexuality. Damn Shame is David Pevsner’s incredible story and is a passionate and poignant look at one man’s journey from a thin, shy boy ashamed of his body and sexuality to a defiant, fearless everyman exploring his erotic desires, everything from leather and S&M to nude/erotic/hardcore modelling. Along the way, he fights back against society’s demonization of gay sex, body shaming and ageism while pursuing his own very personal definition of success and seeking love, validation and self-esteem. Damn Shame gives a loud and powerful voice to a generation of mature men who have been conditioned to believe from society (and especially younger members of the gay community) that they are sexually irrelevant, old and undesirable. Pevsner’s life story goes in directions that many couldn’t imagine, but the lessons learned through his experiences will resonate with readers of every age.

This lively and irreverent memoir explores the settings where Yiddish - a language of song, rebellion, and eternal longing - has thrived: in the cabaret and cafe, the kitchen and classroom, the literary salon and mystical commune, the partisan brigade and on pilgrimage to Poland

Carolyn Goodmans life was punctuated by tragedy, including a brothers premature death, childhood molestation, a fathers suicide, and a sons infamous murder. But hers is foremost a tale of survival, of turning personal anguish into social conscience. When her twenty-year-old son, Andy, was one of three civil rights volunteers to disappear in Mississippi in the summer of 1964, the story galvanized the nation. A half century after the Mississippi murders, this is the first time that a victims family member has expounded about the experience and the myriad emotions--from guilt to resolve--that it spawned. More than simply a memoir, My Mantelpiece is the story of a centurys seminal progressive movements seen through the lens of a remarkable womans singular journey. **Along with a foreword by National Book Award-winner Maya Angelou, MY MANTELPIECE includes back-cover testimonials from Senator Elizabeth Warren, Congressman John Lewis, former New York City mayor Michael Bloomberg, and performer-activist Harry Belafonte.

Bernard Cooper recalls his 1960s adolescence in Los Angeles and the emotional rollercoaster of puberty in this painfully honest memoir. He recounts the schoolboy crushes, the family strife, and the ebb and flow of youthful desire, all with a "humor that animates just about every sentence" (New York Times Book Review).

Pp. xiii-xxxii contain a historical introduction by David Engel; pp. 267-279 contain an afterword by Phyllis Palgi.

"The funny and insightful first-person story of the trailblazing movie director of the 80s and 90s whose fearless punk drama, "Smithereens" became the first American indie film to compete at Cannes, and smash hit "Desperately Seeking Susan" led to a four-decade career in film. Starting out in the mid-70s, a time when few women were directing movies, Susan was determined to become a filmmaker. She longed to tell stories about the unrepresented characters she wanted to see on screen: unconventional women in unusual circumstances, needing to express themselves and maintain their autonomy. Her genre-blending films reflect a passion for classic Hollywood storytelling, mixed with a playful New Wave spirit, informed by her years living in downtown NYC. Seidelman continued to shape American pop culture well into the nineties, directing the pilot of the iconic TV series "Sex And The City," focusing her sharp lens on the changing place of women in American society and helping to fundamentally reshape our self-image in ways that are still felt today. Raised in the safe cocoon of 1960s suburbia, Susan Seidelman wasn't a misfit, an oddball, or an outlier. She was a "good-girl" with a little bit of "bad" hidden inside. A restless teenager, she dreamed of escape and reinvention, a theme that would play out in her films as well as in her own life. Because she loved stories, a high school guidance counselor suggested she become a librarian, but she had her sights set further afield. In 1973, she left the Philly suburbs, enrolled at NYU's burgeoning graduate film school and moved to NYC's Lower East Side. There, she found herself in the right place at the right time. New York City was falling apart, but out of that chaos came a burst of creative energy whose effects are still felt in American pop culture today. Downtown became a vibrant playground where film, music, performance and graffiti art cross-pollinated and where Seidelman chronicled the lives of the colorful misfits, oddballs, dreamers and schemers she met there. It's all in DESPERATELY SEEKING SOMETHING. Seidelman not only has a keen perspective on the times she's lived through -- from her Twiggy-obsessed girlhood, through the Women's Lib movement of the early 70s, the punk scene of the late 70s, Madonna-mania of the 80s, to the dot-com "greed is good" 90s, and beyond--she tells great stories"--

A personal account by the Harvard Medical School lecturer and political activist traces his explorations into the psychological sources and consequences of some of the past half-century's most disturbing events as experienced by its victims and perpetrators.

In 72 prose poems Michael Rosen tells the story of a life, growing up with Jewish Communist parents in north London, strange trips to eastern Europe during the Cold War, and trainee days at the BBC. At the book's core is the tragic death of his 18-year-old son.

The marriage ended in divorce, but Mary thrived in her roles as mother and artist, until her world was turned upside down by the news from her ex-husband that he had AIDS. An HIV test revealed that Mary, too, was infected. Terrified, struggling against fear, depression, and anger, Mary ultimately found a new life mission in her positive status - she began to educate others on the battle against prejudice and AIDS.

"Marcia Freedman's lively first-person account of her fourteen years in Israel, the story of a modern Jewish woman's longing to be at home in the homeland of the Jews. Founder of the women's liberation movement, former member of the Knesset, she examines the contradictions between idealistic vision and flawed reality in her adopted country"--Jacket

"The compelling story of an acclaimed journalist and New York Times bestselling author's ongoing struggle with epilepsy--his torturous decision to keep his condition a secret to avoid discrimination, and his ensuing decades-long battle to not only survive, but to thrive. Written with brutal and affecting honesty, Kurt Eichenwald, who was diagnosed with epilepsy as a teenager, details the abuses he faced while incapacitated post-seizure, the discrimination he fought that almost cost him his education and employment, and the darkest moments when he contemplated suicide as the only solution to ending his physical and emotional pain. He recounts how medical incompetence would have killed him but for the heroic actions of a brilliant neurologist and the friendship of two young men who assumed part of the burden of his struggle. Ultimately, Eichenwald's is an inspirational tale, showing how a young man facing his own mortality on a daily basis could rise from the depths of despair to the heights of unimagined success"--

John Houseman describes with extraordinary self-knowledge and grace a life full of fantastic episodes that took him from a bizarre childhood to a seemingly hopeless and conventional business career to his brilliant debut in the world of the theater.

Joel Chasnoff is twenty-four years old, an American, and the graduate of an Ivy League university. But when his career as a stand-up comic fails to get off the ground, Chasnoff decides it's time for a serious change of pace. Leaving behind his amenity-laden Brooklyn apartment for a plane ticket to Israel, Joel trades in the comforts of being a stereotypical American Jewish male for an Uzi, dog tags (with his name misspelled), and serious mental and physical abuse at the hands of the Israeli Army.

Autobiographical essays by the star of "Transparent" and "Arrested Development" discusses such topics as his formative childhood years, his relationship with his depressive father, and his enduring creative process.