Danny Zilber is a world-acclaimed trumpet player. A constant procession of women traipse through his dressing room, yet none can satisfy his need for love. Until, that is, an encounter with a mysterious woman who leaves just as quickly as she drops her panties ... are just some of the means Danny's manager and his compatriots employ in order to safeguard the security of Israel and propagate German guilt. Meanwhile Danny holds dear the sole memento he has of that fateful meeting - the brassiere his 'one and only' left behind. scathingly comic take on Zionist politics and Israeli espionage.

Tony Herrera couldn't believe Becca Stiles had applied for a job at the home he'd started for former foster kids. And that he's hired her! Eleven years ago, she'd walked out on him and their marriage without a backward glance. But even as the attraction sizzled between them, the single father knew that letting Becca back into his life was asking for trouble.

Raised without a father, Jana McPartland did not want the same for her unborn baby. So when the daddy-to-be took a hike, she turned to her closest friend, Sam Harrison. He'd always been her refuge from the storm...and this was one heck of a hurricane she'd found herself in. The bestselling novelist offered her a roof over her head, a paycheck for her hard work and all the safety she craved. Yet Jana found herself needing more from the brooding bachelor--to finally give in to the unspoken attraction that had always burned between them. But as a former foster kid, Sam wasn't the type of man who stepped out of his comfort zone. Until he proposed!

Seven queer fantasy shorts set in the tropical Jewish world of the Mangoverse novels. "Your Name is Love" An energetic royal guard takes her artist wife on a scavenger hunt around the city so she can stop having artist's block about the lesbian graphic novel she's supposed to make for the queen. "No Whining" Trans woman Chef Yael dithers over whether to switch wine sellers, at the urging of her husband Aaron, when her regular vendor is incompetent but the delivery girl is a trusted ally. "Every Us" A prince with anxiety is comforted in the arms of his partner when he wakes up from a nightmare. "Take Time to Stop and Eat the Roses" A trans teenager and his girlfriend go on a midnight quest for flowers for her sister's wedding. "The Generous Princess" A royal family with two moms and two dads puts their own special twist on celebrating Purim. And now, bundled with Tales from Outer Lands, two contrasting stories of heroic Jewish womanhood: "Rivka in Port Saltspray" Trapped in a seedy port town because an innkeeper is holding her shapeshifting dragon-horse hostage until she can pay all the charges he invented, nomadic warrior Rivka finally has a chance at some decent money when a wealthy but weak man hires her to rescue his fiancée. But she has to think on her feet when she learns there may be more at stake. "Aviva and the Aliens" On the night before the royal Passover seder, Aviva has to outsmart the aliens who abducted her to cook for them because they had grown sick of their spaceship's food replicators. Will she get home before Queen Shulamit wakes up and panics from her absence?

Twenty-nine-year-old Lewis' family are the definition of dysfunctional: his brothers, living estranged and unknown lives in Texas and Toronto, his mother, confined in her self-imposed silent state in a room full of fish and amphibians and his father, at work in the Victory Barber Shop where customers are surrounded by souvenirs of wartime Europe. And Lewis, caught between working at a recruitment agency, helping his father out in the barbers and keeping his mother in touch with world news. But when he receives an email out of the blue from Christy, an old school friend, he is intrigued by her society for Hope for Newborns. Compared with the murkiness of home, the promises of her manifesto - freedom through friendship and love through sacrifice - appear so luminous, and the chance of romance so tangible.

"Reply All, the third collection of award-winning and widely anthologized short stories by Robin Hemley, takes a humorous, edgy, and frank look at the human art of deception and self-deception. A father accepts, without question, the many duplicate saint relics that appear in front of his cave everyday; a translator tricks Magellan by falsely translating a local chief's words of welcome; an apple salesman a long way from home thinks he's fallen in love; a search committee believes in its own nobility by hiring a minority writer; a cheating couple broadcast their affair to an entire listserv; a talk show host interviews the dead and hopes to learn their secrets. The ways in which humans fool themselves are infinite, and while these stories illustrate this sad fact in sometimes excruciating detail, the aim is not to skewer the misdirected, but to commiserate with them and blush in recognition."--P. [4] of cover.

The stories in Terrors range from a serious and touching portrait of a dying child kept alive by his love of a superhero to swashbuckling retro pulp adventures, the exploration of a lost civilization buried beneath the sands of the Sahara Desert, and the descent into madness of a famous writer of horror stories when he finds himself trapped in a railroad car with a terrifying party of college coeds.

MURDER ME FOR NICKELS Walter Lippit makes music all over town. He owns the juke boxes that play the tunes that keeps the bars and the diners hopping. Jack St. Louis works for Lippit, smoothing the customers and keeping the nickels coming. But then along comes Benotti and the Chicago syndicate to louse up the operation. It's everything Jack can do to stay one step ahead. One step ahead of Benotti's gang, Lippet--and Lippit's willing wife Patty, who wants to be a singer and is convinced that Jack can make that happen too. And maybe he can. It's all in a week's work. BENNY MUSCLES IN Benny Tapkow has worked as crime boss Pendleton's chauffeur for seven years, but he's itching to get ahead. He feels like he deserves a piece of the action, but Pendleton won't budge. So Benny strikes a deal with Big Al Alverato to kidnap Pendleton's daughter Pat to get him in with the rival gang. But the snatch doesn't come off as planned, and now Benny is stuck with Pat, a hellion with a temper and plenty of mood swings. Pendleton's men are after him and he has to dope her just to keep her in line. The last thing he figured on was falling in love.

When Primo Verona's wife, Beatrice, left him for Pasquale Benvenuto, their close friend who ran the delicatessen on the corner of Long and Bloem Streets, Primo cast a spell on Pasquale's shoes so that ever afterwards their laces would spring undone as he walked out of his front door. It was an easy enough spell to sidestep. Pasquale, unaware that it was magic he was dealing with, merely cursed the quality of modern laces and thereafter wore shoes that did not need them. Primo Verona, a professional magician and soothsayer, is born with a gift of clairvoyance so strong that he is able to predict his own mother's death while still in her womb. He is brought up on a rich diet of astronomy, philosophy and storytelling by his watchmaker father and widowed aunt, both survivors of the death camps in Auschwitz. Primo accurately reads the futures of the local Long Street community of Italians and Jews, who pay him in wads of money, honey cake, tiramisu and other delicacies. Pasquale Benvenuto, his close friend since childhood and fellow soldier in the Angolan war, is the owner of a bar and delicatessen favored by local businessmen and gamblers alike. Pasquale is passionate and headstrong, his culinary reputation resting on the recipes for the fruited breads and salamis his father taught him to make -- a love of which he acquired while hiding from the horrors of the Holocaust. Together Primo and Pasquale form an easy friendship triangle with the beautiful Beatrice, Primo's wife and Pasquale's former girlfriend, but when she leaves her husband for her old love, Primo is devastated. He casts spells to spoil Pasquale's creations and to win back Beatrice, but he inadvertently conjures up an unexpected visitor. Patricia Schonstein delivers a dazzling and evocative novel that mixes magical realism with the big themes -- war, love, death, betrayal and the afterlife -- to entertaining effect. A Time of Angels is spellbinding storytelling that no reader will soon forget.

"This is the third and last installment of Pamela Frankau's trilogy, a kind of teashop Forsythe Saga. Set geographically in New York, London, France, Bermuda, and Hollywood. This one, as in the first (Slaves of the Lamp) is Thomas' story and Thomas is the least forgettable of the large Weston family, those they love, those they lose. He is the one who since childhood has had ""talisman phases,"" a very special gift he calls his magic. Now as the book opens during World War II (the series began in 1914), Thomas is reported missing and later dead, while Rab, whom he loves, is in France and has just emerged from the guilty responsibility of Noel's death (Noel she loved, and Noel by the way is a girl). Here and there, back and forth it goes until Thomas, who has not died but has been wounded, finally makes his way back-- to Rab. It's reassuring although readers will need the earlier volumes as an introduction to the Westons and this hands-across-the-sea Anglo-American continuity."

The collected early novels of an American master. Now finally collected into a single volume, the Sherbrookes trilogy—Possession, Sherbrookes, and Stillness—is Nicholas Delbanco’s most celebrated achievement. Centering upon one New England clan and their estate in southwestern Vermont—a full thousand acres, including the bleak and chilly Big House, from which the volatile Sherbrookes have such trouble escaping—these books form a virtuoso portrait of the love, pride, resentment, and even madness we inherit from our families. Written in his characteristically opulent, bravura prose, Delbanco is here revealed as a Henry James for our time: a passionate cataloger of human strength and frailty. Edited and revised by the author some thirty years after its first publication, the trilogy—“made new” as the single-volume Sherbrookes—can now be rediscovered by a new generation of readers.

The Village, first published in 1952, begins on the very day the war ended. Two women, who have been firm friends during the war, go as usual to the Red Cross Post. Here they spend the night as they always had done, chatting over a cup of tea. As dawn breaks they lock the door 'but still they lingered, unwilling finally to end this night and the years behind it. '"There's a lot of us will miss it," Edith said. "We've all of us felt at times, you know, how nice it was, like you and me being able to be together and friendly, just as if we were the same sort, if you know what I mean." "I'll miss it a lot too," Wendy said. There was no point in her saying that it could go on now, the friendliness and the companionship and the simple human liking of one woman for another. Both knew that this breaking down of social barriers was just one of the things you got out of the war, but it couldn't go on.' The main theme of The Village is that Wendy's attempt to cling on to her old way of life was already under pressure by 1939 and had become even more out-of-date by 1945. It is Edith who is the New Britain, with her prosperous son and her commonsense and indeed kindness. Wendy, with her snobbery and her refusal to change and her uncompromising attitude to her daugher, is the Old. When Labour swept to a landslide victory in 1945 'Attlee's government promised a fairer future for all and no going back to the inequalities of the pre-war world,' writes Juliet Gardiner in her Afterword to this Persephone edition of The Village. When Wendy goes back up the road to Wood View on Priory Hill 'where the gentry lived' and Edith goes downhill on the other side, 'down Station Road among the working classes', they both assume that the values and habits of pre-war Britain will continue. But Britain has already changed a great deal, a change symbolised by Edith's son Roy, a printer with excellent prospects, falling in love with the penniless Margaret, Wendy's daughter. 'The story of the romance between the two of them forms the central narrative of the novel,' Juliet Gardiner continues, 'and the attitude of the other villagers when the news gets out illuminates their understanding - or rejection - of the village's elaborately calibrated social stratification. This is a finely-observed novel about the losses and gains of the Second World War, how hopeless and how isolating it would be to hold onto the past, how illusory was the notion that the war had broken down class barriers, or had managed to save "deep England" from the future and how peace, too, would produce its own list of casualties. It is also about the futility of 'keeping up appearances', the boredom of middle-class women with nothing to do, even the realisation that cooking and housework had to be streamlined if theose women were to take their place in society. But above all The Village is an extremely enjoyable and well-written novel evoking an entire community (there is a long cast of characters at the beginning) and a whole way of life, and has one of the most ancient plots in the world - a young couple who fall in love but are forbidden to marry.

"The King became passionately enamored with a Jewess who was called by the name of Fermosa, meaning The Beautiful, and he forgot his wife. And he shut himself up with the Jewess for almost seven full years, forgetful of himself, and of his realm also, and paying no heed to any other thing." - Alfonso el Sabio, "Cronica General," c. 1270. This is a haunting love story of Alfonso VIII, the Christian King of Castile, and Raquel, the beautiful Jewess of Toledo, two lovers trapped by the bitterness and conflict of their times in a tragic alliance. Raquel was the daughter of Yehuda, a wealthy, proud aristocrat, who had come from Seville with his family to serve as Alfonso's Minister of Finance. His mission was to replenish the country's depleted treasury, but he saw in this assignment an opportunity to prevent war between the Christian North and the Moslem South and in the process to save his own people, the Jews, from being crushed between these two ruthless forces. But when the impetuous Alfonso fell in love with Raquel and demanded her as his mistress, Yehuda had to choose between his daughter's future and the fate of his people. In this epic romance of the lovers and their bitter destinies, Lion Feuchtwanger, one of the world's great historical novelists, has brilliantly recreated the drama and pageantry of the Middle Ages, rent with love and hate, cruelty and compassion, profanity and piety, bloodshed and ritual.

When a beautiful stranger comes to hear him preach, Pastor Daniel Vedra soon finds himself falling in love with another man's wife. With the brilliance and humanity that have made him a major figure in world literature, Ivan Klima explores the universal themes of love, adultery and God.

Ivan Klima has been acclaimed by The Boston Globe as "a literary gem who is too little appreciated in the West" and a "Czech master at the top of his game." In No Saints or Angels, a Washington Post Best Book of 2001, Klima takes us into the heart of contemporary Prague, where the Communist People's Militia of the Stalinist era marches headlong into the drug culture of the present. Kristyna is in her forties, the divorced mother of a rebellious fifteen-year-old daughter, Jana. She is beginning to love a man fifteen years her junior, but her joy is clouded by worry -- Jana has been cutting school, and perhaps using heroin. Meanwhile Kristyna's mother has forced on her a huge box of personal papers left by her dead father, a tyrant whose Stalinist ideals she despised. No Saints or Angels is a powerful book in which "Mr. Klima's keen sense of history, his deep compassion for the ordinary people caught up in its toils, and his abiding awareness of the fragility and resilience of human life shine through.... Like Anton Chekhov, Mr. Klima is a writer able to show us what's extraordinary about ordinary life." (The Washington Times). "Ultimately, it's Prague, with its centuries of glory and misery, that gives No Saints or Angels its humane power." -- Melvin Jules Bukiet, The Washington Post Book World" A compassionate realist, [Klima] unflinchingly presents the problems facing modern Prague and civilization in general ... [and] fills it with mercy." -- Jennie Yabroff, San Francisco Chronicle "Stirring and valuable." -- Jules Verdone, The Hartford Courant

The long term story of a broken love affair between Anthony and Ellen beginning in 1944, and resuming in 1956, 1963 and 1980.

In artfully crafted interlocking flashbacks set against a vividly drawn scrim of New York City, Busch lets his hapless hero tell his story of the angst-driven complications of both licit and illicit love. It was Greenwich Village in the Sixties, and Zimmer was writing copy for a sleazy PR agency. Rhona was a voluptuous Nazi-hunting librarian who taught him introductory love and guilt and drove him into the arms of the tall blonde shiksa Lillian.

"Century 21," a time machine in literary form, ignores the unity of time, space, and character. This tragicomical idyll of the future past mixes ancient and modern genres: Platonic dialogue and nineteenth-century romance, reportage and science fiction. At the book's core are two sisters, Ann Kar, a writer and survivor, and Carol, a suicidal artist. Considering herself a lunatic, Carol dreams about escaping from the earth to the moon (luna) and about the moon scholar, a lunar archeologist, who a thousand years after her death, while reconstructing terrestrial life, discovers the traces of her existence, falls in love with her, and begins to write about her - and his - erotic adventure. The result is a novel where Anna Karenina writes about Simone Weil, where Joseph Conrad meets Malcolm Lowry in Mexico, where Goethe presides over a literary institute made up of such members as Italo Svevo and Sextus Propertius, and where Djuna Barnes, dying from AIDS, visits Moses Maimonides in Japan. Ewa Kuryluk is fascinated by the repetition of the same situations and types, yet she's after her contemporaries who are starved for affection, lost in transit, ready to slip into somebody else's skin, and speaking in English, their second language, with a heavy accent. "Century 21" is a profoundly moving and original work.

Maeve begins her royal fosterage but her new companions are full of secrets and jealousy, her only friends are an elderly lady-in-waiting and Kian, the prince who rescued her kestrel, Ea, and her future promises only household management and childbearing until someone from her past brings a message about her true love.