The former Chief of Naval Operations recounts his overhauling of naval practices, dress, and forces his view of America's international role, and his frequently unsatisfactory relationships with Nixon, Kissinger, and other Nixon-administration officials. Glossary.

""What I wanted after college was a job and my own apartment, but what I needed was a good comeuppance, and that's what I got." " When Dave Itzkoff graduated from Princeton in 1998-the first member of his family to earn a college degree-he expected to be rewarded with a career, and a life, that mattered. Instead, he ended up convinced that he was selling the entire institution of manhood down the river. After a series of personal and professional experiences stripped him of any lingering sense of entitlement, Itzkoff found himself working as an editor at Maxim, the pugnacious frontrunner in a new breed of men's periodicals dubbed "lad magazines." There, he was initiated into a culture of heavily retouched girlie pictorials, dirty jokes, disingenuous sex advice, and shopping guides for expensive electronic gadgetry. And as Maxim continued its inexorable rise to become the most successful men's magazine in modern publishing history, Itzkoff was left wondering what his work-and his life-really meant. Lads is the hilarious, heartbreaking story of Dave Itzkoff's efforts to define himself as a man while working at a magazine that was purveying a vision of young manhood-a state of perpetual adolescence-that was seductive to all but viable for none. Lads takes us deep inside one young man's struggle with identity, responsibility, and sexuality, in an unsparingly candid account of how men really relate to one another, as fathers and sons, as employers and employees, as colleagues and friends. Lads is trenchant. Lads is perceptive. Lads is alarmingly funny. This is an unforgettable debut from a young writer of astounding talent. "From the Hardcover edition."

The story of Dan Greenburg's coming-of-age is riotously funny, disarmingly candid, and finally touching, Men will read this book and smile nostalgically, recalling their own only-slightly-more-ept-than-Greenburg adventures in dating. Women will read it with fascination at what really went on in some sectors of the enemy camp, and with the realization that perhaps they were better off as females than they'd thought.

In 1937, five-year-old Colette Rossant set sail to Cairo with her parents. When her father died, her mother took off to Beirut leaving young Colette with her wealthy grandparents. She soon settled into the luxuriant, food-centred lifestyle of her new family, learning many of the trademark recipes.

At age twenty-one, while she was working with the legendary Nadia Boulanger in France, concert pianist Carol Rosenberger was stricken with paralytic polio—a condition that knocked out the very muscles she needed in order to play. But Rosenberger refused to give up. Over the next ten years, against all medical advice, she struggled to rebuild her technique and regain her life as a musician—and went on to not only play again, but to receive critical acclaim for her performances and recordings. Beautifully written and deeply inspiring, To Play Again is Rosenberger’s chronicle of making possible the seemingly impossible: overcoming career-ending hardships to perform again.

In the 1960s, amid political upheaval and anti-war protests, a growing number of young Americans were creating their own visionary revolution by "tuning in, turning on, and dropping out." Cannabis was king, and the sacred mushrooms "psilocybin" and LSD were "tripping" the minds of thousands, led by psychologist/guru/pitchman Dr. Timothy Leary, the pied piper of the psychedelic drug scene.

Now available in paperback for the first time, with a new introduction, the poignant and insightful memoir from Yossi Klein Halevi, the award-winning journalist and author of the acclaimed Like Dreamers—a coming-of-age story about a traumatic family history, radical politics, and spiritual transformation that speaks to a new generation struggling to understand what it means to be Jewish in America. The child of a Holocaust survivor, Yossi Klein Halevi grew up in 1960s Brooklyn perceiving reality through the lens of his family’s brutal past. Increasingly identifying with their history of suffering, he regarded the non-Jewish world with fear and loathing. Determined to take action—and seek retribution—he became a disciple of the late rabbi Meir Kahane and a member of the radical fringe of the American Jewish community. In this wry and moving account, Halevi explores the deep-rooted anger of his adolescence and early adulthood that fueled his increasingly aggressive activism. He reveals how he started to question his beliefs—and his self-inflicted suffering as a hostage of history—and see the world from his own clear perspective. As a journalist and author, Halevi has dedicated himself to fostering interfaith reconciliation. Memoirs of a Jewish Extremist explains how such a transformation can happen—giving hope that peaceful coexistence between faiths is possible.

Offering a glimpse inside the high-stakes world of real estate development, from finding a property to securing financing to hiring an architect to constructing the building to seeing it profitably occupied, this is a history of New York in the 1970s and 1980s, from one of the people most responsible for its changing cityscape. In 1986, the New York Times called William Zeckendorf Jr. Manhattan's most active real-estate developer, a judgement borne out by Zeckendorf's fascinating memoir. The second generation of a legendary family of developers, Bill Zeckendorf was a developer with a social conscience, not only putting up buildings but opening neglected parts of the city and transforming whole communities. Among the projects Zeckendorf chronicles in detail - and with rich documentary illustrations - are the Columbia, which set off a building boom on the Upper West Side; the four-acre Worldwide Plaza, a landmark in West Midtown; Queens West, the first residential project on the waterfront in Queens; the enormous Ronald Reagan Office Building and International Trade Center in Washington, D.C.; and numerous projects in Santa Fe, his beloved second home.

The Los Angeles Times once called investigative lawyer Terry Lenzner “one of the most powerful and dreaded private investigators in the world.” In his fifty-year career, Lenzner has worked with politicians, celebrities, governments, and corporations worldwide; with a steadfast commitment to the truth, he has uncovered facts that have shaped policy and influenced major legal battles. In this captivating memoir, Lenzner speaks about his varied career and high-profile cases for the first time. At the Justice Department in 1964, he investigated the murder of three civil rights workers—an infamous event that inspired the film Mississippi Burning . He led the national Legal Services Program for the poor, prosecuted organized crime in New York, defended peace activist Philip Berrigan, and represented CIA operative Sid Gottlieb. As a counsel to the Senate Watergate Committee, Lenzner investigated Nixon’s dirty tricks and followed the money trail that led to the Watergate burglary and cover-up. He was the first person to deliver a congressional subpoena to a sitting U.S. president. He uncovered cost overruns of the Alaska oil pipeline, helped identify the Unabomber, investigated the circumstances of Princess Diana’s death, and cleared Hugo Chavez of false corruption charges. Lenzner also worked with President Clinton’s defense team during the impeachment hearings. The Investigator is a riveting personal account: Lenzner astounds with anecdotes of scandal and intrigue, offers lessons in investigative methods, and provides an eye-opening look behind some of the most talked-about media stories and world events of our time.

"This annotated edition of Holocaust survivor Sara Nomberg-Przytyk's postwar memoir follows her life as an investigative journalist during the emergence and deterioration of the communist state in Poland. Once a devoted communist herself, Nomberg-Przytyk recounts how antisemitism and government corruption shattered her illusions"--

What is the difference between writing a novel about the Holocaust and fabricating a memoir? Do narratives about the Holocaust have a special obligation to be "truthful" - i.e., faithful to the facts of history? Or, in other words, when is it okay to lie about the Holocaust? In her provocative study A Thousand Darknesses: Truth and Lies In Holocaust Fiction , Ruth Franklin investigates these questions as they arise in the most significant works of fiction about the Holocaust, from Tadeusz Borowski's Auschwitz stories to Jonathan Safran Foer's postmodernist family history. Franklin argues that the memory-obsessed culture of the last few decades has led to a mistaken focus on testimony as the primary form of writing about the Holocaust. As even the most canonical Holocaust texts have come under scrutiny for their fidelity to the facts, we have lost sight of the essential role that imagination plays in the creation of any literary work, including - perhaps especially — the memoir. Taking a fresh look at memoirs by Elie Wiesel and Primo Levi, and examining novels by writers such as Piotr Rawicz, Jerzy Kosinski, W.G. Sebald, and Wolfgang Koeppen, Franklin makes a persuasive case for literature as an equally vital vehicle for understanding the Holocaust. The result is a study of immense depth and range that offers a lucid view of an often cloudy field.

Roger Kahn is one of America's foremost sportswriters. After successful seasons as a newspaperman and magazine writer, he burst onto the national scene in 1972 with his memorable bestseller, The Boys of Summer, a work that went beyond sports and captured the minds and hearts of millions across the country. Now in his eighth decade, Kahn has again written a book for the hearts and minds of his readers. Chronicling his own life, Into My Own is Kahn's reflection on the eight people who shaped him as a man, a father, and a writer. In this poignant self-portrait, Kahn begins with his childhood in Brooklyn, reared on the verses of Homer, Shakespeare, Housman, and Millay---a curriculum set by his mother, and one that would influence his career with words. He combined his intellectual upbringing with his inherent passion for baseball, and began his sportswriting career under the legendary Stanley Woodward at the New York Herald Tribune . This lent Kahn the opportunity to interview and develop friendships with Pee Wee Reese and Jackie Robinson--men he knew and admired for reasons far beyond their baseball abilities. Kahn's writing is by no means limited to his sports coverage, and on the political front he devotes chapters to Eugene McCarthy and Barry Goldwater, whom he interviewed for the Saturday Evening Post ---two diverse men in a turbulent era who championed their distinct versions of idealism. The Post had earlier sent Kahn to interview poet Robert Frost at his home in Vermont, a rare opportunity for any journalist, and one that resulted in the development of a marked friendship between two men of words. Perhaps most touching is his account, straightforward but abrim with love, of the life and death---at twenty-three---of his scholar-athlete son, Roger Laurence Kahn. Into My Own is the touching memoir of an unassuming man, whose great love of baseball and literature led him into extraordinary experiences, opportunities, and friendships. Even amidst great family tragedy and personal difficulty, Kahn has prevailed---amongst poets, writers, politicians, and most of all, ballplayers. Praise for Roger Kahn: "As a kid, I loved sports first and writing second, and loved everything Roger Kahn wrote. As an adult, I love writing first and sports second, and love Roger Kahn even more." ---Pulitzer Prize winner, David Maraniss "He can epitomize a player with a single swing of the pen." --- Time magazine "Roger Kahn is the best baseball writer in the business." ---Stephen Jay Gould, New York Review of Books "A work of high moral purpose and great poetic accomplishment. The finest American book on sports." ---James Michener on The Boys of Summer "Kahn has the almost unfair gift of easy, graceful writing." --- Boston Herald

Phillip Lopate's richest and most ambitious book yet--the final volume of a trilogy that began with Bachelorhood and Against Joie de Vivre -- Portrait of My Body is a powerful memoir in the form of interconnected personal essays. One of America's foremost essayists, who helped focus attention on the form in his acclaimed anthology The Art of the Personal Essay , Lopate demonstrates here just how far a writer can go in the direction of honesty and risk taking. In thirteen essays, Lopate explores the resources and limits of the self, its many disguises, excuses, and unmaskings, with his characteristic wry humor and insight. From the title essay, a hilarious physical self-exam, to the haunting portrait of his ex-colleague Donald Barthelme, to the bittersweet account of his long-delayed surrender to marriage, "On Leaving Bachelorhood," Lopate wrestles with finding the proper balance between detachment and empathy, doubt and conviction. In other essays, he celebrates his love of film and city life, and reflects on his religious identity as a Jew. A wrenchingly vivid, unforgettable portrait of the author's eccentric, solipsistic, aged father, a self-proclaimed failure, is the centerpiece of a suite of essays about father-figures and resisted mentors. The book ends with the author's own introduction to fatherhood, as witness to the birth of his daughter. A book that will engage readers with its conversational eloquence, skeptical intelligence, candor, and mischief, Portrait of My Body is a captivating work of literary nonfiction.

The geographic, spiritual, and intellectual journeys of Nahum N. Glatzer (1903-1990)―prolific scholar, Brandeis University professor, and editor of the Schocken publishing house―reveal a rich cultural ambiance that no longer exists, as well as a breadth of perspective and learning that remains enviable in our time. This collection of 78 memoir entries, written as a document for his family, offers personal glimpses of Nahum Glatzer which complement his scholarship. Episodes and vignettes in chronological sequence recount the decisive events of his travels from Bodenbach to Boston and from strict Orthodoxy to a more historical, cultural, and aesthetic understanding of Judaism. Anecdotal and at times humorous accounts of some of the many outstanding personalities Glatzer knew and interacted with, including Martin Buber and Franz Rosenzweig, two of the leading German-Jewish thinkers of the twentieth century. Glatzer also relates a variety of his experiences and expressions of faith, both personal and social. The events themselves become moments of religious psychology or theological insight. For Glatzer, as for Rosenzweig, the world was transformed by speech and the realities brought into existence through it. Michael Fishbane’s detailed introduction sets these memoirs, from the final decades of Glatzer’s life, in the context of his life and work. A preface by Judith Glatzer Wechsler offers personal reflections on the character of her father and his work.

From Publishers Weekly Sault Ste. Marie's Jewish community in the 1930s, where Torgov grew up, is evoked in this Canadian memoir. Containing many mirthful moments, the book is deeply moving as well. Holding center stage is the author's profane, choleric, intolerant father. There is little about the boy's mother, who died when he was only 10, or the stepmother whom Torgov Sr. wed and then quickly divorced. Most of the fun as well as the sadness arises from duels between father and son and the latter's childhood escapades, such as conniving with a sympathetic maid to feast on forbidden foods. Torgov also brings to life members of the insular town's Jewish and Christian communities in his endearing anecdotes. Copyright 1986 Reed Business Information, Inc.

Explores how Latino gang culture mirrors the most destructive aspects of the American Dream through a look at novels and memoirs "There's a place for us / Somewhere a place for us." With the emergence of a rich body of literature chronicling the experiences of Latino and Latina gang members, popular understanding of this outlaw culture has advanced far beyond West Side Story. However, the diverse works discussed in this important book--ranging from the breakthrough 1967 memoir Down These Mean Streets and the crime novel Carlito's Way to the play Zoot Suit and the World War II-era historical novel Don't Spit on My Corner, to more recent works such as Always Running/La Vida Loca: Gang Days in L.A. and Chicana gang narratives like Locas and Two Badges--all share with the award-winning musical a crucial discourse on nationality, citizenship, and belonging. In Gang Nation, Monica Brown offers a sophisticated analysis of these narratives produced by former gang members and by "outside" observers writing within the Latino community. She examines the ubiquity of language and behavior within this literature that reveal the frustrated longings within gangs for greater participation in America's national culture and the desire of members to craft an alternative environment in which they are welcome. Through literature and memoirs written from within the culture, Brown illustrates how these youth mimic the rhetoric and rituals of American nationalism's most destructive aspects--intense territoriality, justification of violence, and cultural chauvinism--to assert their citizenship in an alternative nation. Before now, studies of gang culture have centered on either the choices of individual members or the social forces that inspire their unfocused rage. But through Latino and Chicano gang literature, Brown provides a more nuanced portrait of that culture, one that raises broader concerns about dominant nationalism, civil rights, the criminalization of urban youth of color, and the often unfulfilled sense of communal identity and acceptance among American youth.

This memoir, written as fiction, but based on fact, describes the fear-filled efforts of a pair of Polish adolescents, brother and sister, to survive in secrecy and constant anxiety in Lvov at a time when Jews were being rounded up and sent to the Ghetto - or worse. They have only their false identity papers, their few trusted contacts and their own wits to help them conceal their Jewish background and keep one step ahead of the German authorities. Miriam Akavia, who experienced at first hand similar terrors and anxieties, skillfully conveys the fluctuations in mood from the natural optimism and high spirits of youth to the painfully learned caution and dissembling forced upon them by their situation.

"From his parents roots in villages of Eastern Europe to his own childhood in Massachusetts, Meltzer's memoir is not just a look at life but an introspective exploration of the influences of an era of history on that life." Booklinks 9/98

Adler was a young woman determined to be taken seriously and to be an agent of change - on her own terms, free from dogma and authoritarian constraints. From campus activism at the University of California at Berkeley to civil-rights work in Mississippi, from antiwar protests to observing the socialist revolution in Cuba, she found those chances in the 1960s. Heretic's Heart illuminates the events, ideas, passions, and ecstatic commitments of the decade like no other memoir.