" What do a chamber pot, a famous poet, a family feud, and a long-ago suitor all have in common? In this delicious laugh-out-loud new novel of love and loss, rivalry and reconciliation, treasure and trash, by acclaimed author Mameve Medwed (Mail, The End of an Error), we see what happens when past and present collide. . . ." Elizabeth Barrett Browning might have written about the length and breadth of love, but Abby Randolph has given up on all that, preferring to spend her time between her cluttered "needs work" apartment and the overcrowded antiques mart -- the optimistically named Objects of Desire. Yet Abby can't help but wonder what happened to her earlier passionate self who rejected the path set out for her, dropping out of Harvard and falling headfirst into an ill-fated love affair. . . . Then the "Antiques Roadshow" comes to town, and Abby turns up at the crack of dawn, artifact in hand, standing alongside thousands of Boston's hopefuls. But there, among the carousel horses, pipe sets, potbellied stoves, and bedraggled stuffed animals, it is Abby's rather ordinary -- and squalid -- piece of porcelain that gets the star treatment. Abby is barely able to enjoy her good news, for the moment the show airs, life comes back at her at full force. Everything changes: friendship, finances, family, love affairs, career, her view of others, and the way she sees herself. With this, her fourth novel, Medwed once again returns to Cambridge and, in her "sardonic, funny voice" ("Chicago Tribune"), "homes in on the rarified self-important atmosphere of our Ivy League institutions -- and the reflected snobbishness of the people who serve them" ("New York Times Book Review"). This novel is a gift to anyone who goes to a flea market or watches "Antiques Roadshow," anyone who has ever defied expectations, or, especially, anyone who has never been able to extinguish an old flame.

"Set at the height of Vietnam protests, Jimi Hendrix and LSD, Wet Goddess is a story of strange encounters, awkward misadventures, and ultimately, love. Stoked on cheap pot and reports that dolphins possess near-human intelligence, liberal arts major Zachary Zimmerman couldn’t have been more thrilled about his first pro photography job. The project: shoot a book about the stars of Florida Funland’s struggling dolphin show – while turning a blind eye to the writer’s affair with a trainer. But the writer isn’t the only one at Florida Funland looking for forbidden love. Ruby, a solo performer in the show, slowly edges her way inside Zach’s slightly foggy mind, drawing him deeper and deeper into her wet, wild realm of sensual abandon and unexpected violence. Previously excerpted in Penthouse and the classic Project Jonah anthology Mind in the Waters, this is the only authorized print edition of the long-awaited novel." -- From back of book

MACKINLAY KANTOR Pulitzer Prize-winning author of Andersonville The Twenty-Third Precinct of the New York City Police Department includes within its boundaries exalted penthouses and reeking slums. The story concerns three men in blue, their loves, their ambitions, their contentions-the cruelty they encounter, the courage they offer, the pity and aid they are able to give. It speeds through the reader's consciousness like a patrol car wailing in midnight traffic. In 1948 the Acting Commissioner of Police, the late Tom Mulligan, authorized MacKinlay Kantor to proceed on all police activities, accompanying the patrolmen in their work. Kantor learned the life of a policeman through first-hand experience. Such privilege had never been granted to a civilian before. But this civilian happened to be the author of Long Remember, The Voice of Bugle Ann, and many other famous books, as well as the original story of the great motion picture, "The Best Years of Our Lives." Thunder of feet on sagging stairways; a yell from behind a locked door; tears and oaths and-worse- the stony agony of women who stare in silence... The radio voice of CB declares flatly: "Two-Three Precinct. The address...on the roof...proceed with caution..." Is it rape, suicide, assault? Or merely a kitten crying from its trap in a drainpipe? Or do we meet the glare of a razor, the stab of gunfire in a hall? Our fingers squeeze the siren button. This is a Signal Thirty-two... A novel by MacKinlay Kantor Author of Arouse and Beware and Glory for Me

MACKINLAY KANTOR Pulitzer Prize-winning author of Andersonville VALLEY FORGE Poignant, tender, and powerful, VALLEY FORGE brings into sharp new focus one of the most tensely dramatic episodes of the American Revolution. With warmth and wit, compassion and sensitivity, MacKinlay Kantor evokes the flavor, pulse and texture of the last quarter of the eighteenth century, transporting the reader into the houses and workshops, kitchens and stables, parlors and bedrooms of ordinary citizens. Here are not only the soldiers of Valley Forge, but the panorama of the Revolution itself. George Washington, lamenting the remoteness and lack of valor in the Congress, anticipating new battle; the sprightly, good-humored Martha, always loyal and loving to a fault; the Marquis de Lafayette, whose poise and dignity belied his youth; Baron von Steuben whose halting English made the soldiers laugh, but whose fierce devotion won their respect. And the multitude-young Mum, a sixteen-year-old deserter savagely trampled by Tarleton's Raiders; Malachi Lennan whose gift of a horse gained him entry into Mad Anthony Wayne's Drovers; Billy, the turncoat, wailing for his mother as he was dragged to the gallows. Sons of farmers and tradesmen, trappers and teachers-some too young to fight, and some too old-surge through these pages, giving life, breath, scope and humanity to the American Revolution and the winter at Valley Forge. MacKINLAY KANTOR was born in Webster City, Iowa in 1904. He began to write seriously at sixteen, became a newspaper reporter at seventeen, and an author at twenty-three. Since his first-published novel in 1928, more than forty books have appeared in print, including verse, short stories, novellas, histories, and books for children. His best-selling, and Pulitzer Prize- winning Andersonville was published in 1955. MacKinlay Kantor's other than book accomplishments range from Hollywood screenwriting to police patrolling (N. Y. P. D.), to combat experience (RAF and U.SAF) in two wars. VALLEY FORGE is grandly conceived, but the quality is equal to the concept. The climate of the war, its taste and smell and the harsh texture of its life, are evoked with mystery. Neither souped-up nor toned-down under fashionable pressures, this is an extraordinarily honest and human book. I am greatly impressed.-MARY RENAULT

Hollis lives in an area not too far from where he graduated from college. His friends do, too. They all sleep late, talk about jobs they might get, girls they might date, money their parents might send them. In other words, their lives are seemingly on hold. Everything is going to happen. But despite this day-to-day boredom, Hollis has something to bolster him: Another reality is constantly running through his head, and it's one that leads him to the conclusion that maybe, just maybe, it's time to get serious. Lev Grossman has written a lucid and immediate novel of what and where a twenty-something's mind is when it isn't even made up yet.

"To all those who have for several years sought to discredit the new American literature, Lawrence Ferlinghetti has just dealt a most powerful blow," wrote French critic Pierre Lepape in 1961 when Her was published in France as La Quatrième Personne du Singulier. Calling it "a masterpiece of the young American novel," Lepape declared it was "the confirmation of a great American writer who, in the hall of American literary glories, takes the place left vacant by the death of Hemingway." Lepape went on to speak of the "incredible verbal virtuosity" by which the reader is led through this "laby-rêve," and it is this image of the "labyrinth-dream" which relates Her to the anti-novels of the young French school of Robbe-Grillet and Butor. Being thus very far from the kind of novels produced by Ferlinghetti's immediate contemporaries (whether Beat or academic) this book has met with little but bafflement among American critics. With well over 50,000 now in print Her nevertheless continues to make its own way.

Back in Print After Fifty Years Clark Gifford? A cipher. A disaffected, vaguely idealistic politician in a nameless media-driven modern state where representative politics has dwindled to the corrupt transaction of business as usual and a new foreign war is always breaking out. One night Gifford and his followers seize some radio stations and broadcast a call for freedom—a rebellion that is immediately put down by the government and whose motive will remain forever obscure. Even so, it leads to twenty years of war. A paranoid tour de force of political noir, Clark Gifford’s Body skips back and forth in time, interspersing newspaper clippings and court transcripts with the reactions and reminiscences of the politicians, generals, businessmen, journalists, waiters, and soldiers who double as the actors and the chorus in a drama over which, finally, they have no control. Who here is leading? Who is being led? Fearing’s novel is a pseudo-documentary of a world given over to pseudo-politics and pseudo-events, a prophetic glimpse of the future as a poisonous fog. “I have not developed the habit of reading thrillers, but I have read enough of them to know that from now on Mr. Fearing is my man.”– The New Yorker

A novel of love, sadness, wasted youth, and literary and intellectual ambition-"a wincingly funny debut" ("Vogue") Keith Gessen is a Brave and trenchant new literary voice. Known as an award-winning translator of Russian and a book reviewer for publications including "The New Yorker" and "The New York Times," Gessen makes his debut with this critically acclaimed novel, a charming yet scathing portrait of young adulthood at the opening of the twenty-first century. The novel charts the lives of Sam, Mark, and Keith as they overthink their college years, underthink their love lives, and struggle to find a semblance of maturity, responsibility, and even literary fame.

From the woman who brought us Scruples , Dazzle , and Spring Collection comes a provocative new novel, a deeply moving mother-daughter tale set amid the elegance of a famed New York auction house and the glamour of Hollywood. A mother's secret... Tessa Kent, exquisite and precocious, gave birth to an illegitimate daughter when she was only fourteen. Her parents raised the infant, Maggie, as their own child, as Tessa went on to become an international movie star. Maggie lives for her glamorous "sister's" infrequent whirlwind visits. But when she accidentally learns the truth, eighteen-year-old Maggie breaks all ties with Tessa and starts to work at the famed Manhattan auction house of Scott & Scott. A daughter's fury... Five years later, a life-altering crisis makes Tessa passionately determined to end this estrangement. There's only one way Tessa can reach out to her daughter: a high-stakes auction of the immensely valuable collection of famed jewels lavished on her by her late husband. Tessa promises Scott & Scott the auction on the condition that Maggie and she work closely together on the sale. Tessa's whole future hangs in the balance--for she knows her happiness depends on what may be an impossible reconciliation....

"Summer in London-the sun is finally shining, the flowers are in bloom, and life is humming merrily along for book editor Samantha Clair, off to lunch with her old friend, art-dealer Aidan Merriam. Humming merrily until she learns that his partner has just been found dead in their gallery, slumped over his desk with a gun in his hand. Could anything be worse? Oh yes, the police investigation is being led by Inspector Jake Field, who just happens to be Sam's new boyfriend. And Aidan, who just happens to be Sam's ex-boyfriend, wants Sam's help. Finding herself drawn into another investigation, Sam does the only sensible thing and calls her mother. Before long, Sam finds her loyalties stretched to the limit as she herself is threatened. Armed with nothing more than her trusty weapons of satire, cynicism and a stock of irrelevant information culled from novels, Sam races to find a killer who is determined to find her first in the newest fast-paced, uproarious novel in the critically acclaimed series from New York Times bestselling author Judith Flanders"--

"Zoltan Beck is dying. His devoted but long-suffering sons, Ben and Frank, are trying to prepare themselves and their families for Zoltan's eventual departure...but they can't quite bring themselves to believe that the end is really at hand, and neither can Zoltan himself. The head of a family marked by war and tragedy for decades, he "can't stand to be in a room with a miserable person" and has done his best to keep the pain of his refugee past from his beloved children. But as he faces the end of his life, he discovers a heartbreaking secret from the War that will ultimately bring the family together - or irrevocably disrupt it. Set in both mid-20th century Hungary and contemporary Toronto, this is a deeply moving novel that revels in the energy of its extraordinary characters. It is the story of lost love and newfound connections, of a father and his sons desperately reaching out to bridge an ever-widening gap...even as their time together ebbs away."--Provided by publisher.

The acclaimed author of "The Land of Laughs" presents an astoundingly imaginative novel that traverses the fine line between our world and an invisible world of magic, in the story of a prize-winning architiect who is hired by a wealthy sultana to build a billion-dollar dog museum.

Cult favorite Jonathan Carroll has surpassed himself with his first mainstreamnovel. After Silence is an electrifying, unforgettable novel that unfolds with the logic of a Greek tragedy. Carroll writes with uncompromising honesty about how secrets gnaw and kill when truth is just as devastating.

First published thirty years ago, John Berger's tender and bittersweet novel is a book of dreams of freedom and romance, dreams that intoxicate and redeem, dreams that have the power to exalt their dreamers or dash them against hard truth.It is the unforgettable, often comical portrait of a dreamer, one William Corker, the genteel proprietor of a London employment agency, who, in his sixty-third year, has just moved out of the house he shared with his overbearing sister. As Corker takes his first steps into a life of passions, Berger creates a character of astonishing depth and liveliness—a man whose fantasies and ambitions are at once splendid and tragic.

A novel fictionalizing the composition of a novel by burned-out writer Norbert Kosky. The fictional author Kosky is presented as a tantric Jew, macho enigma, and first-rate second-rate novelist -- generally bearing an uncanny resemblance to the actual author, Kosinski. The resulting text is is pun-filled and accompanied by copious scholarly footnotes, demonostrating the author's obsession with the Holocaust, cabala, literary theory, and girlie magazines.

The reissue of a remarkable novel by this bestselling author ..'A complex dream of a book . . . Jenny Diski is a remarkable writer.' Mail on Sunday ..When Mimi discovered an unconscious bag lady huddled behind a London cinema a sense of duty prompted her to call an ambulance. It was only later that she wondered if the tramp, who could have been anybody, might not have been somebody after all. Could she be Leah, Mimi's abandoned and abandoning mother? Or perhaps she was Bella, a surgically reconstructed bomb-blast victim? Then again, she could have been the perverse and reclusive nun, gifted with terrible, miraculous powers.

In Washington, D.C., life inside the Goldstein home is as tumultuous as the swiftly changing times. In 1979, the Cold War is waning and the age of protest has come and gone, leaving a once radical family to face a new set of challenges. Something Red is a masterly novel that unfurls with suspense, humor, and insight. Dennis, whose government job often takes him to Moscow, struggles both to succeed in a career he doesn't quite believe in and to live up to his father's leftist legacy. Sharon, a caterer for the Washington elite, joins a cultlike group in search of the fulfillment she once felt. Happy-go-lucky Benjamin is heading off to college, there to experience an awakening of social conscience, and sixteen-year-old Vanessa finds a cure for alienation in D.C.'s hardcore music scene. As each of them follows separate trajectories of personal protest and compromise along the edge of a new decade, radical traditions long dormant in their family awaken once again, with shocking, far-reaching results. A poignant story of husbands and wives, parents and children, activists and spies,

"James Salter (born James Horowitz in 1925) has been known throughout his career as a "writer's writer," acclaimed by such literary greats as Susan Sontag, Richard Ford, John Banville, and Peter Matthiessen for his lyrical prose, his insightful and daring explorations of sex, and his examinations of the inner lives of women and men. Conversations with James Salter collects interviews published from 1972 to 2014 with the award-winning author of The Hunters, A Sport and a Pastime, Light Years, and All That Is. Gathered here are his earliest interviews following acclaimed but moderately selling novels, conversations covering his work as a screenwriter and award-winning director, and interviews charting his explosive popularity after publishing All That Is, his first novel after a gap of thirty-four years. These conversations chart Salter's progression as a writer, his love affair with France, his military past as a fighter pilot, and his lyrical explorations of gender relations.The collection contains interviews from Sweden, Chile, France, and Argentina appearing for the first time in English. Included as well are published conversations from the United States, Canada, and Australia, some of which are significantly extended versions, giving this collection an international scope of Salter's wide-ranging career and his place in world literature"--

...the sin of an old man is equal to about two sins of a young man. The fable-like story of an old man's sexual obsession with a young woman is a distillation of Italo Svevo's concerns--attraction of an older man to a younger woman, individual conscience versus social convention, and the cost of sexual desire. This novella is a marvel of psychological insight, following the man's vacillations and tortuous self-justifications to their tragic-comic end. It is presented here in a translation first commissioned and published by Virginia Woolf for her Hogarth Press. The Art of The Novella Series Too short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

The Brothers Ashkenazi by I.J. Singer is a multi-generational saga set in the tumultuous backdrop of nineteenth- and twentieth-century Poland. The novel follows the lives of two vastly different brothers, Meshulam and Asa Ashkenazi, as they navigate the complexities of family, business, and identity within the Jewish community. Meshulam, a shrewd and ambitious businessman, embraces modernity and capitalism to rise in society, even at the expense of his traditions. Asa, on the other hand, remains deeply rooted in his Jewish faith and studies, rejecting the pursuit of material success. The brothers' contrasting paths lead to a bitter rivalry that mirrors the social changes and political upheavals of their time, including World War I and the rise of antisemitism. Amidst personal struggles, power struggles, and shifting allegiances, the novel explores themes of assimilation, cultural transformation, and the enduring struggle to balance tradition with progress. Through intricate character development and vivid historical detail, Singer crafts a compelling narrative that illuminates the complexities of Jewish identity and the forces that shape a society in flux.