"When a soldier is found stabbed through the heart at a US Army base, there is no doubt that his wife, Luz, is to blame. But was it an act of self-defense? An attempt to save her infant daughter? Or the cold-blooded murder of an innocent man? Ambitious public defender Abby is determined to win at all costs. As a new mother herself, she wants to keep Luz out of prison and with her daughter. But when the surprises stack up and shocking new evidence emerges, Abby realizes the task proves far more difficult than she suspected and will require a terrible sacrifice. As the trial hurtles toward an outcome no one expects, Abby, Luz and a captivated jury are forced to answer the question that will decide everything--what does it mean to be a good mother?"--Provided by publisher

Lara Vapnyar, author of the prizewinning story collection There Are Jews in My House, brings us a poignant and comic first novel about a delightfully sincere modern-day muse. We meet Tanya as a typical Russian girl, living with her bookish professor mother in a drab Soviet apartment. As a teenager, Tanya becomes obsessed with Dostoevsky and settles on her life’s she will be the companion to a great writer. Her memoirs tell of her immigration to New York after college, the stifling expectations of her Brighton Beach cousins, and the crucial moment in a bookshop on the Upper West Side, where Tanya attends a reading by Mark Schneider, a Significant New York Novelist. Tanya soon moves in with Mark, ready to dazzle in bed, to serve and inspire . . . if only he would spend a little more time writing and a little less time at the gym, the shrink, and the literary soirees where she feels hopelessly unglamorous and out of place. But as she gradually learns to read English—struggling to better understand Mark’s work and her true role as Muse—Tanya also learns more than she expected about the destiny she has imagined for herself. Animated by Vapnyar’s beguiling grace and vividness—with a narrative richness reflecting the great tradition of Russian realism to which she is a natural heir— Memoirs of a Muse is an altogether wonderful novel. It is a lively meditation on female capabilities and happiness, on the mysteries of artistic inspiration (and the absurdities of artistic life), and, perhaps most movingly, on the pain and wonder of the immigrant experience in New York City.

"Philadelphia's progressive district attorney offers an inspiring vision of how people can take back power to reform criminal justice, based on lessons from a life's work as an advocate for the accused." --

This book presents the Buddhist approach to facing the inevitable facts of growing older, getting sick, and dying. These touch realities are not given much attention by many people until midlife, when they become harder to avoid. Using a Buddhist text known as the Five Subjects for Frequent Recollection, Larry Rosenberg shows how intimacy with the realities of aging can actually be used as a means to liberation. When we become intimate with these inevitable aspects of life, he writes, we also become intimate with ourselves, with others, with the world--indeed with all things.

Irving Berlin (1888–1989) was unable to read or write music and could only play the piano in the key of F-sharp major; yet, for the first half of the twentieth century he was America's most successful and most representative songwriter, composing such hits as "Alexander's Ragtime Band," "Cheek to Cheek," "Let's Face the Music and Dance," "Puttin' on the Ritz," "White Christmas," "Anything You Can Do," "There's No Business Like Show Business," and "God Bless America." As Thousands Cheer, winner of the Ralph J. Gleason Music Book Award, explores with precision and sensitivity Berlin's long, prolific career; his self-doubt and late-blooming misanthropy; and the tyrannical control he exerted over his legacy of song. From his immigrant beginnings through Tin Pan Alley, Broadway, and Hollywood to his reclusive and bitter final years, this definitive biography reveals the man who wrote 1500 songs but could never quash the fear that, for all his success, he wasn't quite good enough.

Our Constitution speaks in general terms of “liberty” and “property,” of the “privileges and immunities” of citizens, and of the “equal protection of the laws”—open-ended phrases that seem to invite readers to reflect in them their own visions and agendas. Yet, recognizing that the Constitution cannot be merely what its interpreters wish it to be, this volume’s authors draw on literary and mathematical analogies to explore how the fundamental charter of American government should be construed today.

• Financial planning is more important than ever: The recession has demonstrated that lifetime financial planning is essential if we are going to survive and overcome the shocks and bruises that the economy brings.. • Takes on the financial-planning establishment: Economist Laurence J. Kotlikoff and syndicated financial columnist Scott Burns criticize major financial institutions such as Fidelity, Vanguard, and other mutual funds and insurers for offering what they call “rules of dumb,” financial planning information that is inadequate for most people’s needs.. • Unconventional, economics-based advice: You might be better off waiting until age seventy to take Social Security; you may be overestimating the tax benefits of your mortgage; you might be scrimping, saving, and struggling to fund your retirement when you could be spending and enjoying your money..

This virtual encyclopedia of the rattlesnake became a natural history sensation when it was first published in 1956. The republication of the Second Edition, with a new foreword by Harry W. Greene, will give amateur and professional herpetologists alike reason to rejoice.

In accessible and inspiring prose, leading environmental activist Laurie David explains why global warming is the most urgent issue facing our planet. Rousing statements by those who have joined her Virtual March, including Senator John McCain, Senator Barack Obama, and many others, show how this imperative issue transcends politics.

Everything Belongs to the Future is a bloody-minded tale of time, betrayal, desperation, and hope that could only have been told by the inimitable Laurie Penny. Time is a weapon wielded by the rich, who have excess of it, against the rest, who must trade every breath of it against the promise of another day's food and shelter. What kind of world have we made, where human beings can live centuries if only they can afford the fix? What kind of creatures have we become? The same as we always were, but keener. In the ancient heart of Oxford University, the ultra-rich celebrate their vastly extended lifespans. But a few surprises are in store for them. From Nina and Alex, Margo and Fidget, scruffy anarchists sharing living space with an ever-shifting cast of crusty punks and lost kids. And also from the scientist who invented the longevity treatment in the first place. "The scariest, most enduring dystopias walk a fine line between parable and prediction. Penny erases that line. In this made-up story, the rich speciate from the poor; in our real world, working class lifespans are declining as the one percent live ever longer lives at ever-greater removes from the rest of us. This is no mere literary device. This is a pitiless allegory, calculated to enrage and terrify its readers." -- Cory Doctorow

Here are all of Ferlinghetti's poems set in the city he has lived in for over half a century. He brings alive, with wit and lyricism, scenes of city life: a Giants baseball game, the Green Street Marching Mortuary Band, bohemian North Beach, Golden Gate Park, yachts on the Bay, and more. Also included are historic photographs, scattered prose pieces, and the text of his mischievous inaugural address with his vision of the city's history as a poetic center and suggestions for keeping it that way. Lawrence Ferlinghetti is a bookman, painter and author of poetry, fiction, essays and plays. His most recent books are How to Paint Sunlight (poetry) and Love in the Days of Rage (fiction).

Questions about the future of war are a regular feature of political debate, strategic analysis, and popular fiction. Where should we look for new dangers? What cunning plans might an aggressor have in mind? What are the best forms of defense? How might peace be preserved or conflict resolved? From the French rout at Sedan in 1870 to the relentless contemporary insurgencies in Iraq and Afghanistan, Lawrence Freedman, a world-renowned military thinker, reveals how most claims from the military futurists are wrong. But they remain influential nonetheless. Freedman shows how those who have imagined future war have often had an idealized notion of it as confined, brief, and decisive, and have regularly taken insufficient account of the possibility of long wars--hence the stubborn persistence of the idea of a knockout blow, whether through a dashing land offensive, nuclear first strike, or cyberattack. He also notes the lack of attention paid to civil wars until the West began to intervene in them during the 1990s, and how the boundaries between peace and war, between the military, the civilian, and the criminal are becoming increasingly blurred. Freedman's account of a century and a half of warfare and the (often misconceived) thinking that precedes war is a challenge to hawks and doves alike, and puts current strategic thinking into a bracing historical perspective.

A leading authority's panoramic history compares the experiences of immigrant-ethnic groups, African-Americans, and Native Americans to each other and in relation to the national political culture. Winner of the John Hope Franklin Prize (1991) Winner of the Theodore Saloutos Award from the Immigration History Society (1993) Do recent changes in American law and politics mean that our national motto — e pluribus unum — is at last becoming a reality? Lawrence H. Fuchs searches for answers to this question by examining the historical patterns of American ethnicity and the ways in which a national political culture has evolved to accommodate ethnic diversity. Fuchs looks first at white European immigrants, showing how most of them and especially their children became part of a unifying political culture. He also describes the ways in which systems of coercive pluralism kept persons of color from fully participating in the civic culture. He documents the dismantling of those systems and the emergence of a more inclusive and stronger civic culture in which voluntary pluralism flourishes. In comparing past patterns of ethnicity in America with those of today, Fuchs finds reasons for optimism. Diversity itself has become a unifying principle, and Americans now celebrate ethnicity. One encouraging result is the acculturation of recent immigrants from Third World countries. But Fuchs also examines the tough issues of racial and ethnic conflict and the problems of the ethno-underclass, the new outsiders. The American Kaleidoscope ends with a searching analysis of public policies that protect individual rights and enable ethnic diversity to prosper. Because of his lifelong involvement with issues of race relations and ethnicity, Lawrence H. Fuchs is singularly qualified to write on a grand scale about the interdependence in the United States of the unum and the pluribus. His book helps to clarify some difficult issues that policymakers will surely face in the future, such as those dealing with immigration, language, and affirmative action.

From award-winning physicist, public intellectual, and the bestselling author of A Universe from Nothing Lawrence Krauss, comes “a masterful blend of history, modern physics, and cosmic perspective that empowers the reader to not only embrace our understanding of the universe, but also revel in what remains to be discovered” (Neil deGrasse Tyson, American Museum of Natural History). In this grand poetic vision of the universe, Lawrence Krauss tells the dramatic story of the discovery of the hidden world that underlies reality—and our place within it. Reality is not what you think or sense—it’s weird, wild, and counterintuitive, and its inner workings seem at least as implausible as the idea that something can come from nothing. With his trademark wit and accessible style, Krauss leads us to realms so small that they are invisible to microscopes, to the birth and rebirth of light, and into the natural forces that govern our existence. His unique blend of rigorous research and engaging storytelling invites us into the lives and minds of remarkable scientists who have helped unravel the unexpected fabric of reality with reasoning rather than superstition and dogma, and to explain how everything we see—and can’t see—came about. A passionate advocate for reason, Krauss gives the rationale for the seemingly irrational—and the mysteries and apparent contradictions of quantum physics, and explores what that means for our lives here on Earth—and beyond. At its core, The Greatest Story Ever Told—So Far is about the best of what it means to be human—an epic history of our ultimately purposeless universe that addresses the question, “Why are we here?”

In the 1980s, long before Lee Goldberg became a #1 New York Times bestselling author and successful TV writer/producer, he paid his UCLA tuition and rent by working as a freelance journalist covering the entertainment industry. His first, big interviews was with one of his idols, screenwriter Richard Maibaum, who wrote most of the James Bond movies. That lengthy, controversial, and award-winning interview, first published in the UCLA Daily Bruin and later reprinted in Starlog Magazine, was the beginning of Lee's extensive 007 coverage. Over the next few years, his Bond-related interviews for Starlog and other publications included actors Barry Nelson (the first man to play James Bond in TV's Casino Royale ), George Lazenby (the one-time Bond in On Her Majesty's Secret Service ), Roger Moore and Timothy Dalton, screenwriters Tom Mankiewicz, Michael Wilson and Lorenzo Semple Jr., and directors John Glen and Peter Hunt. Those interviews and more, quoted for decades in reference books about the Bond films, are now collected for the first time, in their original form, in this entertaining, and unique volume. This book, the first in a series of Goldberg's collected Hollywood journalism, isn't an exhaustive, detailed examination of the Bond films. Instead it's an intriguing snapshot of filmmaking in the 1980s, a revealing look at the creation of the Bond films...and perhaps also offers a glimpse into Goldberg's formative years as a writer, and how the lessons learned from his interviews may have shaped his own career as an acclaimed novelist and screenwriter.

#1 New York Times Bestselling author "As dark and twisted as anything Hammett or Chandler ever dreamed up" Kirkus, Starred Review Harvey Mapes is a 26-year-old security guard who learned everything he knows about being a private eye from books and TV ... and who is about to discover that the differences between fact and fiction can be fatal. (Formerly published as "The Man with the Iron On Badge") CRITICAL ACCLAIM FOR "WATCH ME DIE" "Approaching the level of Lawrence Block is no mean feat, but Goldberg succeeds with this engaging PI novel." Publishers Weekly "A wonderfully fresh voice in the mystery genre, Goldberg will delight fans of Janet Evanovich and Robert Crais," - Rick Riordan, author of "Percy Jackson & the Olympians" "Lee Goldberg bravely marches into territory already staked out by some fierce competition--Donald Westlake, Lawrence Block, the early Harlan Coben--and comes out virtually unscathed." The Chicago Tribune "Goldberg has a knack for combining just the right amount of humor and realism with his obvious love for the PI genre and his own smart ass sensibilities. [...]A terrific read. Goldberg is the real deal and should be on everyone's must read list." Crimespree Magazine "A quick, fun read with a satisfying and unexpected ending. Harvey Mapes is a hero I hope we see in a sequel." -- Phillip Margolin, author of "Gone But Not Forgotten"

From "the godfather behind creative nonfiction" ( Vanity Fair ) comes this indispensable how-to for nonfiction writers of all levels and genres, "reminiscent of Stephen King's fiction handbook On Writing " ( Kirkus ). Whether you're writing a rags-to-riches tell-all memoir or literary journalism, telling true stories well is hard work. In You Can't Make This Stuff Up , Lee Gutkind, the go-to expert for all things creative nonfiction, offers his unvarnished wisdom to help you craft the best writing possible. Frank, to-the-point, and always entertaining, Gutkind describes and illustrates every aspect of the genre. Invaluable tools and exercises illuminate key steps, from defining a concept and establishing a writing process to the final product. Offering new ways of understanding the genre, this practical guidebook will help you thoroughly expand and stylize your work.

"Witness one man's efforts to continue a heroic legacy. Ted Kord, scientist and CEO of Kord Inc., is also known as the Blue Beetle. After making a promise to his dying mentor Dan Garret, the magically powered first Blue Beetle, he starts his own crimefighting adventures in Chicago. But without the mystical scarab that powered Dan, Ted must now rely on his own brains and brawn to survive! As a founding member of the beloved Justice League International he'll need all his gadgets, like his blinding light gun and his beetle-shaped aircraft, the Bug, to fight criminals including the time thief Chronos, the mysterious corporate saboteur Overthrow and the robotic powerhouse Carapax the indestructible man! Along the way the Bouncing Blue Bomber will also team up with guest stars including fellow vigilante the Question and those terrific Teen Titans! But his greatest challenge may just be to survive a battle royal with Dan Garret for the mantle of Blue Beetle. Only one is destined to survive! This action-packed collection includes the entire 24-issue run of Blue Beetle and Secret Origins #2.

At the end of the 1960s,a new generation of creators began to make its mark on American comics, and one of its greatest showcases was the family of gothic anthologies overseen by legendary DC comics editor Joe Orlando. In their stylishly sinister pages, spine-tingling stories were spun by the future masters of the medium, and arresting archetypes were established that still resonate to this day. Now these classic tales of of the weird, and the otherworldly are gathered for the first time in a handsome hardcover edition. HOUSE OF MYSTERY: THE BRONZE AGE OMNIBUS VOL 1 collects issues #174-200 of the acclaimed series and features scarily sublime work from a horde of comics' greatest talents, including Len Wein, Alex Toth, Gerry Conway, Bernie Wrightson, Marv Wolfman, Jack Kirby, Gil Kane, Jack Oleck, Neal Adams, Wally Wood, Al Williamson, Sergio Aragones, and many more!

Boldly going... where it all started! Presenting the first comic book adventures of the U.S.S. Enterprise and her crew! Fully remastered with new colors, Volume 2 collects the Gold Key issues #7-12, including stories such as "The Voodoo Planet," "The Legacy of Lazarus," "The Brain Shocker," and more.