"In 1909 Francisco Ferrer founded La Escuela Moderna with a curriculum based on the natural sciences and moral rationalism, freed of all religious dogma and political bias. Although students received systematic instruction, there were no prizes for scholarship, no marks or examinations, indeed no atmosphere of competition, coercion, or humiliation. The classes, in Ferrer's words, were guided by the "principle of solidarity and equality." For this he was murdered in 1909 by the combined forces of Spain's ruling Church and State." "Outraged by Ferrer's execution and influenced by his teaching methods, anarchists, artists, and educators joined forces to carry on his work. Between 1910 and 1960 anarchists across the United States established more than twenty schools where children might study in an atmosphere of freedom and self-reliance in contrast to the formality and discipline of the traditional classroom. These "Modern Schools" sought to abolish all forms of authority, political and economic as well as educational, and to usher in a new society based on the voluntary cooperation of free individuals. Their object, during an era of war, social ferment, and government repression, was to create not only a new type of school, but also a new culture, a new life, a new world." "Among the participants in the Modern School Movement were anarchists Emma Goldman and Alexander Berkman, feminist Margaret Sanger, authors Will and Ariel Durant, and groundbreaking artists Robert Henri, George Bellows, and Man Ray. Based on extensive interviews with former pupils and teachers, this work is an investigation into the potential of educational alternatives."--BOOK JACKET.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Florodora: A Musical Comedy Leslie Stuart, Owen Hall, Casino (Theater : New York, N.Y.) T.B. Harms, 1899 Music; Genres & Styles; Musicals; Music / Genres & Styles / Musicals; Musicals

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1921 edition. Excerpt: ... Chapter iv the nature of the russian revolution vThe Russian revolution seemingly mocked the specific forecasts of Marx and Engels as it defied the generally accepted Marxian law of social evolution./. It was neither preceded nor supplemented by a general working class revolution in the West. It did not spring from the village community. That institution had been rapidly and steadily declining until 1917. It did not succeed an outworn_capitalist-system.' CapitalismoccupTeoTa comparatively insignificant part in the economic life of Russia. The Russian reyolution owes morp to the unusual conditions created by the war tnartto thYliormal "course of the country's economic or political development."" Thejnain factors of its success were: / 1. The sudden collapse of the whole organization of national life. A 2. The utter demoralization of the bureaucracy. y3. A weak and unorganized bourgeoisie, y 4. An impoverished, war-weary, rebellious and desperate population. 5. An overwhelmingly large and land-hungry peasantry. 6. Millions of workers and peasants organized into an army and suddenly freed from military discipline--a liberated and armed people available for revolutionary service. 7. Spontaneously created but relatively strong and well-knit organizations of industrial workers in the large cities, who represented the only active and cohesive social force of the country. 8. A small but resolute group of Socialists trained in European theories of Socialism and ready to assume and to exercise leadership. The early Socialist movement of Russia has been characterized as the 'lilleyitimate chil(Lof-Asiatic-R-ttssia and European Capitalism " jfFrom the point of view of the conventional Marxian historian the Russian revolution may be described as the...

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ <title> Jacob Bendixen: The Jew; Adapted From The Danish Of Goldschmidt, Volume 3; Jacob Bendixen: The Jew; Adapted From The Danish Of Goldschmidt; Meïr Goldschmidt <author> Meïr Goldschmidt <translated by> Mary Botham Howitt <publisher> Colburn and co., 1852

At the beginning, Deborah and her husband are in bed, saying goodbye to each other before he is posted overseas. They swear eternal loyalty. But Deborah is very soon bored by her life in the country with her young son and gets a job in London. She then acquires a lover, and when he is posted overseas another, and another

In volume one of this multi-volume series, Marc Ellis explores the essence of the prophetic by intertwining the context of ordinary life and the explosive reality of Jewish identity, the Holocaust and Israel-Palestine. But Ellis's prophetic challenge extends to people of all faiths and backgrounds. For Jews, Christians and Muslims, where does the prophetic come from and how do we define it? Is the heartbeat of the prophetic, God or our own commitment? In our time where belief in God is more difficult does the prophetic suggest only the possibility of God? With or without God is the prophetic worth the suffering that comes the exile's way? Ellis's unfolding narration of the prophetic is unique and probing for those who take life, justice and faith seriously. ""Marc Ellis has demonstrated great courage, integrity, and insight in the very important work he has been doing for years. It has been an inspiration for all of us."" Noam Chomsky ""Marc Ellis is a brilliant writer, a deeply thoughtful and courageous mind, an intellectual who has broken the death-hold of mindless tradition and unreflective cliche to produce a superb account of post-Holocaust understanding with particular reference to the Palestinian people and the moral obligation of Israeli and diaspora Jews. He is a man to be listened to with respect and admiration."" Edward Said ""Anytime I think of my brother Marc Ellis, I think of quiet dignity, spiritual integrity, moral consistency, fierce fortitude, and an unstoppable determination to tell the truth, expose lies, and bear witness."" Cornel West Marc H. Ellis is retired University Professor of Jewish Studies and Director of the Center for Jewish Studies at Baylor University. He is the author and editor of more than twenty books including Toward a Jewish Theology of Liberation, Unholy Alliance: Religion and Atrocity in Our Time a, Future of the Prophetic: Israel's Ancient Wisdom Re-Presented and, Burning Children: A Jewish View of the War in Gaza. Professor Ellis's writings have been translated into more than a dozen languages and he has lectured around the world. Currently he is writing an almost daily commentary series, Exile and the Prophetic, which can be found at mondoweiss.net.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ De Los Nombres De Christo: Añadido Juntamente El Nombre De Cordero Luis de León por Salvador Faulí, junto al Colegio de Corpus Christi, 1770 Religion; Biblical Studies; Jesus, the Gospels & Acts; Religion / Biblical Studies / Jesus, the Gospels & Acts; Religion / Christian Theology / Christology

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Brighton, 1871: a book by two respectable spinsters claiming to have seen the ghost of the Prince Regent in Brighton Pavilion shocks the town and attracts the attention of spiritualist Arthur Wallace Hope. Young Mina Scarletti, a writer of horror stories and investigator of psychic phenomena, suspects fraud. As the summer heat rises and hearts flutter dangerously, Mina and her associates delve into the mystery and, in doing so, they soon discover that nothing is as it seems.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.