A NOVEL OF AN IGNOMINIOUS FALL, THE RISE TO INFAMY, AND LIFE AFTER BOTH. • It is the summer of 1998, and Stephen Glass is a young magazine journalist whose work is gaining more and more acclaim -- until a rival magazine tells Glass's editor that it suspects one of his stories is fabricated. As his editor sorts out the truth, Glass is busy inventing it -- spinning rich and complex blends of fact and fiction, and exploiting the gray world in between. But Glass is caught. His fabulism is uncovered and his career instantly unravels. Worse, his editor learns that it's not the first time. Soon, a long history of invention, passed off as journalism, emerges. Glass suddenly becomes a household name -- an emblem of hubris and a flashpoint for Americans' distrust and dislike of the press. The media is consumed with the story: Once the young man who had been known for mastering the "takedown" article, Glass now becomes the one every journalist wants to take even further down. Once the hunter, Glass becomes the hunted -- the story of the year. Glass responds to this agonizing public scrutiny with a self-imposed exile, first near Chicago with his family and then in the anonymous suburbs of Washington, D.C. There, he begins a long personal struggle with his misdeeds, working out his own answers to the questions of why he fabricated, how he can learn to stop lying, and whether, at age twenty-five, he has destroyed his life irrevocably. Glass encounters a world far stranger than his own fabrications -- one populated by eccentric coworkers, ailing animals, angry masseuses, sexy librarians, competitive bingo players, synchronized swimmers, a soulful stripper, and a mysterious guardian angel who dresses only in purple. Meanwhile, Glass is chased by marauding journalists whose desperation and ruthlessness manage to match even his own. As he dodges his pursuers, Glass grasps at straws only to find that, wondrously, they sometimes hold. Despite himself, he rediscovers the Judaism he'd left far behind in Hebrew school, and falls helplessly in love with a young woman who turns out to have her own shameful past. In the end, The Fabulist is as much about family, friendship, religion, and love -- about getting through somehow, even when it seems impossible -- as it is about reality and fantasy. At once hilarious and harrowing, The Fabulist is one of the year's most provocative novels.

Stephen Fry's breathtakingly outrageous debut novel is by turns eccentric, shocking, brilliantly comic and achingly romantic. Adrian Healey loves to lie. He does it all the time. Every minute, every moment. And worse, he does it wonderfully, imaginatively, brilliantly. He lies to buck the system, to express his contempt for convention, but mostly because he just plain likes to. It's fun; it's high camp. He invents a lost pornographic novel by Charles Dickens, and for himself a career as a Piccadilly rent boy hireable by the hour. But Adrian's lies eventually bring realworld danger, as he finds himself caught up in the machinations of a shadowy network that puts his own life at risk. A dazzling, outrageous first novel that has delighted liars everywhere.

Adrian Healey loves to lie. He lies all the time. Every minute, every moment. Worse, he does it wonderfully, imaginatively, brilliantly. He lies to buck the System, to express his contempt for convention, but mostly because he just plain likes to. It's fun, and so much more challenging. It is high camp. One creates when one prevaricates. "Doesn't everyone think the way I think?" says Adrian of his various inventions. Like the pornographic novel by Charles Dickens, his career as a Piccadilly "rent-boy" hireable by the hour, his stressful work as a drug "mule" smuggling illegal substances. He has (as his Cambridge tutor observed) "a fine brain, but a dreadful mind." Already in his public school career, marked by privilege and pederasty, he had lost the ability to differentiate between simple truth and his elaborate fictions. The Liar is as wicked and witty, as unspeakably (and unquotably) funny as its protagonist narrator - and as irresistible as its multi-talented author, Stephen Fry. Mr. Fry's credits grow daily. He is the star of a film entitled Peter's Friends, and of Masterpiece Theater's television series Jeeves and Wooster. He is half of the Fry and Laurie comedy team, he has written a play called Latin and the book for the musical Me and My Girl, and he is a weekly columnist for the London Daily Telgraph. He is also now the author of the #1 English bestseller, The Liar, which spent several months at the very top position on the British charts. In the literary firmament it has been identified as somewhere between Oscar Wilde and Saki.

A hilarious collection of the many articles written by Stephen Fry for magazines, newspapers and radio. It includes selected wireless essays of Donald Trefusis, the ageing professor of philology brought to life in Fry's novel The Liar , and the best of Fry's weekly column for the Daily Telegraph . Perfect to dip into but just as enjoyable to read cover to cover, this book, perhaps more than any other, shows the breadth of Fry's interests and the depth of his insight. He remains a hilarious writer on whatever topic he puts his mind to.

A series of discrete episodes among friends provide snapshots of one gay man's life. There are parties, concerts, dinners with everyday life - and death - interwoven in the rich story-telling. An actress, a painter, a set designer, a writer - all sweating and surviving in Manhattan, all scoring their first successes. Part autobiography and part documentary, artfully written, it details the lives of these creative people. Young and professional, they know there is more to life than money. There is trust and the sort of love that trades in deeds of kindness. Leventhal's debut novel was welcomed warmly garnering a Lambda Literary Awards Finalist in 1988, this new edition features a 2020 foreword by Christopher Bram.

Based on his own experience of the Great War, Henri Barbusse's novel is a powerful account of one of the greatest horrors mankind has inflicted on itself. For the group of ordinary men in the French Sixth Battalion, thrown together from all over France and longing for home, war is simply a matter of survival, lightened only by the arrival of their rations or a glimpse of a pretty girl or a brief reprieve in the hospital. Reminiscent of classics like Hemingway's "A Farewell to Arms" and Remarque's "All Quiet on the Western Front," "Under Fire" (originally published in French as "La Feu") vividly evokes life in the trenches -- the mud, stench, and monotony of waiting while constantly fearing for one's life in an infernal and seemingly eternal battlefield.

As far back as 1922 the great poet Garcia Lorca had predicted that I was destined for a literary career and had suggested that my future lie precisely in the "pure novel." In Salvador Dalí's only novel, the reader enters the bizarre world already familiar to us from his paintings. Dalí describes, in vividly visual terms, the intrigues and love affairs of a group of dazzling, eccentric aristocrats who, with their luxurious and extravagant lifestyle, symbolize the decadence of the 1930s. The story of the tangled lives of the protagonists, from the February riots of 1934 in Paris to the closing days of World War II, constitutes a brilliant and dramatic vehicle for Dalí’s vision and reads as an epitaph of pre-war Europe.

Jhabvala, winner of the Booker Prize as well as an Academy Award for screenwriting, has written a haunting tale of the complex and perilous relations between two young cousins, Angel and Lara. A masterful novel which explores the dangers of love and committment. From the Trade Paperback edition.

The first novel in Roth's Zuckerman Bound trilogy, The Ghost Writer introduces Nathan Zuckerman in the 1950s, a budding writer infatuated with the Great Books, discovering the contradictory claims of literature and experience while an overnight guest in the secluded New England farmhouse of his idol, E.I. Lonoff. At Lonoff's, Zuckerman meets Amy Bellette, a haunting young woman of indeterminate foreign background who turns out to be a former student of Lonoff's and who may also have been his mistress. Zuckerman, with his active, youthful imagination, wonders if she could be the paradigmatic victim of Nazi persecution. If she were, it might change his life. --From publisher description.

Allen Ginsberg, Lionel and Diana Trilling, Lillian Hellman, Hannah Arendt, and Norman Mailer -- all are ex-friends of Norman Podhoretz, the renowned editor and critic and leading member of the group of New York intellectuals who came to be known as "the Family." As only a family member could, Podhoretz tells the story of these friendships, once central to his life, and shows how the political and cultural struggles of the past fifty years made them impossible to sustain. With wit, piercing insight, and startling honesty, we are introduced as never before to a type of person for whom ideas were often matters of life and death, and whose passing from the scene has left so large a gap in American culture. Podhoretz was the trailblazer of the now-famous journey of a number of his fellow intellectuals from radicalism to conservatism -- a journey through which they came to exercise both cultural and political influence far beyond their number. With this fascinating account of his once happy and finally troubled relations with these cultural icons, Podhoretz helps us understand why that journey was undertaken and just how consequential it became. In the process we get a brilliantly illuminating picture of the writers and intellectuals who have done so much to shape our world. Combining a personal memoir with literary, social, and political history, this unique gallery of stern and affectionate portraits is as entertaining as a novel and at the same time more instructive about postwar American culture than a formal scholarly study. Interwoven with these tales of some of the most quixotic and scintillating of contemporary American thinkers are themes that are introduced, developed, and redeveloped in a variety of contexts, with each appearance enriching the others, like a fugue in music. It is all here: the perversity of brilliance; the misuse of the mind; the benightedness of people usually considered especially enlightened; their human foibles and olympian detachment; the rigors to be endured and the prizes to be won and the prices to be paid for the reflective life. Most people live their lives in a very different way, and at one point, in a defiantly provocative defense of the indifference shown to the things by which intellectuals are obsessed, Norman Podhoretz says that Socrates' assertion that the unexamined life was not worth living was one of the biggest lies ever propagated by a philosopher. And yet, one comes away from Ex-Friends feeling wistful for a day when ideas really mattered and when there were people around who cared more deeply about them than about anything else. Reading of a time when the finest minds of a generation regularly gathered in New York living rooms to debate one another with an articulateness, a passion, and a level of erudition almost extinct, we come to realize how enviable it can be to live a life as poignantly and purposefully examined as Norman Podhoretz's is in Ex-Friends.

Norman Mailer's The Time of Our Time is a giant retrospective, a rich, boisterous portrait of our times seen through the fiction and reportage of one of America's greatest writers. Mailer selected and edited the contents of this work to create an ongoing narrative of events large and small that have shaped America over the last fifty years. Included are passages from The Naked and the Dead, The Deer Park, An American Dream, The Armies of the Night, The Executioner's Song, Ancient Evenings, and Harlot's Ghost as well as portraits of Ernest Hemingway, Dorothy Parker, Truman Capote, JFK, Marilyn Monroe, Lee Harvey Oswald, Madonna, Bill Clinton, Jimmy Carter, and Richard Nixon as they appeared in some of his best magazine pieces. How readable is the result! It is as if one is being drawn into a fabulous novel with extraordinary characters, real and fictional, who appear and reappear through the years until a vast mural of America as a nation comes into focus, full of follies and blunders, surprisingly elegant and often crazy--tragic in its losses and large in its triumphs. On display here are Mailer's enormous energies, his vast curiosity, and his powers of delineation. Here too are his errors of judgment and deed, both personal and literary. As a writer, Mailer eschews all limits. He goes at the world like a tiger. What will surprise many readers of The Time of Our Time is what a shrewd and stylish tiger he has been. "From the Hardcover edition."

Ancient Evenings, a dazzlingly rich, deeply evocative novel, recreates the long-lost civilisation of Ancient Egypt. Mailer breathes life into the figures of that era; the eighteenth dynasty Pharaoh Rameses and his wife, Queen Nefertiti; Menenhetet, their creature, lover and victim; and the gods and mortals that surround them in intimate and telepathic communion. His hero, three times reincarnated during the novel, moves in the bright sunlight of white temples, in the exquisite gardens of the royal harem, along the majestic flow of the Nile and in the terrifying clash of battle. An outstanding work of creative imagination, Ancient Evenings displays Mailer's obsession with magic, violence and eroticism and lives on in the mind long after the last page has been turned.

Leah Baer has been shuffled to and from various parents and households for years, and now shes back at her fathers house with his new wife. This latest move seems as though it might be a lasting one, but Leah feels out of place both at home and at school. Then an unconventional boy named Will befriends Leah and persuades her to try acting to express her ideas and feelings. As Leah begins to learn more about herself, she also begins to see how she fits in her family members lives, and gradually finds out what it means to be home. Nora Raleigh Baskins stirring and heartfelt novel resonates with emotional truths.

"In this rich and compassionate novel, An Observant Wife, Naomi Ragen continues the love story between newly observant California-girl Leah and ultra-Orthodox widower Yaakov from An Unorthodox Match. From the joy of their wedding day surrounded by supportive friends and family, Yaakov and Leah are soon plunged into the complex reality of their new lives together as Yaakov leaves his beloved yeshiva to work in the city, and Leah confronts the often agonizing restrictions imposed by religious laws governing even the most intimate moments of their married lives. Adding to their difficulties is the hostility of some in the community who continue to view Leah as a dangerous interloper, questioning her sincerity and adherence to religious laws and spreading outrageous rumors. In the midst of their heartfelt attempts to reach a balance between their human needs and their spiritual obligations, the discovery of a secret, forbidden relationship between troubled teenage daughter Shaindele and a local boy precipitates a maelstrom of life-changing consequences for all"--

Hidden away in an Oxford back street is a crumbling Georgian mansion, unknown to any but the few who possess a key to its unassuming front gate. Its owner is the mercurial, charismatic Mark Winters, whose rackety trust-fund upbringing has left him as troubled and unpredictable as he is wildly promiscuous. Mark gathers around him an impressionable group of students- glamorous Emmanuella, who always has a new boyfriend in tow; Franny and Simon, best friends and occasional lovers; musician Jess, whose calm exterior hides passionate depths. And James, already damaged by Oxford and looking for a group to belong to. For a time the group lives in a charmed world of learning and parties and love affairs. But university is no grounding for adult life, and when, years later, tragedy strikes they are entirely unprepared. Universal in its themes of ambition, desire and betrayal, this spellbinding novel reflects the truth that the lessons life teaches often come too late. 'The naïve sense of indestructibility possessed by a close-knit group of students is expertly balanced with the suspense of what threatens to unfold.' Sophie Morris Saturday Independent 'Naomi Alderman's second novel examines the warping effects of wealth.' Joanna Briscoe, Observer 'Alderman's premise is familiar - trust-funder going to the bad - but this is, nonetheless, a dark spell of a book, with brooding disenchantment at its heart.' Eithne Farry. Daily Mail 'As the novel progresses, we are forced to look at how people are driven by impulses they're not even aware of, and the most brutal lesson of all- that love doesn't come without pain or sacrifice.' Alastair Mabbott, The Herald 'The Lessons is sturdily plotted and hooks you in- it's a good read if not unique.' Alice Fisher, Observer 'Alderman packs a punch with her opening line', Lianne Kolirin , Daily Express 'The Lessons has more insight into human nature than Martin Amis's The Pregnant Widow , and is more intellectually sustained. This is a second novel from a young writer of huge talent, ambition and energy.' Amanda Craig, Independent 'No one writes about pain better than Alderman. Lose yourself in 278 pages and you enter another world.' Liz Hoggard, Evening Standard 'Naomi Alderman is, evidently, not afraid of ghosts. She courts them and flirts with them and defies them in her darkly seductive second novel, The Lessons .' Damian Barr, Independent on Sunday 'Beautifully written . . . satisfyingly complex exploration of the characters and their relationships.' Samira Shackle , New Statesman 'This is a remarkable novel, which portrays with uncomfortable accuracy the feted world of the Oxford undergraduate. It reminds me a great deal of Donna Tartt's The Secret History in that it has the same brooding sense of menace and the same lightening characterisation. Naomi is a supremely talented writer.' Joanne Harris, 'Witty, dark and compelling.' Charlotte Mendelson 'Wise, compassionate and heart-rending, a novel that conveys all the cruelty and pain of gilded youth.' Liz Jensen author of Chocolat Praise for Disobedience - 'Rich, fresh, fascinating. A wonderful novel' Sunday Times 'Sharp, funny and poignant' Hilary Mantel

Caroline Rose is plagued by the tapping of typewriter keys and the strange, detached narration of her every thought and action. Caroline has an unusual problem - she realises she is in a novel. Her fellow characters also seem deluded: Laurence, her former lover, finds diamonds in a loaf of bread - has his elderly grandmother hidden them there? And Baron Stock, her bookseller friend, believes he is on the trail of England's leading Satanist. In Muriel Spark's brilliant first novel, the only things that aren't ambiguous are her matchless originality and glittering wit.

In graphic novel format, presents 4,000 years of Jewish history culminating in the modern state of Israel.

In an unnamed country at the beginning of the last century, a child called Pavla is born to peasant parents. Her arrival, fervently anticipated and conceived in part by gypsy tonics and archaic prescriptions, stuns her parents and brings outrage and scorn from her community. Pavla has been born a dwarf, beautiful in face, but as the years pass, she grows no farther than the edge of her crib. When her parents turn to the treatments of a local charlatan, his terrifying cure opens the floodgates of persecution for Pavla. "Little Nothing" unfolds across a lifetime of unimaginable, magical transformation in and out of human form, as an outcast girl becomes a hunted woman whoseultimate survival depends on the most startling transfiguration of them all. Woven throughout is the journey of Danilo, the young man entranced by Pavla, obsessed only with protecting her. Part allegory about the shifting nature of being, part subversive fairy tale of love in all its uncanny guises, "Little Nothing" spans the beginning of a new century, the disintegration of ancient superstitions, and the adoption of industry and invention. With a cast of remarkable characters, a wholly original story, and extraordinary, page-turning prose, Marisa Silver delivers a novel of sheer electricity."

In 70 A.D., when Roman forces sack Jerusalem, the scribe Abraham flees the city carrying little more than the scroll that documents his family history. For the next 19 centuries, one member of each new generation inherits this scroll along with the admonition that the record must be kept up to date. From Alexandria to Toledo, from Strasbourg to the Warsaw ghetto, Halter provides a moving account of Jews in exile. Abraham's descendants continue to work as scribes and eventually as printers. Since they are loyal to the word, it serves as their defense against oppression and solace in time of pain. This novel, much celebrated in Europe, has been aptly compared to Roots since it is based on records of the Halter family dating back to 1480 and on detailed historical research for the earlier centuries.

'In Search of Lost Time' is Proust's masterpiece and was described by Somerset Maugham as the greatest novel of the 20th century. This translation brings to the fore a more sharply engaged, comic and lucid Proust. In Search of Lost Time is one of the greatest, most entertaining reading experiences in any language. As the great story unfolds from its magical opening scenes to its devastating end, it is this text that makes Proust accessible to a new generation.