Sam White and the seven inner demons is a poetry chapbook about healing. A journey of self-reflection and overcoming cycles of abuse. Inspired by fairytales, this chapbook begins with a walk into the woods. Here, we learn, as a coping mechanism, SW fades in and out of disassociation and is on a winding path of recovery. The following is one stream of consciousness poem divided into seven parts and inspired by the seven dwarfs. Instead of seven tiny men living in a cottage, these poems personify the inner demons that live inside SW's head. Often seeking refuge everywhere but in herself, SW feels caught in a never-ending vortex of darkness. By the end of the chapbook, she has learned that she can escape the cycle of abuse once she knows how to stand up for and save herself.

The poems of Richard Howard are noted for their unique dramatic force and for preserving, in their graceful, exquisitely wrought lines, human utterance at its most urbane. Inner Voices , the first volume to draw together material from Howard's twelve books of poems, leaves no doubt as to why he has been called "a powerful presence in American poetry for 40 years" ( The New York Times Book Review ).

Poetry. Rachel Tzvia Back's third full-length book of poems, A MESSENGER COMES is a harrowing book that takes the reader to the edge of grief. As Hank Lazer's writes, while Back's book is "beautifully rich and emotionally engaging, this is no simple book of consolation. In its steadfast beauty, it is a book of questions: can grief be sustained? What can we learn from the grief of another? Thus this is a messenger we will want and need to welcome time and again."

Poetry. Though known today mostly as an essayist, Phillip Lopate worked seriously as a poet for fifteen years during the 1970s and 1980s. As Henri Cole writes: "Phillip Lopate may be an American ambassador of nonfiction, but he is also a youthful, taciturn, love-seeking New York poet, whose poems--plainspoken, personal, darkly humorous--quietly gather strength while confronting the beautiful and ugly in city life. I admire their vitality and honesty."

Poetry. Music. Legendary British Beat Poet and Cream lyricist publishes his first book of poems since the mid 1960s. His work is filled with satire, lyrical genius and humor. Pete was one of the original Mersey Beat Poets from Liverpool, England in the early 1960s.

Poetry. The latest collection from prolific poet, literary chronicler, and man on the scene, Neeli Cherkovski, pays homage to his aging and gone friends from the heyday of all their lives, contemplates upon his own dwindling days, celebrates each moment passing by, and attempts to come to grips with ultimate ends. Neeli Cherkovski was born a poet and through hard, lifelong work, turned himself into a constant maker. These poems result from a close alignment between fingers, pencil, paper, and brain.

The poems in 'Songs from Two Continents' follow a tradition extended from the folk poetry of the common peoples of Turkey, infusing Moris Farhi's Turkish roots with his European upbringing.

Forced March is a new edition of Radnóti’s selected poems, in the powerful and moving translations of Clive Wilmer and George Gömöri. Poet Dick Davis explains why this book is so important: ‘Radnóti has emerged as the major poetic voice to record the civilian experience of World War II in occupied Europe. His poems are an extraordinary record of a mind determined to affirm its civilization in the face of overwhelming odds. He is one of the very greatest poets of the twentieth century, and Clive Wilmer’s and George Gömöri’s versions are by far the best that exist in English.’ By the time the Second World War broke out, Miklós Radnóti was already an established poet. When the Nazis took over his home-town of Budapest, Radnóti was sent to a labour camp at Bor in occupied Serbia. Then, in 1944, as the Germans retreated from the eastern front, Radnóti and his fellow labourers were force-marched back into Hungary. On 9 November, too weak to carry on, he and many comrades were executed by firing-squad. When the bodies were exhumed the following year, Radnóti was identified by a notebook of poems in his greatcoat pocket. These poems, published in 1946 as Foaming Sky, secured his position as one of the giants of modern Hungarian poetry.

"What is a Bong Tree? brings together a big selection of Michael Rosen's writings and talks over five decades. They are about the centrality of literature, including children's literature, in the lives of all of us; about the power of poetry to inspire, console and entertain; and about the need to argue and campaign for these liberating forces in the face of ignorant and reductionist actions by successive governments in the United Kingdom, which have narrowed and impoverished children's experience of literature by pressing it into the service of a regime dominated by tests and examinations. The pieces here refer frequently to Michael's childhood and upbringing, and offer a generous tribute to his parents, Connie and Harold Rosen, and their influence on him and his subsequent work. Tonally, the pieces carry Michael's trademark: they're witty and insouciant; they carry serious ideas unseriously. Parents, teachers, librarians, academics, in fact anyone concerned with the nurture and education of children, and with the place of culture - in its widest sense - in our society, will find much pleasure and practical encouragement here." John Richmond, Editor

"In Longing: Poems of a Life, acclaimed poet Merle Feld presents a collection of deeply personal poetry reflecting on the realities of family, trauma, isolation, abuse, coming of age, love, and guarded hope"--

"A volume of poetry in which the author confronts God, the perpetrators of the Holocaust, and the bystanders to the genocide in which six million Jews were murdered. Menachem Rosensaft also reflects on other genocides, physical separation during the COVID-19 pandemic, and why Black lives matter, among other themes that inspire the reader to make the ghosts of the past an integral part of their present and future"--

Poetry. "Syllable by syllable, vigorous aural and resolutely abstract. [Chernoff's] strings of words create L=A=N=G= U=A=G=E poetry of the most radical sort. There is not an iota of ingenuousness to be seen anywhere"--Marjorie Perloff.

In the first years of the 20th century, friends Max Jacob, Pablo Picasso and Guillaume Apollinaire, with associated artists and writers including Georges Braque, Jean Cocteau, Amedeo Modigliani, Henri Matisse, Gertrude Stein, Pierre Reverdy and Alfred Jarry, gathered in a ramshackle house in Paris. From its improvised studios and stages emerged the early expressions of Modernism: Cubism, Dada, Surrealism, incorporation of collage in painting and vernacular in poetry. Jacob's masterwork, The Dice Cup (Le Cornet à Dés), has never before been available in a full English edition. This completely new translation includes the Preface of 1916, with Jacob's critique of Rimbaud, Baudelaire and Mallarme, and his strictures and inspirations for the true prose poem: "The author who has situated his work can use all the enchantments: language, rhythm, musicality and spirit." "I am convinced that artistic emotion ceases where analysis and thought intersect: something else provokes thought and gives the feeling of beauty." "A work of art is a force that attracts, that absorbs the available forces of the one who comes close to it." "The poem is a constructed object... the prose poem is a jewel." from The Dice Cup: THE PRESS: I entered timidly: there was an ostrich that was losing its feathers and, on a white stucco pedestal, a bronze bird whose plumage was represented by a series of engraved shells. It was Mr. Abel Hermant or someone like Mr. Abel Hermant who appeared, as soon as the hallway door opened: "Ah! young man!" said he, "you come for the hundred sous!" I learned later that a hundred sous were given to everybody who came there. At the mention of a hundred sous, the ostrich dropped a feather and the bronze bird flew away. Anyway, the vestibule was deserted and dusty, pins were kept in iron boxes painted with the portraits of great men, Cuvier, Buffon, etc... "Ah! Young man," repeated Mr. Abel Hermant or someone of the same ilk, "you come for the hundred sous!" And the birds re-commenced their motions. "No, sir! It's free! It's a free delivery!" My future spiritual guide did not listen any further: "free delivery" had edified him, he turned his back on me. The ostrich put on his policeman's hat and looked at me with worried curiosity. The bronze bird was even more bronze.

A volume of poetry by Lois Roisman that records her dialogue with the tales of the Hasidim. Using them as windows, Roisman searches for the women of the shtetl, her hidden ancestors, and when the women were not to be found, she employs leaps of poetic imagination to find and penetrate their lives.

"THE LOVE BOOK", transcendental jewel of American Poetry, banned as part of an illegal program of harassment, arrests, and mass confiscations instituted by then-governor Ronald Reagan, is back in all its notorious glory to claim its rightful place in San Francisco literary history.

The Collected Poems of Larry Eigner brings together, for the first time, all of the approximately 3,072 published and unpublished poems composed by Larry Eigner (1927-1996), a prominent American poet of the second half of the twentieth century and one of the principal figures of the influential Black Mountain School. Scrupulously edited by Robert Grenier and Curtis Faville from the extensive archives of Eigner typescripts at the University of Kansas and Stanford University, this monumental, four-volume, 8 1/2 by 11 inch edition sets forth in chronological sequence the story of Eigner's achievement, from his modest beginnings as the boy-author of traditional rhymes to his highly original (and often profoundly moving) constructions made of letters in the space of his typewriter page, which have gained him widespread recognition and placed him in the forefront of the literary avant-garde. For over 40 years, beginning in the early 1950's, Larry Eigner's writing was a wonder and a delight to readers of contemporary poetry, appearing in countless little magazines and in over 75 books and pamphlets. With the publication of The Collected Poems―faithfully reproducing the precise visual and aural relationships envisioned by the author in an equivalently spaced Courier computer font which preserves typewriter spacing―the fact of Eigner's amazing accomplishment can finally be known, appreciated and appraised by a much-better-informed, wider audience. Palsied from hard birth, growing up in a close-knit, nurturing household in Swampscott, Massachusetts, Eigner courageously overcame a series of physical obstacles and limitations to achieve a mastery over the material text, producing his typescripts on his 1940 Royal manual typewriter using only his right index finger and thumb to create shifting constellations of words in space whose musical and visual designs are realized in a language at once immediate and highly abstract. Perhaps the best realization to date of the idea of "composition by field" proposed by Charles Olson in his landmark essay "Projective Verse," The Collected Poems of Larry Eigner is a literary event of the first order.

The definitive collection of work from one of Australia's preeminent twentieth century poets, Kenneth Slessor, drawing from his acclaimed books, Earth Visitors (1926), Cuckooz Contrey (1932) and Five Bells (1939). this selection was first published as One Hundred Poems in 1944 (with the addition of three further poems in 1957), and includes an introduction by Dennis Haskell and an Author's Note. From his historical series, 'Five Visions of Captain Cook', to his memorial to the loss of a friend, the iconic 'Five Bells', and from the tragic landscape of El Alamein, influenced by his stint as a war correspondent and made famous in 'Beach Burial', to the meditation 'Out of time', Slessor's poetry continues to dazzle contemporary audiences. A master of modern verse, Slessor explores the themes of art, death and time, displaying an impressive range: from sorrow to satire, melodrama to poignant intensity. His work still influences and inspires younger generations, and the prestigious Kenneth Slessor Poetry Prize is named in his honour. 'studded with these beautiful jewels of language' - Paul Kelly on 'Five Bells' 'More than any other writer, Slessor's work turned Australian literature towards the modern' - From the introduction, by Dennis Haskell

Lederer's debut poetry collection explores sex, gender, nature and romance with lyric grace and intellectual rigor. These open and inventive poems are filled with "a kinetic energy that rises out of erotic desire"—D. A. Powell.

Erica Jong is a celebrated poet, novelist & essayist with over twenty-five published books that have been influential all over the world. Her most popular novel, Fear of Flying, celebrated its 40th anniversary in 2013. Never out of print, it has sold over thirty-five million copies translated into over forty-five languages including Chinese and Arabic. Erica?s latest novel, Fear of Dying, was published in 2015/2016 with many publishers all over the world. Her awards include the Fernanda Pivano Award for Literature in Italy (named for the critic who introduced Ernest Hemingway, Allen Ginsberg, and Erica Jong to the Italian public), the Sigmund Freud Award in Italy, the Deauville Literary Award in France, the United Nations Award for Excellence in Literature, and Poetry magazine?s Bess Hokin Prize (also won by Sylvia Plath and W.S. Merwin). Erica?s poetry has appeared in publications worldwide, including the New Yorker, the LA Times, the Paris Review, Haaretz, and many more. Erica lives in New York and Connecticut with her husband and two poodles.

Love Comes First is Erica Jong's long-awaited return to her poetic roots! Here is Erica Jong's first book of all-new poems in more than a decade. Known and beloved for Fear of Flying and her many other books of fiction, nonfiction and poetry, Jong expounds on the most eternal, universal topic of all: love. Using brilliant imagery and intense metaphorical insights to paint vivid pictures of love, and all that comes with it--the heights of elation, the depths of sorrow--she covers every inch of the spectrum with her vibrant and insightful words. Perfect for wedding showers, lovers of all ages, and Valentine's Day, Jong's trademark trailblazing style and remarkable ability to bridge the gap between literary and popular poetry makes Love Comes First an instant classic. Discover-- or discover yet again--the brilliance of Erica Jong. Watch the trailer for this book: