From the earliest years of sound film in America, Hollywood studios and independent producers of "race films" for black audiences created stories featuring African American religious practices. In the first book to examine how the movies constructed images of African American religion, Judith Weisenfeld explores these cinematic representations and how they reflected and contributed to complicated discourses about race, the social and moral requirements of American citizenship, and the very nature of American identity. Drawing on such textual sources as studio production files, censorship records, and discussions and debates about religion and film in the black press, as well as providing close readings of films, this richly illustrated and meticulously researched book brings religious studies and film history together in innovative ways.

Cited in Books for College Libraries, 3d ed. and Guide to Reference Books, this standard reference, accessible to high school students and above, presents the life and political careers of all the American presidents. Arranged chronologically, the 20-plus page essays written by scholars, historians, and journalists are preceded by a general introduction on the nature of the presidency and followed by a chapter on the role of the first ladies from Martha Washington to Laura Bush. New information includes the second term of the Clinton administration and the first year of George W. Bush's tenure. The appendices include a general bibliography of the presidency; a table of biographical, political and historical data; and a description of the executive office of the president. Includes 100 b & w illustrations and two eight-page color inserts. Edited by Graff (emeritus history, Columbia U.). Annotation copyrighted by Book News, Inc., Portland, OR

Nearly a century and a half after his death, Abraham Lincoln remains an intrinsic part of the American consciousness, yet his intentions as president and his personal character continue to stir debate.Now, in The Lincoln Enigma, Gabor Boritt invites renowned Lincoln scholars, and rising new voices, to take a look at much-debated aspects of Lincoln's life, including his possible gay relationships, his plan to send blacks back to Africa, and his high-handed treatment of the Constitution. Boritt explores Lincoln's proposals that looked to a lily-white America. Jean Baker marvels at Lincoln's loves and marriage. David Herbert Donald highlights the similarities and differences of the Union and Confederate presidents' roles as commanders-in-chief. Douglas Wilson shows us the young Lincoln--not the strong leader of popular history, but a young man who questions his own identity and struggles to find his purpose. Gerald Prokopowicz searches for the military leader, William C. Harris for the peacemaker, and Robert Bruce meditates on Lincoln and death. In a final chapter Boritt and Harold Holzer offer a fascinating portfolio of Lincoln images in modern art.Acute and thought-provoking in their observations, this all-star cast of historians--including two Pulitzer and three Lincoln Prize winners--questions our assumptions of Lincoln, and provides a new vitality to our ongoing reflections on his life and legacy.

In this classic portrait of Jews in the South, Eli N. Evans takes readers inside the nexus of southern and Jewish histories, from the earliest immigrants to the present day. Evoking the rhythms and heartbeat of Jewish life in the Bible belt, Evans weaves together chapters of recollections from his youth and early years in North Carolina with chapters that explore the experiences of Jews in many cities and small towns across the South. He presents the stories of communities, individuals, and events in this quintessential American landscape that reveal the deeply intertwined strands of what he calls a unique "Southern Jewish consciousness." First published in 1973 and updated in 1997, The Provincials was the first book to take readers on a journey into the soul of the Jewish South, using autobiography, storytelling, and interpretive history to create a complete portrait of Jewish contributions to the history of the region. No other book on this subject combines elements of memoir and history in such a compelling way. This new edition includes a gallery of more than two dozen family and historical photographs as well as a new introduction by the author.

Hirsch shows why American students perform less well than students in other industrialized countries. Drawing on classroom observation, the history of ideas, and current scientific understanding of the patterns of intellectual growth, he builds the case that our schools have indeed made progress in teaching the mechanics of reading, but do not convey the more complex and essential content needed for reading comprehension. Hirsch reasons that literacy depends less on formal reading 'skills' and more on exposure to rich knowledge. His argument gives parents specific tools for enhancing their child's ability to read with comprehension; shows how No-Child-Left-Behind tests and SATs are measuring a kind of knowledge that is not being taught in our schools; and maps out how American schools can become a strong antidote to poverty and to the race-based achievement gap, and thus fulfill our democratic ideal for our children.--From publisher description.

Daniel Gross, Yahoo! financial columnist and author of Dumb Money , offers a refreshingly optimistic take on our nation’s economic prospects, examining the positive trends that point to a better, stronger future. Financial meltdown, a deep recession, and political polarization—combined with strong growth outside the U.S.—have led to a global bubble of pessimism surrounding the U.S. and its economic prospects. Bloated with debt, outpaced by China, India, and other emerging markets, the U.S. has been left for dead as an economic force. But, Daniel Gross, widely respected for his Newsweek and Slate coverage of the crash and the recovery, shows that much of the talk about decline is misplaced. In the wake of the crash, rather than accept the inevitability of a Japan-style lost decade, America’s businesses and institutions tapped into the very strengths that built the nation’s economy into the global powerhouse in the first place: speed, ingenuity, adaptability, pragmatism, entrepreneurship, and, most significantly, an ability to engage with the world. As the U.S. wallowed in self-pity, the world continued to see promise in what America has to offer—buying exports, investing in the U.S., and adapting American companies and business models as their own. Global growth, it turns out, is not a zero-sum game. These same attributes can propel the world’s largest economy forward through the significant headwinds it faces. Better, Stronger, Faster is a narrative of the remarkable reconstruction and reorientation that started in March 2009, a period that Gross compares to March 1933. Both marked the start of unexpected recoveries and monumental shifts in our nation’s history. As Gross explains, through stories of innovative solutions devised by policymakers, businesses, investors, and consumers, America has the potential to emerge from this period, not as the unrivaled ruler of the global economy, but as a leader and enabler of growth.

Product Description From Israel's leading historian, a sweeping history of 1967--the war, what led up to it, what came after, and how it changed everything Tom Segev's acclaimed works One Palestine, Complete and The Seventh Million overturned accepted views of the history of Israel. Now, in 1967--a number-one bestseller in Hebrew--he brings his masterful skills to the watershed year when six days of war reshaped the country and the entire region. Going far beyond a military account, Segev re-creates the crisis in Israel before 1967, showing how economic recession, a full grasp of the Holocaust's horrors, and the dire threats made by neighbor states combined to produce a climate of apocalypse. He depicts the country's bravado after its victory, the mood revealed in a popular joke in which one soldier says to his friend, "Let's take over Cairo"; the friend replies, "Then what shall we do in the afternoon?" Drawing on unpublished letters and diaries, as well as government memos and military records, Segev reconstructs an era of new possibilities and tragic missteps. He introduces the legendary figures--Moshe Dayan, Golda Meir, Gamal Abdul Nasser, and Lyndon Johnson--and an epic cast of soldiers, lobbyists, refugees, and settlers. He reveals as never before Israel's intimacy with the White House as well as the political rivalries that sabotaged any chance of peace. Above all, he challenges the view that the war was inevitable, showing that a series of disastrous miscalculations lie behind the bloodshed. A vibrant and original history, 1967 is sure to stand as the definitive account of that pivotal year. From Booklist It is now 40 years since the Six Days' War, in which Israel routed the armies of Egypt, Syria, and Jordan and transformed the geography and political landscape of the Middle East. Segev is a columnist for Ha'aretz, Israel's leading left-of-center daily newspaper, and he clearly views the events leading to the war as well as the aftermath of the conflict with a predictable bias. Still, many of his revelations are both startling and credible. A substantial portion of the book is devoted to an analysis of Israeli society on the eve of the war. Segev portrays a nation plagued by disillusionment, communal tensions, and anxiety about national survival. The idealism that inspired the early Zionist pioneers had waned, and the Ashkenazi and Sephardic communities seemed increasingly resentful of each other. An increased awareness of the Holocaust by the younger generation combined with the extreme rhetoric of Arab leaders contributed to a sense of impending doom. Segev asserts that the outbreak of war was hardly inevitable and was precipitated by gross miscalculations by both sides. Freeman, Jay Copyright © American Library Association. All rights reserved Review "Today we know that Israel's triumph in 1967 was a Pyrrhic victory. Tom Segev's 1967 makes that more clear than anything written on the subject . . . Segev documents this historic tragedy brilliantly, authoritatively, as no one has before."--Amos Elon, Ha'aretz "Tom Segev's 1967 offers a brilliant description of the Six Day War in its widest context: the international scene, the Middle Eastern confrontations, the political and social situation of Israel, as well as fascinating snippets of everyday life. The crucial role of individual actors is deftly woven into the general picture, the description of the military events is enthralling. This is probably the best book on those most fateful days in the history of Israel and the Middle East."--Saul Friedlander, author of The Years Of Extermination: Nazi Germany And The Jews, 1939-1945 "The year 1967 divides the history of Israel in two: what came before and what came after. Tom Segev's book makes this abundantly clear, and demonstrates the difference between a military victory and a political one."--Daniel Barenboim About the Author Tom Segev is a columnist for H

In Act of Creation , Stephen C. Schlesinger tells a pivotal and little-known story of how Secretary of State Edward Stettinius and the new American President, Harry Truman, picked up the pieces of the faltering campaign initiated by Franklin Roosevelt to create a "United Nations." Using secret agents, financial resources, and their unrivaled position of power, they overcame the intrigues of Stalin, the reservations of wartime allies like Winston Churchill, the discontent of smaller states, and a skeptical press corps to found the United Nations. The author reveals how the UN nearly collapsed several times during the conference over questions of which states should have power, who should be admitted, and how authority should be divided among its branches. By shedding new light on leading participants like John Foster Dulles, John F. Kennedy, Adlai Stevenson, Nelson Rockefeller, and E. B White, Act of Creation provides a fascinating tale of twentieth-century history not to be missed.

The Figured Wheel fully collects the first four books of poetry, as well as twenty-one new poems, by Robert Pinsky, the former U.S. Poet Laureate. Critic Hugh Kenner, writing about Pinsky's first volume, described this poet's work as "nothing less than the recovery for language of a whole domain of mute and familiar experience." Both the transformation of the familiar and the uttering of what has been hitherto mute or implicit in our culture continue to be central to Pinsky's art. New poems like "Avenue" and "The City Elegies" envision the urban landscape's mysterious epitome of human pain and imagination, forces that recur in "Ginza Samba," an astonishing history of the saxophone, and "Impossible to Tell," a jazz-like work that intertwines elegy with both the Japanese custom of linking-poems and the American tradition of ethnic jokes. A final section of translations includes Pinsky's renderings of poems by Czeslaw Milosz, Paul Celan, and others, as well as the last canto of his award-winning version of the Inferno .

Ever since the Romans, 'Empire' has been a word of power to rulers and theorists of statecraft. It implied much more than 'rule' or 'kingdom': those states which could pretend to the title of Empire thereby compared themselves with Rome, and implied that they were its successors. Professor Koebner's widely ranging book examines the use of the concept in European history from classical times until the early nineteenth century. He begins with the Romans, and analyses the original meanings of the word imperium. He then turns to later uses, in the Holy Roman Empire founded by Charlemagne, and its successors. The main part of the book considers the British Empire, from its uncertain foundation under Henry VIII to the secession of the American colonies - an event which caused a re-examination of the whole nature of the Empire. A final chapter considers the Napoleonic period.

In this original and controversial book, historian and philosopher Reviel Netz explores the development of a controlling and pain-inducing technology--barbed wire. Surveying its development from 1874 to 1954, Netz describes its use to control cattle during the colonization of the American West and to control people in Nazi concentration camps and the Russian Gulag. Physical control over space was no longer symbolic after 1874. This is a history told from the perspective of its victims. With vivid examples of the interconnectedness of humans, animals, and the environment, this dramatic account of barbed wire presents modern history through the lens of motion being prevented. Drawing together the history of humans and animals, Netz delivers a compelling new perspective on the issues of colonialism, capitalism, warfare, globalization, violence, and suffering. Theoretically sophisticated but written with a broad readership in mind, Barbed Wire calls for nothing less than a reconsideration of modernity.

In 1934, American writer Rebecca Hourwich Reyher recorded the remarkable life story of Christina Sibiya, the first of sixty-five wives of the uncrowned king of the Zulus. What Reyher faithfully recorded — and then crafted into a moving narrative — is the riveting story of a South African woman who entered life among the Zulu royal family and then, after enduring psychic and physical abuse, found the courage to leave. In 1915, fifteen-year-old Christina Sibiya leaves teaching at a mission school to become the first wife of Solomon ka Dinuzulu. While at the royal household, Sibiya successfully adjusts to the expectations of her new position: finding her place among the other wives, and negotiating Zulu and Christian tradition. The royal headquarters, however, becomes increasingly plagued by diviseness, dissolution, and ill health. After a series of hardships, climaxing in a beating by Solomon, Sibiya, at the age of twenty-eight, escapes to Durban. Although pursued by Solomon's representative, Sibiya successfully resists Solomon's authority by testifying first in a European magistrate's court and then at the royal headquarters that her marriage was invalid. First published in 1948, Zulu Woman is placed in new context by an introduction and afterword which consider the book's relationship to other African literature and oral history, attend to questions of power and authorship, and draw upon newly available archival materials.

Marty Glickman, the incomparable sportscaster and Olympian athlete, writes of his five decades in sports. And what a career it was! At the heart of his autobiography is the notorious incident at the 1936 "Nazi Olympics" in Berlin. Glickman and Sam Stoller, the only Jews on the American track and field team, were dropped from the 400-meter relay team. More than any other event that would shape his life, this would be a defining moment for Glickman, one that would propel him into one of the richest and longest career in sports broadcasting history. In The Fastest Kid on the Block, Glickman recounts his beginnings as an athlete in Brooklyn and his early years at Syracuse University. After his devastating experience at the Olympics, he began his broadcasting career. As one of the best-known voices of New York City sports, he announced many of the most exciting games in sports history, including baseball, hockey, football, wrestling, and basketball. Glickman was actively involved with, and now brings to life, the most influential teams and personalities in the sports world, including the New York Knicks, the New York Giants, Red Auerbach, Joe Namath, Wilt Chamberlain, Bill Bradley, Bud Collins, and Mike Emrick, to name just a few. This spirited autobiography concludes with Glickman's trenchant observations about his fellow sports broadcasters, the present-day Olympics, and his own tips on how to break into the competitive, wonderful world of sports broadcasting.

With faculty and alumni that included John Cage, Robert Creeley, Merce Cunningham, Buckminster Fuller, Charles Olson, Josef and Anni Albers, Paul Goodman, and Robert Rauschenberg, Black Mountain College ranked among the most important artistic and intellectual communities of the twentieth century. In his groundbreaking history, Martin Duberman uses interviews, anecdotes, and research to depict the relationships that made Black Mountain College what it was. Black Mountain documents the college’s twenty-three-year tenure, from its most brilliant moments of self-reinvention to its lowest moments of petty infighting. It records the financial difficulties that beleaguered the community throughout its existence and the determination it took to keep the college in operation. Duberman creates a nuanced portrait of this community so essential to the development of American arts and counterculture.

Between 1850 and 1900, Milwaukee’s rapid population growth also gave rise to high death rates, infectious diseases, crowded housing, filthy streets, inadequate water supplies, and incredible stench. The Healthiest City shows how a coalition of reform groups brought about community education and municipal action to achieve for Milwaukee the title of “the healthiest city” by the 1930s. This highly praised book reminds us that cutting funds and regulations for preserving public health results in inconvenience, illness, and even death. “A major work. . . . Leavitt focuses on three illustrative issues—smallpox, garbage, and milk, representing the larger areas of infectious disease, sanitation, and food control.”—Norman Gevitz, Journal of the American Medical Association “Leavitt’s research provides additional evidence . . . that improvements in sanitation, living conditions, and diet contributed more to the overall decline in mortality rates than advances in medical practice. . . . A solid contribution to the history of urban reform politics and public health.”—Jo Ann Carrigan, Journal of American History

In England, Irish-born citizens are being herded into prison camps. On the high seas, a furious British Navy is seizing American cargo ships bound for Europe. And on the Thames, a new weapon of unparalleled destructive force is sailing toward an impregnable city–spearheaded by a daring act of espionage. For U.S. president Abraham Lincoln, Britain’s Queen Victoria, Lord Palmerston, and a loyal opposition, a day of reckoning is at hand . . . and so is history’s most astounding battle. Harry Harrison’s series of alternate history, based on the U.S. Civil War, stands as a provocative work of imagination, drama, and brilliant historical insight. Now in the thrilling finale, Harrisontells a stunning, action-packed story of America’s rapidly growing military might being locked, loaded, and aimed at the heart of England itself. For the two countries that share a language and a heritage, the conflict began at the dawn of the U.S. Civil War. Just as America was about to tear itself to pieces, Britain itself committed an act of war by seizing a U.S. packet ship. In retaliation, the Confederate States rejoined the Union and took up arms against England. Repulsing a British invasion, and defeating her majesty’s army first in Canada, then in Mexico, then in Ireland, American pride and power swelled. Britain, like a wounded lion, howled in shame and anger. Now, Queen Victoria’s empire is more dangerous than ever before, turning against the Irish on her own soil, flexing her naval might, and all but forcing a weary President Lincoln to authorize the next step in a headlong journey toward war. A tale of daring and strategy, Stars and Stripes Triumphant explores how arrogance turns superpowers into victims, how regional conflicts can explode into world wars, and how the personalities of a few men and women can change the course of history itself–for better or for worse. From the Hardcover edition.

Based on years of research and thousands of notes left by John Bennett, Mr. Skylark is an unusually intimate biography of a pivotal figure in the Charleston Renaissance, the brief period between the two World Wars that first witnessed many of the cultural and artistic changes soon to sweep the South. The book not only examines Bennett's life but also reveals the rich tapestry of the literary and social history of Charleston. An outsider who became an insider by marrying into the local aristocracy, Bennett was perfectly placed to observe social and artistic change and to prompt it. He published the first scholarly treatise on Gullah, the language of the coastal Southern blacks, and collected African American spirituals and tales. But after breaking several racial taboos of the time, he was publicly condemned, and it was only through mentoring such writers as Hervey Allen and DuBose Heyward that he was eventually welcomed back into the heart of the city. Today, the Charleston aesthetic, which mourned the loss of beauty in a modernizing South, is often overlooked in the study of Southern literature, but Bennett, through his extensive private correspondence and notes, offers insight into the forces that shaped this cultural movement. Restored to us in all his complexity and humor, Bennett is important for his own accomplishments, but also for providing a lens through which to view southern literary history and the complexities of a changing South.

"Known as "Captain Fiction," Gordon Lish (b. 1934) is among the most influential, and controversial, figures in modern American letters. As an editor at Esquire (1969-1977), Alfred A. Knopf (1977-1995) and The Quarterly (1987-1995), and as a teacher both in and outside the university system, he has worked closely with many of the most pioneering writers of recent times, including Raymond Carver, Don DeLillo, Barry Hannah, Amy Hempel, Sam Lipsyte, and Ben Marcus. A prolific author of stories and novels, Lish has also won a cult following for his own fiction, earning comparisons with Gertrude Stein and Samuel Beckett. Conversations with Gordon Lish collects all of Lish's major interviews, covering the entire span of his extraordinary career. Ranging from 1965 to 2015, these interviews document his pivotal role in the period's defining developments: the impact of the Californian counterculture, the rise and decline of so-called literary "minimalism," dramatic transformations in book and magazine publishing, and the ongoing growth of creative writing instruction. Over time, Lish--a self-described "dynamic conversationalist"--forges an evolving conversation not only with his interviewers, but with the central trends of twentieth-century literary history. This book will be essential reading not only for students and fans of contemporary fiction, but for writers too: included are several interviews in which Lish discusses his secretive private writing classes. Indeed, these pieces themselves amount to a masterclass in Lishian literary language--each is a work of art in its own right." -- provided by publisher.

Novel Gazing is the first collection of queer criticism on the history of the novel. The contributors to this volume navigate new territory in literary theory with essays that implicitly challenge the "hermeneutic of suspicion" widespread in current critical theory. In a stunning introductory essay, Eve Kosofsky Sedgwick delineates the possibilities for a criticism that would be "reparative" rather than cynical or paranoid. The startlingly imaginative essays in the volume explore new critical practices that can weave the pleasures and disorientations of reading into the fabric of queer analyses. Through discussions of a diverse array of British, French, and American novels—including major canonical novels, best-sellers, children’s fiction, and science fiction—these essays explore queer worlds of taste, texture, joy, and ennui, focusing on such subjects as flogging, wizardry, exorcism, dance, Zionist desire, and Internet sexuality. Interpreting the works of authors as diverse as Benjamin Constant, Toni Morrison, T. H. White, and William Gibson, along with canonical queer modernists such as James, Proust, Woolf, and Cather, contributors reveal the wealth of ways in which selves and communities succeed in extracting sustenance from the objects of a culture whose avowed desire has often been not to sustain them. The dramatic reframing that these essays perform will make the significance of Novel Gazing extend beyond the scope of queer studies to literary criticism in general. Contributors . Stephen Barber, Renu Bora, Anne Chandler, James Creech, Tyler Curtain, Jonathan Goldberg, Joseph Litvak, Michael Lucey, Jeff Nunokawa, Cindy Patton, Jacob Press, Robert F. Reid-Pharr, Eve Kosofsky Sedgwick, Melissa Solomon, Kathryn Bond Stockton, John Vincent, Maurice Wallace, Barry Weller

"Emma Lazarus's most famous poem gave a voice to the Statue of Liberty, but her remarkable life has remained a mystery until now. She was a woman so far ahead of her time that we are still scrambling to catch up with her-a feminist, a Zionist, and an internationally famous Jewish American writer before thse categories even existed. Drawing upon a cache of personal letters undiscovered until the 1980, Esther Schor brings this vital woman to life in all her complexity. Born into a wealthy Sephardic family in 1849, Lazarus published her first volume of verse at seventeen and gained entree into New York's elite literary circles. Although she once referred to her family as "outlaw" Jews, she felt a deep attachment to Jewish history and peoplehood. Her compassion for the downtrodden Jews of Eastern Europe-refugees whose lives had little in common with her own-helped redefine the meaning of America itself. In this groundbreaking biography, Schor argues persuasively for Lazarus's place in history as a poet, an activist, and a prophet of the world we all inhabit today-a world that she helped to invent."--Publisher's website. A portrait of the iconoclastic poet and activist whose words are are set on the Statue of Liberty follows the complex life and times of Emma Lazarus, from her early literary success, to her roles as a feminist, Zionist, and renowned Jewish-American writer.