Documents all sides of the Rushdie controversy, providing an international chronology of events, early reviews of the book, and more reflective articles drawn from the huge, worldwide coverage, fairly and fully representing all points of view.

Kenneth Turan brings to life the extraordinary partnership of Louis B. Mayer and Irving Thalberg and their role in creating the film industry as we know it "Sharply observant."--Farran Smith Nehme, Wall Street Journal A New Yorker Best Book of the Year One was a tough junkman's son, the other a cosseted mama's boy, but they dreamed the same mighty dream: that the right movies could make a profit and change both the culture and individual lives. Sharing a religion and an evangelical zeal for film, Louis B. Mayer (1884-1957) and Irving Thalberg (1899-1936) were unlikely partners in one of the most significant collaborations in movie history. Over the course of their decade-long relationship, as key players at Metro-Goldwyn-Mayer and major players in Hollywood, they joined forces in redefining and mastering the template for the film industry. Mayer, older by more than a dozen years, was the business-minded face of the studio, while Thalberg worked closely with the creative corps, especially writers; together they rarely set a foot wrong. And while Mayer initially viewed Thalberg as the son he never had, the two would go from passionate friends to near enemies before Thalberg's shocking death at the age of thirty-seven. In the first joint biography of the two men in fifty years, film critic Kenneth Turan traces their fraught relationship while examining the complicated history of Jewish identity in Hollywood.

Kathy Acker's Don Quixote is an indomitable woman on a formidable quest: to become a knight and defeat the evil enchanters of modern America by pursuing "the most insane idea that any woman can think of. Which is to love." In this visionary world, Don Quixote journeys through American history to the final days of the Nixon administration, passing on the way through a New York reminiscent of prerevolutionary St. Petersburg and a brutally defamiliarized contemporary London. Here transvestites who might play at being Nazis and beautiful she-males enact the rituals of courtly love. Presiding overt this late-twentieth-century Levithian is Thomas Hobbes--the Angel of Death. -- Back cover

This basic, one-volume study of Johann Sebastian Bach combines a sensitive biographical sketch with a detailed analysis of each of his major types of composition, including vocal music, organ music, keyboard music, and instrumental music. In each section, Geiringer thoroughly examines many Bach compositions and evaluates them in relation to the rest of the composer's work, as well as in relation to the music of his contemporaries. More than seventy musical examples enable the reader to understand how Bach worked and to observe his music in various stages of completion. In addition, an interesting aspect of research methods is revealed through an explanation of the techniques used in studying handwriting, paper, and watermarks in the original sources.

After decades of madness in the Bronx, Isaac Sidel visits the craziest state in the country Isaac Sidel is too popular to be America's vice president. Once the New York Police Department commissioner, he became the most beloved mayor in the city's history--famous for his refusal to surrender his Glock, and for his habit of disappearing for months at a time to fight crime at street level. So when baseball czar J. Michael Storm asks Sidel to join him on the election's Democratic ticket, the two wild men romp to an unprecedented landslide. But as the president-elect's mandate goes off the rails--threatened by corruption, sex, and God knows what else--he tires of being overshadowed by Sidel, and dispatches him to a place from which tough politicians seldom return: Texas. In the Lone Star state, Sidel confronts rogue astrologers, accusations of pedophilia, and a dimwitted assassin who doesn't know when to take an easy shot. If this Bronx bomber doesn't watch his step, he risks making vice-presidential history by getting killed on the job.

A retelling of the African-American tales about the adventures and misadventures of Brer Rabbit and his friends and enemies.

In You Never Call, You Never Write, Joyce Antler provides an illuminating and often amusing history of one of the best-known figures in popular culture--the Jewish Mother. Whether drawn as self-sacrificing or manipulative, in countless films, novels, radio and television programs, stand-up comedy, and psychological and historical studies, she appears as a colossal figure, intensely involved in the lives of her children. Antler traces the odyssey of this compelling personality through decades of American culture. She reminds us of a time when Jewish mothers were admired for their tenacity and nurturance, as in the early twentieth-century image of the "Yiddishe Mama," a sentimental figure popularized by entertainers such as George Jessel, Al Jolson, and Sophie Tucker, and especially by Gertrude Berg, whose amazingly successful "Molly Goldberg" ruled American radio and television for over 25 years. Antler explains the transformation of this Jewish Mother into a "brassy-voiced, smothering, and shrewish" scourge (in Irving Howe's words), detailing many variations on this negative theme, from Philip Roth's Portnoy's Complaint and Woody Allen's Oedipus Wrecks to television shows such as "The Nanny," "Seinfeld," and "Will and Grace." But she also uncovers a new counter-narrative, leading feminist scholars and stand-up comediennes to see the Jewish Mother in positive terms. Continually revised and reinvented, the Jewish Mother becomes in Antler's expert hands a unique lens with which to examine vital concerns of American Jews and the culture at large. A joy to read, You Never Call, You Never Write will delight anyone who has ever known or been nurtured by a "Jewish Mother," and it will be a special source of insight for modern parents. As Antler suggests, in many ways "we are all Jewish Mothers" today.

In You Never Call, You Never Write, Joyce Antler provides an illuminating and often amusing history of one of the best-known figures in popular culture--the Jewish Mother. Whether drawn as self-sacrificing or manipulative, in countless films, novels, radio and television programs, stand-up comedy, and psychological and historical studies, she appears as a colossal figure, intensely involved in the lives of her children.Antler traces the odyssey of this compelling personality through decades of American culture. She reminds us of a time when Jewish mothers were admired for their tenacity and nurturance, as in the early twentieth-century image of the "Yiddishe Mama," a sentimental figure popularized by entertainers such as George Jessel, Al Jolson, and Sophie Tucker, and especially by Gertrude Berg, whose amazingly successful "Molly Goldberg" ruled American radio and television for over 25 years. Antler explains the transformation of this Jewish Mother into a "brassy-voiced, smothering, and shrewish" scourge (in Irving Howe's words), detailing many variations on this negative theme, from Philip Roth's Portnoy's Complaint and Woody Allen's Oedipus Wrecks to television shows such as "The Nanny," "Seinfeld," and "Will and Grace." But she also uncovers a new counter-narrative, leading feminist scholars and stand-up comediennes to see the Jewish Mother in positive terms. Continually revised and reinvented, the Jewish Mother becomes in Antler's expert hands a unique lens with which to examine vital concerns of American Jews and the culture at large.A joy to read, You Never Call, You Never Write will delight anyone who has ever known or been nurtured by a "Jewish Mother," and it will be a special source of insight for modern parents. As Antler suggests, in many ways "we are all Jewish Mothers" today.

"A stunning, unclassifiable work by one of the 20th century's greatest thinkers and writers, this book is an inspiring amalgam of letters, poetry, and profound musings on everything from Caravaggio to the nature of time itself. 'Those who read or listen to our stories see everything as though through a lens. This lens is the secret of narration, and it is ground anew in every story, ground between the temporal and the timeless ...In our brief mortal lives, we are grinders of these lenses'. When John Berger wrote this apparently unclassifiable book, it was to become a sensation, translated into nine languages and indelible from the minds of those who read it. This stunning work is a shoebox filled with delicate love letters containing poetry and thoughts on mortality, art, love, and absence, capturing moments in time that hover above Berger's surprising landscapes. From his lyrical description of the works of Caravaggio and profound explorations of death and immigration to the sight of some lilac at dusk in the mountains, this is a beautiful and most intimate response to the world around us"-- Provided by publisher.

Examines the many facets and puzzles of our Moon, including its phases and eclipses, its early discoveries and modern exploration, and its possible origins and future prospects.

A self-reliant family in New York City finds their relationships altered when a wealthy and grateful stranger enters their life.

A black man as the President of the United States? Written in 1964, The Man was burned in states of the southern U.S. And banned in others as it rose to the top of the New York Times bestseller list, selling more than two million copies. Today it is more relevant than ever, when the possibility of an Afro-American president no longer seems an impossible dream. A series of accidents places mild-mannered Douglas Dillman in the White House. A gentleman who shirks publicity, he is now at the mercy of spotlight: he is plotted against by the Ku Klux Klan and other right-wing terrorists; while his own son, a black militant, accuses him of being dangerously conservative. Dillman faces impeachment and threats. One would-be murderer nearly made it to his home before being arrested. Actor James Earl Jones- who starred in the movie version of The Man, called it "a prophetic novel." It is considered by many to be Wallace's greatest achievement. About The Author: Irving Wallace was born in Chicago. His best-selling award-winning novels have been translated into numerous languages and have sold some 250 million copies around the world. He is considered one of the five most widely read authors of modern times."

Compelling portrait of the Viennese neurologist, focuses on the intense, agonized years of research which resulted in his discovery of the science of psychoanalysis

Recounts how a twelve-year-old Jewish girl and her brothers were sent from the Netherlands to the Children's House at Bergen-Belsen concentration camp in 1943, and how she became the "little mother" for all the younger ones.

"A sweeping personal retelling of African myths illustrated throughout with Rosales's...artwork"--Back cover.