From the PEN/Faulkner Award–winning author James Salter and his wife, Kay—amateur chefs and terrific hosts—here is a charming, beautifully illustrated food lover’s companion that, with an entry for each day of the year, takes us from a Twelfth Night cake in January to a champagne dinner on New Year’s Eve. Life Is Meals is rich with culinary wisdom, history, recipes, literary pleasures, and the authors’ own stories of their triumphs—and catastrophes—in the kitchen. For instance: The menu on the Titanic on the fatal night Reflections on dining from Queen Victoria, JFK, Winnie the Pooh, Garrison Keillor, and many others The seductiveness of a velvety Brie or the perfect martini How to decide whom to invite to a dinner party—and whom not to John Irving’s family recipe for meatballs; Balzac’s love of coffee The greatest dinner ever given at the White House Where in Paris Samuel Beckett and Harold Pinter had French onion soup at 4:00 a.m. Sophisticated as well as practical, opinionated, and indispensable, Life Is Meals is a tribute to the glory of food and drink, and the joy of sharing them with others. “The meal is the emblem of civilization,” the Salters observe. “What would one know of life as it should be lived, or nights as they should be spent, apart from meals?”

In this brilliant book of recollection, one of America's finest writers re-creates people, places, and events spanning some fifty years, bringing to life an entire era through one man's sensibility. Scenes of love and desire, friendship, ambition, life in foreign cities and New York, are unforgettably rendered here in the unique style for which James Salter is widely admired. Burning the Days captures a singular life, beginning with a Manhattan boyhood and then, satisfying his father's wishes, graduation from West Point, followed by service in the Air Force as a pilot. In some of the most evocative pages ever written about flying, Salter describes the exhilaration and terror of combat as a fighter pilot in the Korean War, scenes that are balanced by haunting pages of love and a young man's passion for women. After resigning from the Air Force, Salter begins a second life, becoming a writer in the New York of the 1960s. Soon films beckon. There are vivid portraits of actors, directors, and producers--Polanski, Robert Redford, and others. Here also, more important, are writers who were influential, some by their character, like Irwin Shaw, others because of their taste and knowledge. Ultimately Burning the Days is an illumination of what it is to be a man, and what it means to become a writer. Only once in a long while--Vladimir Nabokov's Speak, Memory or Isak Dinesen's Out of Africa--does a memoir of such extraordinary clarity and power appear. Unconventional in form, Burning the Days is a stunning achievement by the writer The Washington Post Book World said "inhabits the same rarefied heights as Flannery O'Connor, Paul Bowles, Tennessee Williams and John Cheever" --a rare and unforgettable book.

A delightfully unexpected, lovingly curated ode to the unique collective nouns that adorn our language, from “a leap of leopards ” to “a murder of crows ” and beyond, from the inimitable voice behind Inside the Actors Studio “I am madly in love with collective nouns! They make language so colorful and ticklish. . . . [ An Exaltation of Larks ] possess[es] an embarrassment of riches (wink wink!).” —Lupita Nyong’o, The New York Times For those who have wondered if the familiar “pride of lions” and “gaggle of geese” were merely the tip of a linguistic iceberg, James Lipton has provided a definitive answer: here are hundreds of equally pithy, often poetic terms he has unearthed and collected into one exhaustive volume. Over years of painstaking research, he embarked on an odyssey that has given us a “slouch of models,” a “shrivel of critics,” an “unction of undertakers,” a “blur of Impressionists,” a “score of bachelors,” a “pocket of quarterbacks,” and many more. Witty, beautiful, and remarkably apt, An Exaltation of Larks is a brilliant compendium of more than 1,100 resurrected or newly minted contributions to that ever-evolving species, the English language.

"Over the past three years James Altucher and Claudia Azula Altucher have answered tens of thousands of questions in their writings, retreats, talks, and online seminars. The questions cover the entire spectrum of life, from how to deal with bad relationships, to how to access your innate special uniqueness, to how to pay the rent when you're crying on the floor, broken and depressed,. Invariably, they look to one little word as the solution: No. No is not only a solution; it is a path for people to heal and bring abundance and happiness into their lives. Every time you say yes to something you don't want to do you can experience a spate of negative outcomes: resenting people, doing poor quality work, having less energy for the things you actually love, making less money, and so on. But the worst part is that yet another small percentage of your life is used up by something you don't want. We need the power of no so we can set proper boundaries around the things that hurt us directly. We need it to curb the relationships that drain us of our energy, creativity, and expression, to protect us from those people who put us down, hurt us emotionally, and leave us barren and depressed. And in the larger picture, we need the power of no to understand what we truly believe in, rather than the stories we take at face value because we've been conditioned to think them as the truth. With the power of no we can refocus our energies toward living an abundant, healthy, and wealthy life. We can realize that there is nothing to prove, there is nobody to impress, there is no cage around us. Such is the power of saying no to our misconceptions. As a species, this is where we find ourselves now and many of us are trying very hard to use the power of no at this higher level. To clearly see what intelligent compassion is. To open our hearts and bring healing to the world. The power of no is a force that allows us to truly surrender to a higher power and be the unique people we were meant to be. And in The Power of No, James and Claudia will help guide you to this place by relating the stories they've heard and the things they've experienced. Their goal is to bring this little word out into the world to shine its power and its light on all of us. "--

POWERFUL MEN, BEAUTIFUL WOMEN AND EXQUISITE REVENGE... Beth, Lara and Rio -- three exotic women with a common cause and vengeance in their hearts. They're out to avenge a murder and they'll go to any lengths. Their the heirs of the Bassalino crime family. Their sex. The a bloodbath of sexual mayhem through the lethal corridors of organized crime. Three beautiful women set out to prove that when it comes to revenge, the female is far deadlier than the male -- especially when they're THE LOVE KILLERS. . .

"A celebration of literary genius framed by 20th-century tragedy."--Richard Bernstein, New York Times Finally in paperback, this "monumental collection; gathers all of Babel's deft and brutal writing, including a wide array of previously unavailable material, from never-before-translated stories to plays and film scripts" (David Ulin, Los Angeles Times ). Reviewing the work in The New Republic , James Woods wrote that this groundbreaking volume "represents a triumph of translating, editing, and publishing. Beautiful to hold, scholarly and also popularly accessible, it is an enactment of love." Considered one of the greatest writers of the twentieth century, Isaac Babel has left his mark on a generation of readers and writers. This book will stand as Babel's final, most enduring legacy. Winner of the Koret Jewish Book Award; A New York Times Notable Book, a and Library Journal Best Book, a Washington Post Book World Rave, a Village Voice Favorite Book of the Year.

(Jazz Piano Solos). 22 jazzy arrangements of Irving Berlin gems, including: All by Myself * Be Careful, It's My Heart * Blue Skies * Cheek to Cheek * How Deep Is the Ocean (How High Is the Sky) * I've Got My Love to Keep Me Warm * It's a Lovely Day Today * Let Yourself Go * Let's Face the Music and Dance * Puttin' on the Ritz * Say It with Music * Steppin' Out with My Baby * They Say It's Wonderful * What'll I Do? * (I Wonder Why?) You're Just in Love * and more.

What does 'the father of group therapy' do at the age of 90, when he is still advising patients in the therapy sessions that have been his life's work, and yet must face his increasing frailties and even his own mortality? Rather than melt into retirement, Dr Yalom develops another revolutionary approach. In Hour of the Heart , Dr Yalom captures profound moments with his patients that happen in the span of just one hour, with people he will never see again. Taking place over two years before and during the Covid-19 pandemic, and amid Dr Yalom's grief over losing his wife, these sessions would, as Dr Yalom writes, 'help to sustain my client and would profoundly alter my vision of what psychotherapy can do'. For any fans of Dr Yalom's work, and for therapists and for those in training, Hour of the Heart is a collection of deeply moving personal stories that will tap into how powerful authentic human connection can be. While these one-hour sessions are, in many cases, just the start of these patients' journeys, Dr Yalom's insights, and his willingness to open himself up to his patients in a way rarely seen in therapy, are truly illuminating. 'For renowned psychotherapist Irvin Yalom, "it's the relationship that heals". This philosophy is poignantly enacted in his account of how he adapted a career of therapeutic practice to the reality of his failing memory ... Yalom's undiminished curiosity, his skilful and candid deployment of his own flaws and his ability to meet the demands of the moment make for richly rewarding case histories informed by personal reflections on identity, ageing, loss, and death.' -Cameron Woodhead and Fiona Capp, The Sydney Morning Herald ' Hour of the Heart is a collection of vignettes of these one-hour sessions, and the book acknowledges the quiet heroism required to engage in therapy and to examine oneself to best enjoy life and to accept mortality ... Hour of the Heart demystifies the psychiatrist as some preternatural telepathist to a person who is fallibly human but has turned a metaphysical x-ray on themselves. The book has an interesting effect on the reader, inducing a kind of mindfulness a real-life therapy session may provide.' -Paul Cowling, ArtsHub Praise for A Matter of Death and Life - 'For over half a century, the eminent psychiatrist Irvin Yalom has dazzled the world with his stories of the human psyche packed with wisdom, insight, and humour. Now, with stunning candour and courage, he shares with us the most difficult experience of his life- the loss of his wife and steadfast companion since adolescence. Partners to the end, including in the co-writing of this book, they share an indelible portrait of bereavement - the terror, pain, denial, and reluctant acceptance. But what we are left with is much more than a profound story of enduring loss - it's an unforgettable and achingly beautiful story of enduring love. I will be thinking about this for years to come.' -Lori Gottlieb, New York Times bestselling author of Maybe You Should Talk to Someone

The Man I Love, I Got Rhythm, A Foggy Day, Let's Call the Whole Thing Off, Nice Work If You Can Get It, They All Laughed, 'S Wonderful, The Man That Got Away ... make a list of Ira Gershwin's songs, and the names themselvse sound a familiar melody. The most literate and word-loving of our great lyricists, Ira Gershwin described his writing as simple, colloquial, rhymed conversational lines. Yet these simple lines were so irresistibly witty and enticing that dozens of them have made their way into the musical vernacular of the 20th century, the common memory of a song-loving culture.

The first musical production to win the Pulitzer Prize (1932). Gershwin's songs include: Wintergreen for President * Love Is Sweeping the Country * The Senator from Minnesota and more.

In 1987, sixteen-year-old Ione Skye landed the breakout role of Diane Court, the dream girl who inspires John Cusack's iconic boombox serenade in the hit Cameron Crowe film, Say Anything. While Skye seemed perfectly typecast as an aloof valedictorian, she was anything but. Deserted by her dad, the folk singer legend Donovan, Skye was a ninth-grade dropout who sought solace and validation in the eyes of audiences and dreamy costars like Keanu Reeves, River Phoenix, Matthew Perry, John Cusack, and Robert Downey Jr. But like her sixties It Girl mum, Skye's greatest weakness was musicians. On the heels of a toxic relationship with the Red Hot Chili Peppers' Anthony Kiedis, which began when she was just sixteen and he was twenty-four, the actress leapt into wedded bliss with her first great love, Beastie Boy Adam Horovitz. But marriage was not the magical hall pass to adulthood Skye had imagined. Awakening to her bisexuality and desperately insecure, she risked her fairytale marriage for a string of affairs with gorgeous nineties "bad girls." The dream marriage imploded, and Skye's trust in herself and her future along with it. Set against a backdrop of rock royalty compounds, supermodel cliques, and classic late-century films like River's Edge, Gas Food Lodging, and Wayne's World, Say Everything is a wild ride of Hollywood thrills as well as a lyrical reflection on ambition, intimacy, and a messy, sexy, unconventional life.

At the age of 27, alone in Jerusalem in the wake of a painful divorce, Ilana Kurshan joined the world s largest book club, learning daf yomi, Hebrew for daily page" of the Talmud, a book of rabbinic teachings spanning about 600 years and the basis for all codes of Jewish law. A runner, a reader and a romantic, Kurshan adapted to its pace, attuned her ear to its poetry, and discovered her passions in its pages. She brought the Talmud with her wherever she went, studying in airplanes, supermarket lines, and over a plate of pasta at home, careful not to drip tomato sauce upon discussions about the sprinkling of blood on the Temple altar. By the time she completed the Talmud after seven and a half years, Kurshan was remarried with three young children. With each pregnancy, her Talmud sat perched atop her growing belly. This memoir is a tale of heartache and humor, of love and loss, of marriage and motherhood, and of learning to put one foot in front of the other by turning page after page. Kurshan takes us on a deeply accessible and personal guided tour of the Talmud, shedding new light on its stories and offering insights into its arguments both for those already familiar with the text and for those who have never encountered it. For people of the book both Jewish and non-Jewish If All the Seas Were Ink is a celebration of learning through literature how to fall in love once again.

For more than 50 years, Herman Wouk has dreamed of writing a novel about the life of Moses Finally, at the age of 96, he has found an ingeniously witty way to tell the tale of The Lawgiver, a romantic and suspenseful epistolary novel about a group of people trying to make a movie about Moses in the present day. At its centre is Margo Solovei, a brilliant young writer-director who has rejected her father's strict Jewish upbringing to pursue a career in the arts. When an Australian multi-billionaire promises to finance a movie about Moses, Margo does everything she can to land the job, including a reunion with her estranged first love, an influential lawyer with whom she has unfinished business.

"In an unprecedented literary accomplishment, Herman Wouk, one of America's most beloved and enduring authors, reflects on his life and times from the remarkable vantage point of 100 years old. Many years ago, the great British philosopher Sir Isaiah Berlin urged Herman Wouk to write his autobiography. Wouk responded, "Why me? I'm nobody." Berlin answered, "No, no. You've traveled. You've known many people. You have interesting ideas. It would do a lot of good." Now, in the same year he has celebrated his hundredth birthday, Herman Wouk finally reflects on the life experiences that inspired his most beloved novels. Among those experiences are his days writing for comedian Fred Allen's radio show, one of the most popular shows in the history of the medium; enlisting in the US Navy during World War II; falling in love with Betty Sarah Brown, the woman who would become his wife (and literary agent) for sixty-six years; writing his Pulitzer Prize-winning novel, The Caine Mutiny; as well as a big hit Broadway play The Caine Mutiny Court Martial; and the surprising inspirations and people behind such masterpieces as The Winds of War, War and Remembrance, Marjorie Morningstar, and Youngblood Hawke. Written with the wisdom of a man who has lived through two centuries and the wit of someone who began his career as professional comedy writer, the first part of Wouk's memoir ("Sailor") refers to his Navy experience and writing career, the second ("Fiddler") to what he's learned from living a life of faith. Ultimately, Sailor and Fiddler is an unprecedented reflection from a vantage point few people have lived to experience"-- Provided by publisher.

A celebration of her life-long love for New York, Hanff embarked on this project as an assignment, and realized she had not been to many of the main tourist attractions- the Statue of Liberty, Wall Street, the World Trade Center. As make-believe tourists, off she and Patsy travel to describe the Metropolitan Museum of Art, Grant's Tomb, Fraunces Tavern, some of New York's very special small museums, Orchard Street, a tour of Harlem, and much more. Hanff weaves in historical events and tidbits on some of New York's most notorious personalities.

In 1938, two men held history in their hands. One was Adolf Hitler. The other was British prime minister Neville Chamberlain, who, determined to avoid war at any cost, came to be known as “the great appeaser.” But Harry Turtledove, the unrivaled master of alternate history, has launched a gripping saga that springboards from a different fateful act: What if Chamberlain had stood up to Hitler? What would the Nazis’ next move have been? And how would the war—which Hitler had always regretted waiting eleven months to start—have unfolded and changed our world? Here, Turtledove takes us across a panorama of conflict fueled by ideology and demagoguery. Nations are pitted against nations, alliances are forged between old enemies, ordinary men and women are hurled into extraordinary life-and-death situations. In Japanese-controlled Singapore, an American marine falls in love with a Russian dance hall hostess, while around him are heard the first explosions of Chinese guerilla resistance. On the frontlines of war-ravaged rural France, a weary soldier perfects the art of using an enormous anti-tank gun as a sniper’s tool—while from Germany a killer is sent to hunt him down. And in the icy North Atlantic, a U-boat bearing an experimental device wreaks havoc on British shipping, setting the stage for a Nazi ground invasion of Denmark. From an American woman trapped in Germany who receives safe passage from Hitler himself to a Jewish family steeped in German culture and facing the hatred rising around them, from Japanese soldiers on the remote edge of Siberia to American volunteers in Spain, West and East is the story of a world held hostage by tyrants—Stalin, Hitler, Sanjuro—each holding on to power through lies and terror even in the face of treacherous plots from within. As armies clash, and as the brave, foolish, and true believers choose sides, new weapons are added to already deadly arsenals and new strategies are plotted to break a growing stalemate. But one question looms over the conflict from West to East: What will it take to bring America into this war?

"A Stone for Danny Fisher" is an early masterpiece by Harold Robbins, who went on to become one of the most popular and most financially successful writers of all time. The early part of this book seems to be almost autobiographical, as Harold Robbins himself grew up as a poor Jewish boy who first went to work at age 15 to support his family and then held numerous low level jobs until he found his true calling as a millionaire writer and movie producer. A Stone for Danny Fischer is now most famous for being made into a 1958 movie starring Elvis Presley. The movie is entitled "King Carole" and all critics agree that this is by far the greatest acting performance by Elvis. Elvis has to play a complex and conflicted character, quite unlike the typical Elvis movies where Elvis sings while a bevy of girls swoon over him. Few novelists know the seamy side of New York as well as Harold Robins - the terror of the streets, the ways to make a shady buck by playing along with gamblers and mobsters, the unbridled lusts and passions of slum life. But his new hero does not start at the bottom. Instead, Danny Fischer, born into a family of modest means and respectability is gradually driven downward into the world of crime racketeering and poverty. His bitterness, his loneliness over the loss of the house in Brooklyn that was given to him for his eighth birthday, and his feud with his harsh father pull him one way, his natural decency and love for a sweet Italian girl, Nellie Petito, pull him another. Danny might have been one of the boys caught in the recent basketball scandal, though actually he is a boxer - a sensational amateur and potential champ. Later he becomes deeply involved in war time black markets and then in vending-machine rackets. Here Mr. Robbins reveals a little-known side of underworld life. But the driving force behind Danny's actions always is his sustaining love for Nellie. In a story that is harsh and yet tender, realistic and yet compassionate, Robbins reveals what makes the Danny Fishers what they are.

Harold Brodkey's haunting, lyrical portrait of his most beloved city. Venice is a separate country," Harold Brodkey wrote of the fabled city that became his literary muse. "It floats at anchor inside its own will, among its domes and campanili, independent and exotic at its heart."The author's love of Venice--its churches and vaporetti, its capacity to bewilder and seduce--brought him back time and again to the shores of the Adriatic in search of fresh inspiration. Brodkey's Venice is marked by powerful contrasts: pride beside humility, the sacred alongside the profane, solemn tradition coexisting with exuberant mercantile optimism. Illustrated with eleven stunning black-and-white portraits by the legary Italian photographer Giuseppe Bruno, My Venice combines passages from several of Brodkey's great works with previously unpublished notes and essays to create a text as rich, subtle, and beguiling as the city itself.

An invaluable guidebook, which contends that the most vexing problems facing women today isn't that doors of opportunity aren't open but that not enough women are walking through them Feminist icon Gloria Feldt pulls no punches in this new book, which argues that the most confounding problem facing women today isn't that doors of opportunity aren't open, but that not enough women are walking through them. From the boardroom to the bedroom, public office to personal relationships, she asserts that nobody is keeping women from parity-except themselves. Feldt puts women's power into an historical context, showing the ways in which women have made huge leaps forward in the past, only to pull back right when they were at the threshold. Feldt argues that there's no excuse-whether it's the way women are socialized, or pressure to conform, or work/life balance issues-for women today not to own their power. Women are still facing unequal pay, being passed over for promotions, entering public office at a much lesser rate than men, and oftentimes still struggling with traditional power dynamics in their interpersonal relationships. Feldt's solution to all these places where women face inequality is the same: we need to shift the way we think to achieve true parity with our male counterparts. No Excuses is divided into nine chapters that organized around how women can change the way they think, and therefore the way they act. These include: Know Your History and You Can Create the Future of Your Choice; Define the Terms-First; Embrace Controversy; Employ Every Medium; and other helpful ideas for using the tools and resources women already have to create the changes they want to see. No Excuses is a timely and invaluable book to help women equalize gender power in politics, work, and love.

Gertrude Stein began the creative work that was to earn her the reputation as one of the most original writers of this century with the three pieces in this volume. Fernhurst, a fictional episode based on a Bryn Mawr scandal of the early 1900s, explores the labyrinth of love between man and woman and between woman and woman; Q.E.D. fictionalizes an early Stein romance (doomed finally by a rival); and the third selection is an early draft of The Making of Americans, which records Stein's struggle toward maturity as woman and artist. Essential works of a significant twentieth-century literary voice.