As a potentially cataclysmic situation brews between Beijing and Washington, Assistant Secretary of State Dr. Desaix Clark is sent to China to assess the threat that this enigmatic Asian nation could pose to the United States. The two Chinese rulers vying for power - the machiavellian Prime Minister and the ruthless Defense Minister - each seek to manipulate Clark against the other. But whom can he trust? Before he can unravel the final mystery, he must confront some fundamental facts about himself and the mission upon which he was sent. Why did his closest friend, the Secretary of State, really send him to China? Thrust into a deadly web of conspiracy, deceit, and betrayal, Clark races to uncover the truth as the West faces one of the most insidious threats to its security.

Photo illustration section

"As World War II comes to a close, the United States and the Soviet Union emerge as the two greatest world powers on extreme opposites of the political spectrum. After the United States showed its hand with the atomic bomb in Hiroshima, the Soviets refuse to be left behind. With communism sweeping the globe, the two nations begin a neck-and-neck competition to build even more destructive bombs and conquer the Space Race. In their battle for dominance, spy planes fly above, armed submarines swim deep below, and undercover agents meet in the dead of night. The Cold War game grows more precarious as weapons are pointed towards each other, with fingers literally on the trigger. The decades-long showdown culminates in the Cuban Missile Crisis, the world's close call with the third-and final-world war"--

"The quintessential American artist Louis Armstrong was born in 1901 in New Orleans and died in 1971 in New York City, where he had lived for many years in a modest house in Queens. The house is now a museum in his honour. This work tells the story of Armstrong's life through his writings, scrapbooks and artworks".--Publisher's description.

From political cartoons to offbeat graphic stories, from the funnies to underground comics: a contemporary look at comic art from around the world in a volume packed with vibrant visuals, deft texts, and arresting human observation.

"This is a book about how the world works. When you finish the first chapter, you will know how to analyze the effects of sales and excise taxes, and you will have discovered the surprising result that a tax on buyers and a tax on sellers have exactly the same effects. When you finish the second chapter, you will understand why oranges, on average, taste better in New York than in Florida. In each succeeding chapter, you will be exposed to new ideas in economics and to their surprising consequences for the world around you. To learn what price theory is, dig in and begin reading."--Page xiv (Preface).

In the final months before 9/11, liberal Jewish studies professor Michael Fischer has reunited with his two sisters to celebrate their father's seventy-fifth birthday. Each deeply invested in their own version of family history, the siblings clash over everything from Michael's controversial scholarly work to the mounting pressures of caring for an ailing parent. As destructive secrets and long-held resentments bubble to the surface, the three negotiate--with biting humor and razor-sharp insight--how much of the past they're willing to sacrifice for a chance at a new beginning. IF I FORGET tells a powerful tale of a family and a culture at odds with itself.

There is a popular and romantic myth about Rembrandt and the Jewish people. One of history's greatest artists, we are often told, had a special affinity for Judaism. With so many of Rembrandt's works devoted to stories of the Hebrew Bible, and with his apparent penchant for Jewish themes and the sympathetic portrayal of Jewish faces, it is no wonder that the myth has endured for centuries. Rembrandt's Jews puts this myth to the test as it examines both the legend and the reality of Rembrandt's relationship to Jews and Judaism. In his elegantly written and engrossing tour of Jewish Amsterdam—which begins in 1653 as workers are repairing Rembrandt's Portuguese-Jewish neighbor's house and completely disrupting the artist's life and livelihood—Steven Nadler tells us the stories of the artist's portraits of Jewish sitters, of his mundane and often contentious dealings with his neighbors in the Jewish quarter of Amsterdam, and of the tolerant setting that city provided for Sephardic and Ashkenazic Jews fleeing persecution in other parts of Europe. As Nadler shows, Rembrandt was only one of a number of prominent seventeenth-century Dutch painters and draftsmen who found inspiration in Jewish subjects. Looking at other artists, such as the landscape painter Jacob van Ruisdael and Emmanuel de Witte, a celebrated painter of architectural interiors, Nadler is able to build a deep and complex account of the remarkable relationship between Dutch and Jewish cultures in the period, evidenced in the dispassionate, even ordinary ways in which Jews and their religion are represented—far from the demonization and grotesque caricatures, the iconography of the outsider, so often found in depictions of Jews during the Middle Ages and the Renaissance. Through his close look at paintings, etchings, and drawings; in his discussion of intellectual and social life during the Dutch Golden Age; and even through his own travels in pursuit of his subject, Nadler takes the reader through Jewish Amsterdam then and now—a trip that, under ever-threatening Dutch skies, is full of colorful and eccentric personalities, fiery debates, and magnificent art.

Seeking to convalesce from a serious illness and finish a literary project, New York book editor Claire Doheney house-sits an oceanfront mansion on Chappaquiddick Island, where she falls in love with a mysterious loner who harbors a devastating secret.

"Neuroscience, with its astounding new technologies, is uncovering the workings of the brain and with this perhaps the mind. The 'neuro' prefix spills out into every area of life, from neuroaesthetics to neuroeconomics, neurogastronomy and neuroeducation. With its promise to cure physical and social ills, government sees neuroscience as a tool to increase the 'mental capital' of the children of the deprived and workless. It sets aside intensifying poverty and inequality, instead claiming that basing children's rearing and education on brain science will transform both the child's and the nation's health and wealth. Leading critic of such neuropretensions, neuroscientist Steven Rose and sociologist of science Hilary Rose take a sceptical look at these claims and the science underlying them, sifting out the sensible from the snake oil. Examining the ways in which science is shaped by and shapes the political economy of neoliberalism, they argue that neuroscience on its own is not able to bear the weight of these hopes. "--Publisher's website

"[Of] the 12 well-crafted essays in this volume...the most useful are those dealing with the Holocaust." — Choice "Especially recommended for college-level students of Jewish history and culture." — The Bookwatch This is a critical exploration of the most repercussive topics in modern Jewish history and thought. A sequel to Katz's National Jewish Book Award-winning study, Post-Holocaust Dialogues, this book identifies the main issues in the contemporary Jewish intellectual universe and outlines a larger, more synthetic understanding of contemporary Jewish existence.

Taken collectively, the original essays in this new collection make up the most important exploration of mysticism and language to appear in many years. Written from diverse perspectives on a wide variety of religious and mystical traditions, ranging from Judaism and Christianity to Zen Buddhism and Hinduism, all the essays exhibit great erudition, a mastery of the original mystical sources, and philosophical and hermeneutical sophistication. Further, all recognize the inadequacy of treating the questions surrounding this subject a-contextually - outside of their historic, intellectual, and sociological circumstances. As such, these studies deepen the on-going revisionist, contextualist study of mysticism so powerfully and influentially inaugurated by two previous collections also edited by Steven Katz, Mysticism and Philosophical Analysis and Mysticism and Religious Traditions. Like its predecessors, the present collection includes work by some of the world's leading authorities on mysticism, including Moshe Idel, William Alston, Bernard McGinn, Ewert Cousins, Bimal Matilal, Carl Ernst, and Steven Katz. It is sure to become essential reading for everyone interested in mysticism, as well as those who study religion, comparative religion, philosophy, and history.

In his introduction to this book, Steven Katz states, "Philosophical truth develops through criticism." In that interest, 'Post-Holocaust Dialogues' argues forthrightly that many of the most widely circulated and deeply held opinions in the body of modern Jewish thought are inadequate, if not false. In an attempt to construct a more compelling - and ultimately truthful - philosophical outlook, Katz focuses on issues with particular relevance to current circumstances: the extraordinary influential work of Martin Buber; Jewish response to the Holocaust; and the meaning of Hasidism today. As a result, 'Post-Holocaust Dialogues' tellingly portrays the spiritual condition of contemporary Jewry as reflected through philosophical and theological ruminations.

"The definitive history of the Carter Administration from the man who participated in its surprising number of accomplishments--drawing on his extensive and never-before-seen notes. Stuart Eizenstat was at Jimmy Carter's side from his political rise in Georgia through four years in the White House, where he served as Chief Domestic Policy Adviser. He was directly involved in all domestic and economic decisions as well as in many foreign policy ones. Famous for the legal pads he took to every meeting, he draws on more than 5000 pages of contemporaneous notes as well as declassified documents and more than 350 interviews of all the major figures of the time, to write this comprehensive history of an underappreciated president--and to give an intimate view on how the presidency works. Eizenstat reveals the grueling negotiations behind Carter's peace between Israel and Egypt, what led to the return of the Panama Canal, and how Carter made human rights a presidential imperative. He follows Carter's passing of America's first comprehensive energy policy, and his deregulation of the oil, gas, transportation, and communications industries. And he details the creation of the modern vice-presidency. Eizenstat also details Carter's many missteps, including the Iranian Hostage Crisis, because Carter's desire to do the right thing, not the political thing, often hurt him and alienated Congress. His willingness to tackle intractable problems, however, led to major, long-lasting accomplishments. This major work of history shows first-hand where Carter succeeded, where he failed, and how he set up many successes of later presidents"--

Questions of Cultural Identity offers a wide-ranging exploration of these issues. Stuart Hall outlines the reasons why the question of identity is so compelling, and yet so problematic. Individual contributors interrogate different dimensions of the crisis of identity, providing both theoretical and substantive insights into its contemporary manifestations. Rather than privileging any one approach to the problem of identity, the book opens up a number of significant questions and offers insights into different approaches to understanding identity. In doing so it both illuminates and advances debates about identity and its futures. This book will be essential reading for students and researchers in cultural studies and sociology, and across a wide range of the humanities and social sciences.

"A word to those of you out there who have yet to be offended by something I have written or said: Please be patient. I am working as fast as I can." -Ann Coulter, 2006 Is she ever! Ever since the publication of her Clinton-bashing debut, High Crimes and Misdemeanors, right-wing fire-brand Ann Coulter has made herself one of the most talked-about figures in contemporary American life--and has done so by issuing a near-continuous barrage of insult and invective, which has been described as "shameless," "cruel," "shrill, bombastic, and mean-spirited," "grossly inappropriate," "hate speech." She has called the 9/11 widows "witches" and "harpies," referred to Muslims as "ragheads," called Al Gore a "total fag," and said that both New York Times editor Bill Keller and antiwar congressman Jack Murtha deserved to die. Yet with each new statement--and each new book launch--Coulter somehow manages to co-opt the media as a megaphone for her attacks, while emerging from the backlash miraculously unscathed. Until now. With Soulless, political commentator Susan Estrich takes on Ann and the "Coulter culture" she has created, exposing how the pundit provocatrice has downgraded our political discourse with her irresponsible rhetoric, personal attacks, and slanderous asides. Trawling through Coulter's history of often-violent public statements, Estrich asks which are more cynical: the pundit and her headline-grabbing drive-by character assassinations, or the networks who happily bring her back for more. Soulless also casts a light on "the Anns," wannabes like Michelle Malkin and Glenn Beck, whose imitation Coulterisms coarsen our culture with every passing news cycle. And, most important, she challenges us--the readers, the voters--to remember that behind the huckster's rhetoric lurks a dangerous reactionary whose real agenda is wildly out of step with the American public. As Estrich says, "She knows exactly what she is doing. And she is scary as hell because of it."

How do our personalities and mental processes, our "states of consciousness", derive from a gray mass of tissue with the consistency of a soft-boiled egg? How can mere molecules constitute an idea or emotion? Some of the most important questions we can ask are about our own consciousness. Our personalities, our individuality, indeed our whole reason for living, lie in the brain and in the elusive phenomenon of consciousness it generates. Thinkers in many disciplines have long struggled with such questions, often in ways that have seemed incompatible, if not downright contradictory. Philosophers have meditated on the subjective experience of consciousness, with little attention to the physical realm, while scientists have sought to establish a causal relation between brain function and mind, often ignoring the qualitative aspects of experience. In Journey to the Centers of the Mind, neuroscientist Susan Greenfield offers an intriguing, unifying theory of consciousness that encompasses both phenomenological mental events and physical aspects of brain function. Using information gathered from clues in animal behavior, human brain damage, computer science, neurobiology, and philosophy, Greenfield offers a "concentric theory" of consciousness, and shows how certain events in the brain correspond to our qualitative experience of the world. Demonstrating the ways in which we can interpret the experience of consciousness in terms of interactions among neurons, she explores how much we can learn by continuing to find the links between our physical and mental inner worlds.

"A play in poetry about the lives of five women who don't know one another, nor speak to each other. Rather they're telling their life stories to the audience. Each is facing some crisis in life. Erin speaks bitterly of suicide. Kate, near the end of a life in which she always overcame circumstances, is fearful of death. All the voices speak in counterpoint to one another, leaving an unspoken dialogue as they echo one another. The play moves in counterpoint and resonance until the women speak in chorus their voices exchanging scenes from a common history. Then each sees where her life has moved her. In the end these women's voices are no longer isolated, nor are their lives separate. Voices opened to great audience acclaim in New York City." --Descripción del editor.

"If you're woke, you're left. If you're left, you're woke. We blur the terms, assuming that if you're one you must be the other. That, Susan Neiman argues, is a dangerous mistake. The intellectual roots and resources of wokeism conflict with ideas that have guided the left for more than 200 years: a commitment to universalism, a firm distinction between justice and power, and a belief in the possibility of progress. Without these ideas, Neiman argues, they will continue to undermine their own goals and drift, inexorably and unintentionally, towards the right. In the long run, they risk becoming what they despise. One of the world's leading philosophical voices, Neiman makes this case by tracing the malign influence of two titans of twentieth-century thought, Michel Foucault and Carl Schmitt, whose work undermined ideas of justice and progress and portrayed social life as an eternal struggle of us against them. A generation schooled with these voices in their heads, raised in a broader culture shaped by the ruthless ideas of neoliberalism and evolutionary psychology, has set about changing the world. It's time they thought again."--