Product Description ". . . and what used to take me a decade and more to accomplish as a writer has suddenly fruited within a 12-month time frame." Joe Sherman was describing Beautiful Veins, his final poetry collection. Beautiful Veins begins with a child, "one life with all the promise of its beautiful veins." Some poems catch details of domestic life, its indwelling spirit and glancing irony. Others evoke history and landscape, opening them up to careful consideration. Always there is a love of language: its quirks and oddities, its split-levels and riches. Intricate and elliptical syntax reveals moments of joy, named against the threat of time and illness. A poem ends, in its own kind of triumph, "I would rather be beautiful than dead." About the Author Joseph Sherman (1945-2006) grew up in Whitney Pier, Nova Scotia, studied in Fredericton, taught in Edmundston, New Brunswick, and moved to Charlottetown in 1979. A superb editor, poet, and essayist, he won many awards, including the Bliss Carman Award and the Royal Society of Arts Silver Medal; he was also a Member of the Order of Canada. His practice and advocacy contributed immeasurably to the arts in Prince Edward island, the Atlantic region, and Canada.

From crisis to survival. Today men are in the most destructive bind in history. On the one side, the macho mystique pressures them into the emotionally crippling, health-destroying mold of the tough, independent man. On the other, feminist women want them to be sensitive helpmates. Dr. Herb Goldberg probes the inner workings of these impossible binds and provides a clear vision of how men can free themselves from hurtful stereotypes.

Psychoanalysis and the Image brings together an influential team of international scholars who demonstrate innovative ways to apply psychoanalytical resources in the study of international modern art and visual representation. Examines psychoanalytic concepts, values, debates and controversies that have been hallmarks of visual representation in the modern and contemporary periods Covers topics including melancholia, sex, and pathology to the body, and parent-child relations Advances theoretical debates in art history while offering substantive analyses of significant bodies of twentieth century art Edited by internationally renowned art historian Griselda Pollock.

Giacomo Meyerbeer, one of the most important and influential opera composers of the nineteenth century, enjoyed a fame during his lifetime hardly rivalled by any of his contemporaries. This ten volume set provides in one collection all the operatic texts set by Meyerbeer in his career. The texts offer the most complete versions available. Each libretto is translated into modern English by Richard Arsenty; and each work is introduced by Robert Letellier. In this comprehensive edition of Meyerbeer's libretti, the original text and its translation are placed on facing pages for ease of use. The eleventh volume presents the fourth of Meyerbeerâ (TM)s grands opÃ(c)ras, and his final work. By 1860 long-imposed labor had started to tell upon the composerâ (TM)s health: he knew that he must concentrate on the â oenavigator projectâ which he had started twenty years earlier if he intended to finish it. Meyerbeer died on 2 May 1864, the day after the completion of the copying of the full score of this his last opera, Vasco da Gama. Minna Meyerbeer and CÃ(c)sar-Victor Perrin, the director of the OpÃ(c)ra, entrusted the editing of a performing edition to the famous Belgian musicologist François-Joseph FÃ(c)tis, while the libretto was revised by MÃ(c)lesville. The original title of Lâ (TM)Africaine was restored out of deference to public expectation. Much of the music and action was suppressed, in spite of the strain this inflicted on the internal logic of the story. While L'Africaine is not lacking in the grandeur of statement and stirring climaxes for which the composer was so famous, there is a new intimacy, a new intensity of melancholic lyricism. Like its famous predecessors, it is basically an historical work, derived from the period of sixteenth-century Renaissance. The account of Vasco da Gama's voyage of discovery around the Cape of Good Hope and conquest of Calicut (1497-98) is subjected to a fictional treatment that raises many interesting issues. The framework is historical, but most of the characters and course of action are not; in fact the end of the opera, in the suicide of the heroine, suddenly leaves the terra firma of reality, and transports us into the mystical realms of the spirit. It is this mixture of modes that is central to the dramaturgy of L'Africaine, a confusion of history and fairytale, ancient certainties and challenging discoveries, in the creation of a new mythology. There is also originality in formal developments, with the great tenor scene in act 4 providing a new malleability in handling the constraints of shape and genre: recitative, arioso and cabaletta have a fluent integration in trying to explore the text more pointedly. Lâ (TM)Africaine was produced on 28 April 1865, a great posthumous tribute to its famous creators. The Ship Scene, the exotic Indian act, and the Scene of the Manchineel Tree exerted a fascination on audiences, and elicited new praise. The work full of melodic beauty and rapturous lyricism, began a triumphal progress through the world, beginning with the big stages of London and Berlin.

Giacomo Meyerbeer, one of the most important and influential opera composers of the nineteenth century, enjoyed a fame during his lifetime hardly rivalled by any of his contemporaries. This ten volume set provides in one collection all the operatic texts set by Meyerbeer in his career. The texts offer the most complete versions available. Each libretto is translated into modern English by Richard Arsenty; and each work is introduced by Robert Letellier. In this comprehensive edition of Meyerbeer's libretti, the original text and its translation are placed on facing pages for ease of use. The eleventh volume presents the fourth of Meyerbeerâ (TM)s grands opÃ(c)ras, and his final work. By 1860 long-imposed labor had started to tell upon the composerâ (TM)s health: he knew that he must concentrate on the â oenavigator projectâ which he had started twenty years earlier if he intended to finish it. Meyerbeer died on 2 May 1864, the day after the completion of the copying of the full score of this his last opera, Vasco da Gama. Minna Meyerbeer and CÃ(c)sar-Victor Perrin, the director of the OpÃ(c)ra, entrusted the editing of a performing edition to the famous Belgian musicologist François-Joseph FÃ(c)tis, while the libretto was revised by MÃ(c)lesville. The original title of Lâ (TM)Africaine was restored out of deference to public expectation. Much of the music and action was suppressed, in spite of the strain this inflicted on the internal logic of the story. While L'Africaine is not lacking in the grandeur of statement and stirring climaxes for which the composer was so famous, there is a new intimacy, a new intensity of melancholic lyricism. Like its famous predecessors, it is basically an historical work, derived from the period of sixteenth-century Renaissance. The account of Vasco da Gama's voyage of discovery around the Cape of Good Hope and conquest of Calicut (1497-98) is subjected to a fictional treatment that raises many interesting issues. The framework is historical, but most of the characters and course of action are not; in fact the end of the opera, in the suicide of the heroine, suddenly leaves the terra firma of reality, and transports us into the mystical realms of the spirit. It is this mixture of modes that is central to the dramaturgy of L'Africaine, a confusion of history and fairytale, ancient certainties and challenging discoveries, in the creation of a new mythology. There is also originality in formal developments, with the great tenor scene in act 4 providing a new malleability in handling the constraints of shape and genre: recitative, arioso and cabaletta have a fluent integration in trying to explore the text more pointedly. Lâ (TM)Africaine was produced on 28 April 1865, a great posthumous tribute to its famous creators. The Ship Scene, the exotic Indian act, and the Scene of the Manchineel Tree exerted a fascination on audiences, and elicited new praise. The work full of melodic beauty and rapturous lyricism, began a triumphal progress through the world, beginning with the big stages of London and Berlin.

Giacomo Meyerbeer, one of the most important and influential opera composers of the nineteenth century, enjoyed a fame during his lifetime hardly rivalled by any of his contemporaries. This ten volume set provides in one collection all the operatic texts set by Meyerbeer in his career. The texts offer the most complete versions available. Each libretto is translated into modern English by Richard Arsenty; and each work is introduced by Robert Letellier. In this comprehensive edition of Meyerbeer's libretti, the original text and its translation are placed on facing pages for ease of use. The eleventh volume presents the fourth of Meyerbeerâ (TM)s grands opÃ(c)ras, and his final work. By 1860 long-imposed labor had started to tell upon the composerâ (TM)s health: he knew that he must concentrate on the â oenavigator projectâ which he had started twenty years earlier if he intended to finish it. Meyerbeer died on 2 May 1864, the day after the completion of the copying of the full score of this his last opera, Vasco da Gama. Minna Meyerbeer and CÃ(c)sar-Victor Perrin, the director of the OpÃ(c)ra, entrusted the editing of a performing edition to the famous Belgian musicologist François-Joseph FÃ(c)tis, while the libretto was revised by MÃ(c)lesville. The original title of Lâ (TM)Africaine was restored out of deference to public expectation. Much of the music and action was suppressed, in spite of the strain this inflicted on the internal logic of the story. While L'Africaine is not lacking in the grandeur of statement and stirring climaxes for which the composer was so famous, there is a new intimacy, a new intensity of melancholic lyricism. Like its famous predecessors, it is basically an historical work, derived from the period of sixteenth-century Renaissance. The account of Vasco da Gama's voyage of discovery around the Cape of Good Hope and conquest of Calicut (1497-98) is subjected to a fictional treatment that raises many interesting issues. The framework is historical, but most of the characters and course of action are not; in fact the end of the opera, in the suicide of the heroine, suddenly leaves the terra firma of reality, and transports us into the mystical realms of the spirit. It is this mixture of modes that is central to the dramaturgy of L'Africaine, a confusion of history and fairytale, ancient certainties and challenging discoveries, in the creation of a new mythology. There is also originality in formal developments, with the great tenor scene in act 4 providing a new malleability in handling the constraints of shape and genre: recitative, arioso and cabaletta have a fluent integration in trying to explore the text more pointedly. Lâ (TM)Africaine was produced on 28 April 1865, a great posthumous tribute to its famous creators. The Ship Scene, the exotic Indian act, and the Scene of the Manchineel Tree exerted a fascination on audiences, and elicited new praise. The work full of melodic beauty and rapturous lyricism, began a triumphal progress through the world, beginning with the big stages of London and Berlin.

Upon Silence sets Long-legged Fly, a late poem of Yeats which portrays three momentous figures in history absorbed in silent contemplation: Julius Caesar planning a crucial military campaign, Helen of Troy as an adolescent in Sparta and Michelangelo painting the Sistine Chapel. The verses are set in a syllabic manner, while each successive chorus is set to increasingly lengthy melismas as, like the long-legged fly above water, the voice hovers above the strings. For Mezzo Soprano and Viols).

Throughout the world, countries are obliged to make great sacrifices in order to raise the vast sums of money needed to secure their defence. But both the sacrifice and the money will be wasted unless properly prepared and qualified commanders are available to direct military operations in the event of war breaking out.Many books have been written which attempt to deduce the qualities required of contemporary generals by studying the performance of the great captains of history. By contrast, in Directing Operations, first published in 1989, Kitson works out the qualities needed by studying the tasks that would be likely to confront commanders of the day. He goes on to discuss how traditional methods of producing senior officers, which may have been suited to the needs of the massed armies of the first half of the twentieth century, should be adapted to fit the demands of the modern world.Kitson's writings continue to be widely read and provoke strong opinions, and the ideas contained in Directing Operations remain highly relevant to the armies of all developed countries.

" . . . scrupulous, fair-minded and richly-detailed study . . . the book charts one of the most remarkable intellectual careers of the 20th century's latter half. . . . What is most heartening about Mr. Alexander's biography is its exemplary civility and nuance in discussing ideas across the lines of political difference." ―Nathan Glick, Washington Times "Anyone interested in Howe's varied career, and the historical context that has given it its particular shape―American radicalism, the Cold War and anticommunism, the New Left, literary modernism, Jewish life―will profit handsomely from reading Alexander's respectful book." ―Wilson Quarterly "Edward Alexander's captivating study of Irving Howe is illuminating and scrupulous; it is also temperate, generous, and deeply fair-minded. If Howe were alive, he would thank the author―and even now, in Paradise, he is surely doing so (while hotly continuing the discussion)." ―Cynthia Ozick " . . . a singular achievement." ―Jerusalem Post " . . . a masterpiece" ―National Jewish Post and Opinion ". . . meticulous scholarship, felicitous writing style and a literate feistiness." ―Chicago Jewish Star "An excellent work of insight and criticism, recommended for academic libraries." ―Library Journal "An insightful, balanced contribution . . ." ―Booklist "Edward Alexander's estimable intellectual biography . . . studiously avoids both undue sentimentality and overly harsh censure." ―Sanford Pinsker, Philadelphia Inquirer "Edward Alexander's well-informed and engaging portrait of Irving Howe does full justice to the complexities of mind and the political passions of one of this country's leading intellectuals. This bracing, perceptive study honors Howe's admirable career by treating it with the same high degree of moral seriousness that characterized Howe's own work at its best." ―Alvin H. Rosenfeld Irving Howe, author of World of Our Fathers, the prize-winning history of American Jewish immigrant culture, and founding editor of the influential magazine Dissent, was for over 50 years a dominant―and controversial―figure in American intellectual life. Through a clear and eloquent study of Howe's politics, writings, and thought, Edward Alexander constructs a sympathetic yet critical intellectual biography of this complex individual.

Set in Buenos Aires, Lisbon, Vienna, Budapest and Odessa, both before and after the Second World War, Edgardo Cozarinsky's stories belong to the spirit of Borges and to a great Argentine cosmopolitan that of the uprooted exile, the plaything of History, who, set down in a strange but proud land, looks back nostalgically to the Europe of his ancestral memories. Cozarinsky's characters are writers, lovers, scholars, artists and dreamers. An ambitious young Jew, about to marry and embark for a new life in Argentina is accosted by an unknown woman who departs with him to Buenos Aires; a pianist in a Buenos Aires nightclub finds himself drawn back to Germany in 1937; an Argentine-American Jew travels to Lisbon to unravel the threads of his grandparents' wartime affair... They are all travellers of a kind, characters who inhabit a secret land, without frontiers.

The history of book production before the invention of printing.

The photographic ready-made Memory and its use as historiography is a central theme in Dani Gal's (* 1975) work. Since 2005, the artist has compiled a large archive of historical vinyl records; he combines these sound documents in his installations and performances--often collaborations--with electronically generated sound. He initially deconstructs this historical material, puts it in a contemporary context, and reconstructs in this way--by structuring the previously widely scattered material--a layer of the past that would otherwise remain sensorially irretrievable. He thus stimulates our study of history, opening up a truly surprising additional perspective. Dani Gal examines how history, or rather, how its recording is constructed, packaged, presented and consumed; yet, it is not simply about the individual vinyl record as an aesthetic object, but also all the information related to it. In addition to numerous records on World War II and its protagonists (»Hitler spricht«, Goebbels, Roosevelt, Churchill, etc.), it is, above all, those American records of the post-war period that stand out in his collection: speeches by Kennedy, Nixon, Jesse Jackson and LP-collections with original recordings from 1967, 1968 and following years. This raises questions about historic events and their medial presentation; Dani Gal immediately creates an ironic distance by nebulizing the analogous semantic cosmos of the spoken language with digital-electronic sound clouds he produces. The book at hand not only documents his work based on meticulous research in the labyrinths of media archives, but rather interweaves--in the actual sense of that word--the source material with pop culture and forms something like a photographic ready-made.

Set in San Francisco during the Gold Rush, this gripping novel tells the story of a young girl who is orphaned and left in the care of her uncle. With its vivid descriptions of life in early California and its engaging characters and plot, this novel is a quintessential work of American literature. A must-read for anyone interested in the history and culture of the American West. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Near Fine/Near Fine. Hardcover. Name/address to front end paper. No other inscriptions or marks. A lovely clean very tight copy with bright unmarked boards and no bumping to corners. Dust jacket not price clipped, marked or torn or creased with fine indenting to rear. 1009pp. The history of cricket taken from Wisdens over twenty-four years from 1940 up to 1963.

"With provocative photographs by some of the best-known photographers of the past century, The Model Wife is a striking and original book about the place where marriage and photography converge."--BOOK JACKET. "Friends, lovers, confidantes, collaborators - the multifaceted relationship between husband and wife takes on another dimension when the couple are also artist and muse. In The Model Wife, Arthur Ollman explores the imagery and photographic history of nine twentieth-century photographers who portrayed their wives over a period of years. He delves into issues of marriage itself and the powerful influences that such a partnership can have on artistic production. Comparisons between the couples and the resulting photographs enrich this discussion."--BOOK JACKET.

Amy Levy(1861-89) was born in London to a relatively wealthy Anglo-Jewish family. At the age of 15 she was sent to Brighton High School and later attended Cambridge University where she was the first Jewish student at Newnham College. She left Cambridge without taking her degree but became a prolific writer of poetry, essays and articles and in 1888 published her first novel The Romance of a Shop. The central theme of Reuben Sachs, also published in 1888, is the relationship between Reuben and Judith Quixano, but some understanding of the history of the Jewish community in England is necessary for a full appreciation of this deeply moving novel. Much progress had been made and economic prosperity achieved since Jews returned to England in the 1650s, having been expelled by Edward 1 in 1290. A significant theme of the novel is the difference between the so-called Sephardi Jews (from Spain via Amsterdam) and Ashkenzi Jews (from Poland and Eastern Europe). Reuben Sachs is Ashkenazi while Judith Quixano is Sephardi. Amy Levy did not shrink from criticising some features of the Jewish community, which she consistently refers to in Reuben Sachs as ‘the tribe’. He frankness led to her being accused by some of anti-semitism. She in turn was openly critical of what she considered to be an inaccurate and over-romanticised view of British Jews as portrayed in the novel Daniel Deronda published by George Elliott in 1876. She was particularly critical of Elliot’s portrayal of Jews as orientals yearning for a return to Palestine

In this history of the ancient, and now defunct, office of the king's serjeant at law in Ireland, Judge Hart traces the development of an office which was at the centre of legal and political affairs in Ireland throughout the greater part of the seven centuries of its existence. From the early days of the 'first adventure of the common law' in the thirteenth century, to Serjeant Sullivan KC, who defended Sir Roger Casement on charges of treason in 1916, the serjeants at law included many of the leading members of the Irish bar, individuals who were as prominent in government, parliament and public life in Ireland as they were in the law courts. This survey seeks to provide for the first time a systematic analysis of their legal and political significance, and examines their changing role, from being the predecessor of the modern attorney general, to being chosen in the eighteenth century as much for their usefulness to the government as parliamentary champions as for their services in the courts.The contents also include the first table of all known holders of this office, details of their terms of office and careers, as well as appendices containing details of the earnings of serjeants before and after the Union. An Irish Legal History Series volume. -- Publisher description

Excerpt from The Times History of the War in South Africa, Vol. 1: 1899-1900 In the present volume I have endeavoured to set before the reader a full account of the relations between the Imperial Government and the Dutch Republics in South Africa, of the causes that led up to the final crisis, and of the protracted negotiations which preceded the outbreak of the great South African War. No study of the military operations themselves can be complete without at least some slight knowledge of the political situation of which the war was the outcome. The ultimatum, the invasion of Natal, the rebellion in Cape Colony, the part played in the war by the Uitlander corps, the stubbornness of the resistance offered by the Boers, the annexation of them territories, arc all matters which can only be understood in the light of previous events. This, and the fact that no adequate connected account of all the circumstances leading up to the war, has as yet appeared, will, I venture to think, be sufficient justification for prefixing this introductory volume to the series of volumes which arc to narrate the course of the military operations. The subject has been treated, as far as possible, from the historical point of view, though at so short an interval of time from the events themselves it is impossible altogether, on some occasions, to avoid a controversial tone. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Essays in American Jewish History is a collection of essays by leading scholars in the field, exploring various aspects of the Jewish experience in America. Topics covered include the history of Jewish immigration, the role of Jews in American politics, and the impact of the Holocaust on American Jews. This book is an essential resource for anyone interested in the history of American Jews and their contributions to American society. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Essays discuss Washington synagogues, community organizations, Jewish society and culture, and the history of Washington's Jewish community