James Traub takes the reader on an almost unbelievable adventure--from the South Bronx to the White House to Wall Street--in an untidy morality play about politics and finance in America in the 1980's.

Another Century of War? is a candid and critical look at America's "new wars" by a brilliant and provocative analyst of its old ones. Gabriel Kolko's masterly studies of conflict have redefined our views of modern warfare and its effects; in this urgent and timely treatise, he turns his attention to our current crisis and the dark future it portends. Another Century of War? insists that the roots of terrorism lie in America's own cynical policies in the Middle East and Afghanistan, a half-century of realpolitik justified by crusades for oil and against communism. The latter threat has disappeared, but America has become even more ambitious in its imperialist adventures and, as the recent crisis proves, even less secure. America, Kolko contends, reacts to the complexity of world affairs with its advanced technology and superior firepower, not with realistic political response and negotiation. He offers a critical and well-informed assessment of whether such a policy offers any hope of attaining greater security for America. Raising the same hard-hitting questions that made his Century of War a "crucial" ( Globe and Mail ) assessment of our age of conflict, Kolko asks whether the wars of the future will end differently from those in our past.

Choice Outstanding Academic Title for 2008 A Half-Century of Greatness paints a vivid and dramatic picture of the creative thought of mid- to late nineteenth century Europe and the influence of the unsuccessful revolutions of 1848. It reveals often unexpected links between novelists, poets, and philosophers from England, Germany, Austria, Hungary, Russia, and Ukraine—especially Dickens, Carlyle, Mill, the Brontës, and George Eliot; Hegel, Strauss, Feuerbach, Marx, Engels, Wagner, and several German poets; the Hungarian poet Sándor Petöfi; Gogol, Dostoevsky, Bakunin, and Herzen in Russia, and the great Ukrainian poet Shevchenko. Ewen goes on to trace the transition from Romanticism to Victorianism, or what he calls “the Victorian compromise”—the ascendancy of the middle class. The book was reconstructed and edited by Dr. Jeffrey Wollock from Ewen’s final manuscript. It includes the author's own reference citations throughout, a reconstructed bibliography, and an updated “further reading” list. This is Ewen’s last work, the long-lost companion to his Heroic Imagination. Together, these books present a panorama of the social, political, and artistic aspects of European Romanticism, especially foreshadowing and complementing recent work on the relation of Marxism to romanticism. Anyone interested in what Lukacs called “Romantic anticapitalism,”; who appreciates such books as Marshall Berman's Adventures in Marxism or E.P. Thompson's The Romantics (1997), will find Ewen’s work a welcome addition.

If there were a hall of fame of America's Orthodox rabbinate, Emanuel Feldman would be a charter member. Long before the word teshuvah became fashionable, he took a moribund congregation in Atlanta, turned it into a vibrant community, and led it for 40 years. In this poignant, delightful, provocative, uproarious, idealistic, uplifting journal, Rabbi Feldman takes us behind the pulpit as no one ever has before. Meet saints and scoundrels, righteous people and sinners, the movers and the meek. Tag along on countless everyday adventures. Taste sweet success and bitter failure. A marvelous book, by a heroic leader, graceful writer, and incisive thinker. Don't miss it! A Shaar Press Publication.

"This delightful lesbian romp set in Elizabethan England captures the adventures of Moll Cutpurse, a swashbuckling heroine, upholder of the right of women, as she pits her wits against Puritans and tricksters, travels with the gypsies, rescues a near-victim of the anti-witchcraft hysteria, and cheats the wealthy out of their ill-gotten gains - with help from her lifelong friend and lover, Bridget, the apothecary"--P [4] of cover.

Paris, 1947: Colette Rossant returns to Paris after waiting out World War II in Cairo among her father's Egyptian-Jewish relatives. Initially, the City of Light seems gray and forbidding to the teenage Colette, especially after her thrill-seeking mother leaves her in the care of her bitter, malaisé grandmother. Yet Paris will prove the place where Colette awakens to her senses. Taken under the wing of Mademoiselle Georgette, the family chef, she develops a taste and talent for French cooking. The streets of Paris soon become Colette's own as she navigates the outdoor markets and café menus and emerges into her new, gastronomical self. Return to Paris is an extraordinary coming-of-age story that charts the course of Colette's culinary adventures -- replete with expertly crafted recipes and family photographs. An exploration of passion in all its flavor and texture, Colette's memoir will live in the hearts and palates of readers for years to come.

Cancelled Confessions reveals Claude Cahun to be a major surrealist writer and pioneering queer theorist almost a century ahead of her time. In 1930, Claude Cahun (born Lucy Schwob) and her partner, artist Marcel Moore (born Suzanne Malherbe) published their surrealist masterpiece, Aveux non Avenus, translated here as Cancelled Confessions and available in English for the first time in twenty years. Susan de Muth's revised translation of Cancelled Confessions has a new introduction by art historian Amelia Groom which contextualizes it within contemporary queer discourse. The book's nine sections are prefaced by dreamlike photomontages (reproduced in high definition here) which reflect, illuminate and converse with the verbal content. Upon publication, Aveux non Avenus simply baffled all but a few of Cahun's friends and admirers, leading Cahun to describe herself as, 'An unwanted Cassandra'. Now, however, is the time of the remarkably prescient Cahun and Moore. 'Cahun was a pioneer of gender-bending role-playing...eerily ahead of her time she has attracted an almost cult-like following.' The late David Bowie Cahun and Moore's appeal is wide and universal. They were adventurers in life as in art. Cahun famously terrified Andre Breton in the 1920s when she appeared in a Paris café with her head shaved and painted gold. Having moved to Jersey in 1938, Cahun and Moore waged a mischievous two-person resistance campaign against the occupying Nazi forces from 1940. Finally caught and imprisoned in 1944, they were sentenced to death in 1945, saved at the very last moment by the armistice.

Christina Oxenberg is an award winning author with many published books, a weekly blog and a large loyal readership. Oxenberg was badly educated at too many schools to bother listing, including one highly suspect institution where poker was on the curriculum. School was mostly in England but also Spain, and New York City and the Colorado Rocky Mountains, if only to finish with a flourish. There would be no University. Instead Oxenberg went directly to Studio 54 where she was hired in a Public Relations capacity. This was the 'gateway drug' that introduced her to everyone and everything she would ever need for the rest of her life. A Pandora's Box to be used with great care. The culmination, to date, is a heap of published books, a great deal of wonderful experiences including five magical years in Southern Colombia (not a hostage). Throughout her adventures Oxenberg always wrote.

A few years ago, Christopher Buckley wrote of Bruce Jay Friedman in the New York Times Book Review that he "has been likened to everyone from J. D. Salinger to Woody Allen," but that "he is: Bruce Jay Friedman, sui generis, and no mean thing. No further comparisons are necessary." We are happy to report that he remains the same Bruce Jay Friedman in his unique, unblinking, and slightly tilted essays—collected here for the first time—in Even the Rhinos Were Nymphos . A butler school in Houston, a livestock auction in Little Rock, a home for "frozen guys" in California, JFK's humidor in Manhattan—all are jumping off points for Friedman's baleful and sharply satirical scrutiny of American life and behavior in the second half of the twentieth century. Travel with Friedman from Harlem to Hollywood, from Port-au-Prince to Etta's Eat Shop in Chicago. In these pieces, which were published in literary and mass-circulation magazines from the 1960s to the 1990s, you'll meet such luminaries as Castro and Clinton, Natalie Wood and Clint Eastwood, and even Friedman's friends Irwin Shaw, Nelson Algren, and Mario Puzo. Friedman is a master of the essay, whether the subject is crime reporting ("Lessons of the Street"), Hollywood shenanigans ("My Life among the Stars"), or his outrageous adventures as the editor of pulp magazines (the classic "Even the Rhinos Were Nymphos"). We could sing his praises as a journalist, humorist, and social critic. But, as Buckley tells us, being Bruce Jay Friedman is enough. Bruce Jay Friedman is the author of seven novels (including The Dick , Stern , and A Mother's Kisses ), four collections of short stories, four full-length plays (including Scuba Duba and Steambath ), and the screenplays for the movies Splash and Stir Crazy .

"After reading Cocktails with Molotov, you'll wonder if there's anything Barry Farber hasn't done, if there's anywhere he hasn't been. From a young age, Farber had a knack for being in the right place at the right time. In Cocktails with Molotov, Barry Farber's collection of real life short stories, you'll read of his encounters with Alfred Hitchcock, the King of Albania, and Buzz Aldrin; of his knowledge of 26 foreign languages and how foreign language came through for him in the knick of time. He shares tales from his childhood in North Carolina and his time spent venturing abroad, from his life as a young reporter and as a seasoned journalist, along with astounding narratives of everything in between. A lifelong seeker of adventures and excitement, Barry Farber's lighthearted and humorous storytelling will keep you occupied for hours"--Jacket.

Peregrine was the bastard son of the King of Sapodilla, the last pagan kingdom in the world to resist christianity. Accompanied by his page and the rather time-worn sorcerer, Appledore, the prince sallies forth into the Dark Ages to find his fortune. What he find sinstead is: dragons, whores, Huns, Roman Legions, emperors and a most fantastic collection of mysteries and adventures.

“Arthur Rubinstein was a seventh child—gifted not only with the extraordinary talent we all listened to but also with one of the totaller recalls which makes possible this easy, expansive memoir of his years into World War I but also and especially a very happy nature which makes itself manifest throughout. ... These are his 'young years'—resilient and outgoing and full of his musical, social and romanticissimo activities.”—Kirkus Reviews “My Young Years remains a classic autobiography in the grand manner. Unlike the memoirs that now crowd the bookshelves, exercises in self-administered therapy in which narcissistic narrators of no apparent accomplishment whine ad nauseam about real or imagined angst, this is an exuberant account of what Rubinstein calls, in his brief foreword, 'the struggles, the mistakes, the adventures, and ... the miraculous beauty and happiness of my young years.' His was a life lived to the full, with triumphs and disappointments galore, and by the time he reached his 80s and began to write this book, Rubinstein had such great stature that his story virtually commanded readers' attention.”—Jonathan Yardley, Washington Post *** Arthur Rubinstein was a Polish American classical pianist who played in public for eight decades. He received international acclaim for his performances of music written by a variety of composers, and many regard him as the greatest Chopin interpreter of his time. He was described by The New York Times as one of the most gifted pianists of the twentieth century. My Young Years is Rubinstein’s book of personal recollections, providing a record of his life and creative development from his childhood days in Poland to the years of World War I. This edition contains 37 illustrations as well as a foreword and an afterword from the author. With his uncanny memory, with his unsurpassed gift as raconteur, the adored maestro of the piano at last tells the story of his life—the adventures, the struggles, the amours, the mishaps, and the triumphs—from his birth in Lodz in a large, complex Polish-Jewish family (they would have been happier if little Arthur had taken to the much more “distinguished” violin), to his education among strangers in musical Berlin, to his visit to Switzerland (to be displayed to the Great God Paderewski), to the first concerts, the first (of many) loves, and the first triumphant tours. By the close of the book, the world is deep in its first Great War, and Arthur deep in his great career—perhaps the greatest, in music, of our century. Here are the places—each new city an adventure—from Warsaw, Berlin, and Paris to St. Petersburg, Vienna, Rome, London, New York (where Rubinstein awoke his first morning to find himself front-page news for reasons far from musical), and Madrid. And here are the people: Josef Hofmann, already adored in America; the young giant Chaliapin, overflowing with animal vitality; the notorious critic Monsieur Willy and his wife (in hair ribbons) Colette—she teasingly urged the young pianist to disaster his first time at roulette; the reputedly terrifying Saint-Saëns; Stravinsky, Casals, Koussevitzky, Diaghilev, Picasso ... In story after wonderful story Rubinstein brings us into the presence of the great, the near great, the once-great, the teachers gentle or tyrannical, the family, the fascinating circles of friends, who populated his Young Years. Rubinstein’s life and music have been illuminated with a radiant energy, a magic that could have only sprung from a gargantuan love of life. His book—bursting with anecdote, information, opinion, with life—is a testament to that great gift.

Alan Coren's irresistible humour takes front stage in these wonderfully fun wild west and detective story books. Two great adventures appear in each book in the series.

Caught in the midst of a rebellion while visiting a friend thousands of miles from home, Joseph, the young heir to the great House Keilloran, one of the Masters who colonized the planet long ago, finds himself fighting for survival in enemy territory, through which he must travel while facing terrible dangers.Robert Silverberg is a SFWA Grandmaster and winner of multiple Hugo and Nebula awards.

Doomed by a thousand-year-old curse to serve important personages throughout the centuries, George Mills loves and follows various lieges, from a stableboy ancestor in the First Crusade to a modern-day furniture mover. Reprint.

Daria Peterson was usually a level-headed teenager. But a dish she won at a local carnival began to shimmer with a life force of its own, and then suddenly, the face of her dead grandmother appeared. No one believed her, of course. Not her best friend Kelly, or her mother, who was her exact opposite. And as her grandmother revealed things about her mother's past, about love and loss, Daria began to see her mother in a different light. And with the knowledge came a growing fear--of the supernatural and her own growing psychic abilities....

This story, "To See the Invisible Man," written in June of 1962, marks the beginning of my real career as a science-fiction writer, I think. The 1953-58 stories collected in To Be Continued, the first of this series of volumes, are respectable professional work, some better than others but all of them at least minimally acceptable--but most of them could have been written by just about anyone. Aside from a few particularly ambitious items, they were designed to slip unobtrusively into the magazines of their time, efficiently providing me with regular paychecks. But now, by freeing me from the need to calculate my way around the risk of rejection, Fred Pohl allowed--indeed, required--me to reach as deep into my literary resources as I was capable of doing. I knew that unless I gave him my very best, the wonderful guaranteed-sale deal I had with him would vanish as quickly as it had appeared. Therefore I would reach deeper and deeper, in the years ahead, until I had moved so far away from my youthful career as a hack writer that latecomers would find it hard to believe that I had been emotionally capable of writing all that junk, let alone willing to do it. In "To See the Invisible Man" the distinctive Silverberg fictional voice is on display for just about the first time. --Robert Silverberg

A Novel Nachman Seltzer When Keith Caseman, sailing champion, sets out for the greatest race of his life, it's no surprise that the winds of chance - and Divine providence - ...

Ben the tramp, the awkward Cockney with no home and no surname, turns detective again - and runs straight into trouble. Ben encounters a dead man on a London bridge and is promptly rescued from the same fate by a posh lady in a limousine. But like most posh ladies of Ben's acquaintance, this one isn't what she seems. Seeking escape from a gang of international conspirators, Ben is whisked off to the mountains of Scotland to thwart the schemes of a poisonous organisation and finds himself in very unfamiliar territory. With its startling prelude, Detective Ben is a glorious adventure, told with the unsurpassed mixture of humour and creepy thrills that made J. Jefferson Farjeon famous and Ben the tramp one of the best-loved characters of the Golden Age.