No one, not even Mikhail Gorbachev, anticipated what was in store when the Soviet Union embarked in the 1980s on a radical course of long-overdue structural reform. The consequences of that momentous decision, which set in motion a transformation eventually affecting the entire postwar world order, are here chronicled from inside a previously forbidden Soviet city, Magnitogorsk. Built under Stalin and championed by him as a showcase of socialism, the city remained closed to Western scrutiny until four years ago, when Stephen Kotkin became the first American to live there in nearly half a century. An uncommonly perceptive observer, a gifted writer, and a first-rate social scientist, Kotkin offers the reader an unsurpassed portrait of daily life in the Gorbachev era. From the formation of "informal" political groups to the start-up of fledgling businesses in the new cooperative sector, from the no-holds-barred investigative reporting of a former Communist party mouthpiece to a freewheeling multicandidate election campaign, the author conveys the texture of contemporary Soviet society in the throes of an upheaval not seen since the 1930s. Magnitogorsk, a planned "garden city" in the Ural Mountains, serves as Kotkin's laboratory for observing the revolutionary changes occurring in the Soviet Union today. Dominated by a self-perpetuating Communist party machine, choked by industrial pollution, and haunted by a suppressed past, this once-proud city now faces an uncertain future, as do the more than one thousand other industrial cities throughout the Soviet Union. Kotkin made his remarkable first visit in 1987 and returned in 1989. On both occasions, steelworkers and schoolteachers, bus drivers and housewives, intellectuals and former victims of oppression--all willingly stepped forward to voice long-suppressed grievances and aspirations. Their words animate this moving narrative, the first to examine the impact and contradictions of perestroika in a single community. Like no other Soviet city, Magnitogorsk provides a window onto the desperate struggle to overcome the heavy burden of Stalin's legacy.

A rare art history classic that The New York Times calls a “delightful, scholarly and gossipy romp through the character and conduct of artists from antiquity to the French Revolution.â€Born Under Saturn is a classic work of scholarship written with a light and winning touch. Margot and Rudolf Wittkower explore the history of the familiar idea that artistic inspiration is a form of madness, a madness directly expressed in artists†unhappy and eccentric lives. This idea of the alienated artist, the Wittkowers demonstrate, comes into its own in the Renaissance, as part of the new bid by visual artists to distinguish themselves from craftsmen, with whom they were then lumped together. Where the skilled artisan had worked under the sign of light-fingered Mercury, the ambitious artist identified himself with the mysterious and brooding Saturn. Alienation, in effect, was a rung by which artists sought to climb the social ladder.As to the reputed madness of artists—well, some have been as mad as hatters, some as tough-minded as the shrewdest businessmen, and many others wildly and willfully eccentric but hardly crazy. What is certain is that no book presents such a splendid compendium of information about artists†lives, from the early Renaissance to the beginning of the Romantic era, as Born Under Satur n. The Wittkowers have read everything and have countless anecdotes to about artists famous and infamous; about suicide, celibacy, wantonness, weird hobbies, and whatnot. These make Born Under Saturn a comprehensive, quirky, and endlessly diverting resource for students of history and lovers of the arts.“This book is fascinating to read because of the abundant quotations which bring to life so many remarkableindividuals.â€â€“ The New York Review of Books

" It's a book less on what I did than on what others, mainly my parents, did to me " Taking in a vast gallery of extraordinary characters from Paris' post-war years, Pedigree is an autobiographical portrait of Post-War Paris and a tumultuous childhood - a childhood replete with insecurity and sorrow that informed the oeuvre of France's Nobel Laureate. With his sometime-actress mother and shady businessman father barely functioning in any parental role, the young Modiano spent his childhood being packed off to the care of others, or held at a safe distance in a grimy boarding school - which he ran away from several times. His impecunious mother had "a heart of stone"; his womanising father once called the police when his son asked him for money, and later ceased all contact with him. But for all his parents' indifference, it is the death of his younger brother when Modiano is eleven that cuts deepest, leaving a wound that can never be healed.

The image of Hollywood often translates as some otherworldly dreamscape filled with fantastic lives and fantasy fulfillment. The real deal was carved from the Southern California desert as an outpost northwest of Los Angeles. The movie industry arrived when tumbleweeds were not simply props and actual horsepower pulled the loads. Everyday workers, civic management, and Main Street conventionalities nurtured Hollywood's growth, as did a balmy climate that facilitated outdoor photography and shooting schedules for filmmakers. Splendid vintage photographs from the renowned collections of the Hollywood Heritage Museum and Bison Archives illustrate Hollywood's businesses, homes, and residents during the silent-film era and immediately after, as the Great Depression led up to World War II. These images celebrate Hollywood before and after its annexation into the city of Los Angeles in 1910 and its subsequent ascension as the world's greatest filmmaking center.

Professor of Parapsychology, Philip Goodman, is an arch-sceptic with a mission to debunk the paranormal, wherever it occurs. But when he embarks on an investigation of three apparent hauntings - as recounted by a night-watchman, a teenage boy, and a businessman awaiting his first child - Goodman finds himself at the outer limits of rationality, and fast running out of explanations. Jeremy Dyson and Andy Nyman's play Ghost Stories first started terrifying audiences at Liverpool Playhouse and the Lyric Hammersmith, London, in 2010, directed by its authors along with Sean Holmes - and has since become a worldwide cult phenomenon, with two West End transfers, productions in China, Australia, Canada and Europe, and an award-winning film adaptation. It was revived at the Lyric in 2019. This official tie-in edition features the complete script for the show, and an exclusive introduction by Jeremy Dyson and Andy Nyman, about the origins and development of the play.

Mrs. Bloch, gathering with her friends at the local soda fountain each day tells the story of her son, a former rabbi and now a successful businessman

" This book provides an effective antidote to the small business owner's frustration with government, demonstrating how to cut through regulations, red tape, and political corruption. "--Provided by publisher.

A country's ideology-the framework of ideas it uses to make values explicit and its institutions legitimate-shapes the manner in which corporations and managers live and act. If not properly understood, it can blind a manager to problems he cannot avoid; if properly understood, it can alert managers to issues that help them in dealing with government agencies, the public, their workers, and in developing their own business strategy. In this probing study, Harvard Business School professor George C. Lodge and Harvard University sociologist Ezra F. Vogel have combined their expertise to examine ideology as a useful tool for understanding national communities-how and why they have evolved, the tensions that exist within them, and the differences between them.

AT&T's divestiture was the largest corporate reorganization in history and has had international repercussions. It was a major development in American economic policy, and a prominent part of the deregulation movement of the late 1970s. This study reveals the internal decision-making process at AT&T and explains how private and public interests combined to shape corporate and public policy in late 20th-century America. Temin weaves the strands of politics, economics, business, and law into an accessible narrative history that will be of interest to the general reader who wants to know about government business interaction and how it affects American citizens. Temin portrays divestiture as a great experiment in public policy, competition, openness, and international policy. He concludes that the experiment has been a mix of deliberate design and uncontrollable forces whose outcome was not foreseen.

Passionate, profound and funny, Berman is inspiring people from all walks of life to get off the sidelines and fight the good fight--and win. This unique book--part manifesto from a leader, part humorous activist memoir from a soccer mom--offers a wryly honest, behind-the-scenes, ultimately uplifting look at the state of the planet. For almost 20 years, Tzeporah Berman has been one of our most influential environmentalists. A founder of ForestEthics and PowerUp Canada, she was instrumental in shaping the tactics and concerns of the modern environmental movement. In her early 20s she faced nearly one thousand criminal charges and 6 years in prison for her role organizing blockades in Canada's rainforest. She later transformed her tactics and sat down with CEOs and political leaders to reshape their policies and practices. In her new role at Greenpeace International she is fighting the problem of our time: climate change. This Crazy Time is an impassioned plea for a better world.

What can government do to enhance social and economic well being? Nothing, says Murray N. Rothbard. Power and Market contains the proof. It will inoculate the reader against the even the slightest temptation to invoke the state as a solution to any social or economic problem. It is ultimate manual for completely de-mystifying the myth of the state. This beautiful new edition is the first to truly do it justice. The Rothbardian claim is perhaps the most radical made in the history of political economy. But how can it be convincing? What must an author do to back up this claim? Here is what Rothbard did. He systematically classified every form of intervention into three types: autistic, binary, and triangular. Within each category, he discusses their ill effects, and does so with precision and insight. Free market scholars have been using and expanding on his insights for years. But in this book we have the source. He is like an expert house inspector examining the edifice of the state. Brick by brick, nail by nail, he shows that it is fundamentally unsound. The seeming edifice is really a house of cards. This book is the ideal answer to the person who says: "I favor free markets but…." and then proceeds to advocate some intervention they believe to be helpful. Rothbard shows that it is not helpful, no matter what it is. And he provides the logic for understanding how all forms of government aggression make society worse off. Softcover, 328 pages including index.

We can't sit under Mises at his famous Vienna private seminar. We can't go back in time and attend his New York seminar, or follow him to his speaking engagements that he held in the 50s and 60s.But thanks to this second volume in a thrilling series (here is volume one), we do have access to what he said. He is warm, funny, passionate, and learned. This book provides a candid look at the man and his teaching style. It demonstrates his dazzling command over the material, and teaches in a breezier way than his treatises.This volume contains nine lectures delivered over one week, from June 23, to July 3, 1952, at the San Francisco Public Library. Mises was at his prime as a teacher and lecturer. He shares a lifetime of learning on topics that were (and remain) central to American public life.As the title indicates, his main focus is on Marxism. He discusses Marx and his place in the history of ideas, the destruction wrought by his dangerous ideology, the manner in which his followers have covered up his errors, and how the Marxists themselves have worked for so long to save Marxism from itself. He discusses Marxist claims about history and refutes the smear of the industrial revolution.The approach is systematic but casual. So the reader encounters wonderful insights in the form of short asides. For example: "The worst thing that can happen to a socialist is to have his country ruled by socialists who are not his friends."As a lecturer, he is steady and relentless. The reader can nearly "hear" him speaking through the prose. And there are times when Mises reveals a level of rhetorical passion that you would never encounter in print. That's because what is printed here are not pre-prepared lectures in the sense that they were written out. They were transcribed by Bettina Bien Greaves from what he actually said.Thus can we hear this passage:It is not true, as Marx said, that the improvements in technology are available only to the exploiters and that the masses are living in a state much worse than on the eve of the Industrial Revolution. Everything the Marxists say about exploitation is absolutely wrong! Lies! In fact, capitalism made it possible for many persons to survive who wouldn't have otherwise.Some readers of Mises's larger works have said that while his rigor is dazzling, the man himself can seem remote. Whether or not you agree with this observation, Mises comes across in these lectures as brilliant but very warm and charming in an old world sense.This approach is particularly fruitful in the last four of the lectures, which cover topics such as savings, interest, inflation, profit and loss, and the place of foreign investment. The lecture on interest rates, for example, must surely rank as one of the best explanations of this complicated topic. He recounts the history of the attempt to suppress interest rates, from the ancient world to the modern period. He explains why this cannot work because interest is merely the objective sign of a phenomenon that is integral to human action. As he moves on to money, Mises reveals himself to be tougher on the issue of fiduciary media than he was when he wrote his 1912 book The Theory of Money and Credit.In response to a question Mises says: "In the future no additional banknotes should be issued, no additional credit should be entered on a bank subject to check, unless there is 100 percent coverage in money."Also not to be missed is Mises's wry defense of "money cranks": at least they were only more consistent than the advocates of Keynesian and monetarism.Mises was clearly pressed for time, so he had to be at once thorough and move quickly through the material. It's still not "light reading" by the normal standards, but for people who want to see a great mind at work, this has a wonderful element of spontaneity about it that attracts and teaches at the same time.

Explores the structural and political relations of the Atlantic trade in the 18th century

CONTENTS: Introduction - Labour, Necessary product, Surplus Product - Exchange, Commodity, Value - Money, Capital, Surplus-value - The Development of Capital - The Contradictions of Capitalism - Trade - Credit - Money - Agriculture- Reproduction and the Growth of National Income - Periodical Crises - Monopoly Capitalism - Imperialism - The Epoch of Capitalist Decline - The Soviet Economy - The Economy of the Transition Period - Socialist Economy - Origin, Rise and Withering Away of Political Economy- Bibliography - Index

This collection of essays by Alexander Gerschenkron, who has been called “the doyen of economic history in the United States,” is a companion volume to the author’s highly acclaimed Economic Backwardness in Historical Perspective. The essays range over a wide variety of subjects, but the major theme, as in Gerschenkron’s previous book, is the conditions of industrial development, particularly in regard to nineteenth-century Europe. The book is divided into three parts. In Part I, Methodology, the essays are: “On the Concept of Continuity in History,” “Some Methodological Problems in Economic History,” and “Reflections on Ideology as a Methodological and Historical Problem.” Part II, Problems in Economic History, deals with “The Typology of Industrial Development as a Tool of Analysis,” “The Industrial Development of Italy: A Debate with Rosario Romeo,” “The Modernization of Entrepreneurship,” “Russia: Agrarian Policies and Industrialization, 1861–1914,” and “City Economies Then and Now.” In Part III, The Political Framework, the essays are: “Reflections on the Economic Aspects of Revolution,” “The Changeability of a Dictatorship,” and “The Stability of Dictatorships.” A series of appendices presents reviews and review articles by Gerschenkron.

"The Essential Hirschman brings together some of the finest essays in the social sciences, written by one of the twentieth century's most influential and provocative thinkers. Albert O. Hirschman was a master essayist, one who possessed the rare ability to blend the precision of economics with the elegance of literary imagination. In an age in which our academic disciplines require ever-greater specialization and narrowness, it is rare to encounter an intellectual who can transform how we think about inequality by writing about traffic, or who can slip in a quote from Flaubert to reveal something surprising about taxes. The essays gathered here span an astonishing range of topics and perspectives, including industrialization in Latin America, imagining reform as more than repair, the relationship between imagination and leadership, routine thinking and the marketplace, and the ways our arguments affect democratic life. Throughout, we find humor, unforgettable metaphors, brilliant analysis, and elegance of style that give Hirschman such a singular voice.Featuring an introduction by Jeremy Adelman that places each of these essays in context as well as an insightful afterword by Emma Rothschild and Amartya Sen, The Essential Hirschman is the ideal introduction to Hirschman for a new generation of readers and a must-have collection for anyone seeking his most important writings in one book"--

It was July 23, 1892, and Alexander Berkman was planning to die. He just had some business to attend to first. Dressed in a new suit and a black derby hat, Berkman burst into the Pittsburg office of Henry Clay Frick, the notoriously anti-union manager of the Carnegie Steel Company. From his pocket, Berkman produced a pistol. This pocket-sized book collects the shorter works of one of the world's most influential anarchists.

"This novel has a laugh track; Adler's a good storyteller and has an ear for the rhythms of a good joke." -Jewish Journal18-year-old Mickey Fine and 17-year-old Mutzie Feder desperately want to escape their drab lives in 1937 Brooklyn. He wants to be a world-famous comic and she is longing to have the glamorous life she sees embodied by her idol on the silver screen, Jean Harlow. Mickey gets his chance when he is hired to be the resident social director and comedian, otherwise known as a "tumler" at the famed Catskills resort, Gorlicks Greenhouse. Mutzie gets her opportunity when she is chosen to be "the number one girl" of notorious hit-man "Pittsburgh Phil" Strauss or "Pep". That summer, Pep travels with Mutzie, his Murder Incorporated cohorts and their families for an extended holiday at Gorlicks. As the season progresses and Strauss has to leave on weekdays for "business reasons", Mickey and Mutzie begin to fall hard for each other. As their feelings grow, so do Pep's suspicions. They must find a way out before Pep marks them both for death.