A bestseller in Germany, Michael Wieck's account of his childhood in Königsberg recalls a German city obliterated by fire-bombing during the Second World War. As the child of a Jewish mother and Gentile father, Wieck was persecuted first as a "certified Jew" by the Nazis, then as a German by the Russian occupiers, including horrific internment in the Rothenstein concentration camp. His emigration to the West in 1948 marked the end of the 408-year history of the Jewish community in Königsberg. From the earliest delights of a childhood filled with music, family, and the smell of pines and the sea, Wieck retraces his life. He tells of his school days and their sudden end, the shock of Kristallnacht, his Aunt Fanny being sent by train to a destination unknown, the chemical factory where Jewish workers gradually disappeared, the bombs falling on Königsberg. The Russian occupation was anything but the expected delivery from the horrors of the war. In the midst of privation, savagery, and death, there were moments of absurdity, and Wieck powerfully depicts them in this unforgettable memoir.

Michael Meyer's translations of Strindberg and Ibsen have often been described as definitive, as have his biographies of both writers. His Strindberg translations made him the first Englishman to receive the Gold Medal of the Swedish Academy, and his life of Ibsen won the Whitbread Biography prize. He has now turned his attention to his own life and his friendships with some of this century's most famous literary and theatrical names.

Leaving her home in Seattle in mid-summer to drive 'the long way round' to the Detroit auto show, Lesley Hazleton embarks on a journey to visit the holy places for cars - where they are raced, displayed, crashed, tested and made - as she seeks to understand our deep fascination with automobiles. Her quest takes her on a road trip that teaches her not only about cars and the peculiar passions of car lovers but also about herself. Halfway through this extraordinary adventure, Hazleton's father, the man who taught her to drive, dies suddenly, and her trip becomes a journey of grief and memory.

The noted comedian, actor, and author exchanges views with the famous food critic and editor on all aspects of food, his favorite recipes and restaurants, and the famous people with whom he has eaten and for whom he has cooked

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From uptight Afrikaners to flying Dutchmen, from New York high-fliers to the earthy charmers of Puerto Rico--Xaviera got a taste of them all, first as a freewheeling freelance, and later as the most beautiful, famous, and merry madam of Manhattan. "The Happy Hooker" is the book that launched the high priestess of hookerdom on an unsuspecting world. And although this frank sexual shocker raised eyebrows on first publication, Xaviera didn't tell all! This revised version of her internationally bestselling autobiography reveals what modesty forbade--and really takes the lid off the bedtime habits of an astonishing variety of men--and women--in the sin capitals of the world, detailing Xaviera's penetrating personal insights into men and their morals.

The oboist looks back at her twenty-five year career, offering a glimpse into the world of classical music and providing details of substance abuse and the practice of trading sexual favors for jobs.

One would expect the rulers of England and France to have a relationship of some kind, if only political. But the personal relationships that developed between Victoria and Albert of Great Britain, and their counterparts across the channel, were rather surprising. Ambitious and flamboyant, Napoleon III of France and his wife the Empress Eugenie could hardly have been more different to the British monarch and her consort. And while Victoria was enchanted by that very difference, over the years their relationship was frequently strained by political and military events. But when the world of Napoleon III and Eugenie began to crumble, it was to their British friends that they fled. And when Eugenie lost her husband and her only child in swift succession, the publicly ice-cool Queen Victoria revealed her true character as she welcomed a heartbroken Eugenie into her own family. In Queen Victoria and the Bonapartes , Theo Aronson reveals a little-known aspect of Queen Victoria's life and deploys his skill as a writer and researcher to great effect, showing us the complex and often surprising characters behind the great names of history. Praise for Queen Victoria and the Bonapartes : 'Relying primarily on correspondence between the Queen, Empress, Emperor and other family members and officials (much of it previously unpublished), Aronson delivers another superbly readable and engaging history' - Shawn Day, Randomosity 'I enjoyed reading this book very much indeed, & would most certainly recommend it to those seeking a more human experience of history' - Goodreads review Theo Aronson is the author of over twenty works of royal historical biography, published in eleven languages. Among the widely read are Grandmama of Europe, The King in Love, Napoleon and Josephine and a biography of Princess Margaret . In the course of researching and writing these books he has interviewed major and minor members of Britain's royal family and members of the royal households, as well as various officials, servants, friends and others whose lives are in some way connected with the monarchy.

Berlin--"East" and "West," day and of course night--throughout the 80s before the Wall came down. In the eyes of an American philosophy student. And Jewish, which makes for moments at once awkward, poignant, resonant, unspoken, crass, funny, and always lurking. Most of all, Susan Neiman can write, as borne out again by her books to follow this debut. Here, we live the Reagan years with her--when a city was divided, America the occupier, and the cigarettes not named "Salem" because it sounds too Jewish. Peter Becker folded an easel in the corner to make a table. He brought cold cuts and bread and asked me what I thought of his paintings. Later I would learn that people here always ask you what you think of their paintings, and that it's wrong just to say you find them interesting, but perfectly alright to say you find them awful. . . . You come from a Jewish family, don't you?" asked Becker. "Yes," I said. "It doesn't matter," said the other painter. Doesn't matter? To whom?

What is marriage? Can a relationship dedicated to equality, friendship, and mutual education flower in an atmosphere of romance? What are the paths between loving another and knowing another? Stanley Cavell identified a genre of classic American films that engaged these questions in his study of comedies of remarriage, Pursuits of Happiness . With Contesting Tears , Cavell demonstrates that a contrasting genre, which he calls "the melodrama of the unknown woman," shares a surprising number and weave of concerns with those comedies. Cavell provides close readings of four melodramas he finds definitive of the genre: Letter from an Unknown Woman , Gaslight , Now Voyager , and Stella Dallas . The women in these melodramas, like the women in the comedies, demand equality, shared education, and transfiguration, exemplifying for Cavell a moral perfectionism he identifies as Emersonian. But unlike the comedies, which portray a quest for a shared existence of expressiveness and joy, the melodramas trace instead the woman's recognition that in this quest she is isolated. Part of the melodrama concerns the various ways the men in the films (and the audiences of the films) interpret and desire to force the woman's consequent inaccessibility. "Film is an interest of mine," Stanley Cavell has written, "or say a love, not separate from my interest in, or love of, philosophy." In Contesting Tears Cavell once again brilliantly unites his two loves, using detailed and perceptive musings on melodrama to reflect on philosophical problems of skepticism, psychoanalysis, and perfectionism. As he shows, the fascination and intelligence of such great stars as Ingrid Bergman, Bette Davis, and Barbara Stanwyck illuminate, as they are illuminated by, the topics and events of these beloved and enduring films.

The legendary television star tells the backstage stories of the classic comedy of Your Show of Shows, Caesar's Hour, and other landmark programs.

"Step into the extraordinary life of Samuel Adler, one of the most celebrated composers and conductors of our time. From a childhood marked by the horrors of Nazi Germany to a career spanning over six decades in music, teaching, and composition, Adler's journey is a testament to resilience, creativity, and the unifying power of music"--

This book undoes 50 years of mythmaking about Stravinsky's life in music. During his spectacular career, Igor Stravinsky underplayed his Russian past in favor of a European cosmopolitanism. Richard Taruskin has refused to take the composer at his word. In this long-awaited study, he defines Stravinsky's relationship to the musical and artistic traditions of his native land and gives us a dramatically new picture of one of the major figures in the history of music. Taruskin draws directly on newly accessible archives and on a wealth of Russian documents. In Volume One, he sets the historical scene: the St. Petersburg musical press, the arts journals, and the writings of anthropologists, folklorists, philosophers, and poets. Volume Two addresses the masterpieces of Stravinsky's early maturityÑ Petrushka, The Rite of Spring, and Les Noces . Taruskin investigates the composer's collaborations with Diaghilev to illuminate the relationship between folklore and modernity. He elucidates the Silver Age ideal of "neonationalism"Ñthe professional appropriation of motifs and style characteristics from folk artÑand how Stravinsky realized this ideal in his music. Taruskin demonstrates how Stravinsky achieved his modernist technique by combining what was most characteristically Russian in his musical training with stylistic elements abstracted from Russian folklore. The stylistic synthesis thus achieved formed Stravinsky as a composer for life, whatever the aesthetic allegiances he later professed. Written with Taruskin's characteristic mixture of in-depth research and stylistic verve, this book will be mandatory reading for all those seriously interested in the life and work of Stravinsky.

This book is an intellectual and personal history of Richard Lazarus, a psychologist whose pioneering research and theories in stress, coping, and emotion continue to have a worldwide influence. The author interweaves the account of his personal life and career with the developments of psychology as an academic discipline during the past five decades. His reminiscences offer glimpses of academic life, university politics, and also his growing contacts with the European and Japanese colleagues who invited him to lecture. The book concludes with his thoughts about aging, retirement, and issues of life and death.

Paperback. One or two minor marks on exterior; the lightest of wear to spine ends. A very good copy. TS

When Alex Hightower's teenage sone, Faibian, dies in a car crash, she is devastated. Hurt as she is, Alex tries to accept that Fabian is gone forever. But then strange events begin to occur in her home: rooms turn freezing cold, furniture moves by itself and the bathroom begins to sweat. Worse follows: the words "Help me, Mother" appear on her computer screen, Fabian's face eerily shows up in photos developed after his death, and his voice speaks from the mouths of Alex's male guests. Terrified by these happenings, Alex consults a medium. A seance reveals that Fabian is an unhappy spirit who wants to come back to life. Haunted by her son's spirit, Alex is consumed by her search for answers. As she begins to uncover terrifying secrets about Fabian's past, she comes to realize that her own life is in danger. With horror, Alex discovers that somehow, she must free herself from her son's spirit--before it takes possession of her own.

"Peter Godwin's mother is dying. Born in England, and having spent most of her adult life as a doctor in Zimbabwe, she now lies on a hospital bed in the partitioned living room of his sister's London home. Peter has spent his life missing his Zimbabwean childhood, a longing that does not diminish as he reflects on his time as a journalist on the frontlines of combat around the world, or life in New York with his English wife and transatlantic children. In his mother's final months, he must come to terms with everything his family was and wasn't: the secrets they kept from one another, the stoicism that sometimes threatened to destroy them, and the beauty of the wildly different places they called home. With generations of history behind him, Godwin lyrically brings us into the spaces which make us question and suffer, shows us how we can heal our own scars, and celebrate the lives we have among family and friends" -- Publisher's description.