"Allen Shawn is afraid of heights, water, fields, parking lots, tunnels, and unknown roads. He avoids subways, elevators, and bridges. He is afraid of both closed and open spaces and of any form of isolation--yet this is a memoir of enormous bravery. He is the son of New Yorker editor William Shawn and brother to playwright/actor Wallace Shawn. His twin sister is autistic. His father led a double life that introduced strict taboos to his household. Shawn examines these influences, his father's and mother's phobias, and his own struggle with agoraphobia with generosity, wit, and insight, interwoven with both Freudian psychology and cutting-edge brain research, attempting to decipher the psychological and biological puzzles that have plagued him for so long

"'If we have the habit of freedom and the courage to write exactly as we think, ' as Woolf puts it in A Room of One's Own , writing like a woman simply means writing like what one actually is, in sickness and health, richer and poorer, belly and bowels, the consonants and the vowels too. We may have a general sense that women poets are more likely than men, at the present time, to write in detail about their bodies; to take power relationships as a theme; to want to speak with a strong rather than a subdued voice; are less likely to seek distance, more likely to seek intimacy, in poetic tone. But generalization would be foolish here. 'Woman poet, ' like 'American poet' or 'French poet' or 'Russian poet, ' allows--even insists on--diversity, while implying something valuable in common, some shared language and life, of tremendous importance to the poet and the poet's readers." --Alicia Ostriker

Also has brief case studies of Pablo Picasso, Kathe Kollwitz, Buster Keaton, and Chaim Soutine.

Double Trouble exposes the bullies of Capitol Hill...You won't find anybody who is more vehemently partisan than Senate Minority Leader Tom Daschle of South Dakota and House Minority Leader Dick Gephardt of Missouri, two men who publicly preach cooperation and bipartisanship but do not practice what they preach. Authors Alan Gottlieb and Dave Workman went on a quest for facts and came away with verification that Dascle and Gephardt are firmly inbedded career politicians who are skilled at building road blocks, deflecting critics and who define cooperation as give us what we want, or else.

"This is not going to be a tell-all book. My few dark secrets I'm taking to my grave", Alan King, ne Irwin Alan Kniberg, assures us. Instead, this is the story of how a son of Russian immigrants - who came to this country in steerage - grew up to live in a mansion that had been built for Oscar Hammerstein. Dropping names whenever possible, he tells terrific stories about Marlon Brando, Frank Sinatra, Charlie Chaplin, Judy Garland, Billy Crystal, the Kennedys, and dozens of other friends famous and not so famous. His life in comedy and show business takes us on a glorious journey from the Borscht Belt to early success at the Palace Theater and all the way thorough to the recent Martin Scorsese film Casino. Along the way we learn a great deal about a man who still thinks of himself as two people, Alan King and Irwin Kniberg, who wins our hearts because that kid Irwin is, as he confesses, "still inside there, desperate to do something, to be somebody".

Vladimir Jabotinsky (1880-1940) was a man of huge paradoxes and contradictions and has been the most misunderstood of all Zionist politicians--a first-rate novelist, a celebrated Russian journalist, and the founder of the branch of Zionism now headed by Benjamin Netanyahu. This biography, the first in English in nearly two decades, undertakes to answer central questions about Jabotinsky as a writer, a political thinker, and a leader. Hillel Halkin sets aside the stereotypes to which Jabotinsky has been reduced by his would-be followers and detractors alike. Halkin explains the importance of Odessa, Jabotinsky's native city, in molding his character and outlook; discusses his novels and short stories, showing the sometimes hidden connections between them and Jabotinsky's political thought, and studies a political career that ended in tragic failure. Halkin also addresses Jabotinsky's position, unique among the great figures of Zionist history, as both a territorial maximalist and a principled believer in democracy. The author inquires why Jabotinsky was often accused of fascist tendencies though he abhorred authoritarian and totalitarian politics, and investigates the many opposed aspects of his personality and conduct while asking whether or not they had an ultimate coherence. Few figures in twentieth-century Jewish life were quite so admired and loathed, and Halkin's splendid, subtle book explores him with empathy and lucidity

Julius Rosenwald (1862-1932) rose from modest means as the son of a peddler to immense wealth at the helm of Sears, Roebuck. Yet his most defining legacy stands not upon his business acumen but on the pioneering changes he introduced to the practice of philanthropy. While few may recall Rosenwald's name--he refused to have it attached to the buildings, projects, or endowments he supported--his passionate support of Jewish and African American causes continues to influence lives to this day. This biography of Julius Rosenwald explores his attitudes toward his own wealth and his distinct ideas about philanthropy, positing an intimate connection between his Jewish consciousness and his involvement with African Americans. The book shines light on his belief in the importance of giving in the present to make an impact on the future, and on his encouragement of beneficiaries to become partners in community institutions and projects. Rosenwald emerges from these pages as a compassionate man whose generosity and wisdom transformed the practice of philanthropy itself.

"Anna Akhmatova began writing in the years before World War I, a time when, according to Akhmatova herself, "to think of a woman as a poet was absurd." Her genius would rise above categorization, but this biography makes clear how heavily she paid for the political and personal passions that informed it. A fierce poise, forged by Anna's lonely childhood, carried her through her father's resistance to her writing - which prompted her to change her name from Gorenko to Akhmatova, a name taken from a Tartar ancestor - and her flawed but passionate love affairs. We see Akhmatova's work banned from 1925 until 1940, and banned again following World War II, when the Union of Soviet Writers labeled her "half nun, half harlot." We see her steadfast resistance to Stalin during her hopeful but unsuccessful attempt to win her son's release from prison. We see her abiding loyalty to such friends as Mandelstam, Shostakovich and Pasternak as they faced Stalinist oppression.

The book marks the first time that Herzl's career, personality and the influences upon him-both preceding his Zionist involvement and following it- have been examined in such a comprehensive manner, rather than focusing exclusively on his role as founder of the Zionist movement.

"Essays, speeches, and journal entries from one of our most admired and best-loved poets that illuminate how he came to understand himself as a poet, the events and people that he wrote about, and the older poets who influenced him. In prose both as superbly rendered as his poetry and as down-to-earth and easy as speaking, Levine reveals the things that made him the poet he became. In the title essay, originally the final speech of his poet laureate year, he recounts how as a boy he composed little speeches walking in the night woods near his house and how he later realized these were his first poems. He wittily takes on the poets he studied with in the Iowa Writing Program: John Berryman, who was his great teacher and lifelong friend, and Robert Lowell, who was neither. His deepest influences--jazz, Spain, the working people of Detroit--are reflected in many of the pieces. There are essays on Spanish poets he admires, William Carlos Williams, Wordsworth, Keats, and others. A wonderful, moving collection of writings that add to our knowledge and appreciation of Philip Levine--both the man and the poet"--

Rev. ed. of: Child of light. 1951. Describes the life of the author of "Frankenstein" and wife of the famous poet Percy Bysshe Shelly.

A Companion to Julius Caesar comprises 30 essays from leading scholars examining the life and after life of this great polarizing figure. Explores Caesar from a variety of perspectives: military genius, ruthless tyrant, brilliant politician, first class orator, sophisticated man of letters, and more Utilizes Caesar’s own extant writings Examines the viewpoints of Caesar’s contemporaries and explores Caesar’s portrayals by artists and writers through the ages

"From serving as the Middle East correspondent for The New Yorker to penning articles for the New York Times, Milton Viorst has dedicated his career to studying the Middle East. Now, in this new book, Viorst examines the evolution of Zionism, from its roots by serving as a cultural refuge for Europe's Jews, to the cover it provides today for Israel's exercise of control over millions of Arabs in occupied territories. Beginning with the shattering of the traditional Jewish society during the Enlightenment, Viorst covers the recent history of the Jews, from the spread of Jewish Emancipation during the French Revolution Era to the rise of the exclusionary anti-Semitism that overwhelmed Europe in the late nineteenth century. Viorst examines how Zionism was born and follows its development through the lives and ideas of its dominant leaders, who all held only one tenet in common: that Jews, for the first time in two millennia, must determine their own destiny to save themselves. But, in regards to creating a Jewish state with a military that dominates the region, Viorst argues that Israel has squandered the goodwill it enjoyed at its founding, and thus the country has put its own future on very uncertain footing. With the expertise and knowledge garnered from decades of studying this contentious region, Milton Viorst deftly exposes the risks that Israel faces today. "--

"A valuable contribution to the growing literature of medical culture."—Gerald Weissman, New York Univ. Medical Center.

This is the story of little me, from pudgy, awkward child to pudgy, slightly less awkward adult - via school musicals, adolescent angst, stand-up, Shooting Stars , Little Britain , Doctor Who , love, loss, wigs and giant pink babygros. And, in case your attention span is as short as mine, it comes in a handy A to Z format. So B is for Baldy! (yes, people did shout this at me in the playground), G is for Gay (because I'm an actual real life gay) and I is for Idiot (I was born a berk. I probably even stubbed my toe on the way out). It will warm your heart, make you snort out loud in public and there's even a catchy song in the middle. What I'm saying is, please buy this book. It is VERY good. I know I'm biased because I wrote it but it is.

Haunted by his parents’ horrific suffering and traumatic losses under Nazi rule, Lev Raphael grew up loathing everything German. Those feelings shaped his Jewish identity, his life, and his career. While researching his mother’s war years after her death, he discovers a distant relative living in the very city where she had worked in a slave labor camp, found freedom, and met his father. Soon after, Raphael is launched on book tours in Germany and, in the process, redefines himself as someone unafraid to face the past and let it go. Bookmarks , “Top Ten Nonfiction Titles of 2009”

One of the most imaginative figures to emerge from the science fiction field. Olaf Stapledon left an indelible mark on many other writers, from Arthur C. Clarke to Saul Bellows, but never won a mass following himself. This study by a renowned American literary critic provides a long-needed introduction to the life and work of the man Brian Aldiss called "the great classical example, the cold pitch of perfection as he turns scientific concepts into ontological epic prose poems, the ultimate science fiction writer." Probing the recurrent themes and images of Stapledon's novels -- which include Last and First Men, Odd John, Star Maker, and Sirius -- Leslie A. Fiedler brilliantly illuminates the complexity and richness that underlie Stapledon's fiction. As Fiedler demonstrates, Stapledon was very much a product of the 1930s, embracing a set of leftist attitudes that were common to many other "Oxbridge-educated sons of the English upper classes." But, as Fiedler further shows, there is much more to Stapleton's books than their superficial ideological content: his works are unique in their awe-inspiring vision of the breadth of the physical universe and the depths of the human psyche. "Certainly since encountering him," Fielder writes, "I have never been able to stare up at thee night sky with the same secure faith that either God exists or he does not; anymore than I have been able between sleeping and waking to be sure that the nighttime "I" preparing to dream is identical with or totally different from the conscious "I" about to surrender its dominion."