WHY CRIME DOES NOT PAY BY SOPHIE LYONS WITH BEAUTIFUL CLASSIC COVER. PERFECTLY FOR EVERYONE WHO LOVES CLASSIC AUTOBIOGRAPHY BOOKS OR AS A GIFT FOR YOU LOVED ONE. GET YOURS TODAY! Specifications: Cover Finish: GLOSSY Dimensions: 5,25" x 8" (13,34 x 20,32 cm) Interior: White Paper Pages: 155

One Foot in the Future: A Woman's Spiritual Journey. One woman's odyssey from the center of Nazi Europe to the center of the Acid Age and beyond. This is an extraordinary tale of humor and hope writ large on the canvas of the 20th Century.

"This is a beautiful book, full of ideas that could help restore America’s genius for freedom and promise.” — Thomas Moore, New York Times bestselling author of Care of the Soul A lifelong Emerson lover, teacher, and spiritual seeker reveals how American philosopher Ralph Waldo Emerson’s twelve essential teachings hold the answer to living an authentic and fulfilling life, one that is in har[Bokinfo]

After more than thirty years as an expatriate, Irma Kurtz gave in to her growing curiosity about her American roots and set off on a grand adventure to explore 'the most baffling of all places' - by Greyhound bus. Taking only the barest necessitites for travel, she entered the vast network of America's bus routes and a seething, fleeting world of brief encounters and changing landscapes.

The Public Is Never Wrong: The Autobiography of Adolph Zukor is a memoir written by Adolph Zukor, one of the most influential figures in the early days of Hollywood. In this book, Zukor recounts his life story, from his humble beginnings as an immigrant in New York City to his rise to fame as the founder of Paramount Pictures.Zukor's narrative takes readers on a journey through the early days of the film industry, as he describes his experiences working as a nickelodeon operator and film distributor before ultimately founding his own studio. He also discusses his relationships with some of the biggest names in Hollywood, including Charlie Chaplin, Mary Pickford, and Douglas Fairbanks.Throughout the book, Zukor emphasizes the importance of listening to the audience and giving them what they want. He argues that the public is never wrong and that the key to success in the film industry is to understand and cater to their tastes. He also provides insights into the business side of the industry, discussing topics such as financing, marketing, and distribution.Overall, The Public Is Never Wrong offers a fascinating glimpse into the life and career of one of the most important figures in the history of Hollywood. It is a must-read for anyone interested in the early days of the film industry and the art of storytelling on the big screen.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This volume recasts and reintroduces Riesman by presenting newly discovered and unpublished manuscripts of his work, including excerpts from a previously unpublished critical biography of Freud that Riesman began with this assistant at the time, Philip Rieff, an interview in which Riesman describes in detail his early biography and his route into the social sciences, and other research notes and memoranda. With additional chapters analyzing the unpublished works, as well as discussions of Riesman as a public intellectual, his multi-disciplinary method of understanding society and his connections with figures such as Goffman and Fromm, this book will appeal to scholars of sociology, social theory and the history of American social science.

This is a very frank and detailed account by a leading and very active mathematician of the past decades whose contributions have had an important impact in those fields where mathematics is now an integral part. It starts from his early childhood just after the First World War to his present-day positions as professor of mathematics, electrical engineering and medicine at the USC, which in itself reflects on the diversity of interests and experiences gained through the turbulent years when American mathematics and sciences established themselves on the forefront. The story traces the tortuous path Bellman followed from Brooklyn College; the University of Wisconsin to Princeton during the war years; more than a decade with the RAND Corporation; with frequent views of more than just the academic circles, including his experiences at Los Alamos on the A-bomb project.Bellman gives highly personalised views of key personalities in mathematics, physics and other areas, and his motivations and the forces that helped shape dynamic programming and other new areas which emerged as consequences of fruitful applications of mathematics.

"In this well-illustrated work, Pauline Koner “traces the course” of her remarkable career from her days as a student of Michel Fokine in the 1920s, through further studies with Angel Cansino and the brilliantly influential Michio Ito, to a period as a dance soloist before World War II that make her reputation. After the war she entered a productive collaboration with Doris Humphrey, and then began the epochal performances with Jose Limon. She continued to perform until 1972, and her influence as a teacher and choreographer is still widely felt. Her book is an instructive and charming chronicle of this remarkable career, as well as a record of performances and interpretations that have gone far to mold modern dance into its present state of grace."

Memoirs of a Jew who was born in 1922 in Zhetel (in Polish, Zdzięcioł). Pp. 73-137 deal with the Holocaust period, and Shelub's experiences as a partisan in the forests of Belarus.

"From a bilingual master of the literary memoir comes this moving and humorous story of losing immigrant baggage and trying to reclaim it for his American future. In this poignant literary memoir, internationally acclaimed author and Boston College professor Maxim D. Shrayer explores both material and immaterial aspects of immigrant baggage. Through a combination of dispassionate reportage, gentle irony, and confessional remembrance, Shrayer writes about traversing the borders and boundaries of the three cultures that have nourished him-Russian, Jewish, and American"--

Recounts the transformation of two daily newspapers in the face of economic downturns and sweeping technological change. In 1978, Harry Rosenfeld left the Washington Post , where he oversaw the paper’s standard-setting coverage of Watergate, to take charge of two daily papers under co-ownership in Albany, New York: the morning Times Union and the evening Knickerbocker News . It was a particularly challenging moment in newspaper history. While new technologies were reducing labor costs on the production side and providing ever more sophisticated tools for journalists to practice their craft, those very same technologies would soon turn a comparatively short-lived boom into a grave threat, as ever more digitally distracted readers turned to sources other than print and other legacy media for their news. Between these boundaries, Rosenfeld set about to do his work. Picking up where his previous memoir, From Kristallnacht to Watergate , left off, Battling Editor tells the story of how Rosenfeld and his colleagues transformed two daily publications into alert and aggressive newspapers even in times of economic downturn. Bringing the investigative habits he had honed in his years at the New York Herald Tribune and the Washington Post , Rosenfeld’s objective was to tell the fully rounded stories of the region’s cities, suburbs, and rural towns, with awareness of both their achievements and their shortcomings. Furthermore, the misuse of power, whenever it happened, whether in city hall or the state capitol, in courtrooms or prisons, or in hospitals, corporations, community organizations, was to be exposed, and those accountable were to be held responsible. More importantly, however, Rosenfeld’s account is enlisted in the growing call to arms for all who cover the news and all who consume it. Written at a time when the credibility of news organizations is under attack by those at the highest levels of government, Battling Editor is a full-throated defense of fact-based journalism and hard-hitting reporting at the local as well as national level. “Harry’s book is often about tough decisions, and it stands out as a handbook on how to live an ethical life in the news business right now. Is it possible to tell the truth all the time? Sometimes. But this is an instructive narrative—especially today when the truth is such a rare commodity in the White House and Congress, and the financially beleaguered press is itself under threat as an enemy of the people. Harry and his family lived in Nazi Germany, and escaped it in 1939. A large part of his subsequent life has been an ongoing war against fascism, racism, and political criminals. This book explains how he waged that war on a daily basis in the newsrooms he managed so well, and for so long.” — from the Foreword by William Kennedy “Harry Rosenfeld made a choice. He left an exciting job at the Washington Post for the chance to do what so many editors dream of—become the guy in charge of two vibrant regional newspapers. What fun he had as a boss—being responsible for stories about local heroes, crooked politicians, and the day-to-day doings of a capital city. There also is a tinge of nostalgia in Harry’s memoir, for the kind of local reporting Harry lived for has all but disappeared in today’s newspaper world. Local coverage has been stripped away in newspaper after newspaper as all are facing dwindling readership and disappearing income.” — Seymour M. Hersh

By any measure, Hans Mark was a warrior of the Cold War. Born in Mannheim, Germany, in 1929, he spent his early childhood in Vienna before escaping the Nazi Anschluss in 1938 and eventually emigrating to the United States, settling in New York. He graduated from high school in 1947, went west to attend the University of California, Berkeley, and later earned a PhD in physics from MIT. His work in nuclear engineering soon set him on a path that would be shaped by aeronautics, space exploration, and national defense. It was through advanced technology that Mark believed the United States could win the Cold War. In An Anxious Peace , Mark recounts in detail his life as a twentieth-century “rocket man.” Here is the inside story of one who—in a career spanning more than six decades—was on the technological front line, from long-range bombers to the space shuttle. Along the way, Mark reveals many never-before-told stories from life at NASA and more. Readers will revel in learning the background behind the decision to place a plaque on Pioneer 10 , a space probe that the NASA Ames Research Center designed to fly past the asteroid belt, Jupiter, and Saturn to collect data and images. Mark tells how he, Carl Sagan, and NASA insider John Naugle kept secret the addition of the now iconic 6x9-inch aluminum “message from humanity” until the probe had been launched. To this day Mark is pushing for a manned mission to Mars. One thing is sure: Hans Mark has left a major impact on academic and scientific communities that will be felt for decades to come.

"Takes readers inside the life mind of Frank Mankiewicz, a man who was essentially 20th century America incarnate. Born into Hollywood royalty, Frank's father and uncle were responsible for such classic films as Citizen Kane and All About Eve. Growing up in Beverly Hills, guests at the dinner table included F. Scott Fitzgerald and the Marx brothers. At age eighteen Frank joined the Army, seeing action at the Battle of the Bulge. Returning home, he began work for Robert Kennedy's campaign, becoming the Senator's press secretary and a personal friend of the family. During a long career in media and politics Frank helped give birth to National Public Radio and served as a director for the nascent Peace Corps. Such a long and interesting life gave rise to a myriad of opinions, and, before he passed away at 92, Frank was not afraid to share them. In this intriguing, insightful, and often humorous memoir, Frank recalls his favorite memories while sharing his opinions on everything from Zionism to smartphones. Like story-time with the nation's most interesting grandfather, he will make you laugh, make you cry, and probably embarrass you. He wouldn't have wanted it any other way"--

Text: English, French (translation)

"As a New Left journalist Allen Young had worked to defend the Cuban Revolution during the 60s and the early 70s. Now in this personal essay, he reconsiders the Castro regime from the point of view of a gay man active in the Gay Liberation movement. He traces the rise of Cuban homophobia and examines the institutionalized persecution of gay people which has culminated in the recent waves of gay refugees seeking a measure of freedom in the United States"--Page 4 of cover.

Finalist for the Los Angeles Times Book Prize (Biography) A Hollywood love story, a Hollywood memoir, a dual biography of two of Hollywood's most famous figures, whose golden lives were lived at the center of Hollywood's golden age, written by their daughter, an acclaimed writer and producer. Fay Wray was most famous as the woman--the blonde in a diaphanous gown--who captured the heart of the mighty King Kong, the twenty-five-foot, sixty-ton gorilla, as he placed her, nestled in his eight-foot hand, on the ledge of the 102-story Empire State Building, putting Wray at the height of New York's skyline and cinematic immortality. Wray starred in more than 120 pictures opposite Hollywood's biggest stars--Spencer Tracy, Gary Cooper ( The Legion of the Condemned, The First Kiss, The Texan, One Sunday Afternoon ), Clark Gable, William Powell, and Charles Boyer; from cowboy stars Hoot Gibson and Art Accord to Ronald Colman ( The Unholy Garden ), Claude Rains, Ralph Richardson, and Melvyn Douglas. She was directed by the masters of the age, from Fred Niblo, Erich von Stroheim ( The Wedding March ), and Mauritz Stiller ( The Street of Sin ) to Leo McCarey, William Wyler, Gregory La Cava, "Wild Bill" William Wellman, Merian C. Cooper ( The Four Feathers, King Kong ), Josef von Sternberg ( Thunderbolt ), Dorothy Arzner ( Behind the Make-Up ), Frank Capra ( Dirigible ), Michael Curtiz ( Doctor X ), Raoul Walsh ( The Bowery ), and Vincente Minnelli. The book's--and Wray's--counterpart: Robert Riskin, considered one of the greatest screenwriters of all time. Academy Award-winning writer (nominated for five), producer, ten-year-long collaborator with Frank Capra on such pictures as American Madness, It Happened One Night, Mr. Deeds Goes to Town, Lost Horizon, and Meet John Doe, hailed by many, among them F. Scott Fitzgerald, as "among the best screenwriters in the business." Riskin wrote women characters who were smart, ornery, sexy, always resilient, as he perfected what took full shape in It Happened One Night, the Riskin character, male or female--breezy, self-made, streetwise, optimistic, with a sense of humor that is subtle and sure. Fay Wray and Robert Riskin lived large lives, finding each other after establishing their artistic selves and after each had had many romantic attachments--Wray, an eleven-year-long difficult marriage and a fraught affair with Clifford Odets, and Riskin, a series of romances with, among others, Carole Lombard, Glenda Farrell, and Loretta Young. Here are Wray's and Riskin's lives, their work, their fairy-tale marriage that ended so tragically. Here are their dual, quintessential American lives, ultimately and blissfully intertwined.