In PICTURES OF CHILDHOOD, Alice Miller explores the connection between childhood and that creative anxiety which 'somehow permits us to come to grips with the demons of our past and give form to the chaos within and thereby master our anxiety.'Having realised in the early seventies a lifelong desire to paint, Dr Miller found an unfamiliar world emerging from her not the 'nice' world of her childhood, to which she had always testified, but one of fear, despair and loneliness. Meditating on her spontaneously executed watercolours- sixty-six of which are reproduced here in full colour- and their implications, Dr Miller offers a profound analysis of the roots of creativity in the authentic self's struggle for survival.

The key distinction between Al Goldstein and Hugh Hefner is that the last thing on earth Al would be caught doing is taking himself seriously. Otherwise, given the amount of trouble Al has seen, his autobiography reads more like a tragedy than the absurd, uproarious comedy it is. Like a fat tiger with nine lives, Al Goldstein constantly collides with his own mortality, yet has survived for 69 years, so far. Recently, after finally succeeding in cannibalizing his entire fortune, Goldstein toughed his way through a full year homeless on the streets of New York — merely his latest accomplishment. Al's list of priors involve two dozen arrests, four ex-wives, Mafia hit contracts, thousands of death threats, innumerable medical procedures, and constant legal attack throughout his 34 years publishing Screw. Al's blood enemies include politicians, D.A.'s, CEO's and religious officials. When Goldstein was acquitted on pornography charges in Wichita, Kansas, in 1978, he flew the entire jury to New York to celebrate at Plato's Retreat, and took them all out to dinner on the anniversary of his acquittal. This landmark victory thereafter insured the right of Americans to view buck-ass naked sex with or without redeeming social value.

Memoirs of Wilo (Wolf) Ungar, a Jew born in 1913 in Krasne, near Tarnopol. In September 1939 he was drafted into the Polish Army; notes the anti-Jewish mood of Poles after the Polish defeat. He fled to Lvov, where the Nazi invasion caught up with him in July 1941. Describes Nazi measures against the Jews and life in the ghetto. Ungar's wife and newly-born child perished during the Nazi "action" in June 1942. He lived on "Aryan papers" in the vicinity of Lvov and later fled to Warsaw. From there he moved to Nowy Dwór, northwest of Warsaw, and before March 1943 was interned in the ghetto there. He fled and returned to Lvov. Having been exposed as a Jew, he narrowly escaped being sent to the Janowska camp; he was hidden by a Ukrainian woman until the liberation. He tried to enlist in the Polish army in Lvov in 1944, but was rejected as a Jew. After the war he emigrated to the USA.

As a boy, Stephen J. Dubner's hero was Franco Harris, the famed and mysterious running back for the Pittsburgh Steelers. When Dubner's father died, he became obsessed—he dreamed of his hero every night; he signed his school papers "Franco Dubner." Though they never met, it was Franco Harris who shepherded Dubner through a fatherless boyhood. Years later, Dubner journeys to meet his hero, certain that Harris will embrace him. And he is . . . well, wrong. Told with the grit of a journalist and the grace of a memoirist, Confessions of a Hero-Worshiper is a breathtaking, heartbreaking, and often humorous story of astonishing developments. It is also a sparkling meditation on the nature of hero worship—which, like religion and love, tells us as much about ourselves as about the object of our desire.

Uncensored, uncontained, and thoroughly demented, the memoirs of Paul Krassner are back in an updated and expanded edition. Paul Krassner, “father of the underground press” (People magazine), founder of the Realist, political radical, Yippie, and award-winning stand-up satirist, shares his stark raving adventures with the likes of Lenny Bruce, Abbie Hoffman, Norman Mailer, Ken Kesey, Groucho Marx, and Squeaky Fromme, revealing the patriarch of counterculture’s ultimate, intimate, uproarious life on the fringes of society. Whether he’s writing about his friendship with controversial comic Lenny Bruce, introducing Groucho Marx to LSD, his investigation of Scientology, or John Kennedy’s cadaver, no subject is too sacred to be skewered by Krassner. And yet his stories are soulful and philosophical, always authentic to his iconoclastic brand of personal journalism. As Art Spiegelman said, “Krassner is one of the best minds of his generational to be destroyed by madness, starving, hysterical, naked—but mainly hysterical. His true wacky, wackily true autobiography is the definitive book on the sixties.”

Memoirs of Friedman, born in 1936 in Budapest, whose hasidic family survived in and around his native city, thanks to their luck or Divine providence, and their abilities - including his father's skillful forging of fake documents, the daring of his young aunts, and the acting ability of his mother and himself. Friedman, his mother, and baby brother survived posing as non-Jews in Buda, while most of the city's Jews were in danger in Pest. He pretended to be mentally ill due to the absence of a father serving in the Hungarian army, while his father was actually sheltered in the "glass house". Includes a brief account of how one aunt escaped on the Kasztner train. One sister was hidden in a convent until the Jewish children were found by the Gestapo, but she was saved by the ingenuity of her aunt Irene. Another sister was hidden in the countryside, discovered by the fascists, and rescued by her Aunt Edith. One relative survived by pretending to be a Gypsy violinist; another found refuge in a mental hospital. Friedman's grandmother escaped from a death march. Relates some of the horrors of life under the Arrow Cross, and the difficulty of remaining alive until the Russians liberated the city.

This definitive anthology gathers stories, essays, memoirs, excerpts from novels, and poems by more than 130 Jewish writers of the past two centuries who worked in the Russian language. It features writers of the tsarist, Soviet, and post-Soviet periods, both in Russia and in the great emigrations, representing styles and artistic movements from Romantic to Postmodern. The authors include figures who are not widely known today, as well as writers of world renown. Most of the works appear here for the first time in English or in new translations. The editor of the anthology, Maxim D. Shrayer of Boston College, is a leading authority on Jewish-Russian literature. The selections were chosen not simply on the basis of the author's background, but because each work illuminates questions of Jewish history, status, and identity. Each author is profiled in an essay describing the personal, cultural, and historical circumstances in which the writer worked, and individual works or groups of works are headnoted to provide further context. The anthology not only showcases a wide selection of individual works but also offers an encyclopedic history of Jewish-Russian culture. This handsome two-volume set is organized chronologically. The first volume spans the nineteenth century and the first part of the twentieth century, and includes the editor's extensive introduction to the Jewish-Russian literary canon. The second volume covers the period from the death of Stalin to the present, and each volume includes a corresponding survey of Jewish-Russian history by John D. Klier of University College, London, as well as detailed bibliographies of historical and literary sources.

Memoirs of a Jew born in 1927 in Halle. In 1938, together with other Jews of Polish origin, she and her family were deported to Poland; they settled in Mielec. Describes the Nazi occupation and the establishment of a ghetto. In March 1942 most of the ghetto's inhabitants were transferred to other ghettos or concentration camps. Eber and her family were sent to the Dębica ghetto, but she soon escaped. She found shelter with a Polish family, and hid in a chicken coop for almost two years. Her father was shot in a labor camp. After the war Eber discovered that her mother and sister had been saved by Oskar Schindler. In 1948, after living in a DP camp in Germany, Eber emigrated to the USA.

"Hadassah Lieberman's memoirs, telling the story of her experience as the child of Holocaust survivors, of being an immigrant in America, making a career as a working woman, experiencing divorce, and re-marriage as the wife of a US senator"--

Conflicting Identities and Multiple Masculinities takes as its focus the construction of masculinity in Western Europe from the early Middle Ages until the fifteenth century, crossing from pre-Christian Scandinavia across western Christendom. The essays consult a broad and representative cross section of sources including the work of theological, scholastic, and monastic writers, sagas, hagiography and memoirs, material culture, chronicles, exampla and vernacular literature, sumptuary legislation, and the records of ecclesiastical courts. The studies address questions of what constituted male identity, and male sexuality. How was masculinity constructed in different social groups? How did the secular and ecclesiastical ideals of masculinity reinforce each other or diverge? These essays address the topic of medieval men and, through a variety of theoretical, methodological, and disciplinary approaches, significantly extend our understanding of how, in the Middle Ages, masculinity and identity were conflicted and multifarious.

A giant in the history of American entertainment, Eddie Cantor (1892-1964) won over the American public time and time again, first on stage, bowling audiences over in the Ziegfeld Follies, then in films, on the radio, and on television. His career ran from Vaudeville to video making all stops in between. A tireless person even when not on the stage, Cantor helped found the March of Dimes, and was the first national president of the Screen Actor's Guild (SAG), the American Federation of Radio Artists (later AFTRA), and the Jewish Theatrical Guild. Yet another medium in which Cantor succeeded was print. He authored and co-authored several books that upheld his standing as one of America's leading comedians. My Life Is In Your Hands & Take My Life combines for the first time in a single volume two memoirs written in 1928 and 1957, in which Eddie remembers his beginnings as an orphan on the Lower East Side and his hard-won climb from poverty to the bright lights of Broadway. The book also contains a lost chapter in which Eddie recalls his reactions to the stock market crash of 1929, along with a new complete index, discography, and filmography. In My Life Is In Your Hands & Take My Life, Cantor's humor is as sharp as ever and his sentiment is 100% genuine. While not at all modest about his decades of public adoration, Cantor shows a willingness to laugh at his blunders (such as his second film, "Special Delivery"), and to praise the many talented people with whom he collaborated. Along with telling the story of show business in the first half of the 20th century, Cantor also lets readers in on fond stories of his friends, from Jimmy Durante (who worked as a pianist in the Coney Island restaurant where Cantor was a singing waiter), to Ziegfeld alumni Will Rogers and W. C. Fields, to fellow entertainers Clara Bow and Fanny Brice.

Contradictory stereotypes about Jewish sexuality pervade modern culture, from Lenny Bruce's hip eroticism to Woody Allen's little man with the big libido (and even bigger sexual neurosis). Does Judaism in fact liberate or repress sexual desire? David Biale does much more than answer that question as he traces Judaism's evolving position on sexuality, from the Bible and Talmud to Zionism up through American attitudes today. What he finds is a persistent conflict between asceticism and gratification, between procreation and pleasure. From the period of the Talmud onward, Biale says, Jewish culture continually struggled with sexual abstinence, attempting to incorporate the virtues of celibacy, as it absorbed them from Greco-Roman and Christian cultures, within a theology of procreation. He explores both the canonical writings of male authorities and the alternative voices of women, drawing from a fascinating range of sources that includes the Book of Ruth, Yiddish literature, the memoirs of the founders of Zionism, and the films of Woody Allen. Biale's historical reconstruction of Jewish sexuality sees the present through the past and the past through the present. He discovers an erotic tradition that is not dogmatic, but a record of real people struggling with questions that have challenged every human culture, and that have relevance for the dilemmas of both Jews and non-Jews today.

Memoirs of a Jew who was born in 1926 in the village of Bikoly and grew up in the town of Pápa, west of Budapest. Pp. 99-221 deal with the Holocaust period. At first, Hungary's anti-Jewish policies did not affect the family much, but the situation changed drastically with the German occupation in March 1944. A ghetto was established in Pápa, and in June 1944 Laszlo was drafted into a military labor service unit. While he was working at Kőszeg, his parents were deported. After his labor unit was destroyed by the Soviets in Jibou, northwestern Romania, Laszlo fled to Budapest, then under the control of the Arrow Cross. In October 1944 Laszlo was deported to Bergen-Belsen, and then to Theresienstadt. There he met his father, who died shortly after the liberation; the rest of his family had perished earlier. After the war he settled in the USA.

Over the course of sixty years, Alfred Kazin's writings confronted virtually all of our major imaginative writers, from Emerson to Emily Dickinson to James Wright and Joyce Carol Oates -- including such unexpected figures as Lincoln, William James, and Thorstein Veblen. This son of Russian Jews wrote out of the tensions of the outsider and the astute, outspoken leftist -- or, as he put it, "the bitter patriotism of loving what one knows." Editor Ted Solotaroff hasselected material from Kazin's three classic memoirs to accompany his critical writings. Alfred Kazin's America provides an ongoing example of the spiritual freedom, individualism, and democratic contentiousness that he regarded as his heritage and endeavored to pass on.

From Eva Moskowitz, the outspoken founder and CEO of the charter school Success Academy, comes a frank, feisty memoir about the rough-and-tumble battles to reform America’s education system. Eva Moskowitz is a fighter with a reputation for having "sharp elbows"— if that’s a synonym for getting the job done, she’ll take it. A born and bred New Yorker, former City Councilmember, and "charter czarina," Moskowitz has taken on powerful unions and politicians to establish and grow her astonishingly effective and popular charter school program in four of the city’s five boroughs. In this unabashedly candid memoir, Moskowitz tells of how she became a forward-thinking education entrepreneur and her fight to establish nearly four dozen schools—activism that has made her into one of the most polarizing figures in New York City and beyond. Now, having established a remarkable, even unprecedented, track record for guiding the city’s most disadvantaged children to high academic performance, Moskowitz addresses the battles she has won and lost, writing candidly about the people who seek to undermine her work—most notably New York City Mayor Bill de Blasio—and celebrating the powerful allies who have aided her cause, including former Mayor Michael Bloomberg and Governor Andrew Cuomo. Moskowitz’s insightful memoir is a deeply felt personal story and an impassioned call to action that bluntly identifies failing policies and the alarmingly powerful forces arrayed against improving an education system that is both deeply dysfunctional and prejudiced. The Education of Eva Moskowitz is sure to galvanize supporters, enrage her opponents, generate headlines, and urgently impact the national conversation on education.

When Benjamin Pogrund, one of South Africa's most distinguished journalists, first began his career as a young reporter in the 1950s, "There had been little reason at that stage to believe that anything revolutionary was about to start." As the "African affairs reporter," and then deputy editor, it was Pogrund who first brought the words of black leaders like Robert Sobukwe and Nelson Mandela to the pages of South Africa's leading newspaper, the Rand Daily Mail. This was the period of apartheid in South Africa and for most of the next thirty years, the Rand Daily Mail was the country's liberal white voice against the tyranny of the Afrikaner Nationalist government. A riveting memoir and a complex commentary on apartheid and freedom of the press, War of Words offers an insider's perspective on one of the most turbulent, and arguably one of the most significant, periods in modern history.

The manager's name was Love. His first-floor flat was diagonally across the private road and the rose beds from ours. Each weekday morning, at eight fifteen, he hooked open his lattice-paned bedroom window and did exercises, in a white sleeveless vest and white drawers. So begins the extraordinary life story of one of Britain's most celebrated writers, Frederic Raphael. Going Up is a journey from Chicago to Putney, to Charterhouse, on up to Cambridge, and beyond to Hollywood and France, recording experiences that were absorbed in his opulent novels and screenplays. Raphael is the author of over twenty novels, the most celebrated being The Glittering Prizes and its sequels, following the aspirations and changing lives of a group of Cambridge students through to middle age. The Glittering Prizes became a critically acclaimed six-part BBC television series for which Raphael would win a Royal Television Society Writer of the Year Award. He also won an Oscar for his screenplay for the 1965 movie Darling.Going Up is a dazzling piece of virtuoso prose writing that is fabulously indiscreet but also deeply moving, and punctuated throughout by Raphael's indefatigable wit and incomparable erudition.

Memoirs of a Jew born in 1937 in Odessa, relating his childhood experiences in the postwar period. Popular antisemitism was rampant in Odessa, and the people in power, from school teachers to local authorities, turned a blind eye to it. Between 1948-53 popular antisemitism gave way to officially-sponsored antisemitic campaigns. Draitser, who had a traditional Jewish upbringing, was taught to be quiet, to maintain a low profile, and never to stress his Jewishness publicly. Contends that all Soviet Jews of his generation received the same upbringing of self-hatred, learned fear (including fear of "gentile" women), and an inferiority complex. In 1974 he emigrated to the USA. Describes, also, his family's evacuation from Odessa in 1941, and how some relatives perished either in German-occupied Minsk or in Ukraine.

The acclaimed and influential dancer-choreographer recounts the circumstances of the paralyzing stroke she suffered in 1975, her return to the stage, and the realignment of her life occasioned by those experiences