David Frum celebrates a conservatism that defends both liberty and morality. Frum dissects such current political figures as Pat Buchanan, Newt Gingrich, Colin Powell, and Jack Kemp, offering insight into the mechanics of Republican party politics as well. Whether the issue is health care, social programs, supply-side tax cutting, crime, or censorship, Frum cuts to the essential matters of principle with passion and wit. He makes a powerful case for Republicans to reject populism, protectionism, and nationalism and return to their core doctrines: smaller government and American world leadership.

David Frum celebrates a conservatism that defends both liberty and morality. Frum dissects such current political figures as Pat Buchanan, Newt Gingrich, Colin Powell, and Jack Kemp, offering insight into the mechanics of Republican party politics as well. Whether the issue is health care, social programs, supply-side tax cutting, crime, or censorship, Frum cuts to the essential matters of principle with passion and wit. He makes a powerful case for Republicans to reject populism, protectionism, and nationalism and return to their core doctrines: smaller government and American world leadership.

A political biography of Haj Amin al-Husaini (1895-1974), the Palestinian Arab nationalist leader and one-time Mufti of Jerusalem. Husaini adopted aggressive antisemitism in his youth, while studying in Cairo. He bears responsibility for the bloody anti-Jewish riots in the Land of Israel in 1920, 1921, and 1929, and was an instigator of the Arab revolt of 1936-39 in the country. In the 1930s he was close with Nazi leaders, with whom he shared extreme antisemitism and the goal of annihilation of the Jews. In the 1940s Husaini was instrumental in the establishment of pro-Nazi Muslim military formations in Europe, among them the Bosnian SS division "Handschar", which killed 12,600 Bosnian Jews. Argues that Husaini's legacy is alive in the modern Muslim world. He was the link between World War II antisemitism and the modern Islamic one, as well as a founding father of radical Islamic antisemitism. Dwells on the latter, which adopted from the West belief in the "Protocols of the Elders of Zion", blood libels, Holocaust denial, etc.

Debtor creditor law in a nutshell (Nutshell series) [Jan 01, 1985] Epstein, David G …

"What is Holocaust literature? When does it begin and how is it changing? Is there an essential core of diaries, eyewitness accounts of the concentration camps, tales of individual survival in hiding? Is it the same everywhere: in the West as in the East, in Australia as in the Americas, in poetry as in prose? Is this literature sacred and sui generis, or can it be studied in the light of other literatures? What of the perpetrators and bystanders, the hidden children, the children of Holocaust survivors: Do they speak with the same authority? What works of Holocaust literature will be read a hundred years from now--and why? Here, for the first time and told from beginning to end, is an historical survey of Holocaust literature in all genres, countries, and major languages. Beginning in wartime, it proceeds from the literature of mobilization and mourning in the Free World to the vast and varied literature produced in the Nazi-occupied ghettos, the bunkers and places of hiding, the transit and concentrations camps. Within weeks of the liberation, in displaced persons camps, a new memorial and testamentary literature begins to take shape. Moving from Europe to Israel, the U.S., and beyond, the authors situate the writings by real and proxy witnesses within three distinct postwar periods: a period of "communal memory," still internal and internecine; a period of "provisional memory" in the '60s and '70s that witnesses the birth of a self-conscious Holocaust genre; to the period of "authorized memory" in which we live today, following the collapse of the Soviet Union (1989-91), and the opening of the US Holocaust Museum (1993). Twenty book covers - first editions in their original languages - and an eminently readable guide to the "first hundred books" together show the multilingual scope, historical depth, the moral and artistic range of this extraordinary body of writing."--Publisher's website.

A bombing victim examines the benefits to society of acknowledging the Unabomber's evil, and shares the ways in which religion and family have helped him to heal from his experience

When something works well, you can feel it; there is a sense of rightness to it. We call that rightness beauty, and it ought to be the single most important component of design. This recognition is at the heart of David Gelernter's wittily argued essay, Machine Beauty, which defines beauty as an inspired mating of simplicity and power. You can see it in a Bauhaus chair, the Hoover Dam, or an Emerson radio circa 1930. In contrast, too many contemporary technologists run out of ideas and resort to gimmicks and features; they are rarely capable of real, structural ingenuity. Nowhere is this more evident than in the world of computers. You don't have to look far to see how oblivious most computer technologists are to the idea of beauty. Just look at how ugly your computer cabinet is, how unwieldy and out of sync if feels with the manner and speed with which you process thought. The best designers, however, are obsessed with beauty. Both hardware and software should afford us the greatest opportunity to achieve deep beauty, the kind of beauty that happens when many types of loveliness reinforce one another, when design expresses an underlying technology, a machine logic. Program software ought to be transparent: it should engage what Gelernter calls "a thought-amplifying feedback loop," a creative symbiosis with its user. These principles, beautiful in themselves, will set the stage for the next technological revolution, in which the pursuit of elegance will lead to extraordinary innovations

An "exploration of the human psyche that shows us how the very purpose of the mind changes throughout the day. Indeed, as Gelernter explains, when we are at our most alert, when reasoning and creating new memories is our main mental business, the mind is a computer-like machine that keeps emotion on a short leash and attention on our surroundings. As we gradually tire, however, and descend the 'mental spectrum, ' reasoning comes unglued. Memory ranges more freely, the mind wanders, and daydreams grow more insistent. Self-awareness fades, reflection blinks out, and at last we are completely immersed in our own minds"--Dust jacket flap

Humanity tries to escape enslavement by intergalactic aliens.

Timebeam to danger Six hunters and two official guides are going on the trip of their lifetime. Their destination? Earth as it was 100 million years ago, long before human dominion, when the great hot-blooded dinosaurs ruled supreme. Each of the time travelers has a different motive. Some are on the strange safari for pay. Others are taking a psychological and sexual holiday from civilization. There are women who wanted to show themselves the equal of men—and men out to test and prove their manhood. But whatever their drives and desires, their strengths and weaknesses, the ultimate horror awaits them…deathbeast.

"Hella is a planet where everything is oversized--especially the ambitions of the colonists. The trees are mile-high, the dinosaur herds are huge, and the weather is extreme--so extreme, the colonists have to migrate twice a year to escape the blistering heat of summer and the atmosphere-freezing cold of winter. Kyle is a neuro-atypical young man, emotionally challenged, but with an implant that gives him real-time access to the colony's computer network, making him a very misunderstood savant. When an overburdened starship arrives, he becomes the link between the established colonists and the refugees from a ravaged Earth. The Hella colony is barely self-sufficient. Can it stand the strain of a thousand new arrivals, bringing with them the same kinds of problems they thought they were fleeing? Despite the dangers to himself and his family, Kyle is in the middle of everything--in possession of the most dangerous secret of all. Will he be caught in a growing political conspiracy? Will his reawakened emotions overwhelm his rationality? Or will he be able to use his unique ability to prevent disaster?"--Provided by publisher.

A trip to the moon? Sounds like the perfect family vacation. But on arrival at the Orbital Elevator at Geostationary, Charles wonders if his father may have less paternal motives for the trip. Governments are bankrupt. Rival corporations are battling for control. Charles suspects his father might be smuggling contraband -- perhaps a form of synthetic intelligence -- that could tip the balance in the war for global domination.The question is: is Charles an accomplice in this dangerous game of extraterrestrial espionage, or a hostage?

A young woman is brought aboard the "U.S.S. Enterprise" by Lt. Reilly's contact team, unaware that any world exists outside her own spaceship. With her craft plagued by mutiny, Kirk and company must gain control of the ship before it, and their disoriented passenger's identity, are destroyed. They also need to convince the woman that their purpose is not part of a malefic scheme, as she fears. The crew also realizes that it would be better to sway her feelings before she gets a good look at Spock!

"David Goodis is the mystery man of hardboiled fiction."--Geoffrey O'Brien In Street of No Return, we meet the pathetic figure of Whitey. Once upon a time Whitey was a crooner with a million-dollar voice and a standing invitation from any woman who heard him use it. Until he had the bad luck to fall for Celia. And then nothing would ever be the same. In Street of No Return, David Goodis works the magic that made him one of the most distinctive voices in hard-boiled fiction, creating a claustrophobic universe in which wounded men and women collide with cataclysmic force.

"This is a book about cities - how unexpectedly different they were in various countries and times, and cities that never existed, but someone dreamed of them or feared them. The project uses examples from a wide spectrum of different cultures, it researches the existential and universal question of what means to be human - as a child and as an adult - in order to explore the diversity of how people live globally and throughout history"--

"Vivid, lyrical details enrich this narrative poem that celebrates time in the outdoors." -- The Seattle Times Independent Publisher Book Award Winner Most outdoor enthusiasts understand the phrase "turn around time" as that point in an adventure when you must cease heading out in order to have enough time to safely return to camp or home--regardless of whether you have reached your destination. For award-winning novelist David Guterson, it is also a metaphor for where we find ourselves in the middle of our lives, and his new narrative poem explores this idea through a lyrical journey along a trail, much like those in Washington's mountain ranges he hiked while growing up. Even outdoor-lovers who are not normally readers of poetry will relate to the physicality of hiking represented here, from endless trail switchbacks to foot and ankle pains. There is a fast-moving, propulsive quality to David's writing, with lush language, vivid imagery, and pacing that resonates as a journey on foot. His words are brought further to life by the delicate yet mythical illustrations by award-winning artist Justin Gibbens.

It was a lucky twist of fate when in the early1980s David Levy, a writer and amateur astronomer, joined up with the famous scientist Eugene Shoemaker and his wife, Carolyn, to search for comets from an observation post on Palomar Mountain in Southern California. Their collaboration would lead to the 1993 discovery of the most remarkable comet ever recorded, Shoemaker-Levy 9, with its several nuclei, five tails, and two sheets of debris spread out in its orbit plane. A year later, Levy would be by the Shoemakers' side again when their comet ended its four-billion-year-long journey through the solar system and collided with Jupiter in the most stunning astronomical display of the century. Not only did this collision revolutionize our understanding of the history of the solar system, but it also offered a spectacular confirmation of one scientist's life work. As a close friend and colleague of Shoemaker (who died in 1997 at the age of 69), Levy offers a uniquely insightful account of his life and the way it has shaped our thinking about the universe. Early in his training as a geologist, Shoemaker suspected that it wasn't volcanic activity but rather collisions with comets and asteroids that created most of the craters on the moon and most other bodies in the solar system. Convincing the scientific community of the plausibility of impact theory, and revealing its power for penetrating mysteries such as the extinction of the dinosaurs and the timing of the Earth's eventual demise, became Shoemaker's mission. Through conversations with Shoemaker and his family, Levy reconstructs the journey that began with a young geologist's serious desire to go to the moon in the late1940s. Sent by the government to find a way to harvest plutonium, Shoemaker instead found evidence in desert craters for what became his impact theory. While he never became an astronaut, he did become the first geologist hired by NASA and subsequently set the research agenda for the first manned lunar landing. After a series of victories and setbacks for Shoemaker, the collision of Shoemaker-Levy 9 with Jupiter provided the most convincing proof to date of the role of impacts in our solar system. Levy's explanation of the scientific reasoning that guided Shoemaker in his career up to this dramatic point--as well as his personal portrait of a man who found white-water rafting to be an easy way to relax--sets these fascinating events in a human scale. This biography shows what Shoemaker's legacy will be for our understanding of the story of the Earth well into the twenty-first century. -- "Scientific American"