Finally, the paperback version of the successful hardcover edition of Dinah Shore's recipe collection. Over 500 recipes from chefs and celebrities, family and friends, range in delightful taste from international favorites to regional American fare. 50 black-and-white halftones.

The problem of the causes of the decline and fall of the classical world as represented by the Roman Empire in the West is at least as old as the Renaissance and was posed in definitive form by Edward Gibbon in the eighteenth century. It has not yet lost its fascination, for in the twentieth century historians and philosophers of history have continued to use it as the focal point for speculations on the nature of historical change. The Roman Empire is admirably suited as a subject for such speculations, because it represents a complete cycle of civilization. At the same time, it is of special interest to students of Western civilization, for the classical heritage is a vital component of that civilization. The difficulties presented by the problem of the decline and fall are enormous. The passage of time and the vagaries of fortune have destroyed many of the sources we should like to have as evidence and have preselected the rest; but beyond the problem of sources is the difficult methodological problem of distinguishing cause from effect and assigning the proper weight to each contributing factor. In light of these difficulties it is not surprising that there seem to be as many interpretations as there are scholars and that each age has seen the problem from a different perspective. The selections presented here give some idea of the nature of the debate.

Donald Keene shares more than half a century of his adventures as a student of Japan. Keene begins with an account of his bittersweet childhood in New York; then he describes his initial encounters with Asia and Europe and the way in which World War II complicated that experience. He captures the sights, scents, and sounds of Japan as they first enveloped him, and talks of the unique travels and well-known intellectuals who later shaped the contours of his academic career. --from publisher description.

Chikamatsu Monzaemon (1653-1725) wrote some 130 plays, chiefly for the puppet theater, many of which are still performed today by puppet operators and Kabuki actors. The plays included in the volume—three of the most popular domestic dramas and one history play—provide a representative selection of Chikamatsu’s work for Western readers. In his introduction to the translations, Dr. Keene provides the reader with the background essential for an understanding of Chikamatsu’s work. He discusses customs and beliefs in Chikamatsu’s time, their reflection in the behavior ofhis characters, and the essential features of Japanese drama as they developed entirely independently of foreign influence. The four plays included in the book “The Love Suicides at Sonezaki”“The Battles of Coxinga”“The Uprooted Pine”“The Love Suicides at Amijima”

The fourth book in a multivolume history of modern Japanese literature by one of the world's most accomplished translators and scholars of Japanese culture and literature, this volume offers unparalleled insight into Japanese poetry, drama, and criticism.

Donald L. Horowitz's comprehensive consideration of the structure and dynamics of ethnic violence is the first full-scale, comparative study of what the author terms the deadly ethnic riot--an intense, sudden, lethal attack by civilian members of one ethnic group on civilian members of another ethnic group. Serious, frequent, and destabilizing, these events result in large numbers of casualties. Horowitz examines approximately 150 such riots in about fifty countries, mainly in Asia, Africa, and the former Soviet Union, as well as fifty control cases. With its deep and thorough scholarship, incisive analysis, and profound insights, The Deadly Ethnic Riot will become the definitive work on its subject. Furious and sadistic, the riot is nevertheless directed against a precisely specified class of targets and conducted with considerable circumspection. Horowitz scrutinizes target choices, participants and organization, the timing and supporting conditions for the violence, the nature of the events that precede the riot, the prevalence of atrocities during the violence, the location and diffusion of riots, and the aims and effects of riot behavior. He finds that the deadly ethnic riot is a highly patterned but emotional event that tends to occur during times of political uncertainty. He also discusses the crucial role of rumor in triggering riots, the surprisingly limited role of deliberate organization, and the striking lack of remorse exhibited by participants. Horowitz writes clearly and eloquently without compromising the complexity of his subject. With impressive analytical skill, he takes up the important challenge of explaining phenomena that are at once passionate and calculative.

"The adventurous Louis de Rougemont invites you to hear his amazing story of bravery, survival and celebrity that left nineteenth-century England spellbound. Dare to be whisked away in a story of the high seas, populated by exotic islanders, flying wombats, giant sea turtles and a monstrous man-eating octopus. Shipwrecked examines how far we're willing to blur the line between fact and fiction in order to leave our mark on the world."--P. [4] of cover.

The photographer Richard Avedon and the writer Doon Arbus began collaborating on this book thirty years ago. The photographs and interviews they did then remain faithful to what was, like the contents of a time capsule. Meeting somebody and balling them means something, but it doesn't mean near as much as it used to. --Janis Joplin, September 1969 In a society where there is institutionalized oppression, the thing is to catch government and business in the grass--actually humping. --Florynce Kennedy, August 1969 I was so afraid of being bad and being caught at it. --Dr. Benjamin Spock, September 1969 The connection between all the rhetoric and all the poetry, between the words of a Black Panther and those of a rock star or a pacifist, between the scars of a pop artist and those of a napalm victim, have haunted and informed the structuring of this book, with its own peculiar version of a beginning, a middle, and an end.

Jerusalem is under assault. In Western diplomatic circles, it is now being argued that by pushing hard for a Middle East settlement, with the redivision of Jerusalem at its core, the flames of radical Islamic rage will be lowered, stemming the tide of al-Qaeda's ideological spread. Yet the exact opposite is true. Radical Islam is fed by its sense of victory in the face of repeated withdrawals: a redivision of Jerusalem would not only endanger its holy sites, but also unleash new jihadist momentum on a scale that most political leaders have not begun to consider.

When Doug Century, a white, affluent Princeton graduate, met a streetwise rapper who'd once led an 80-member Brooklyn crack gang, he didn't run away. Instead, he got in deep. Century spent the next five years with 30 men raised on violence and taught to impose their will on others, but who are nevertheless desperate to find a way out. Unsentimental, yet completely involving, "Street Kingdom," paints an unforgettable portrait of life on the street and the vibrant characters who represent both its most vicious criminals and most heartbreaking victims. This riveting portrait of Brooklyn's most feared street gang, the Franklin Avenue Posse, offers an astonishing inside view of a deadly way of life.

In 'Life Inc.' Douglas Rushkoff offers a timely, provocative and urgent look at the origins and nature of the modern corporate system, a world in which everything can be commodified, a closed system that conquers not through exclusion but total inclusion.

"Team Human is a manifesto--a fiery distillation of preeminent digital theorist Douglas Rushkoff's most urgent thoughts on civilization and human nature. In one hundred lean and incisive statements, he argues that we are essentially social creatures, and that we achieve our greatest aspirations when we work together--not as individuals. Yet today society is threatened by a vast antihuman infrastructure that undermines our ability to connect. Money, once a means of exchange, is now a means of exploitation; education, conceived as way to elevate the working class, has become another assembly line; and the internet has only further divided us into increasingly atomized and radicalized groups. Team Human delivers a call to arms. If we are to resist and survive these destructive forces, we must recognize that being human is a team sport. In Rushkoff's own words: "Being social may be the whole point." Harnessing wide-ranging research on human evolution, biology, and psychology, Rushkoff shows that when we work together we realize greater happiness, productivity, and peace. If we can find the others who understand this fundamental truth and reassert our humanity--together--we can make the world a better place to be human."--Page [1].

DYLAN RATIGAN’S mission is to uncover never-before-seen solutions to the most pressing issues of our time: government corruption, corporate communism, an ailing health care system, an age-old dependency on foreign oil, and a broken educational system. In this groundbreaking book, Ratigan makes a case that America has the opportunity to prosper, but only by setting clear goals. Ratigan believes that this country, now more than ever, needs passionate debate and smart policy, a brazen willingness to scrap what doesn’t work, and the entrepreneurial spirit to try what does. Ratigan has compiled brash and fresh solutions for building a new and better America, and with this book he has started the debate America deserves.

This brilliant new novel by an American master, the author of Ragtime, The Book of Daniel, Billy Bathgate, and The March, takes us on a radical trip into the mind of a man who, more than once in his life, has been the inadvertent agent of disaster. Speaking from an unknown place and to an unknown interlocutor, Andrew is thinking, Andrew is talking, Andrew is telling the story of his life, his loves, and the tragedies that have led him to this place and point in time. And as he confesses, peeling back the layers of his strange story, we are led to question what we know about truth and memory, brain and mind, personality and fate, about one another and ourselves. Written with psychological depth and great lyrical precision, this suspenseful and groundbreaking novel delivers a voice for our times—funny, probing, skeptical, mischievous, profound. Andrew's Brain is a surprising turn and a singular achievement in the canon of a writer whose prose has the power to create its own landscape, and whose great topic, in the words of Don DeLillo, is “the reach of American possibility, in which plain lives take on the cadences of history.” Praise for Andrew's Brain “Too compelling to put down . . . fascinating, sometimes funny, often profound . . . Andrew is a provocatively interesting and even sympathetic character. . . . The novel seamlessly combines Doctorow's remarkable prowess as a literary stylist with deep psychological storytelling pitting truth against delusion, memory and perception, consciousness and craziness. . . . [Doctorow] takes huge creative risks—the best kind.” — USA Today “ Andrew's Brain is cunning. . . . [A] sly book . . . This babbling Andrew is a casualty of his times, binding his wounds with thick wrappings of words, ideas, bits of story, whatever his spinning mind can unspool for him. . . . One of the things that makes [Andrew] such a terrific comic creation is that he's both maddeningly self-delusive and scarily self-aware: He's a fool, but he's no innocent. . . . Andrew may not be able to enjoy his brain, but Doctorow, freely choosing to inhabit this character's whirligig consciousness, can.” — The New York Times Book Review “A tantalising tour de force . . . a journey worth taking . . . With exhilarating brio, the book plays off . . . two contrasting takes on mind and brain. . . . [ Andrew's Brain encompasses] an astonishing range of modes: vaudeville humour, tragic romance, philosophical speculation. . . . It fizzes with intellectual energy, verbal pyrotechnics and satiric flair.” — The Sunday Times (London) “Dramatic . . . cunning and beautiful . . . strange and oddly fascinating, this book: a musing, a conjecture, a frivolity, a deep interrogatory, a hymn.” — San Francisco Chronicle “Provocative . . . a story aswirl in a whirlpool of neuroscience, human relations, loss, guilt and recent American history . . . Doctorow reveals his mastery in the sheen of a text that is both window and mirror. Reading his work is akin to soaring in a glider. Buoyed by invisible breath, readers encounter stunning vistas stretching to horizons they've never imagined.” — The Plain Dealer “Andrew's ruminations can be funny, and his descriptions gorgeous.” —Associated Press “[An] evocative, suspenseful novel about the deceptive nature of human consciousness.” — More “A quick and acutely intelligent read.” — Entertainment Weekly From the Hardcover edition.

Presents a world in which fiction and reality meet within the 1930s Bronx childhood of Edgar, growing up through the intensity of the Depression and the hope of the New York World's Fair.