"Mark Rothko was not only one of the most influential American painters of the twentieth century; he was a scholar, an educator, and a deeply spiritual human being. Born Marcus Yakovlevich Rotkovitch, he emigrated from the Russian Empire to the United States at age ten, already well educated in the Talmud and carrying with him bitter memories of the pogroms and persecutions visited upon the Jews of Latvia. Few artists have achieved success as quickly, and by the mid-twentieth century, Rothko's artwork was being displayed in major museums throughout the world. In May 2012 his painting Orange, Red, Yellow was auctioned for nearly $87 million, setting a new Christie's record. Author Annie Cohen-Solal gained access to archival materials no previous biographer had seen. As a result, her book is an extraordinarily detailed portrait of Rothko the man and the artist, an uncommonly successful painter who was never comfortable with the idea of his art as a commodity"--

"If an umpire could steal the show in a Major League game, Al Clark might well have been the one to do it. Tough but fair, in his thirty years as a professional umpire he took on some of baseball's great umpire baiters, such as Earl Weaver, Billy Martin, and Dick Williams, while ejecting any number of the game's elite--once tearing a hamstring in the process. He was the first Jewish umpire in American League history, and probably the first to eject his own father from the officials' dressing room. But whatever Clark was doing--officiating at Nolan Ryan's three hundredth win, Cal Ripken's record breaker, or the "earthquake" World Series of 1989, or braving a labor dispute, an anti-Semitic tirade by a Cy Young Award winner, or a legal imbroglio--it makes for a good story. Called Out but Safe is Clark's outspoken and often hilarious account of his life in baseball from umpire school through the highlights to the inglorious end of his stellar career. Not just a source of baseball history and lore, Clark's book also affords a rare look at what life is like for someone who works for the Major Leagues' other team"--

In September 1925, Sidney Reilly journeyed across the Russian frontier on a mission to overthrow the Bolsheviks and restore the Czar. He vanished without a trace. The circumstances surrounding his death remain a mystery. This classic autobiography reveals the intriguing adventures and exploits of the man widely credited as being the original twentieth-century super-spy, inspiration for Ian Fleming's James Bond. Sidney Reilly , the so-called Ace of Spies, was a womanizing British secret agent who claimed to be Irish but was in fact Russian. Awarded the Military Cross for his daring operations, he met his death in Russia in 1925 after a sting operation by the Soviet Secret Service.

Autobiography by Sir Peter Ustinov. spans his career as actor, playwright, film star and director.

HONORABLE MENTION, Foreword INDIES Book of the Year Award, Autobiography & Memoir! Lifelong activist Judy Gumbo, an original member of The Yippies, a 1960s anti-war satirical protest group, offers an insider feminist memoir of her involvement with the Yippies, Black Panthers, women's rights, environmental actions, and a life of activism. In 1968, a 24-year-old woman moved to Berkeley, California and immediately became enmeshed in the Youth International Party, aka The Yippies, an anti-war satirical protest group. In the next few years, Judy Gumbo (a nickname given her by Eldridge Cleaver), was soon at the center of counter-cultural activity-from protests in People's Park, to meetings at Black Panther headquarters, to running a pig for President at the raucous Democratic National Convention in Chicago, a protest that devolved into violent attacks by the police and arrests that led to the notorious Chicago Conspiracy Trial. In this historical account, Gumbo reveals intimate details of--and struggles with--her fellow radicals Jerry Rubin, Anita & Abbie Hoffman, Eldridge Cleaver, Paul Krassner, Stew Albert, and more, detailing their experiences in radical protests. This deep dive into her activism includes details of her organization of a national women's rights group, her visit to North Vietnam during the war, her travels around the globe to promote women's liberation and anti-war protest, and her environmental activism. It also includes extensive excerpts from illegal wiretaps and surveillance by the FBI. "A welcome addition to the literature of radical activism." --Kirkus Reviews "A fun read and a valuable political document, long overdue." --Counterpunch Yippie Girl explores Gumbo's life as a protester to show that, while circumstances always change, protesters can stay loyal to the causes they believe in and remain true to themselves. She also reveals how dogmatism, authoritarianism, and interpersonal conflict can damage those same just causes, offering a timeless and strategic guide for activists today protesting against injustice in all its forms.

"I am so proud to be Jamie's 'dad.' She is not only a talented actress but also a bright, generous, and inspiring young lady." -- James Gandolfini "Jamie-Lynn Sigler definitely knows how to inspire people....I'm grateful to call her my friend." -- Lance Bass, *N'SYNC SHE'S YOUNG, TALENTED, BEAUTIFUL AND FAMOUS. BUT NOTHING IS THAT SIMPLE... Everyone knows Jamie-Lynn Sigler as Meadow Soprano on the HBO hit television series The Sopranos. But there's so much more to her, as her candid, outspoken autobiography proves. In Wise Girl, Jamie-Lynn reveals both the perks and the pressures that have come with fame, and how uncertain, fearful times have made her stronger, more confident, and able to face life's challenges. Writing openly and from the heart, she describes the emotional and physical toll taken when Lyme disease left the healthy 19-year-old paralyzed at the height of The Soprano 's popularity; an obsession with her weight that nearly destroyed her career; and the dark side of overnight success. Her story will both surprise and inspire you. For this wise girl, the key to success isn't just what's on the outside -- it's using your brains, going with your gut, and learning from your experiences, including the mistakes, every day.

The third volume of Arthur Koestler's autobiography covering the years 1940-1956.

In the tradition of Carl Wilson's Let's Talk About Love , an unforgettable account of fame, fandom, and the problem of making art in the twenty-first century In his multi-hyphenate ambitions, the musician who calls himself Juiceboxxx couldn't be more modern--you might call him a punk rock-rapper-DJ-record executive-energy drink-magnate. Journalist Leon Neyfakh has been something more than a fan of Juiceboxxx's since he was a teenager, when he booked a show for the artist in a church basement in his hometown of Oak Park, Illinois. Juiceboxxx went on to the tireless, lonely, possibly hopeless pursuit of success on his own terms--no club was too dank, no futon too grubby, if it helped him get to the next, next level. And, for years, Neyfakh remained haunted from afar: was art really worth all the sacrifices? If it was, how did you know you'd made it? And what was the difference, anyway, between a person like Juiceboxxx--who devoted his life to being an artist--and a person like Neyfakh, who elected instead to pursue a stable career and a comfortable, middle-class existence? Much more than a brilliant portrait of a charismatic musician always on the verge of something big, The Next Next Level is a wholly contemporary story of art, obsession, fame, ambition, and friendship--as well as viral videos, rap-rock, and the particulars of life on the margins of culture.

"Phoning Home is a collection of entertaining and thought-provoking essays featuring the author's quirky family, his Jewish heritage, and his New York City upbringing. Jacob M. Appel's recollections and insights, informed and filtered by his advanced degrees in medicine, law, and ethics, not only inspire nostalgic feelings but also offer insight into contemporary medical and ethical issues. At times sardonic and at others self-deprecating, Appel lays bare the most private aspects of his emotional life. "We'd just visited my grandaunt in Miami Beach, the last time we would ever see her. I had my two travel companions, Fat and Thin, securely buckled into the backseat of my mother's foul-tempered Dodge Dart," writes Appel of his family vacation with his two favorite rubber cat toys. Shortly thereafter Fat and Thin were lost forever--beginning, when Appel was just six years old, what he calls his "private apocalypse." Both erudite and full-hearted, Appel recounts storylines ranging from a bout of unrequited love gone awry to the poignant romance of his grandparents. We learn of the crank phone calls he made to his own family, the conspicuous absence of Jell-O at his grandaunt's house, and family secrets long believed buried. The stories capture the author's distinctive voice--a blend of a physician's compassion and an ethicist's constant questioning. "--

An autobiography in the form of a philosophical diary, Little Did I Know 's underlying motive is to describe the events of a life that produced the kind of writing associated with Stanley Cavell's name. Cavell recounts his journey from early childhood in Atlanta, Georgia, through musical studies at UC Berkeley and Julliard, his subsequent veering off into philosophy at UCLA, his Ph.D. studies at Harvard, and his half century of teaching. Influential people from various fields figure prominently or in passing over the course of this memoir. J.L. Austin, Ernest Bloch, Roger Sessions, Thomas Kuhn, Robert Lowell, Rogers Albritton, Seymour Shifrin, John Rawls, Bernard Williams, W. V. O. Quine, and Jacques Derrida are no longer with us; but Cavell also pays homage to the living: Michael Fried, John Harbison, Rose Mary Harbison, Kurt Fischer, Milton Babbitt, Thompson Clarke, John Hollander, Hilary Putnam, Sandra Laugier, Belle Randall, and Terrence Malick. The drift of his narrative also registers the decisiveness of the relatively unknown and the purely accidental. Cavell's life has produced a trail of some eighteen published books that range from treatments of individual writers like Wittgenstein, Austin, Emerson, Thoreau, Heidegger, Shakespeare, and Beckett to studies in aesthetics, epistemology, moral and political philosophy, cinema, opera, and religion.

Marlon Brando was the brightest, boldest, and most iconoclastic acting talent of our time. But while his courage and imagination as an artist brought applause and attention from around the world, Brando shunned nearly everything that goes with celebrity status. He was one of the most reclusive personalities in modern times and a legend beyond compare. He was also an equal opportunity provocateur -- a dazzling baffler -- be it on stage, on screen, or in his private life. Always true to his nature, he never failed to surprise. He did things his way -- The Way It's Never Been Done Before. No one shared as much of Brando's private fields as his lifelong friend and business confidant, George Englund. For more than five decades, Brando and Englund were each other's most trusted ally and closest compadre. Even at their first meeting, at a Hollywood party in 1956 -- the kind of occasion where Brando was most on guard against any who would attempt to get close to him -- he and Englund forged close ties. From that initial meeting right up to the eve of the superstar's death in the summer of 2004, Brando and Englund were in nearly constant contact. They traveled together, worked together, and played together. They consoled and cajoled each other through their marriages and divorces, the births and tragic deaths of their children, good and bad business deals, and the onset of aging, concluding with Brando's death at the age of eighty. "I remembered what Mark Twain wrote," Englund says, "'that everybody is a moon with a dark side he doesn't show anyone else.' I felt this was an appropriate hour for a book that looked at the other side of Marlon, that told of the man and friend and father he was. There has not been such a book in Marlon's lifetime, even including his autobiography, and I felt that after our long years of friendship, perhaps I should attempt to write it. I knew the difficulty I would encounter; to write about Marlon is to work with delicate glass, for he was, without question, the most complicated personality I ever met or knew about. "I once thought what a grand time he and I would have writing the book about our friendship together. That possibility has passed away, for Marlon is gone now -- I must make the attempt to write of us alone. I summon to the task the sacredness, which, when we were at our best, Marlon and I laid upon our friendship."

Autobiography.

Samuel Noah Kramer is the leading authority on the interpretation and reading of civilization's oldest literature. His life and life's work are so thoroughly intertwined that his autobiography is also the story of the recovery of the language and literature of the Sumerians. From young Talmudist to the patriarch of Sumerology, Kramer recountshis long and distinguished career. Writing for the non-specialist, he paints a panoramic view of Sumerian literature and provides thumbnail sketches of the individuals with whom he collaborated.

This English-language translation of the autobiography of Gabriela Brimmer (1947-2000) tells an amazing story in three voices. Gaby, who had cerebral palsy, communicated largely by typing with her left foot on an electric typewriter, and also by using that foot to point at letters and numbers on an "alphabet board" at the base of her wheelchair. She gained admission to Mexico City public schools, attended the prestigious National Autonomous University of Mexico, and became a key figure in launching Mexico's disability rights movement. Brimmer was raised by her parents, Austrian Jews who fled the Nazis in the late 1930s, and a devoted Mexican caregiver, Florencia Morales Sanchez. Renowned writer Elena Poniatowska structured this text by alternating Gaby's voice with those of her mother, Sari, and Florencia. Memorable not just as the memoir of an extraordinary woman, but as a unique and imaginative form of autobiographical writing, the volume opens with a foreword by Judith E. Heumann and Jorge Pineda, and features a new introduction by Lauri Umansky and afterword by Avital Bloch providing additional context about Gaby's life and writing, as well as disability, women's, and Jewish/Mexican history.

"Scott Raab's big-hearted companion to his darkly comic "sports-jeremiad-slash-memoir" The Whore of Akron follows the first two years of LeBron James's return to Cleveland, where everybody just loves a good story of forgiveness--especially when you fulfill your promise and bring home an NBA Championship, the first major title for a Cleveland team since 1964. "If I had a chance to return to Cleveland, and those fans welcomed me back, that'd be a great story." --LeBron James in 2010, days after "The Decision" In 2010, when LeBron James announced to the world that he was leaving for Miami, he broke the collective heart of his native city and destroyed the hopes of an entire tortured generation. As LeBron headed south, unofficial spokesman Scott Raab sent him off with a middle-finger salute of his own--a deliciously obscene aria of sports fandom, Jewishness, and weight gain that became infamous as The Whore of Akron. Four years--and two NBA championships later--LeBron came home to the Rust Belt faithful who had vilified him mercilessly, none more so than Raab. You're Welcome, Cleveland is the story of both LeBron's and Scott's redemption as they pursue the one thing they crave more than anything in life--an NBA title for the city that made them men. LeBron is back. So is Scott Raab. It's a great story. You're Welcome, Cleveland"--

Uncensored, uncontained, and thoroughly demented, the memoirs of Paul Krassner are back in an updated and expanded edition. Paul Krassner, “father of the underground press” (People magazine), founder of the Realist, political radical, Yippie, and award-winning stand-up satirist, shares his stark raving adventures with the likes of Lenny Bruce, Abbie Hoffman, Norman Mailer, Ken Kesey, Groucho Marx, and Squeaky Fromme, revealing the patriarch of counterculture’s ultimate, intimate, uproarious life on the fringes of society. Whether he’s writing about his friendship with controversial comic Lenny Bruce, introducing Groucho Marx to LSD, his investigation of Scientology, or John Kennedy’s cadaver, no subject is too sacred to be skewered by Krassner. And yet his stories are soulful and philosophical, always authentic to his iconoclastic brand of personal journalism. As Art Spiegelman said, “Krassner is one of the best minds of his generational to be destroyed by madness, starving, hysterical, naked—but mainly hysterical. His true wacky, wackily true autobiography is the definitive book on the sixties.”

"An autobiography usually requires a justification. The great autobiographies-those by Benvenuto Cellini, Jean-Jacques Rousseau, Benjamin Franklin, and Henry Brooks Adams-were justified by their authors living in interesting times, harboring radically new ideas, or participating in great events. Joseph Epstein qualifies on none of these counts. His life has been quiet, lucky in numerous ways, and far from dramatic. But it has also been emblematic of the great changes in our country since World War II. He grew up in a petit-bourgeois, Midwestern milieu, and the city of Chicago looms large in his life. He drew a lucky ticket in the parent lottery and his was a happy boyhood spent on playgrounds and hanging around drug stores. At high school dances, he was the rhumba king and at drive-in movies he was never allowed to go as far with girls as he so ardently desired. At twenty-six, after two years in the army, he found himself married, the father or stepfather of four children, and living in New York on the meager salary of a magazine subeditor. He was ablaze with ambition and fettered by frustration. He broke out by moving to Little Rock, Arkansas, to direct the city's anti-poverty program at the height of the Civil Rights movement. His writing career blossomed, he began teaching at Northwestern University, and, for twenty-five years, edited one of great intellectual magazines. Never Say You've Had a Lucky Life is an intimate look at one life steeped in radical change: from a traditionally moral culture to a therapeutic one, from an era when the extended family was strong to its current diminished status, from print to digital life featuring the war of pixel on print, and on. But for all the seriousness of Epstein's themes, this book is memorable for its comic point of view and the constant reminder of how unpredictable, various, and wondrously rich life can be"--

This captivating autobiography by a Tibetan educator and former political prisoner is full of twists and turns. Born in 1929 in a Tibetan village, Tsering developed a strong dislike of his country's theocratic ruling elite. As a 13-year-old member of the Dalai Lama's personal dance troupe, he was frequently whipped or beaten by teachers for minor infractions. A heterosexual, he escaped by becoming a drombo, or homosexual passive partner and sex-toy, for a well-connected monk. After studying at the University of Washington, he returned to Chinese-occupied Tibet in 1964, convinced that Tibet could become a modernized society based on socialist, egalitarian principles only through cooperation with the Chinese. Denounced as a 'counterrevolutionary' during Mao's Cultural Revolution, he was arrested in 1967 and spent six years in prison or doing forced labor in China. Officially exonerated in 1978, Tsering became a professor of English at Tibet University in Lhasa. He now raises funds to build schools in Tibet's villages, emphasizing Tibetan language and culture.

Autobiography of an Ex-White Man is an intensely personal meditation on the nature of America by a White Philosopher who joined a Black Studies Department and found his understanding of the world transformed by the experience. The book begins with an autobiographical narrative of the events leading up to Wolff's transfer from a Philosophy Department to the W. E. B. Du Bois Department of Afro-American Studies at the University of Massachusetts, and his experiences in the Department with his new colleagues, all of whom had come to Academia from the Civil Rights Movement of the 1960s. Wolff discovered that the apparently simple act of moving across campus to a new Department in a new building worked a startling change in the way he saw himself, his university, and his country. Reading as widely as possible to bring himself up to speed in his new field of academic responsibility, Wolff realized after a bit that his picture of American history and culture was undergoing an irreversible metamorphosis. America, he realized, has from its inception been a land both of Freedom and of Bondage: Freedom for the few, and then for those who are White; Bondage at first for the many, and then for those who are not White. Slavery is thus not an aberration, an accident, a Peculiar Institution -- it is the essence and core of the American experience. Wolff's optimistic outlook leads him to express the hope that our acknowledging the realities of America's racial history and present will begin to tear down the formidable barrier to change. He sees this refashioning of the American story as a first step toward the crafting of a truly liberatory project. Robert Paul Wolff is Professor of Afro-American Studies at the University of Massachusetts-Amherst and the author of numerous books, including Introductory Philosophy and In Defense of Anarchism.