The memoirs of Mary Rodgers—writer, composer, Broadway royalty, and “a woman who tried everything.” “What am I, bologna?” Mary Rodgers (1931–2014) often said. She was referring to being stuck in the middle of a talent sandwich: the daughter of one composer and the mother of another. And not just any composers. Her father was Richard Rodgers, perhaps the greatest American melodist; her son, Adam Guettel, a worthy successor. What that leaves out is Mary herself, also a composer, whose musical Once Upon a Mattress remains one of the rare revivable Broadway hits written by a woman. Shy is the story of how it all happened: how Mary grew from an angry child, constrained by privilege and a parent’s overwhelming gift, to become not just a theater figure in her own right but also a renowned author of books for young readers (including the classic Freaky Friday ) and, in a final grand turn, a doyenne of philanthropy and the chairman of the Juilliard School. But in telling these stories—with copious annotations, contradictions, and interruptions from Jesse Green, the chief theater critic of The New York Times — Shy also tells another, about a woman liberating herself from disapproving parents and pervasive sexism to find art and romance on her own terms. Whether writing for Judy Holliday or Rin Tin Tin, dating Hal Prince or falling for Stephen Sondheim over a game of chess at thirteen, Rodgers grabbed every chance possible—and then some. Both an eyewitness report from the golden age of American musical theater and a tale of a woman striving for a meaningful life, Shy is, above all, a chance to sit at the feet of the kind of woman they don’t make anymore—and never did. They make themselves.

In this open letter to his father – a letter which was never sent – Kafka tries to come to terms with one of the most deeply rooted obsessions of his troubled soul. Written as a long, tense and dramatic confession in which writer and man are gathered together in front of an ambivalent figure of authority, Dearest Father is a desperate attempt to retrace the origins of a turbulent relationship between an unflinching parent and an extremely sensitive child. Both a merciless indictment of his father and an impassioned appeal to him, Kafka's inspired work is one of the most lucid and touching psychological documents in twentieth-century literature. This volume also includes passages from Kafka's diaries and correspondence.

Genet...Beckett...Burroughs...Miller...Ionesco, Oe, Duras. Harold Pinter and Tom Stoppard. Hubert Selby Jr. and John Rechy. The legendary film I Am Curious (Yellow) . The books that assaulted the fort of propriety that was the United States in the 1950s and '60s, Lady Chatterley's Lover and The Tropic of Cancer. The Evergreen Review. Victorian "erotica." The Autobiography of Malcolm X . A bombing, a sit-in, and a near-fistfight with Norman Mailer. The common thread between these disparate elements, a number of which reshaped modern culture, was Barney Rosset. Rosset was the antidote to the trope of the "gentleman publisher" personified by other pioneering figures of the industry such as Alfred A. Knopf, Bennett Cerf and James Laughlin. If Barney saw a crowd heading one way--he looked the other. If he knew something was forbidden, he regarded it as a plus. Unsurprisingly, financial ruin, along with the highs and lows of critical reception, marked his career. But his unswerving dedication to publishing what he wanted made him one of the most influential publishers ever. Rosset began work on his autobiography a decade before his death in 2012, and several publishers and a number of editors worked with him on the project. Now, at last, in his own words, we have a portrait of the man who reshaped how we think about language, literature--and sex. Here are the stories behind the filming of Norman Mailer's Maidstone and Samuel Beckett's Film ; the battles with the US government over Tropic of Cancer and much else; the search for Che's diaries; his romance with the expressionist painter Joan Mitchell, and more. At times appalling, more often inspiring, never boring or conventional: this is Barney Rosset, uncensored. Illustrated with black-and-white photographs; includes index

If you ran into Stephen Tobolowsky on the street, you would not be mistaken: Yes, you've seen him before. A childhood dentist? A former geometry teacher? Your local florist? Tobolowsky is a character actor, one of the most prolific screen and stage presences of our time, having appeared in productions that range from Deadwood to Glee , from Mississippi Burning to Groundhog Day . But Stephen Tobolowsky, it turns out, is also a dazzlingly talented storyteller and writer. The Dangerous Animals Club is a beguiling series of stories combining biography and essay, with a tone both hilarious and introspective. The stories have heroics and embarrassments, riotous humor and pathos, characters ranging from Bubbles the Pigmy Hippo to Stephen's unforgettable mother, and scenes that include coke-fueled parties, Hollywood sets, and hospital rooms. Told in a voice that is "wry, discursive, and full of generous spirit and curiosity" ( Kirkus Reviews ), Tobolowsky renders the majestic out of the mundane, profundity from the patently absurd, and grace from tragedy. The Dangerous Animals Club marks the debut of a massively talented storyteller.

From a gifted young writer, the story of his quest to reclaim his family's apartment building in Poland--and of the astonishing entanglement with Nazi treasure hunters that follows Menachem Kaiser's brilliantly told story, woven from improbable events and profound revelations, is set in motion when the author takes up his Holocaust-survivor grandfather's former battle to reclaim the family's apartment building in Sosnowiec, Poland. Soon, he is on a circuitous path to encounters with the long-time residents of the building, and with a Polish lawyer known as "The Killer." A surprise discovery--that his grandfather's cousin not only survived the war, but wrote a secret memoir while a slave laborer in a vast, secret Nazi tunnel complex--leads to Kaiser being adopted as a virtual celebrity by a band of Silesian treasure seekers who revere the memoir as the indispensable guidebook to Nazi plunder. Propelled by rich original research, Kaiser immerses readers in profound questions that reach far beyond his personal quest. What does it mean to seize your own legacy? Can reclaimed property repair rifts among the living? Plunder is both a deeply immersive adventure story and an irreverent, daring interrogation of inheritance--material, spiritual, familial, and emotional.

My Nine Lives is a powerful and stirring memoir of one of the greatest pianists of the postwar era—an inspiring tale of courage, compassion, and triumph over outstanding odds. At the peak of his career, celebrated pianist Leon Fleisher suddenly lost the use of two fingers on his right hand. Miraculously, at the age of sixty-six, he was diagnosed with focal dystonia, and learned to manage it through a combination of physical therapy and experimental Botox injections. In 2003 Fleisher returned to Carnegie Hall to give his first two-handed performance in over three decades and brought down the house. With his coauthor, celebrated music critic Anne Midgette, Fleisher reveals here for the first time the depression that threatened to engulf him as his condition worsened, and the sheer love of music that rescued him from complete self-destruction.

Learning to Drive • Now a major motion picture starring Patricia Clarkson and Ben Kingsley Celebrated for her award-winning political columns, criticism, and poetry, Katha Pollitt now shows us another side of her talent. Learning to Drive is a surprising, revealing, and entertaining collection of essays drawn from the author’s own life. With deep feeling and sharp insight, Pollitt writes about the death of her father; the sad but noble final days of a leftist study group of which she was a member; and the betrayal and heartbreak inflicted by a man who seriously deceived her. (Her infinitely patient, gentle driving instructor points out her weakness—“Observation, Katha, observation!”) She also offers a candid view of her preoccupation with her ex-lover’s haunting presence on the Internet, and her search there for a secret link that might provide a revelation about him that will Explain Everything. Other topics include the differences between women and men—“More than half the male members of the Donner party died of cold and starvation, but three quarters of the females survived, saved by that extra layer of fat we spend our lives trying to get rid of”—and the practical implications of political theory: “What if socialism—all that warmhearted folderol about community and solidarity and sharing was just an elaborate con job, a way for men to avoid supporting their kids?” Learning to Drive demonstrates that while Katha Pollitt is undeniably one of our era’s most profound observers of culture, society, and politics, she is just as impressively a wise, graceful, and honest observer of her own and others’ human nature. Praise for Learning to Drive “The kind of book you want to look up from at points so you can read aloud certain passages to a friend or lover.” — Chicago Tribune “A powerful personal narrative . . . full of insight and charm . . . Pollitt is her own Jane Austen character . . . haughty and modest, moral and irresponsible, sensible and, happily for us, lost in sensibility.” — The New York Review of Books “With . . . bracing self-honesty, Pollitt takes us through the maddening swirl of contradictions at the heart of being fifty-something: the sense of slowing down, of urgency, of wisdom, of ignorance, of strength, of helplessness, of breakdown, of renewal.” — The Seattle Times “Essays of breathtaking candor and razor-sharp humor . . . [Pollitt] has outdone herself. . . . [Her] observations are acute and her confessions tonic. Forget face-lifts; Pollitt’s essays elevate the spirit.” — Booklist (starred review)

Heavy Tales is the detailed, never before told story as lived by Jonny Zazula of how he founded Megaforce Records out of a flea market in New Jersey with his wife, Marsha and built a dynasty unmatched by others, forever changing the scope of Heavy Metal. The bands they worked with would go on to release some of the most prolific and important albums in heavy metal history, giving it its Golden Era. Jonny Zazula was a renegade youth who went from living on the New York City streets, to later working on Wall Street, and then moving unexpectedly towards the music business. In the winter of 1982, while working in a flea market, he received an unexpected demo tape from underground, unsigned band Metallica. Eager and determined to have the music heard by the entire world, Jonny Z and Marsha founded Megaforce Records in 1983, and soon after released Metallica's debut album, Kill 'Em All. Through this release Megaforce had cemented its position as the de-facto music label in America for Heavy Metal - but that's just the start. Heavy Tales details the stories of how Jonny Z worked miracles by managing and releasing albums by Metallica, Anthrax, Testament, Mercyful Fate, Raven, Overkill, Exciter, Stormtroopers of Death, Method of Destruction, Ace Frehley, King's X, Ministry, Mindfunk, Nudeswirl, Warren Haynes, Disco Biscuits and others, and how one night in 1984, he jokingly created Rap Metal before anyone else conceived the idea. With the foreword written by Chuck Billy, plus over 100 rare photographs unearthed from the MegaVault and photographer friends, Heavy Tales is the definitive American story of a family man with a dream, determined to prove to the world that heavy metal belonged on the stage, on the radio and in your living room.

In this brave and deeply personal memoir, one of America’s most beloved journalists, mother, and New York Times bestselling author speaks candidly about her battle against breast cancer, her quest to learn about it and teach others, and the transformative effect it’s had on her life. When former Good Morning America host Joan Lunden was diagnosed with breast cancer, she set out to learn everything about it to help her survive. With seven children counting on her, giving up was not an option. After announcing her diagnosis on Good Morning America, people all over the country rallied around Joan as she went into Warrior mode. Within a few months, after losing her hair, Joan appeared on the cover of People magazine bald, showing the world she could, and would, beat the disease. Determined to remain upbeat—to look in the mirror with a brave face—her resolve empowered women everywhere. The Today show quickly recruited Joan as a special correspondent and continues to follow her progress. A deeply personal and powerful story of pain, persistence, and perseverance, Had I Known is a chronicle of Joan’s experience and the plan she formulated and followed to battle with her disease and treatment. As Joan reveals, while her journey was not easy, it profoundly changed her in unexpected ways. Her odyssey helped Joan redefine herself, her values, and most of all, her health. Following a new clean way of eating, Joan lost thirty pounds, became more aware of the food she was eating, and avoided many of the debilitating side effects of chemotherapy. Dealing with the cancer also changed her perception of true beauty. Being attractive isn’t about the hair on your head—it’s about the strength and character you bring to everything you do. Positive yet down-to-earth, told with piercing honesty leavened with warmth and humor, Had I Known offers unforgettable, inspirational lessons for us all.

A deeply personal memoir about one woman's journey to finding her voice and rewriting her story by the creator and host of the award-winning podcast Moms Don't Have Time to Read Books (tm). Zibby Owens has become a well-known personality in the publishing world. Her infectious energy, tasteful authenticity, and smart, steadfast support of authors started in childhood, a precedent set by the profound effect books and libraries had on her own family. But after losing her closest friend on 9/11 and later becoming utterly stressed out and overwhelmed by motherhood, Zibby was forgetting what made her her . She turned to books and writing for help. Just when things seemed particularly bleak, Zibby unexpectedly fell in love with a tennis pro turned movie producer who showed her the path to happiness: away from type-A perfectionism and toward letting things unfold organically. What unfolded was a meaningful career, a great love, and finally, her voice, now heard by millions of listeners. An honest and moving story about relationships, love, food issues, the writing life, and finding one's true calling, Bookends will inspire and uplift.

"For Christmas the woman who would become my wife bought me a dog—a little terrier. The next year her Christmas gift to me was a shotgun. Most of the people in my family believe that those two gifts were not unrelated." So begins Born to Bark , the charming new memoir by psychologist and beloved dog expert Stan Coren of his relationship with an irrepressible gray Cairn terrier named Flint. Stan immediately loved the pup for his friendly nature and indefatigable spirit, though his wife soon found the dog’s unpredictable exuberance difficult to deal with, to say the least. Even though Flint drove Stan’s wife up the wall, he became the joy of Stan’s life. The key to unlocking this psychologist-author’s way of looking at dog behavior, Flint also became the inspiration behind Coren’s classic, The Intelligence of Dogs . Undeterred by Flint’s irrepressible behavior (and by the breeder’s warning that he might be untrainable), Coren set out to prove that his furry companion could pass muster with the best of them. He persevered in training the unruly dog and even ventured into the competitive circles of obedience trials in dog shows, where Flint eventually made canine history as the highest-scoring Cairn terrier in obedience competition up to that time. (Stan chose not to tell his wife that the highest-ranking obedience dog of that year, a border collie, earned a total score that was fifty times higher.) The longest-running popular expert on human-dog bonding, Coren has enlivened his respected books and theories about dogs with accounts of his own experiences in training, living with, loving, and trying to understand them. A consummate storyteller, Coren now tells the wry, poignant, goofy, and good-hearted tale of his life with the dog who (in the words of his own book titles) taught him How to Speak Dog and How Dogs Think and whose antics made him ask Why Does My Dog Act That Way? Illustrated with Coren’s own delightful line drawings and photos, and interwoven with his heartfelt anecdotes of other beloved dogs from his earlier life, Born to Bark is an irresistible good dog/bad dog tale of this extraordinary, willful pooch and his profound impact on his master’s insights into canine behavior as a research psychologist and on his outlook on life as a whole.

Two-time All Star Shawn Green shows how the surprising lessons the game has taught him transcend baseball and compose a life well lived. Shawn Green’s career statistics can be found on the backs of baseball cards in shoeboxes across America: 328 home runs, 1,071 RBIs, .282 career batting average, All-Star, Gold Glove, Silver Slugger...but numbers tell only part of the story. In the tradition of Phil Jackson’s Sacred Hoops, Shawn Green illustrates the spiritual practices that guided his career and enabled him to “bring stillness into the flow of life.” In The Way of Baseball, he shares the secrets to remaining focused both on and off the field, shedding light on a signature approach to living by using his remarkable baseball experiences to exemplify how one can find full awareness, presence, and, ultimately, fulfillment in any endeavor.

A funny and evocative coming-of-age memoir by Robert Klein, the beloved and award-winning comedian who has entertained audiences for more than four decades. Best known for his unique brand of observational humor—seen on Broadway and in film and television—Klein details his life from ages nine to twenty-five as seen “through the gauze of time.” Klein’s theme park of memories alternates dark moments with sunlit humor. Teenage frustrations prompted a visit to a Harlem prostitute, which filled Klein with “shame and triumph and guilt.” He encountered individual and institutional anti-Semitism at Alfred University, yet led the frat house fun, moving on to the Yale School of Drama, Chicago’s Second City, New York theater and a variety of romances. Along the way, Klein had successes and failures, both in bed and on stage. Probing not only his own psyche but also the evolution of sexual mores during the 1950s and ‘60s, he unfurls an array of captivating anecdotes, writing with wry wit and honesty.

While there are people who actually embrace getting older (although we confess not to know any) most try to deny it. Rita Rudner is no exception. When she reached 50, she couldn't even bear to admit it: "It was more comfortable getting a laugh and telling people I was filthy than having to say the word fffiffffty," she writes. In her hysterically dead-on book I Still Have It...I Just Can't Remember Where I Put It , she relates her absurd adventures as a woman of a certain age navigating the strange and terrifyingly funny world of "near-sighted insights." In chapters such as "Artificially Hip"; "Older Than Springtime, Younger Than Angela Lansbury"; "I Won't Blog, Don't Ask Me"; and "The Advantage of Vintage," Rudner tackles body issues, style, and technology, and looks at the wonders and surprises of life on the dark side of 50. So put on your bifocals and get ready to laugh. Just don't blame Rita if your laugh lines become visibly deeper. "Sexy deadpan is comedian Rita Rudner's trademark style, never more in evidence than in I Still Have It ... I Just Can't Remember Where I Put It ... Pure vaudeville, a kick at any age."-- O, The Oprah Magazine

A timely and profound anthology from the national bestselling author of Black, White and Jewish, Representing a stunning range of essayists and novelists, both men and women, this groundbreaking anthology boldly confronts the complications, possibilities, uncertainties, and joys of being a man in the 21st century.

Not since Anne Frank's The Diary of a Young Girl has such an intimately candid, deeply affecting account of a childhood compromised by Nazi tyranny come to light. As a fourteen-year-old Jewish boy living in Prague in the early 1940s, Petr Ginz dutifully kept a diary that captured the increasingly precarious texture of daily life. His stunningly mature paintings, drawings, and writings reflect his insatiable appetite for learning and experience and openly display his growing artistic and literary genius. Petr was killed in a gas chamber at Auschwitz at the age of sixteen. His diaries--recently discovered in a Prague attic under extraordinary circumstances--are an invaluable historical document and a testament to one remarkable child's insuppressible hunger for life.

"You're not doing it right." Writer/comedian Michael Ian Black has been hearing these five words all his life. And now--on the eve of his fortieth birthday--he is finally beginning to wonder why. As a husband and father living in the suburbs, Michael asks the question so many of us ask ourselves at one point or another: How did I end up here? (And also: If Fat Kevin Federline succumbs to his own wasted potential, what does that mean for the rest of us?) The answers to these questions, and others that you probably would have never thought to ask, are painstakingly detailed in Black's debut memoir. Darkly humorous and told with raw honesty, Michael shares his neuroses as he takes on his childhood, his marriage, his children, and his career with candor and deadpan wit in this funny-because-it's-true essay collection.--From publisher description.

“I was twenty-three and I had set off for Asia to become a writer, intrigued by lurid tales of booms, busts, drugs, sex, violence, magic. There was a wicked sorcery in Asia, in the economic profligacy of the early nineties, in the way financiers and businessmen took a rapidly wiring and developing continent and looted billions, like a titanic parlor trick converting all that wealth into abandoned office complexes and half-completed shopping malls. . . . I wanted it all—the money, the sex, the drugs. And to this day I believe that if I am honest with myself, despite all I have learned the hard way over the past decade, I would still want it all again, the fucking and the getting loaded and the scheming to get enough money to pay for that life.” In the late 1980s, not long out of college, Karl Taro Greenfeld found himself stranded in New York, a failed writer before his career had even begun. His Jewish-American father angrily cut off support; his Japanese mother suggested he go to Japan to teach English. He did, accepting a job with no more promise than he’d had before. But he stayed in Asia for the next several years, working his way through a series of journalistic posts, watching a culture erupt before his eyes and facing his own demons. Through a series of vividly imagistic stories that range from the rigidly journalistic to the deeply intimate, Standard Deviations recounts Greenfeld’s experiences—both professional and personal—during Asia’s wild ride at the end of the twentieth century. Whether drinking Japanese cough syrup to get high with other Western expatriates, visiting a free-sex ashram in Bombay, or watching a former high school pal self-destruct as an equity analyst in Jakarta, Greenfeld evokes the spirit of a continent in flux at an explosive “bubble” economy’s end—and a man confronting his own identity and aspirations. Raunchy, insightful, eloquent and moving, Standard Deviations is an uncompromising work of cultural observation and self-exploration.

“The Hollywood memoir that tells all . . . Sex. Drugs. Greed. Why, it sounds just like a movie.”— The New York Times Every memoir claims to bare it all, but Julia Phillips’s actually does. This is an addictive, gloves-off exposé from the producer of the classic films The Sting, Taxi Driver, and Close Encounters of the Third Kind —and the first woman ever to win an Academy Award for Best Picture—who made her name in Hollywood during the halcyon seventies and the yuppie-infested eighties and lived to tell the tale. Wickedly funny and surprisingly moving, You’ll Never Eat Lunch in This Town Again takes you on a trip through the dream-manufacturing capital of the world and into the vortex of drug addiction and rehab on the arm of one who saw it all, did it all, and took her leave. Praise for You'll Never Eat Lunch in This Town Again “One of the most honest books ever written about one of the most dishonest towns ever created.” — The Boston Globe “Gossip too hot for even the National Enquirer . . . Julia Phillips is not so much Hollywood’s Boswell as its Dante.” — Los Angeles Magazine “A blistering look at La La Land.” —USA Today “One of the nastiest, tastiest tell-alls in showbiz history.” —People

Star reporter for the New York Times , the world's most powerful newspaper; foreign correspondent in some of the most dangerous fields; Pulitzer winner; longest jailed correspondent for protecting her sources, Judith Miller is highly respected and controversial. In this memoir, she turns her reporting skills on herself with the intensity of her professional vocation. Judy Miller grew up near the Nevada atomic proving ground. She got a job at the New York Times after a suit by women employees about discrimination at the paper and went on to cover national politics, head the paper's bureau in Cairo, and serve as deputy editor in Paris and then deputy at the powerful Washington bureau. She reported on terrorism and the rise of fanatical Islam in the Middle East and on secret biological weapons plants and programs in Iraq, Iran, and Russia. She covered an administration traumatized by 9/11 and an anthrax attack three weeks later. Miller shared a Pulitzer for her reporting. She turns her journalistic skills on herself and her controversial reporting which marshaled evidence that led America to invade Iraq. She writes about the mistakes she and others made on the existence in Iraq of weapons of mass destruction. She addresses the motives of some of her sources, including the notorious Iraqi Chalabi and the CIA. She describes going to jail to protect her sources in the Scooter Libby investigation of the outing of CIA agent Valerie Plame and how the Times subsequently abandoned her after twenty-eight years. The Story describes the real life of a foreign and investigative reporter. It is an adventure story, told with bluntness and wryness.