"Those who cannot remember the past are condemned to repeat it." --George Santayana We need only to look back to Rwanda, and now to Darfur, to see that once again we are living the worst of times. Who better to guide our understanding and give us hope than Martin Gray--a man who survived the worst of times, flourished, and still managed to find joy in living? Martin has come full circle since his boyhood world was turned upside down by the German invasion of Poland in 1939. Overnight, the teenage Martin and his family were immersed in the horrors of the Holocaust and held captive in the Warsaw Ghetto. It was a nightmare of brutality, starvation, and death. Martin became a clever smuggler to help his family survive--until the "butchers" of Treblinka took his mother and brothers. Against impossible odds, Martin survived and returned to fight in the Warsaw Ghetto Uprising. As the Nazis incinerated the ghetto, he escaped to fight with the partisans, and then the Red Army. After the war, Martin made his way to New York. The cunning and skills he developed during the war enabled him to learn the language and create a successful business. At 35, he retired to France with a fortune and a beautiful Dutch wife, starting a family and living in happiness and peace. But his world was shattered once again by a forest fire that engulfed his fleeing family. In a tragic repeat of history, Martin alone survived. Martin Gray's past could be our future if we don't heed his call to be the change. In this 35th anniversary expanded edition of For Those I Loved, a book beloved by millions of readers worldwide, Martin reminds us that the past is connected to the present. Only we can ensure that history is not repeated.

With Three New Appendices. Few Jewish names in the history of Europe have attracted more fame, more conspiracy theories, rumors, and mystery than the name Rothschild. This biography, written by a leading Jewish historian, pulls no punches in telling the true story of the banking dynasty, once known as the "financiers of nations." Cutting through all the myths and exaggeration which have surrounded the Rothschilds, Five Men of Frankfort reveals how the four Rothschild sons spread throughout Europe-to London, Paris, Vienna, and Naples, to set up a banking network which inaugurated the system of moving money internationally through simultaneous deposits and withdrawals. British indebtedness to the Rothschilds for their help in defeating Napoleon was then exploited by getting the British government to persuade the other nations of Europe-including the Austrian, Prussian, and Russian governments-to start using the Rothschilds as bankers and as the providers of their national loans and debt. Although this book ends its narrative at the beginning of the nineteenth century, this new edition has three new appendices which reveal the full extent of the Rothschild business empire to the present day. These appendices reveal in an astonishing amount of detail how this Jewish family from Frankfort ended up loaning money to governments on five continents, and their role in modern-day financial transactions across the world. This book strips away the myths which surround the Rothschilds, and provides a sober assessment of why this banking house has become the foremost subject of conspiracy theories around the globe.

Rothbard opens with a theoretical treatment of business cycle theory, showing how an expansive monetary policy generates imbalances between investment and consumption. He proceeds to examine the Fed's policies of the 1920s, demonstrating that it was quite inflationary even if the effects did not show up in the price of goods and services. He showed that the stock market correction was merely one symptom of the investment boom that led inevitably to a bust. The Great Depression was not a crisis for capitalism but merely an example of the downturn part of the business cycle, which in turn was generated by government intervention in the economy. Had the book appeared in the 1940s, it might have spared the world much grief. Even so, its appearance in 1963 meant that free-market advocates had their first full-scale treatment of this crucial subject. The damage to the intellectual world inflicted by Keynesian- and socialist-style treatments would be limited from that day forward.--Amazon.com

From the depression of the 1890s through World War I, construction tradesman held an important place in San Francisco's economic, political, and social life. Michael Kazin's award-winning study delves into how the city’s Building Trades Council (BTC) created, accumulated, used, and lost their power. He traces the rise of the BTC into a force that helped govern San Francisco, controlled its potential progress, and articulated an ideology that made sense of the changes sweeping the West and the country. Believing themselves the equals of officeholders and corporate managers, these working and retired craftsmen pursued and protected their own power while challenging conservatives and urban elites for the right to govern. What emerges is a long-overdue look at building trades as a force in labor history within the dramatic story of how the city's 25,000 building workers exercised power on the job site and within the halls of government, until the forces of reaction all but destroyed the BTC.

Ever wonder why so many B actors wind up as A-grade politicians? Or how the casting couch worked? Acclaimed author Kathleen Sharp traces the influence of show business through the lives of its first power couple. Edie and Lew Wasserman built the world's largest talent agency, MCA, created the multibillion-dollar Universal Studios, and helped shape Washington, DC. Starting from MCA's birth in gangland Chicago, Lew represented stars such as Jimmy Stewart and Marilyn Monroe; pioneered TV with Leave It to Beaver and Miami Vice ; spawned the blockbuster movie model with Psycho and Jaws ; and developed a mega-theme park. His savvy wife, Edie, was the daughter of a mob attorney, the queen of A-list parties, and Lew's secret agent who boosted their status. Yet, the couple was attacked by rivals, federal prosecutors, and their own protégés. Even so, over the course of seven decades they managed to vanquish their enemies and parlay their influence far beyond Sunset Strip into governors' mansions, Senate chambers, and the White House. At the end, Edie and Lew became diplomats, kingmakers, and philanthropists, who elevated the fortunes of middle-class workers and California itself. Based on some four hundred interviews, this book features Janet Leigh, Clark Gable, Grace Kelly, John Belushi, Jean Stein, and Steven Spielberg along with the Kennedys, the Johnsons, the Reagans, and the Clintons. It's a fascinating read about how two kids from Cleveland created the largest entertainment conglomerate in the world and wound up ruling twentieth-century America.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Brings together economic, social, and political analyses to formulate a program for an American revival, in terms of the nation's economy and of a more equitable life for the American people.

A reissue of Eric H. Cline's highly regarded study of trade in the Late Bronze Age Aegean, first published in 1994 and out-of-print since 2000. The monograph is composed of three principal parts: 1) an analytical section discussing the trade and contacts which occurred between the Aegean, Italy, Egypt, and the Near East during the latter half of the second millennium BC, and the social, economic and cultural implications of such contacts; 2) first, a catalogue of literary and pictorial references to the LBA Aegean found in outside areas - primarily Egypt and the Near East - with transliterations and translations of the appropriate texts, and second, a compilation of the references to, and loanwords from, other areas of the Mediterranean found in the Linear B texts in the Aegean; and 3) a catalogue, by object type, of all the Orientalia and Occidentalia found in LBA contexts within the Aegean area. The monograph utilizes the catalogues in combination with previously published works by a variety of scholars to provide a detailed analysis of the trade and contacts between the LBA Aegean, Italy, Egypt and the Near East. The work is divided into six sections, each consisting of a series of interlinked essays. Section One provides an introduction to the topic, a brief overview of the previous scholarship in this area, and a discussion of the chronological problems involved. Section Two consists of an initial chapter discussing LBA trade and contact between the Aegean, Italy, Egypt and the Near East by centuries, followed by chapters discussing trade between the LBA Aegean and individual Mediterranean countries. Section Three contains discussions of the trade mechanisms involved, the trade routes, merchant nationalities, goods, motivations, and partnerships, plus a brief look at the Ulu Burun (Kas) and Cape Gelidonya shipwrecks. Section Four presents an overview of the conclusions reached by this study and reiterates that the current work presents much raw data and some preliminary observations but is only the tip of the iceberg in terms of tapping the wealth of information which may be extracted from the accompanying catalogues.

This respected Israeli scholar argues that fundamental ideological and political goals of Nazi leaders made them receptive to revolutionary economic theories such as those of J. M. Keynes. He examines how the economic system of the Third Reich was based on an anti-liberal philosophy that proved extraordinarily effective in bringing about the 'German Economic Miracle' by 1937.

From Library Journal A penetrating expose of the case of Pollard, an American Jew who worked for U.S. Naval Intelligence and spied for Israel. Blitzer, the Washington correspondent for The Jerusalem Post , interviewed Pollard (now in federal prison) and also made use of many contacts in the Israeli government. The tale Blitzer tells is of a bright but unstable man, a dedicated Zionist but questionably loyal American, who offered his services to the Israelis, who in turn mounted a poorly organized intelligence operation in the United States. Blitzer raises many issues about the case that will be debated for years--the harsh sentence given to both Pollard and his wife, the question of dual loyalties, and the possibility of a third party involvement. A thoroughly provocative tale that needed to be told and was done so with a great deal of passion. - Sanford R. Silverburg, Catawba Coll. , Salisbury, N.C . Copyright 1989 Reed Business Information, Inc.

An overview of generations of Italians in the Big Apple, weaving together numerous stories from different epochs and different backgrounds. "If you want to learn something about Italian creativity, come to New York. Here, you will find the pride of flying the Italian colors at the Fifth Avenue Columbus Day Parade, the American patriotism of those who perished at Ground Zero, the courage of firefighters and marines on the frontline of the war against terrorism, the babel of dialects at the Arthur Avenue market, portrayals of social change in the writings of Gay Talese, stories of successful business ventures on the TV shows of Maria Bartiromo and Charles Gasparino, political passion in the battles of Mario Cuomo and Rudy Giuliani, creative imagination in the works of Gaetano Pesce, Renzo Piano and Matteo Pericoli, and provocation in the attire of Lady Gaga... The Midtown top managers, whoarrived in the past twenty years, operate in the XXI century, while on Fresh Pond Road in Ridgewood the panelle are still prepared according to the Sicilian recipes transmitted from one generation to the next." (From the "Introduction")

"Diplomacy is essential to the conduct of foreign policy and international business in the twenty-first century. Yet, few international actors are trained to understand or practice effective diplomacy. Poor diplomacy has contributed to repeated setbacks for the United States and other major powers in the last decade. Drawing on deep historical research, this book aims to 'reinvent' diplomacy for our current era. The original and comparative research provides a foundation for thinking about what successful outreach, negotiation, and relationship-building with foreign actors should look like. Instead of focusing only on failures, as most studies do, this one interrogates success. The book provides a framework for defining successful diplomacy and implementing it in diverse contexts. Chapters analyze the activities of diverse diplomats (including state and non-state actors) in enduring cases, including: post-WWII relief, the rise of the non-aligned movement, the Nuclear Non-Proliferation Treaty, the U.S. opening to China, the Camp David Accords, the reunification of Germany, the creation of the European Union, the completion of the North American Free Trade Agreement, and relief aid to pre-2001 Afghanistan. The cases are diverse and historical, but they are written with an eye toward contemporary challenges and opportunities. The book closes with systematic reflections on how current diplomats can improve their activities abroad. Foreign Policy Breakthroughs offers rigorous historical insights for present policy"--

Bear's Boys is a collection of inspiring stories featuring 36 men whose lives were altered by their encounter with the legendary coach while they were players and coaches at Alabama. The stories of star players such as Joe Namath, Ken Stabler, Marty Lyons, Bob Baumhower, Ozzie Newsome, and Gene Stallings show how the Coach forever changed them as young men and ball players on the field and later in life after football. When Bob Baumhower was released from the Dolphins in 1986, he immediately did what Coach Bryant would have done: he made a plan. Instead of feeling sorry for himself, he snapped into practical mode. First, he sold his boat and his big house. Then, he systematically began exploring business opportunities and setting goals for the next several decades of his life. When he started his first restaurant, he knew he had yet another chance to apply the principles he learned on the football field in real life. "Coach Bryant said there's a lot of blood, sweat and guts between dreams and success," Baumhower said. "That's true in the restaurant business. . . . Today, every success I have, every win that I have, in my opinion, came from the fact that Coach Bryant cared enough to talk to me and turn the light on for me Includes stories for such men as Bob Baumhower Jeremiah Castille Paul Crane Sylvester Croom John Hannah Dennis Homan Scott Hunter Lee Roy Jordan E. J. Junior Woodrow Lowe Gaylon McCollough Don McNeal Mal Moore Joe Namath Billy Neighbors Ozzie Newsome Ray Perkins Gary Rutledge Howard Schnellenberger Ken Stabler Gene Stallings Dwight Stephenson Richard Todd Pat Trammell Tommy Wilcox

The death of sadistic desperado Whittlin Walt has created an opening for 'Chief of the Comstock Desperados'. Several young gunfighters are battling it out in the saloons and streets of Virginia City, and against this backdrop of gunmen, gamblers and cowboys, P.K. Pinkerton, Private Eye, is having trouble drumming up business. Nobody seems to take a 12-year-old detective seriously! Then a servant girl named Martha begs P.K. for help. She witnessed the murder of her mistress - a hurdy girl - and the killer knows it. Now he is after her. Martha gives P.K. a description of the killer and a cryptic clue, but then she disappears. Can P.K. solve the case and find Martha before the killer does?

Tropicana is to Cuba what the Bolshoi is to Russia, the Moulin Rouge to Paris, or the Blue Note to New York--an enduring cultural mecca. This definitive biography of the place that was known as Paradise Under the Stars, vividly describes the 1950s nightclub that was part casino, part cabaret and was the only club owned and run by Cubans rather than the American mob. Nat "King" Cole, Liberace, and Carmen Miranda performed there before audiences that included Joan Crawford, Marlon Brando, and Ernest Hemingway. The book portrays the cultural richness and roiling social problems of pre-Revolutionary Cuba and takes the reader on a tour of one of the world's most glamorous venues at its most brilliant moment.

Engagingly written and richly illustrated, Putting Meat on the American Table explains how America became a meat-eating nation -- from the colonial period to the present. It examines the relationships between consumer preference and meat processing -- looking closely at the production of beef, pork, chicken, and hot dogs. Roger Horowitz argues that a series of new technologies have transformed American meat. He draws on detailed consumption surveys that shed new light on America's eating preferences -- especially differences associated with income, rural versus urban areas, and race and ethnicity. Putting Meat on the American Table will captivate general readers and interest all students of the history of food, technology, business, and American culture.

There was a time not very long ago when "going out" was only for the rich and the reckless. At the turn of the century, "going out" became part of everyday life as vaudeville halls, photograph parlors, penny arcades, nickelodeons, nightclubs, dance halls, world's fair midways, amusement parks, ballparks, and movie palaces opened their doors to the people of the city. The new amusement centers welcomed women, men, and children, native-born and immigrant, rich, poor, and middling. Only African Americans were excluded or segregated in the audience, though they were overrepresented on stage. Going Out chronicles the twentieth-century entertainment revolution that changed forever the ways we live, work, and play. In a matter of decades, a new public world of amusements was created where ethnic, class, and neighborhood differences were subordinated to the common pursuit of a good time. Clerks and bankers, sales girls and society ladies "turkey trotted" to ragtime in nightclubs and dance halls; "shot the chute" and clutched one another in "barrels of love"; visited "Darkest Africa" on the world's fair midways; and sat together in the dark watching pictures move on a screen. In Going Out, we meet the colorful characters who invented show business: Thomas Alva Edison, who was astonished when his phonograph made money playing music (he had designed it to take business dictation); Benjamin Franklin Keith, the circus grifter who opened a dime museum in Boston in the 1880s and within a decade owned the world's largest vaudeville theater circuit; Adolph Zukor and Marcus Loew, the New York furriers who made millions in the early picture-show business; and the dozens of small-time show businessmen who rode the rails with their "shows" in their trunks. And we hear the stories of the early black performers and their struggles to maintain their dignity and livelihood while audiences demanded their public humiliation. Going Out is a history of twentieth-century show business and of the new American public that assembled in the city's wondrous pleasure palaces, parks, and theaters. The book concludes with an account of the fall or relocation of this entertainment world, as central city amusement parks, movie palaces, and ballparks were uprooted and transported to the suburbs in the decades following World War II.

In the mid-1990s, two major Hollywood studios, Warner Bros. and Paramount Pictures, each launched their own broadcast television network with the hope of becoming the fifth major player in an industry long dominated by ABC, CBS, NBC, and, more recently, Fox. Despite the odds against them, the WB and UPN went on to alter the landscape of primetime television, only to then merge as the CW network in 2006—each a casualty of conflicting personalities, relentless competition, and a basic failure to anticipate the future of the entertainment business. Unfolding amid this backdrop of high-stakes business ventures, fanatical creative struggles, and corporate power plays, Season Finale traces the parallel stories of the WB and UPN from their prosperous beginnings to their precipitous demise. Following the big money, big egos, and big risks of network television, Susanne Daniels, a television executive with the WB for most of its life, and Cynthia Littleton, a longtime television reporter for Variety, expose the difficult reality of trying to launch not one but two traditional broadcast networks at the moment when cable television and the Internet were ending the dominance of network television. Through in-depth reportage and firsthand accounts, Daniels and Littleton expertly re-create the creative and business climate that gave birth to the WB and UPN, illustrating how the race to find suitable programming spawned a heated rivalry between the two but also created shows that became icons of American youth culture. Offering insider stories and never-before-published details about shows such as Buffy the Vampire Slayer, Dawson's Creek, 7th Heaven, Gilmore Girls, Smallville, Felicity, Girlfriends, Everybody Hates Chris, and America's Next Top Model, Daniels and Littleton provide an exhaustive account of the two creative teams that ushered these groundbreaking programs into the hearts, minds, and living rooms of Americans across the country. But in spite of these successes, the WB and UPN unraveled, and here the authors elucidate the corporate miscalculations that led to their undoing, examining the management missteps and industry upheaval that brought about their rapid decline and the surprising teamwork that united them as the CW. The result is a cautionary and compelling entertainment saga that skillfully captures a precarious moment in television history, when the dramatic transformation of the broadcast networks signaled an inevitable shift for all pop culture.

Product Description Set in the magnificent culture of the Middle East more than four thousand years ago, Lilah is a rich and emotionally resonant story of faith, love, and courage. Living in exile, Lilah is in love with Antinoes, a Persian warrior. They have known each other since they were children, and Antinoes dearly wants to make Lilah his wife. Yet Lilah does not feel she can marry without the blessing of her brother, Ezra. She and Ezra are close, and Lilah knows her brother well—he does not want his sister to have a husband outside their faith. Ezra is a scholar of the laws of Moses, and Lilah believes it is her brother’s destiny to lead the Jewish people back to the Promised Land. While Antinoes pressures her to accept his proposal, Lilah realizes that before she can consider her own happiness, it is her duty to help her brother accomplish the seemingly impossible task that is before him. Putting herself in grave danger, and with the help of Antinoes, Lilah wins Ezra an audience with Artaxerxes II, the King of Kings, who grants permission to lead the exiles on their journey back to the Promised Land. After a hazardous trip across the desert, Lilah, Ezra, and the thousands who join them arrive in Jerusalem. But the hardship of rebuilding the Temple takes its toll, and the religious enthusiasm of some turns to extremism. Ezra, listening to the zealots, orders all non-Jewish wives and their children banished from Jerusalem. Lilah, whose love for Antinoes has never wavered, is horrified by this command. She knows she must now choose between her brother and her conscience, which tells her that the time has come to defy him. Lilah is a timeless story of one woman’s stand against intolerance; it will linger in the reader’s mind long after the last page has been turned. From Publishers Weekly In his final installment of the Canaan Trilogy ( Sarah; Zipporah), Halter ambitiously tackles portions of the complicated biblical book of Ezra, which centers on the rebuilding of the Jerusalem temple and calls Israel to ethnic and religious purity. In the Persian town of Susa, the beautiful Lilah dreams of marrying her Persian lover and childhood sweetheart, Antinoes. However, her beloved brother Ezra, who has immersed himself in studying the laws of God, refuses to approve of their union since Antinoes is not a Jew. As the story unfolds, with scenes full of rich detail, Lilah becomes the unlikely instrument of gaining royal approval for the Jewish people to return to Jerusalem and rebuild the holy city. However, once there, Ezra orders all non-Jewish wives and children driven away in what is surely one of the most heart-wrenching episodes directly from scripture. A horrified Lilah repudiates her brother and leaves with them. As the cast-off women wander unprotected outside the city, rape, murder and mayhem ensue. (It's confusing that Lilah narrates one violent scene, but readers are unsure how she survives it.) As in Sarah and Zipporah, there is plenty of highly charged sexuality and some imaginative storytelling. Unfortunately, as with its predecessors, the story trails off, and the ending is unsatisfactory. (June) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From AudioFile Ellen Reilly brings the story of Lilah, sister of Ezra, the biblical prophet, to life. Perhaps not many are familiar with the story of Ezra, which takes place more than four thousand years ago during a sad time in Israel's history. Lilah is torn between her love for her brother, Ezra, and her love for a Persian warrior. She must choose, and her choice will bring far-reaching consequences. All the emotion and turmoil in the story are made real by the talented Ellen Reilly. One can easily feel the heartache, passion, and drama of this book. Fascinating and well worth a listen. N.L. © AudioFile 2006, Portland, Maine-- Copyright © AudioFile, Portland, Maine About the Author Mar

Los Angeles and the movies grew up together, and a natural extension of the picture business was the premium presentation of the product--the biggest, best, and brightest theatres imaginable. The magnificent movie palaces along Broadway in downtown Los Angeles still represent the highest concentration of vintage theatres in the world. With Hollywood and the movies practically synonymous, the theatres in the studios' neighborhood were state-of-the-art for showbiz, whether they were designed for film, vaudeville, or stage productions. From the elegant Orpheum and the exotic Grauman's Chinese to the modest El Rey, this volume celebrates the architecture and social history of Los Angeles's unique collection of historic theatres past and present. The common threads that connect them all, from the grandest movie palace to the smallest neighborhood theatre, are stories and the ghosts of audiences past waiting in the dark for the show to begin.