With his characteristically brilliant wordplay and extraordinary scope, Tom Stoppard has in Hapgood devised a play that "spins an end-of-the-Cold-War tale of intrigue and betrayal, interspersed with explanations of the quixotic behavior of the electron and the puzzling properties of light" ( New York Times ). It falls to Hapgood, an extraordinary British intelligence officer, to try to unravel the mystery of who is passing along top-secret scientific discoveries to the Soviets, but as she does so, the web of personal and professional betrayals―doubles and triples and possibly quadruples―continues to multiply.

"Microcosmos is nothing less than the saga of the life of the planet. Lynn Margulis and Dorion Sagan have put it all together, literally, in this extraordinary book, which is unlike any treatment of evolution for a general readership that I have encountered before. A fascinating account that we humans should be studying now for clues to our own survival."—From the Foreword by Dr. Lewis ThomasMicrocosmos brings together the remarkable discoveries of microbiology in the later decades of the 20th century and the pioneering research of Dr. Margulis to create a vivid new picture of the world that is crucial to our understanding of the future of the planet. Addressed to general readers, the book provides a beautifully written view of evolution as a process based on interdependency and their interconnectedness of all life on the planet."Microcosmos is nothing less than the saga of the life of the planet. Lynn Margulis and Dorion Sagan have put it all together, literally, in this extraordinary book, which is unlike any treatment of evolution for a general readership that I have encounter.

Selected as an Outstanding Academic Title for 2003 from Choice Magazine The Double-Edged Helix explores the impact of recent genetic discoveries on both different population segments and society as a whole. The authors address the medical and ethical implications of the new technologies, outlining potential positive and negative effects of genetic research on minorities, individuals with disabilities, and those of diverse sexual orientations. Presenting a wide array of perspectives, this book emphasizes the need to ensure that research into genetics research does not result in discrimination against people on the basis of their DNA.

During the sixteenth and seventeenth centuries a radical change occurred in the patterns and framework of European thought. In the wake of Copernican theory and discoveries through the telescope, the notion of an ordered cosmos of "fixed stars" gave way to that of a universe infinite in both time and space-with significant and far-reaching consequences for human thought. Alexandre Koyré brilliantly interprets this revolution in terms of the change that occurred in our conception of the universe and our place in it, and illustrates the primacy of this change in the development of the modern world. "An important contribution to the problem of the transition from the world view characteristic of the medieval centuries to that which rapidly gained acceptance after the seventeenth century." (Philosophical Quarterly) "Koyré has provided the material and has illuminated it with uniformly perceptive and occasionally brilliant commentary.... An important contribution to the study of 17th-century thought." (Thomas S. Kuhn, Science) "A model of scholarliness without pedantry, of clarity without oversimplification." (Arthur Koestler, Encounter) "Surely a work that will be welcomed alike by the scientist, philosopher, and historian of ideas." (Philosophy and Phenomenological Research) Alexandre Koyré was a member of the Institute for Advanced Study, Princeton, and professor at the Ecole Pratique des Hautes Etudes in Paris. His books include Discovering Plato and Newtonian Studies.

Left for dead in a dumpster, private investigator Benny Cooperman becomes his own client in his most puzzling mystery yet. Benny is recovering in a Toronto hospital from a serious blow to the head. He has a condition called alexia sine agraphia; in layman's terms, it means he can still write but cannot read. And his memory has been affected too: Although he can quote lines from his high-school production of Twelfth Night, he finds himself brushing his teeth with his shaving cream. Even his girlfriend's name?Anna Abraham?continues to elude him. When Benny learns that he was found unconscious beside a dead woman, he figures he must have been close to solving a case. With Anna working as field agent and two Toronto cops reluctantly sharing their discoveries, Benny pieces together the events that led to a murder?and his own injuries.

Valley of Dreams is set on Mars and is the sequel to Weinbaum's highly regarded "A Martian Odyssey." It takes place shortly after the events recounted in the first story with many of the same characters. A hopeful story about a Mars that never was. Join Dick Jarvis and "Frenchy" Leroy as they explore an ancient Martian city and make unexpected discoveries.

People tend to think of creativity as a trait-a single attribute with which we are born that is relatively fixed in quantity. Many people also think of creativity as something that only very gifted people possess. This book challenges all of these notions. The basic idea is that there are multiple kinds of creativity, and that everyone can develop at least some of these kinds of creativity. The book considers the various kinds of creativity as they apply in domains such as science, literature, the arts, government, business, and sports. The most common kind of creativity may be conceptual replication, whereby someone produces a minor variant of work that has been produced before. This kind of creativity represents a "limiting case" of creative thought. Most successful inventions and scientific discoveries represent "forward incrementations," which basically take existing ideas and move them to the next step in the direction the field is already going. Often more radical are redirections, which take a field in a new direction, and reinitiations, which represent essentially a "starting over" of how people think about a given problem. The book discusses 8 kinds of creativity, and how they are similar to and different from each other. It is illustrated with many examples, and describes why it is necessary to distinguish among the kinds of creativity. --From publisher's description.

"Biblical scholars, Egyptologists, archaeologists, historians, literary scholars, anthropologists, and filmmakers are drawn to it. Unable to find physical evidence until now, many archaeologists and scholars claim this mass migration is just a story, not history. Others oppose this conclusion, defending the biblical account. Like a detective on an intricate case no one has yet solved, pioneering Bible scholar and bestselling author of Who Wrote the Bible? Richard Elliott Friedman cuts through the noise — the serious studies and the wild theories — merging new findings with new insight. From a spectrum of disciplines, state-of-the-art archeological breakthroughs, and fresh discoveries within scripture, he brings real evidence of a historical basis for the exodus — the history behind the story. The biblical account of millions fleeing Egypt may be an exaggeration, but the exodus itself is not a myth. Friedman does not stop there. Known for his ability to make Bible scholarship accessible to readers, Friedman proceeds to reveal how much is at stake when we explore the historicity of the exodus. The implications, he writes, are monumental. We learn that it became the starting-point of the formation of monotheism, the defining concept of Judaism, Christianity, and Islam. Moreover, we learn that it precipitated the foundational ethic of loving one's neighbors — including strangers — as oneself. He concludes, the actual exodus was the cradle of global values of compassion and equal rights today"--front flap.

Dart nun, bei den Heiden, bei diesen wirkiich vorbild- haften Menschen erscheint uns das Interesse fiir die Person, fiir den Namen, fiir Gesicht und Gebiirde er- iaubt und natiiriich. H. Hesse, "Das Giasperienspiel" In 1979 the world celebrates the centenary of Albert Einstein's birth. This offers an occasion to review his life and his scientific work in retrospect, to survey his importance for our time, and to look forward to future years of scientific research. Undoubtedly, Einstein was one of the key-figures in the intellectual history of our century. He influenced physics and philosophy, as well as politics. The creation of general relativity is one of the greatest scientific achievements of our time, as well as the apex of Einsteins's scientific work. Its full implications for the other fields of physics have become clear only in recent years. The technological possibilities offered by space research have enabled mankind to survey the universe for the first time unhindered by the earth's atmosphere. This has led to new discoveries and has shown that even some of the far-reaching conclusions derived from Einstein's theory are borne out by observation. General relativity, which has for a long time been viewed as an outsider among physical theories because of its mathematical difficulty and complexity, is considered now to be the prototype of theories in the fields of elementary particle physics and even solid state physics.

"As child, Meryl Frank was the chosen inheritor of family remembrance. Her aunt Mollie, a formidable and cultured woman, insisted that Meryl never forget who they were, where they came from, and the hate that nearly destroyed them. Over long afternoons, Mollie told her about the city, the theater, and, above all else, Meryl's cousin, the radiant Franya Winter. Franya was the leading light of Vilna's Yiddish theater, a remarkable and precocious woman who cast off the restrictions of her Hasidic family and community to play roles as prostitutes and bellhops, lovers and nuns. Yet there was one thing her aunt Mollie would never tell Meryl: how Franya died. Before Mollie passed away, she gave Meryl a Yiddish book containing the terrible answer, but forbade her to read it. And for years, Meryl obeyed. Unearthed is the story of Meryl's search for Franya and a timely history of hatred and resistance. Through archives across four continents, by way of chance encounters and miraculous discoveries, and eventually, guided by the shocking truth recorded in the pages of the forbidden book, Meryl conjures the rogue spirit of her cousin-her beauty and her tragedy. Meryl's search reveals a lost world destroyed by hatred, illuminating the cultural haven of Vilna and its resistance during World War II. As she seeks to find her lost family legacy, Meryl looks for answers to the questions that have defined her life: what is our duty to the past? How do we honor such memories while keeping them from consuming us? And what do we teach our children about tragedy?"--

Intelligence turns me on. Lore Segal's tour de force look at the New York literary scene was a hit when it was first released in the 1970s, winning the praise of the literary elite. John Garnder called it “magical.” William Gass said it was “witty, elegant, beautiful.” Stanley Elkin called it “a shamelessly wonderful novel, so flawless one feels civilized reading it.” It's been a cult classic ever since, and appears here in its full, original text, as fresh as ever: the story of the whimsical New York poet Lucinella and her adventures among the literati. It starts at Yaddo writers colony, where life is idyllic, meals are served to you in your rooms, and cocktails are ready at day's end … and still the writers complain and compete. Then it moves back to New York City, where the pampered once again face reality, and wonder: Will a different husband … or the right publisher … or the perfect filing system … put life in order? Lucinella and her circle feel lacking and keep looking, busily going to parties and watching one another 's lives closely for signs of happiness, love and despair. Segal depicts it all with a perfect blend of love and malice. And at the center is Lucinella herself, so full of humanity and frailty that these divertissements do her to death. “Here,” as Cynthia Ozick says, “is the enchanted microcosm, the laughter of mortality.” The Contemporary Art of the Novella series is designed to highlight work by major authors from around the world. In most instances, as with Imre Kertész, it showcases work never before published; in others, books are reprised that should never have gone out of print. It is intended that the series feature many well-known authors and some exciting new discoveries. And as with the original series, The Art of the Novella, each book is a beautifully packaged and inexpensive volume meant to celebrate the form and its practitioners.

"It was one of history's great vanishing acts. As early as 3500 BCE, scribes in the mud-walled city-state of Sumer used a reed stylus to press tiny wedge-shaped symbols into clay. For three thousand years, the script chronicled the military conquests, scientific discoveries, and epic literature of the grand kingdoms of Mesopotamia - Assyria, Babylon, the mighty Achaemenid Empire - along with precious minutia about everyday life so long ago. But as the palaces of these once great kingdoms sank beneath the desert sands, the meaning of these characters was lost. London, 1857. Colossal sculptures of winged bulls and alabaster bas-reliefs depicting cities under siege and vassals bearing tributes to Biblical kings lined the halls of the British Museum. In the Victorian era's obsession with the triumph of human progress, the mysterious kingdoms of ancient Mesopotamia - the very cradle of civilization - had captured the public imagination. Yet Europe's best philologists struggled to decipher the strange characters. Cuneiform seemed to have thousands of symbols - with some scholars claiming each could be pronounced in up to eight, nine, even ten different ways. Others insisted they'd cracked the code and deciphered inscriptions that corresponded precisely to the Old Testament - proving the veracity of the Word of God. Was it all a hoax? A delusion? A rollicking adventure through the golden age of archaeology, The Writing on the Wall tracks the decades-long race to decipher the oldest script in the world. It's the story of a swashbuckling young archeologist, a suave British military officer, and a curmudgeonly Irish rector, all vying for glory - from the ruins of Persepolis to the opulence of Ottoman-era Baghdad - in a quest to unearth the relics of lost civilizations and unlock the secrets of humanity's past"--

From his very first photograph made on assignment for Vogue in 1943 to the fresh images that he continues to make for that magazine today at age eighty-seven, Irving Penn again and again has shown an uncanny ability to surprise the world with his art. Far from a typical career retrospective, A Notebook at Random is a revelation. Included here are some of Penn's signature images - austere, elegantly composed portraits, still lifes, and fashion photographs - along with rough sketches and line drawings that provide a window into ideas and images in the making. A consummate technician and innovator, Penn invites us to consider process alongside end product, providing new insight into his radical compositions, experiments with light, and unique printing techniques. A Notebook at Random is populated with artists, writers, and models whose lives intersected with Penn's: Picasso, Jean Cocteau, and Lisa Fonssagrives look out at us with that timeless intensity that characterizes an Irving Penn portrait. Many of the photographs presented here are alternate poses or torn test fragments, pages from his personal "notebook"; some are newer discoveries, including a previously unpublished portrait of Truman Capote. Some of the most striking pages in this "notebook" reproduce Penn's paintings, painted photographs, and mixed-media works, images so layered and exquisitely constructed that they resemble cubist assemblages. And in keeping with Penn's long-standing commitment to the optimal presentation of his work, this book is produced to the most exacting standards: fine paper, full cloth binding, and reproductions that are almost indistinguishable from his originals.

The tension between Freud's clinical discoveries about the power of human emotions and the theoretical framework in which he embedded these discoveries has been most eloquently detailed by Freud himself. His agoniz ing reappraisal. in 1926, of the libido theory of anxiety is just one example. But, as is usually the case, theoretical difficulties point to gaps in existing knowledge. At the time when Freud made his fundamental discovery that hysterical symptoms (and dreams) were understandable as reflections of for bidden ("strangulated") affect, anthropology was essentially nonexistent as a science. The cultural nature of human beings (our species' unique adaptation to life) could only be adumbrated by Freud (for example, in the myth of Totem and Taboo). As a consequence, the primacy of human attachment emotions in the acculturation process could not be postulated as a theoretical base. What Freud adopted as his base of theorizing was the most forward looking materialist concept of his the Darwinian concept of individual instincts as the driving force in life. Freud assumed that the vicissitudes of in stincts determine the fate of "ideas" in consciousness. Freud's theoretical base thus impelled him to speculate about the origin and fate of ideas instead of about the origin and fate of human emotional connectedness. This book is a small step along the road which should ultimately bring Freud's discoveries into a modem theoretical framework in psychology."

Known to physicists as the "miracle year," 1932 saw the discovery of the neutron and the first artificially induced nuclear transmutation. However, while physicists celebrated these momentous discoveries--which presaged the era of big science and nuclearbombs--Europe was moving inexorably toward totalitarianism and war. In April of that year, about forty of the world's leading physicists--including Werner Heisenberg, Lise Meitner, and Paul Dirac--came to Niels Bohr's Copenhagen Institute for their annual informal meeting about the frontiers of physics. Physicist Gino Segráe brings to life this historic gathering, which ended with a humorous skit based on Goethe's Faust--little knowing the Faustian bargains they would face in the near future. Capturing the interplay between the great scientists as well as the discoveries they discussed and debated, Segráe evokes the moment when physics--and the world--was about to lose its innocence.--From publisher description.

In The Logic of Life François Jacob looks at the way our understanding of biology has changed since the sixteenth century. He describes four fundamental turning points in the perception of the structure of living things: the discoveries of the functions of organs, cells, chromosomes and genes, and DNA.

Discoveries Amedeo Kaplan dreams of discovering something -- some treasure no one realizes is there until he finds it. And he would like to discover a true friend to share this with. Improbably, he finds the friend in aloof, edgy William Wilcox. And even more improbably, he finds his treasure among the memorabilia in the house of his eccentric neighbor, Mrs. Zender. But Amedeo and William find more than treasure -- they find a story that links a sketch, a young boy's life, an old man's reminiscence, and a painful secret dating back to the outrages of Nazi Germany. And they discover unexpected truths about art, friendship, history, heroism, and the mysteries of the human heart.

"The poem is perhaps the highest verbal form of communication. It illuminates and it conceals. It is as precise and as vague as a mirror. Two-Way Mirror is a classic book of poetics by Beat Generation poet David Meltzer. Written in short remarks, autobiographical anecdotes, and inspirational quotations drawn from philosophical, ethnographic, and literary sources, Two-Way Mirror is both a nondidactic guide to the art Meltzer has devoted his life to, and a literary pleasure in itself. Attractively bound and printed in a deluxe gift edition, and featuring Meltzer's collection of found artwork collaged from thrift-store grammar books, this new and expanded edition retains the charm of the original while updating it for the present day. Building upon the version he self-published in 1977, Meltzer has written additional material that considers the effect of technological developments since the book's publication, as well as an afterword in which he reflects on the history of the volume, its inception, and its usefulness. With its various writing prompts, Two-Way Mirror has proven to be both inspirational and practical, a teaching tool and a guide to creativity that makes the perfect gift for poets at any stage of development. Praise for Two-Way Mirror "David Meltzer had set out, when he was very young, to write a long poem called The History of Everything, an ambition that his later poetry brought ever closer to fulfillment. Here, in Two-Way Mirror, he shows us the underpinnings for such an enterprise: a brilliant & wise work as rich in insights & discoveries today as when it was first published in 1977. I know of no better amalgam of poetry & poetics & no better introduction to the ways in which poetry can emerge for us & lead us beyond ourselves & toward our own fulfillments. Meltzer's grace of mind & the life of poetry that surrounds it make the case complete."-Jerome Rothenberg "A great book of learning from a lifetime's thoughts of the poem. Ramble, scribble, tickle, lightbulb! Timely and highly worthwhile."--Clark Coolidge Praise for David Meltzer: "One of the greats of post-World War Two San Francisco poets and musicians. He brought music to poetry and poetry to music!"--Lawrence Ferlinghetti "David Meltzer is a hidden adept, one of the secret treasures on our planet. Great poet, musician, comic, mystic unsurpassed, performer with few peers. His ear and his erudiation are fine-tuned and precise. A kind of bop-perfection pervades his work."--Diane di Prima About the Author: David Meltzer is a poet, novelist, editor, and musician. He has edited many anthologies, including SF Beat: Talking with the Poets. His most recent book is When I Was a Poet, Number 60 in the City Lights Pocket Poets Series. Lawrence Ferlinghetti has called him "one of the greats of post-World-War-Two San Francisco poets and musicians." "--

The thrilling conclusion to Chris Claremont's iconic 2000s X-Men run gets the omnibus treatment! Concluding Chris Claremont's most X-Treme series! Kitty Pryde has left super hero life behind, but the same bigotry that killed her loved ones continues to haunt her... and now a mechanical menace has targeted her for death! Meanwhile, when Reverend Stryker returns, the X-Treme team rushes to oppose his anti-mutant fanaticism - but with Lady Deathstrike in the mix, can they protect a strange new community? The X-Treme team faces off against a hostile X-Corp as Rogue and Gambit settle down in California, and Storm makes startling discoveries about herself when she endures brutal combat in a fight-or-die gladiator ring! But who is the mysterious telepath manipulating events from the shadows, and can the X-Treme X-Men rescue an unexpected old friend from his clutches? Collecting: Mekanix (2002) 1-6, X-Treme X-Men (2001) 25-46, X-Women (2010) 1, material from X-Men Unlimited (1993) 39

"Albert Einstein's face is still one of the most recognizable in the world and he's widely considered to be the first modern-day celebrity. While many of his discoveries continue to define our daily lives, it's not just his genius that continues to shape our world. Today, more people know Einstein as an icon rather than a theorist-decades after his death, he's a celebrity with a massive online following. The Einstein Effect shows all the ways his influence is still with us today-in our systems and in our culture. Interspersed between chapters on his long-lasting scientific legacy, author Benyamin Cohen (the mind behind Einstein's Twitter account!) also tells the story of how Einstein became an unlikely social media figure and pop culture icon in the modern age"--