Sam Sax's bury it, winner of the 2017 James Laughlin Award from the Academy of American Poets, begins with poems written in response to the spate of highly publicized young gay suicides in the summer of 2010. What follows are raw and expertly crafted meditations on death, rituals of passage, translation, desire, diaspora, and personhood. What's at stake is survival itself and the archiving of a lived and lyric history. Laughlin Award judge Tyehimba Jess says "bury it is lit with imagery and purpose that surprises and jolts at every turn. Exuberant, wild, tightly knotted mesmerisms of discovery inhabit each poem in this seethe of hunger and sacred toll of toil. A vitalizing and necessary book of poems that dig hard and lift luminously." In this phenomenal second collection of poems, Sam Sax invites the reader to join him in his interrogation of the bridges we cross, the bridges we burn, and bridges we must leap from.

"As one of a handful of journalists allowed in the courtroom, for 23 days Jonathan Alter sat just feet away from the most dangerous threat to democracy in American history, watching the spectacle of the century: the felony trial of Donald Trump. Highly publicized but untelevised and thus largely hidden from public view, this landmark trial offered hope of real justice amid a grueling eight-year national ordeal and foreshadowed the drama of the 2024 presidential election. Alter shares everything he witnessed--from eviscerating takes on the colorful characters to the chilling legal ups and downs--to offer a barbed account of the trial and its aftermath, including fresh reporting about the historic events of the summer of 2024. A Zelig of journalism experiencing a crisis of faith in the good sense of the American people, Alter chronicles the shaping of his political consciousness and his bracing, unpredictable relationships with Jimmy and Rosalynn Carter, Bill and Hillary Clinton, Barack Obama, John McCain, and Joe Biden, whose decision to stand down in favor of former prosecutor Kamala Harris put the criminal trial front and center as Americans render their own verdict at the polls."--

Jenny Erpenbeck's highly acclaimed novel Go, Went, Gone was a New York Times notable book and launched one of Germany's most admired writers into the American spotlight. In the New Yorker, James Wood wrote: "When Erpenbeck wins the Nobel Prize in a few years, I suspect that this novel will be cited." On the heels of this literary breakthrough comes Not a Novel, a book of personal, profound, often humorous meditations and reflections. Erpenbeck writes, "With this collection of texts, I am looking back for the first time at many years of my life, at the thoughts that filled my life from day to day." Starting with her childhood days in East Berlin ("I start with my life as a schoolgirl ... my own conscious life begins at the same time as the socialist life of Leipziger Strasse"), Not a Novel provides a glimpse of growing up in the GDR and of what it was like to be twenty-two when the wall collapsed; it takes us through Erpenbeck's early adult years, working in a bakery after immersing herself in the worlds of music, theater, and opera, and ultimately discovering her path as a writer. There are lively essays about her literary influences (Thomas Bernhard, the Brothers Grimm, Kafka, and Thomas Mann), unforgettable reflections on the forces at work in her novels (including history, silence, and time), and scathing commentaries on the dire situation of America and Europe today. "Why do we still hear laments for the Germans who died attempting to flee over the wall, but almost none for the countless refugees who have drowned in the Mediterranean in recent years, turning the sea into a giant grave?" With deep insight and warm intelligence, Jenny Erpenbeck provides us with a collection of unforgettable essays that take us into the heart and mind of "one of the finest and most exciting writers alive" (Michel Faber).

Questions about the future of war are a regular feature of political debate, strategic analysis, and popular fiction. Where should we look for new dangers? What cunning plans might an aggressor have in mind? What are the best forms of defense? How might peace be preserved or conflict resolved? From the French rout at Sedan in 1870 to the relentless contemporary insurgencies in Iraq and Afghanistan, Lawrence Freedman, a world-renowned military thinker, reveals how most claims from the military futurists are wrong. But they remain influential nonetheless. Freedman shows how those who have imagined future war have often had an idealized notion of it as confined, brief, and decisive, and have regularly taken insufficient account of the possibility of long wars--hence the stubborn persistence of the idea of a knockout blow, whether through a dashing land offensive, nuclear first strike, or cyberattack. He also notes the lack of attention paid to civil wars until the West began to intervene in them during the 1990s, and how the boundaries between peace and war, between the military, the civilian, and the criminal are becoming increasingly blurred. Freedman's account of a century and a half of warfare and the (often misconceived) thinking that precedes war is a challenge to hawks and doves alike, and puts current strategic thinking into a bracing historical perspective.

Free for All is an irresistible behind-the-scenes look at one of America’s most beloved and important cultural institutions. Under the inspired leadership of founder Joseph Papp, the Public Theater and the New York Shakespeare Festival brought revolutionary performances to the public for decades. This compulsively readable history of those years—much of it told in Papp’s own words—is fascinating, ranging from a dramatic early showdown with Robert Moses over keeping Shakespeare in the Park free to the launching of such landmark productions as Hair and A Chorus Line. To bring the story to life, film critic Kenneth Turan interviewed some 160 luminaries—including George C. Scott, Meryl Streep, Mike Nichols, Kevin Kline, James Earl Jones, David Rabe, Jerry Stiller, Tommy Lee Jones, and Wallace Shawn—and masterfully weaves their voices into a dizzyingly rich tale of creativity, conflict, and achievement.

A history of American liberalism since the Great Depression traces the pivotal roles of leading contributors, describing how their ambitions, flaws, and successes have shaped the nation's government, media, and culture.

Provides a better understanding of the Occupy Wall Street movement by exploring its origins, spirit, uniqueness, predecessors, and inner tensions, while discussing the role it's likely to play in future political culture.

An eminent economist warns that Western nations' economic expectations for the future are way out of sync with the realities of economic stagnation and stringent steps will be required to avoid massive political and economic upheaval. "It is alarmingly difficult to disagree with Stephen King. All one can say, perhaps, is that one of the great errors of human nature--strongly displayed before the credit crunch--is the belief that a prevailing trend will continue indefinitely. The crunch is surely a reminder that what goes up must come down."--Charles Moore, Daily Telegraph "[King] is dabbling in the financial equivalent of the horror genre. Perhaps even scarier, his is the stuff of nonfiction."--Michael J. Casey, Wall Street Journal

"A deeply reported look at how polarization and compounding crises, including the war in Gaza and threats to democracy, are reshaping the American political system"--

'Truly eye-opening . . . The most accessible and coherent introduction to Chomsky's ideas' Irish TimesThe land of the free. The home of the brave. But what has America achieved in the aim of 'spreading democracy' - except wreak havoc across the globe and establish a reckless foreign policy that serves the interest of few and has endangered all too many?In t[Bokinfo]

"Examines how presidential decisionmaking has been influenced by America's defeat in the Vietnam war, studying presidents Ford, Carter, Reagan, George H. W. Bush, Clinton, George W. Bush, and Obama and how they have approached key decisions regarding conflicts while in office"--Provided by publisher.

"Why has nationalism come roaring back? Trump in America, Brexit in the U.K., anti-EU parties in Italy, Germany, France, the Netherlands, Austria, Poland, and Hungary, and nativist or authoritarian leaders in Turkey, Russia, India, and China -- why has nationalism suddenly returned with a vengeance? Is the world headed back to the fractious conflicts between nations that led to world wars and depression in the early 20th Century? Why are nationalists so angry about free trade and immigration? Why has globalization become a dirty word? Based on travels in America, Europe, and Asia, veteran political analyst John B. Judis found that almost all people share nationalist sentiments that can be the basis of vibrant democracies as well as repressive dictatorships. Today's outbreak of toxic "us vs. them" nationalism is an extreme reaction to utopian cosmopolitanism, which advocates open borders, free trade, rampant outsourcing, and has branded nationalist sentiments as bigotry. Can a new international order be created that doesn't dismiss what is constructive about nationalism? As he did for populism in The Populist Explosion, a runaway success after the 2016 election, Judis looks at nationalism from its modern origins in the 1800s to today to find answers"--Back cover.

"One of America's finest reporters and essayists explores the powerful currents beneath the roiled waters of a nation coming apart. An unmatched guide to the religious dimensions of American politics, Jeff Sharlet journeys into corners of our national psyche where others fear to tread. The Undertow is both inquiry and meditation, an attempt to understand how, over the last decade, reaction has morphed into delusion, social division into distrust, distrust into paranoia, and hatred into fantasies-sometimes realities-of violence. Across the country, men "of God" glorify materialism, a gluttony of the soul, while citing Scripture and preparing for civil war-a firestorm they long for as an absolution and exaltation. Lies, greed, and glorification of war boom through microphones at hipster megachurches that once upon a time might have preached peace and understanding. Political rallies are as aflame with need and giddy expectation as religious revivals. At a conference for incels, lonely single men come together to rage against women. On the Far Right, everything is heightened-love into adulation, fear into vengeance, anger into white-hot rage. Here, in the undertow, our forty-fifth president, a vessel of conspiratorial fears and fantasies, continues to rise to sainthood, and the insurrectionist Ashli Babbitt, killed on January 6 at the Capitol, is beatified as a martyr of white womanhood. Framing this dangerous vision, Sharlet remembers and celebrates the courage of those who sing a different song of community, and of an America long dreamt of and yet to be fully born, dedicated to justice and freedom for all. Exploring a geography of grief and uncertainty in the midst of plague and rising fascism, The Undertow is a necessary reckoning with our precarious present that brings to light a decade of American failures as well as a vision for American possibility"--

From Pulitzer Prize-winning Washington Post reporter Eli Saslow, a powerful portrait of a country grappling with the pandemic, told through voices of people from all across America The Covid-19 pandemic was a world-shattering event, affecting everyone in the nation. From its first ominous stirrings, renowned journalist Eli Saslow began interviewing a cross-section of Americans, capturing their experiences in real time: An exhausted and anguished EMT risking his life in New York City; a grocery store owner feeding his neighborhood for free in locked-down New Orleans; an overwhelmed coroner in Georgia; a Maryland restaurateur forced to close his family business after forty-six years; an Arizona teacher wrestling with her fears and her obligations to her students; rural citizens adamant that the whole thing is a hoax, and retail workers attacked for asking people to wear masks; patients struggling to breathe and doctors desperately trying to save them. Through Saslow's masterful, empathetic interviewing, we are given a kaleidoscopic picture of a people dealing with the unimaginable. These deeply personal accounts make for cathartic reading, as we see Americans at their worst, and at their resilient best.

Today's antisemitism is difficult to recognize because it does not come dressed in a Nazi uniform and it does not openly proclaim its hatred or fear of Jews. This book looks at the kind of antisemitism which is tolerated or which goes unacknowledged in apparently democratic spaces: trade unions, churches, left-wing and liberal politics, social gatherings of the chattering classes and the seminars and journals of radical intellectuals. It analyses how criticism of Israel can mushroom into antisemitism and it looks at struggles over how antisemitism is defined. It focuses on ways in which those who raise the issue of antisemitism are often accused of doing so in bad faith in an attempt to silence or smear. Hostility to Israel has become a signifier of identity, connected to opposition to imperialism, neo-liberalism and global capitalism; the 'community of the good' takes on toxic ways of imagining most living Jewish people.

Called "the Fabergé of our time" by Diane von Furstenberg, Joel A. Rosenthal, who works in Paris under the name JAR, is one of the most acclaimed jewellery designers of the past thirty years. JAR is known for his use of precious and semi-precious stones resplendent with myriad shades of vibrant colour and set in organic shapes: one brooch, for instance, features lifelike petals in subtly differentiated hues, made from a thousand pavé sapphires and amethysts. The New York Times has described his jewellery as "belligerent, stubborn, audacious, funny, contradictory", while JAR himself has characterised his work as "somewhere between geometry and a bouquet of flowers". This book, featuring nearly 70 pieces from throughout JAR's career, provides a concise, accessible, elegantly designed retrospective of the best of his jewellery creations, and is the only book of its kind on his work available in English

While the special relationship of all ethnic and religious minorities in the USA with their old countries and the existence of their pressure groups is regarded as normal, the support given by U.S. Jews to Israel and the pro-Israeli lobby causes some Americans to view the Jews as disloyal to the USA. Examines the "paper" by John J. Mearsheimer and Stephen M. Walt, "The Israeli Lobby and U.S. Foreign Policy" (first published in 2006 on the Internet and then in the "London Review of Books"; an expanded book appeared later, in 2007). The authors contend that U.S. support of Israel is harmful to American interests, and is due to pressure exerted by a mighty Israel Lobby which acts to the detriment of the state. They argue that the Israel Lobby had a crucial part in the decision to attack Iraq in 2003. Notes that despite the academic style of their paper, Mearsheimer and Walt have revived the myths of a Jewish conspiracy, of Jewish control of the mass media, and of a Jewish secret power. Dwells, also, on the Tony Judt affair. In 2006 Judt, who supported Mearsheimer and Walt, was to deliver a lecture on a binational alternative for Israel. His lecture was cancelled, which he ascribed to pressure by the Anti-Defamation League. Supporters of Mearsheimer and Walt used it as a demonstration of the Israel Lobby's intervention. Criticizes Jimmy Carter's book "Palestine: Peace Not Apartheid" (2006) for its clear anti-Israel bias.

"This liquid modern world of ours, like all liquids, cannot stand still and keep its shape for long. Everything keeps changing - the fashions we follow, the events that intermittently catch our attention, the things we dream of and things we fear. And we, the inhabitants of this world in flux, feel the need to adjust to its tempo by being 'flexible' and constantly ready to change. We want to know what is going on and what is likely to happen, but what we get is an avalanche of information that threatens to overwhelm us. How are we to sift the information that really matters from the heaps of useless and irrelevant rubbish? How are we to derive meaningful messages from senseless noise? We face the daunting task of trying to distinguish the important from the insubstantial, distil the things that matter from false alarms and flashes in the pan. Nothing escapes scrutiny so stubbornly as the ordinary things of everyday life, hiding in the light of deceptive and misleading familiarity. To turn them into objects of attention and scrutiny, they must first be torn out from that daily routine: the apparently familiar must be made strange. This is precisely what Zygmunt Bauman seeks to do in these 44 letters: each tells a story drawn from ordinary lives, but tells it in order to reveal an extraordinariness that we might otherwise overlook."--Pub. website.